Archive for the ‘General’ Category

Wednesday, June 13th, 2012

This Summer

Summer is here; so says Superchunk

Photo By Jason ArthursJason ArthursWe’re still over a week out from the official Summer solstice, but Superchunk don’t need no druidic approval to declare the season of sun and fun officially here. After following up 2010’s Majesty Shredding with a series of reissues, they’ve just released a new 7″ single for the song “This Summer” and if that wasn’t enough seasonal thematicness for one release, the b-side is a cover of Bananarama’s 1983 Summer anthem.

The single is limited to an edition of 1300 pieces worldwide, pressed on white vinyl, and comes with a download code for an acoustic version of the a-side. And as a little bonus, they’ve released a video of the band recording the handclaps that appear on the tune.

“This Summer” is available to stream now. Update: Stereogum has the Bananarama cover up to stream now, as well.

Stream: Superchunk – “This Summer”

Some noteworthy concert announcements came down the pipe yesterday. Chicago’s heavy post-rock trio Russian Circles have made a date at Lee’s Palace on August 21 in support of last year’s Empros. Tickets are $14.50 in advance.

MP3: Russian Circles – “Mladek”

Chicago’s Riotfest has made a name for itself over the past few years as a festival catering to those with louder/punkier tastes, and they’ll be expanding beyond the Windy City this year, touching down at Toronto’s Garrison Commons at Fort York on September 9 with a lineup featuring The Descendents, NOFX, Fucked Up, and more. Tickets are $39.50 and go on sale Friday.

MP3: Fucked Up – “I Hate Summer”
Video: The Descendents – “I’m The One”
Video: NOFX – “Cokie The Clown”

Dinosaur Jr have announced a September 18 release for their next album I Bet On Sky; details and album art at Pitchfork. They’ll celebrate its release with a three-night stand at Lee’s Palace from September 24 to 26.

MP3: Dinosaur Jr – “Almost Ready”

Ty Segall never seems to wear out his welcome in these parts, but just to make sure you stay interested he’s teaming up with Thee Oh Sees for a Fall tour that hits The Hoxton on September 26, tickets $18.50. Segall’s follow-up to last year’s Goodbye Bread should be out by then; Thee Oh Sees’ new one Putrifiers II definitely will – it has a release date of September 11 already set.

MP3: Ty Segall – “You Make The Sun Fry”
Video: Thee Oh Sees – “I Need Seed”

Dr. Dog will be at The Opera House on October 13 in support of their latest, Be The Void. Tickets are $20 in advance.

Video: Dr. Dog – “That Old Black Hole”

Portland’s Menomena have made a date at The Horseshoe on October 17, which kind of implies they’ll have a new record out by then. Tickets to that are $15 in advance. Update: Said new record will be called Moms and be out September 18.

MP3: Menomena – “Taos”

Apparently not a man to hold a grudge, Dan Deacon has made plans to return to Toronto for a show at Lee’s Palace on November 9 – tickets $13.50 – but please, leave his skull alone. His new record America is out August 27.

MP3: Dan Deacon – “Lots”

If you were planning on seeing A Place To Bury Strangers at The El Mocambo tomorrow night for NXNE but were worried about not knowing any of the new songs from Worship, what with it not being out for another couple weeks (June 26), fear not – The Quietus has an advance stream of the album for you. But let’s be honest, it’s all going to sound like “KKKKKKCCCCCCHHHHHHHHHHHHHHHH” anyways.

MP3: A Place To Bury Strangers – “You Are The One”
Stream: A Place To Bury Strangers / Worship

Joe Pernice has offered a clue as to who will be opening up for him at The Dakota Tavern on June 22, and if you still don’t get it – and understand why you should be in line well before doors open at 6PM (there are no advance tickets) – then clearly you are on the wrong website. Good day to you.

Fang Island have made another track from their forthcoming Major available to download; the album is out July 12.

MP3: Fang Island – “Sisterly”

Cat Power talks to The Stool Pigeon about her new album The Sun, due out on September 11.

The lead single from Calexico’s new record Algiers – due out September 11 – is now available to download.

MP3: Calexico – “Para”

Pitchfork and The Fly have features on Grizzly Bear, currently trying to come up with a title for their new album before it’s released on September 18. They’re at Massey Hall on September 26.

In a Facebook post, Anna-Lynne Williams updates fans and friends about her various musical projects and notes that the Trespassers William forthcoming career-wrapping compilation has a name – Cast – and should be out in September.

The Music has two separate interviews with Mark Kozelek while Filter only has one. His October 3 date at The Great Hall still hasn’t been canceled.

Daytrotter has a session with Nada Surf, who’ve just released a new video from their latest The Stars Are Indifferent To Astronomy.

Video: Nada Surf – “Waiting For Something”

With the release yesterday of Class Clown Spots A UFO, Consequence Of Sound decides now is the perfect time to take an album-by-album look at the discography of Guided By Voices, though they’ll have to expand it in November when Bears For Lunch, the band’s third album of the year, is released.

School Of Seven Bells have selected a winner in their competition to make a video for their song “The Night” off of Ghostory.

