J. Michelle Martin-CoyneSo what are you doing June 16? Are you one of those so conditioned by years of Toronto Radiohead shows selling out in a heartbeat that you tripped over yourself getting tickets for their Downsview gig as soon as they went on sale, even though the new venue was over twice the size of the Amphitheatre and general admission? Or are you one of those conscious of the fact that this is a King Of Limbs tour and realistically speaking, they probably won’t be playing the stuff you like most and anyways that’s the day the reunited Archers Of Loaf are finally coming to town and there’s no place you’d rather be that night than The Phoenix? Or were you waiting to hear what NXNE had up their sleeves since that’s when the Yonge-Dundas Square mainstage traditionally hosts the biggest name of the fest playing for free? If you chose option c), then congratulations on wanting to make an informed decision. And I’m sorry to say that Radiohead is now sold out so all your strategizing was for naught.

But you’ve hardly lost out as NXNE finally announced their first batch of acts playing the festival this year, and the Saturday night mainstage headliners will be none other than The Flaming Lips. The Oklahoman psychedelic-rockers, last here in July 2010, will endeavour to transform Yonge-Dundas Square into a garish, technicolor assault on the senses… so pretty much what it is every day, but with a bubble walk. Kidding aside, it will be pretty exciting to see a lot of people who’ve presumably never seen the Lips perform (or even know who they are) witness one of the most ridiculous and entertaining live shows going. Laser hands! And hey – since Yonge-Dundas isn’t far from The Phoenix, you can technically do both The Lips and Archers Of Loaf. I will, anyways.

As for the other confirmed acts, there’s a pretty impressive collection of both buzz bands and veterans coming to Toronto the weekend of June 14 to 17 – certainly more than a few that I’ve either been waiting to see come to town or are quite curious about. And because I’m a big dork, as I’ve done the past couple years, I’ve tried to discern the when and where of as many showcases as possible based on tour routing, previous announcements, what have you. There’s not quite as much info floating around right now as in past years, but if you wanted to get a jump start on trying to resolve inevitable scheduling conflicts, it’s something. Of course, all of this is unconfirmed until the official schedule is unveiled and certainly subject to change – I’ll probably keep updating it until that happens, if just for my own reference – but my sources are credible.

Wednesday, June 13, 2012
Hayes Carll, July Talk @ The Horseshoe
Eternal Summers @ The Drake Underground

Thursday, June 14, 2012
Bad Religion, No Use For A Name, Good Riddance @ Yonge-Dundas Square
White Rabbits, Vacationer, Nash @ The Mod Club
Bran Van 3000, Unknown Mortal Orchestra, Violens, Hooded Fang @ The Horseshoe
The Men, Grass Widow, The Black Belles, Mac DeMarco, Gap Dream @ The Garrison
Young Magic, Purity Ring, Moon King, Exitmusic, The Hundreds in The Hands @ Wrongbar
The Danks, Vinyl Williams @ The Drake Underground
Bleached @ The Silver Dollar
Mean Jeans @ The Shop Under Parts & Labour
The Seedy Seeds @ The Painted Lady
Larry & His Flask, The Schomberg Fair @ Sneaky Dee’s

Friday, June 15, 2012
Matthew Good, Plants & Animals, Eight And A Half @ Yonge-Dundas Square
2:54, Friends, Oberhofer @ Lee’s Palace
The Smoking Popes @ The Great Hall
The Sadies & Andre Williams, Reigning Sound, The Black Belles, The Coppertone @ The Horseshoe
Widowspeak, Yamantaka // Sonic Titan, Art Vs. Science @ The Garrison
The Men, Bass Drum Of Death, DZ Deathrays, The Death Set, Metz @ Wrongbar
Bleached, Parlovr, Hooded Fang, Goose Hut @ The Silver Dollar
Rah Rah @ The Dakota Tavern
Phèdre, Odonis Odonis, Beta Frontiers, Cartoons, Hellaluya, Hussy, Times Neue Roman @ Sneaky Dee’s
Brasstronaut, Útidúr @ TBA

Saturday, June 16, 2012
The Flaming Lips, Of Montreal, The Soundtrack Of Our Lives, Ceremony, Art Vs. Science, Oberhofer, Parlovr, Hollerado @ Yonge-Dundas Square
Archers Of Loaf, Metz @ The Phoenix
Catl, Young Empires @ The Horseshoe
Killer Mike, Death Grips, Ceremony, Doldrums, Trae Tha Truth @ Wrongbar
Yamantaka // Sonic Titan @ Sneaky Dee’s
Holly McNarland, The Deer Tracks @ The Rivoli
Limblifter, Shellshag, Our Brother The Native, Neon Windbreaker, International Zombies OF Love @ El Mocambo
Kontravoid, Automelodi, Bleached, Prince Innocence, Ell V Gore, Mac DeMarco, Cellphone, Dutch Toko @ The Silver Dollar
Sean Rowe @ The Dakota Tavern
WAZU @ The Painted Lady
Carnival Moon @ Czehoski
DJ Jonathan Toubin @ TBA

Sunday, June 17, 2012
Raekwon & Ghostface Killah @ Yonge-Dundas Square

The full list of announced acts – including those without a venue or exact date that I can pin down – can be grokked over here but definitely catching my eye are Rival Schools and Porcelain Raft (June 14 or 15). Not a bad start at all, lots more to come.

MP3: Archers Of Loaf – “Harnessed In Slums”
MP3: Ceremony – “Hysteria”
MP3: Death Grips – “Spread Eagle Cross The Block”
MP3: The Deer Tracks – “Dark Passenger”
MP3: Mac DeMarco – “Baby’s Wearin’ Blue Jeans”
MP3: Doldrums – “I’m Homesick Sittin’ Up Here In My Satellite”
MP3: Hollerado – “Americanarama”
MP3: The Men – “Ex-Dreams”
MP3: Oberhofer – “Away Frm U”
MP3: Of Montreal – “Coquet Coquette”
MP3: The Soundtrack Of Our Lives – “Karmageddon”
MP3: Widowspeak – “Harsh Realm”
MP3: Andrew Williams – “Dirt”
Video: Bad Religion – “21st Century Digital Boy”
Video: The Black Belles – “What Can I Do”
Video: The Flaming Lips – “Fight Test”
Video: Friends – “Friend Crush”
Video: Ghostface Killah – “2getha Baby”
Video: Matthew Good – “Everything Is Automatic”
Video: Raekwon – “House Of Flying Daggers”
Video: 2:54 – “You’re Early”

And speaking of The Flaming Lips, their Flaming Lips & Heady Fwends album is out this Saturday for Record Store Day – if you can get your hands on one – and Wayne Coyne talks about it to The Huffington Post. They’ve also released a video from it – NSFW, of course. Lips don’t do clothes.

Video: The Flaming Lips and New Fumes – “Girl, You’re So Weird”

Electronic Anthology Project is the brainchild of Built To Spill’s Brett Netson wherein he takes songs from artists who aren’t especially electronic – like, say, Dinosaur Jr – and recreates them in synth-y, new wave style and actually makes it work. Of course it helps when you can get the likes of J Mascis to re-record some vocals for the project… The Electronic Anthology Project of Dinosaur Jr will be released on CD for Record Store Day but you can stream the whole thing right now at Stereogum.

Stream: Electronic Anthology Project – “Tarpit”
Stream: Electronic Anthology Project of Dinosaur Jr

Stereogum checks in with Jana Hunter of Lower Dens to see how things are coming on their next album Nootropics, out May 1.

Beach House are streaming another new song from Bloom, out May 15. It’ll be available on 7″ for Record Store Day this Saturday.

Stream: Beach House – “Lazuli”

Spin interviews Bethany Cosentino of Best Coast, whose new record The Only Place is out on May 15. They play The Phoenix on July 21.

Though Mark Kozelek has a habit of booking and then cancelling shows, he’s planning to be in Toronto at The Great Hall on October 3 to promote the new Sun Kil Moon record Among The Leaves, out May 29. Tickets are $20 in advance and refunds will be available at the point of purchase.

MP3: Sun Kil Moon – “UK Blues”
MP3: Sun Kil Moon – “Carry Me Ohio”
MP3: Sun Kil Moon – “Sunshine In Chicago”

Exclaim reports that the second Guided By Voices album of 2012 – Class Clown Spots a UFO – will be out on June 21 and a third GBV album entitled Bears For Lunch should be out in November. Most prolific reunion ever?