Video: School Of Seven Bells – “The Night”

Bowerbirds have new video out from The Clearing.

Video: Bowerbirds – “Overcome By Light”

Rolling Stone has an excerpt from Big Day Coming: Yo La Tengo and The Rise of Indie Rock – the just-released book about Yo La Tengo and the rise of indie rock – and The Washington Post has an interview with author Jesse Jarnow about the volume.

Tuesday, June 12th, 2012

Sit Tight

Review of It Hugs Back’s Laughing Party

Photo via It Hugs Backithugsback.co.ukThough I only gave it a very passing mention when it came out, I was really quite fond of British quartet It Hugs Back’s 2009 debut Inside Your Guitar; after all, I described their aesthetic of narcoleptic vocals, humming organs, and understated guitar heroics as a charming blend of American Analog Set and Yo La Tengo – how could I not like its fuzzy, mid-fi charms? But I lost track of them between then and now, though not without reason: first, they found their way off of 4AD – that wouldn’t have helped them stay on my radar – and frontman Matthew Sims became touring guitarist with Wire, so that would have been keeping them otherwise busy as well.

They’ve still found the time to regroup and record a second album, however, and Laughing Party kicks off with as much of a declaration of intent as you can imagine by way of a raw and squalling 15-minute guitarfest called “The Big E” that’s built on one repeated king-size riff but with enough undulations to keep it hypnotic rather than monotonous. Though the necessary ingredients were all there on Inside Your Guitar, there was nothing to hint that the band had the vision or ambition to attempt something quite so epic; good on them. Unsurprisingly, nothing that follows it on Laughing Party has the same sort of scope – the nine-and-a-half minute “Times Square” makes an argument but jams at a more meandering pace – but the band don’t fully fall back into the sleepy ways of their debut. Sometimes the tempos slow back down, but even so enough noise and aggression – not to mention some extra sparkle and jangle – seeps into the cracks to make Party a solid step forward.

What they were doing was fine, but the added dynamics and melodicism are hard to argue against as improvements. Tunes like the crashing, hooky single “Half American” or “Happy” are excellent representations of what It Hugs Back 2012 can do that it was hard to imagine the 2009 edition pulling off. Laughing Party isn’t likely to make It Hugs Back household names or even make 4AD regret their decision to let them go, but for those who dig on what they do, it strikes just the right balance of comfortable and adventurous.

The Quietus has a quick interview with Simms, a premiere of the video for “Half American” and a stream of the new record.

MP3: It Hugs Back – “Massachusetts”
MP3: It Hugs Back – “Half American”
Video: It Hugs Back – “Half-American”
Stream: It Hugs Back / Laughing Party

For Folk’s Sake, Contactmusic, and NPR talk to Kristian Mattson, aka The Tallest Man On Earth. He’s at The Queen Elizabeth Theatre on June 15.

Laura Marling offers CBC Music some A’s to their Q’s and also talks to The Washington Examiner and Red Eye. She plays The Phoenix on June 17.

The Guardian has a Bands In Transit video session with Mystery Jets. They’ll be at the Sound Academy on June 19 opening up for Keane.

JAM and Blurt talk with The Hives, who are showing off their new video from Lex Hives and will be at The Sound Academy on June 26.

Video: The Hives – “Go Right Ahead”

Hot Chip talks to Pitchfork about their just-released new album In Our Heads and gives Billboard a track-by-track video annotation of the record. They bring it to the Sound Academy on July 15.

Shortlist talks to Richard Hawley about his latest Standing At The Sky’s Edge, out now in the UK but due a domestic release on August 28.

The Vaccines have released the first video from their second album, No Hope For The Vaccines. It’s out September 3.

Video: The Vaccines – “No Hope”

Jens Lekman gives Pitchfork some insight on his new record I Know What Love Isn’t, out September 4.

Pet Shop Boys have released the first video from their new album Elysium, due out on September 18. Details at Clash.

Video: Pet Shop Boys – “Invisible”

Los Campesinos! wish Paul Heaton of Housemartins/Beautiful South fame a happy 50th birthday by way of a cover of “I Love You (But You’re Boring)” off Welcome To The Beautiful South – I really loved that record in high school – at Pitchfork.

MP3: Los Campesinos! – “I Love You (But You’re Boring)”

NPR has a World Cafe session and GQ an interview with Jason Pierce of Spiritualized.

Graham Coxon offers Music News some vague comments on the state of Blur.

Daytrotter has a session with Veronica Falls.

DIY gets to know Amanda Mair.

Monday, June 11th, 2012

Ram Ram

Let The Deer Tracks guide you around NXNE this year

Photo By Sofia StolpeSofia StolpeNXNE-spotting happens on two levels: there’s the micro, where you pore over the year’s lineup and try to figure out how you’ll spend the four hopefully-warm nights in June club-hopping and seeing bands new and familiar; and there’s the macro, where you see how this year’s festival as a whole experience measures up against past years and assess how the event is trending as Toronto’s flagbearer in a world where cities are increasingly judged by the quality of their music festivals. Or at least, that’s how I look at things. I may well be a freak.