That Nintendo-premiered new video from The Shins is finally available to watch online. They’re at The Molson Amphitheatre on August 4 supporting The Black Keys.

Video: The Shins – “The Rifle’s Spiral”

Craig Finn tells Rolling Stone that The Hold Steady will begin work on a new record this Summer, but he’s not quite done with the solo thing yet – Paste has premiered a new video as part of a fundraising campaign for Big Brother/Big Sisters of America.

Video: Craig Finn – “Respective Coasts”

Spin chats with M. Ward.

Chart talks to Nada Surf frontman Matthew Caws.

Frank YangNada Surf fly under a lot of peoples’ radars, remembered as that “Popular” band if they’re remembered at all, but they really do deserve credit for not only surviving the boom and bust of the ’90s alt-rock scene but putting together a fruitful second act of solidly tuneful albums of sensitive guitar pop while many of their contemporaries called it quits and are only returning to action now via the reunion track.

The seventh of which, The Stars Are Indifferent To Astronomy, was released back in January to follow up their 2010 covers record If I Had A Hi Fi and it follows the aforementioned template though with more volume and velocity than you might expect from them at this point. The band could probably get away with writing strictly sensitive, ballad-y material at this point but Astronomy shows that they can still turn up and rock a bit when they want to.

And just as they did in January 2008 when they were promoting their last album of new material, Lucky, they made time during a visit to Toronto to play an in-store at Sonic Boom. That occasion came during the advance press circuit and not the actual tour, so they were able to play a longer set at the store’s old location; this time, they were at the new Bathurst St. location offering what frontman Matthew Caws described as a condensed version of that evening’s performance at the Opera House. But while this equated to a shorter set, it also meant that the band were fully equipped to play. Sure, Caws still stuck to his acoustic and drummer Ira Elliot again forewent a kit for a rhythm box/stool, this time Daniel Lorca had his bass with him and their two touring players – Calexio’s Martin Wenk and former Guided By Voices guitarist Doug Gillard – were on hand to fill things out in indie rock all-star style.

Their mini-set drew from all their records and they performed with the confidence and ease of a unit with little else to prove, content and grateful to be able to play for themselves and their fans. Some may point at them and declare them a band that’s had its moment and is far from fashionable, but there’s something to be said about no longer be beholden to the machinations of hype. Bands of the moment should count themselves lucky if they can eventually write a brace of songs as good as Nada Surf’s, let along have their longevity.

Hater High has a recording of the in-store to share while The Boston Phoenix and Billboard have feature pieces on the band.

Photos: Nada Surf @ Sonic Boom – April 4, 2012
MP3: Nada Surf – “When I Was Young”
MP3: Nada Surf – “See These Bones”
MP3: Nada Surf – “Do It Again”
MP3: Nada Surf – “Blankest Year”
MP3: Nada Surf – “Blonde On Blonde”
Video: Nada Surf – “When I Was Young”
Video: Nada Surf – “Electrocution”
Video: Nada Surf – “Whose Authority”
Video: Nada Surf – “Weightless”
Video: Nada Surf – “Always Love”
Video: Nada Surf – “Blankest Year”
Video: Nada Surf – “Inside Of Love”
Video: Nada Surf – “The Way You Wear Your Head”
Video: Nada Surf – “Firecracker”
Video: Nada Surf – “Popular”
Video: Nada Surf – “Treehouse”

The June 19 release date of The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do confirmed, the return of Fiona Apple continues with a full North American tour; Pitchfork has the Summer dates, which include a July 4 date at The Sound Academy in Toronto.

Video: Fiona Apple – “Fast As You Can”

Fast Company Create and Pitchfork talk to The Flaming Lips’ Wayne Coyne about their forthcoming collaborations album Flaming Lips & Heady Fwends, due out this Record Store Day, April 21.

Father John Misty has released another track from the forthcoming Fear Fun, due out May 1. He plays The Horseshoe on May 14.

MP3: Father John Misty – “Nancy From Now On”

There’s a new video available from White Rabbits’ latest Milk Famous. They’re interviewed at St. Louis Today, The Columbia Daily Tribune, and College Times.

Video: White Rabbits – “Temporary”

DIY has a feature piece on M. Ward, whose new album A Wasteland Companion is finally out tomorrow.

The Village Voice interviews Stephin Merritt of The Magnetic Fields.

Artrocker checks in quickly with Stephen Malkmus.

The Birmingham News talks to Patterson Hood of Drive-By Truckers.

The Toronto Star interviews Howler.

DIY has a video session with Craig Finn while CBS Sports talks to the Hold Steady frontman about his love of baseball. On a similar note, Rolling Stone talks to other musicians about their affection for America’s pastime.

Frank YangBack to back festivals! What a great idea. Just prior to heading out to engage with Canadian Musicfest’s 2012 edition, I took a look back at years past and noticed a couple trends – one, that I usually complain about the lineup (check!) and that as a result of not wanting to see the same old same old, I try to branch out and see new and unknown acts, usually from foreign climes, with little background and no guarantee of quality… with consistently mixed results. Would the class of ’12 fare any better? Let’s find out.

Toronto/St. Catharine’s quartet Old World Vulture didn’t really fit into the “unknown to me” category as I’ve been writing them up and recommending them since 2009 but this would actually be the first time I’d ever gotten around to seeing them live, so in that sense it was new. They were playing the upstairs of The El Mocambo, where I don’t think I’d set foot in nearly a decade – since the Blow-Up Britpop nights moved to other venues – and having undergone some renovations since then, it felt both unfamiliar and nostalgic. Not that that was either here nor there – Old World Vulture’s loud and heavy sound was about as far removed from The Wannadies as you were going to get and they were going to keep my attention firmly in the present. In a sense, it’s good that the post-rock genre is rather formulaic as it forces purveyors of it to find a unique angle; Old World Vulture set them apart with their synth leads, which were most interesting when evoking a ’70s sci-fi film vibe. Elsewhere, they were more reminiscent of mid-era Mogwai with less reliance on the loud-quiet thing and more on maintaining a steady, lumbering menace. I was glad to finally be able to tick “see Old World Vulture” off my to-do list.

Photos: Old World Vulture @ The El Mocambo – March 22, 2012
MP3: Old World Vulture – “J.R. Flood”
MP3: Old World Vulture – “Trophy Lovers”
MP3: Old World Vulture – “Bastard Engine”

It’s no short hop from the El Mo to The Drake, but I made pretty good time in hoofing it from A to B in order to catch Scottish collective Aerials Up make their Toronto debut. Looking at the band – a co-ed collective of happy young people brandishing an assortment of rock and orchestral instruments, you might think you know exactly what to expect: big, exuberant pop with multi-part harmonies and swells of strings bouncing off crunchy electric guitar… and you’d be about right. But even though they don’t add anything new to the style, they don’t make it feel any more played out thanks to their enthusiasm, charm, and likeable tunes. The turnout was decent enough for the gig though it was a bit hard to say how many were genuinely paying attention – even when exhorted by the band to stand up, some wouldn’t give up their seats. The Daily Record reports on some of the fundraising efforts the band undertook to afford to come over to Canada.

Photos: Aerials Up @ The Drake Underground – March 22, 2012
Video: Aerials Up – “I Am”
Video: Aerials Up – “Superglue”

It was then a streetcar ride down Queen to get to The Rivoli where the Irish showcase had been chugging along all night. I arrived in time to see Dublin’s Cloud Castle Lake get started, I thought their moody, ambient approach promising – vocalist Daniel McAuley certainly had a falsetto that you could build impressive things around. But within a few numbers it became clear that their songs were not going to coalesce into more coherent songs, and instead would remain sketches more interested in allowing the vocals to roam than offer a memorable listening experience, the extended breaks between songs fiddling with the laptop not helping matters either. A few pieces did possess enough structure to offer optimism about the future and there’s no question they’re in possession of some impressive instruments to work with, but they really need some melodies.

Photos: Cloud Castle Lake @ The Rivoli – March 22, 2012
Stream: Cloud Castle Lake – “A Wolf Howling”

On the other hand, Dublin’s Squarehead were pretty much as advertised: a scrappy power pop trio with garage-y and punkish tendencies It did take a few songs for the expected raucousness to kick in – they seemed to need a little time to warm up – but their acceleration was steady and by the end of their set, they were getting pretty punchy up there. A fun and tuneful set that made up somewhat for the fact that I didn’t get home till 2:30AM and all the SXSW recovery that I’d been stockpiling through the week was basically all squandered.

Photos: Squarehead @ The Rivoli – March 22, 2012
MP3: Squarehead – “Midnight Enchilada”
Video: Squarehead – “Midnight Enchilada”
Stream: Squarehead / Yeah Nothing

Nada Surf will warm up for their show at The Opera House that evening with an in-store at Sonic Boom on April 4 at 6PM. The Seattle Times has a chat with frontman Matthew Caws.

MP3: Nada Surf – “When I Was Young”

Nebulously-named buzz band the praise for their new record Open Your Heart into town for two shows – June 14 at The Garrison and June 15 at Wrongbar. And if you intuit from the timing and frequency that this’ll be for NXNE, you get a cookie.

MP3: The Men – “Ex-Dreams”
MP3: The Men – “Open Your Heart”

Pitchfork reports that Mission Of Burma will release a new album entitled Unsound on July 9; the first single is available to stream now.

Stream: Mission Of Burma – “Dust Devil”

If you didn’t download that mixtape they offered last week or just want to hear the one new song, Titus Andronicus’ contribution to a split 7″ with Diarrhea Planet is now available to stream.

Stream: Titus Andronicus – “Upon Viewing Oregon’s Landscape with the Flood of Detritus”

Retribution Gospel Choir have release a video from their new EP The Revolution/.

Video: Retribution Gospel Choir – “The Stone (Revolution)”

NYC Taper is sharing a recording of a Bowerbirds show in New York last week and Gapers Block an interview.

Prefix interviews M. Ward.

Paper talks to Annie Clark of St. Vincent/. She has a couple of collector-interest releases coming up – a 7″ with two new tracks for Record Store Day on April 21 and a deluxe edition of Strange Mercy called – wait for it – Stranger Mercy that comes with a DVD of her 4AD Sessions and attendant promo videos on May 8.

Magnet and The AV Club talk to James Mercer of The Shins, who will be paying a visit at The Molson Amphitheatre on August 4.

The National Post and Chart talk to Alexis Krauss of Sleigh Bells. Their show at The Phoenix now in the books, their next visit will come April 27 and 28 at The Air Canada Centre opening up for Red Hot Chili Peppers.

D.L. AndersonIt’s unlikely bird videos will ever achieve the same degree of online adoration as, say, cat videos, but when said clips come courtesy of artists who push the boundaries of what can be called folk music the way that North Carolina’s Bowerbirds and Chicago’s Andrew Bird do, a little more attention should be paid. Both artists released their new albums this week – The Clearing and Break It Yourself, respectively – and both have marked the occasion with the release of a new video.

Both are also streaming the new records in whole – not new news, but always good to be reminded of – and are doing quite a bit of press to promote their records. Bowerbirds are featured in The Quietus, The 405, Consequence Of Sound, Interview, Paste, and NPR while Mr. Bird has chats with each of Interview, PopMatters, The Stool Pigeon, The Guardian, Spinner, and The AV Club.

Where they differ is in their migratory patterns – Bowerbirds have long had a March 27 date at The Garrison in Toronto booked as part of their Spring tour, whereas Andrew Bird’s tour dates come as close as Detroit, but no closer – at least for now. I don’t think he’s been here since Spring 2009 so it’s reasonable to say he owes us a visit.

MP3: Bowerbirds – “Tuck The Darkness In”
MP3: Bowerbirds – “In The Yard”
Stream: Andrew Bird – “Eyeoneye”
Stream: Andrew Bird – “The Crown Salesman”
Video: Bowerbirds – “Tuck The Darkness In”
Video: Andrew Bird – “Eyeoneye”
Stream: Bowerbirds / The Clearing
Stream: Andrew Bird / Break It Yourself

Shearwater is named for a kind of bird, so they’re up next. Rolling Stone talks to frontman Jonathan Meiburg about their new record Animal Joy.

Mother Jones chats with Sharon Van Etten, who just premiered a new video from Tramp at The Los Angeles Times.

Video: Sharon Van Etten – “Leonard”

Perhaps hoping to get people talking about something besides their collaboration with a corporation as ethically vile as Urban Outfitters, Best Coast have announced the May 15 release of their second album The Only Place and accompanying tour which hits The Phoenix on July 21, tickets $18.50. Details on the record and full tour dates over at Tiny Mix Tapes.

MP3: Best Coast – “Boyfriend”

The Decemberists are spreading the love around, streaming both discs of their forthcoming live set We All Raise Our Voices at two different sites – Rolling Stone and Paste.

Stream: The Decemberists / We All Raise Our Voices to the Air (Live Songs 04.11-08.11) disc one
Stream: The Decemberists / We All Raise Our Voices to the Air (Live Songs 04.11-08.11) disc two

They haven’t fessed up to the accuracy of reports that their new album would be called Bloom and released on May 15, but the fact that a new Beach House song showed up to stream on their website the other night certainly makes it seem to be the case. The track is called “Myth” and it sounds like Beach House. Update: Okay, the above new album info is officially official.

Stream: Beach House – “Myth”

NOW welcomes EMA back to town; she’s at The Garrison on March 13. The Chicago Sun-Times, Montreal Mirror, and Playback:STL also have interviews.

Death & Taxes, Clash, and DIY have interviews with Sleigh Bells, making up a cancelled date at The Phoenix on March 26 and supporting Red Hot Chili Peppers at The Air Canada Centre on April 27 and 28.

For a guy with a reputation for being a tough interview, Stephin Merritt sure is entertaining a lot of inquiries. The Magnetic Fields mastermind chats Love At The Bottom Of The Sea with PopMatters, Rolling Stone, Clash, Beatroute, Salon, and Vulture. They will play The Sound Academy on March 30.

They Shoot Music has a video session and Magnet and Beatroute interviews with Nada Surf. They play The Opera House on April 4.

co.create looks at the marketing campaign being organized to help make Minneapolis’ Howler your new favourite band. They may or may not include this video session and interview at The Alternate Side or this interview about their already in-process second album at Paste, and if they work, you may find yourself seeing them at The Drake Underground on April 5.

Also courtesy of The Alternate Side is a session and interview with Perfume Genius, and also worth reading is an interview with Mike Hadreas at Slutever. Perfume Genius is at The Drake on April 8.

If you ever need a reminder of how gorgeous Low can be, this performance recorded in a Duluth church for a new television programme called Audio-Files should do the trick. They’re here on April 19 at Massey Hall opening for Death Cab For Cutie.

Video: Low – “Point Of Disgust” (live for Audio-Files)

Interview gets to know Hospitality, in town at The Garrison on May 5.

The Fly talks to James Mercer of The Shins, whose Port Of Morrow arrives March 20. They are at The Molson Amphitheatre on August 4.

Clash talks to Jay Farrar about the Woody Guthrie tribute project New Multitudes, of which he’s a part.

Jeff Tweedy and Nels Cline discuss the guitar (read: gear) side of Wilco’s The Whole Love with Guitar World.

Also talking the gear: St. Vincent’s Annie Clark with Guitar Player.

Pitch, The Daily Nebraskan, and SXSW interview Lauren Larsen of Ume.

Daytrotter has posted a session with Telekinesis.

NYC Taper has shared a recording of one of Craig Finn’s recent performances in New York while Allentown Morning Call shares an interview.

The Quietus talks reunion with Greg Dulli of The Afghan Whigs.

Dirty Laundry hangs out in a laundromat with Eric Bachmann of Crooked Fingers and Archers Of Loaf.

Loud & Quiet talks to Robert Pollard of Guided By Voices.

PopDose talks to Bill Janovitz about the 20th anniversary of Buffalo Tom’s excellent Let Me Come Over.

Frank YangEven in this age of band reunions run amuck, the returns of some outfits to active duty seem highly unlikely. Maybe the animosity between the principals is too deep for even the biggest prospective paydays to put aside, or the prospect of being regarded as a nostalgia act rather than active, vital artist is too unpalatable, or maybe the band’s audience wasn’t all that big the first time around and their legend hasn’t necessarily grown enough in the interim to make it seem worthwhile.

Any and all of these could reasonably have applied to early ’90s alt.country outfit Scud Mountain Boys. A falling out, the specifics of which have grown vague, left it so that singer-guitarist Joe Pernice hadn’t spoken to the other three in some fourteen years, Pernice had since established himself as a successful bandleader via Pernice Brothers and solo artist, and though the Scuds certainly had their devotees, their name wasn’t exactly topping anyone’s list of dream Coachella headliner reunions. And yet last Summer, following the death of a close mutual friend, Pernice decided to reach out to his former bandmates and revisit the old material – net result, a string of live dates along the east coast in early 2012 that wrapped up, for the moment, this past Saturday night at Lee’s Palace in Pernice’s adopted hometown of Toronto.

Any question about the vibe of the night was answered with the band’s stage setup, carried over from their original incarnation – a kitchen table set up in the middle of the stage, adorned with a small lamp and surrounded with comfortable chairs. It was both symbolic, hearkening to the band’s beginnings sitting around a kitchen table playing music together, and practical, giving them a place to put their drinks. And with regards to my earlier comments that no one was waiting for this reunion – that’s not to say that it wasn’t welcome; a few hundred locals were out for the occasion, and some were louder and rowdier than the band themselves.

Being more a fan of the Pernice Brothers’ ornate pop than the Scuds’ country leanings – relatively speaking, just to be clear – I’ve always preferred the more produced third album Massachusetts to their sparser, earlier records Pine Box and Dance The Night Away (collected and rereleased as The Early Year) but hearing the earlier material was a great reminder that those simpler recordings still contained some great, great songs. And also that as much as history has framed the Scuds as Pernice’s old band – and he was great, having shaved for the occasion and looking a lot like Elvis Costello, and still a hilarious onstage personality who despite planning to become a Canadian citizen this year, hadn’t forgotten his Boston roots (“Pogge or Rask?”) – the others were far more than just a supporting cast. Drummer Tom Shea was deft on mandolin for the front half of the show before taking up behind the drum kit, bassist Stephen Desaulniers’ voice has more of an innate twang than Pernice’s honeyed vocals and guitarist Bruce Tull’s leads offered a great balance of emotion and melody.

The 90-minute set was actually more dynamic than a show anchored around a kitchen table might have implied, the Massachusetts material almost rocking out (thought still seated) and main set closer “Cigarette Sandwich” coming across particularly rollicking. But perhaps most importantly, given the history of the band, everyone onstage seemed to be having a grand time of it and that spirit carried over into the audience, including former Pernice Brothers and current Sadies drummer Mike Belitsky. He was texting taunts at Pernice during the encore, causing him to crack up whilst trying to sing the somber Cher cover of “Gypsies, Tramps and Thieves” (the table was also good for holding mobile phones). A hilarious end to a wholly entertaining show, and if that ends up being it for the Scuds reunion – there are no more dates on the sched and Joe will be turning his attention to the new Pernice Brothers record due out this year – then it went out on a high note.

The Washington Post has an interview with Pernice about getting the band back together.

Photos: Scud Mountain Boys @ Lee’s Palace – February 25, 2012
MP3: Scud Mountain Boys – “Grudge Fuck”
Stream: Scud Mountain Boys – “In A Ditch”
Stream: Scud Mountain Boys – “Sangre de Cristo”

Both The Line Of Best Fit and DIY crash Stephin Merritt’s hotel room to record Magnetic Fields video sessions, while NPR has new album Love At The Bottom Of The Sea streaming in full before it emerges next Tuesday. They’re at the Sound Academy on March 30.

Stream: The Magnetic Fields / Love At The Bottom Of The Sea

Spin solicits a list of Sharon Van Etten’s favourite things; The Ottawa Citizen also has a chat.

Frankie Rose – whose CV takes her through such acts as Crystal Stilts, Dum Dum Girls, Vivian Girls and The Outs – has released her acclaimed debut under her own name alone in Interstellar and will bring it to The Shop Under Parts & Labour on May 2.

MP3: Frankie Rose – “Little Brown Haired Girls”

Beirut has released a new video from last year’s delicious The Rip Tide. Hear it, and others like it, when the band are at The Sound Academy on July 19.

Video: Beirut – “Vagabond”

Baeble Music has premiered a new video from The Wooden Birds, taken from Two Matchsticks.

Video: The Wooden Birds – “Long Time To Lose It”

Drowned In Sound chats with Andrew Bird, whose new album Break It Yourself is out March 6 and now streaming in full at NPR.

Stream: Andrew Bird / Break It Yourself

NPR welcomes Nada Surf for a World Cafe session. They play The Opera House on April 4.

Spin interviews James Mercer of The Shins. Their new album Port Of Morrow comes out March 20.