First, the bands my strongest recommendation for the fest because it’d have be strong enough to convince you to a) miss a whole hell of a lot of great stuff including part of that free Flaming Lips show and b) brave the shitshow that will be a closed-off Queen St. W as MuchMusic tools up for the Bieber-fied MMVAs the following night. But that said, I still think that seeing Sweden’s Deer Tracks would be worth it. The duo of David Lehnberg and Elin Lindfors craft the sort of eclectically airy, hybrid electronic-orchestral pop that might have you looking for the Morr logo on the spine (they’re actually on The Control Group, if it matters), but tied together and given both weight and lift by their buoyant melodies and harmonies. If I can be allowed to invoke some Scandinavian stereotypes, they marry the otherworldliness one would expect of Icelandic acts with the impeccable pop sense of the best the Swedes have to offer.

They’re in the midst of a three-part album cycle entitled The Archer Trilogy, Part 2 with the third part coming later this year. It’s kind of a shame that their tour is hitting during NXNE because had it been any other time of year, or even any other night or time slot of the fest, they’d be getting a lot more attention. But as it is, if you find your way to The Rivoli at 10PM on Saturday, June 16, I suspect it’ll be worth your time and effort. The Georgia Straight had an interview with them ahead of their Vancouver show earlier this week.

MP3: The Deer Tracks – “W”
MP3: The Deer Tracks – “Dark Passenger”
Video: The Deer Tracks – “Meant To Be”
Video: The Deer Tracks – “Tiger”
Video: The Deer Tracks – “Fall With Me”
Video: The Deer Tracks – “Fra Ro Raa / Ro Ra Fraa”
Video: The Deer Tracks – “Ram Ram”
Video: The Deer Tracks – “Slow Collision”
Video: The Deer Tracks – “12sxfrya”

And the official though surely incomplete day-by-day, hour-by-hour, “hey you should maybe go to some of these” is as follows:

Tuesday, June 12
The Weather Station @ Kops/Lavish & Squalor, 4PM – Another highlight of this year’s CMF, Tamara Lindeman will play selections from her excellent All Of It Was Mine at this in-store before her official show at The Great Hall Lower Theatre at 10PM Wednesday night.
MP3: The Weather Station – “Everything I Saw”

Wednesday, June 13
Army Girls @ Supermarket, 9PM – I can’t foresee a day when I won’t recommend you go see this Toronto duo, though hopefully soon enough my recommendation won’t be necessary – everyone will just know. They’re also at Jang Bang the afternoon of the 14th for a day show, The El Mocamobo at 10PM that night, and a day show in Trinity Bellwoods on Sunday afternoon at 3:45PM. And don’t be surprised if they add a few more appearances before the week is done – the benefits of traveling light and rocking hard.
MP3: Army Girls – “T W I C E”

Eternal Summers @ The Drake Underground, 10PM – Virginia-based trio who make hazy, lo-fi pop that doesn’t care that Altered Zones doesn’t exist anymore. Their second album Correct Behavior will be out July 24.
Video: Eternal Summers – “Millions”

July Talk @ The Horseshoe, 10PM – Toronto punkabilly outfit who flat-out stole the show/fest at this year’s Canadian Musicfest; can they do it again? Don’t bet against them. They’re also at Lee’s Palace on Saturday night at 9:30PM.
M4A: July Talk – “Paper Girl”

Porcelain Raft @ The Drake Underground, 12AM – Pseudonym of New York-based Mauro Remiddi who crafted his debut Strange Weekend from a lifetime of globetrotting, sound-collecting and genre-defying. So what does he do for a follow-up?
MP3: Porcelain Raft – “Unless You Speak From The Heart”

Thursday, June 14
The Men @ Grasshopper Records, 3PM – New York band whose latest effort Open Your Heart sounds like the best of Sonic Youth and Mission Of Burma being mashed into your eardrums with extreme prejudice. A can’t-miss for the fest, and besides this in-store – if you haven’t heard of the store, consult The Grid – they also have official showcases Thursday night at The Garrison at 1AM and Friday night at Wrongbar at 12AM, and will also be appearing at the NXNEXPERIMENT BBQ on Friday afternoon.
MP3: The Men – “Ex-Dreams”

Smith Westerns @ Gibralter Point, 5:30PM – We don’t see many acts being shipped in for one-off, non-festival parties but that’s what’s happening with this Noisey/Jansport to-do on the Toronto Islands where Chicago’s glam-garage punks will do their thing amongst what is sure to be tastefully-executed branding.
MP3: Smith Westerns – “Still New”

Boxer The Horse @ The El Mocambo Upstairs, 8PM – Scrappy guitar pop from Prince Edward Island that’s a happy blend of Plaskett and Malkmus; their second full-length French Residency was released back in March.
MP3: Boxer The Horse – “Rattle Your Cage”

The Seedy Seeds @ The Painted Lady, 10PM – Trio proves that smart pop can be fun and fun pop can be smart and good bands have come from Cincinnati since The Afghan Whigs. Their last record Verb Noun came out in early 2011 and it’s still turning out videos.
Video: The Seedy Seeds – “Telephone The Constrictor”

Exitmusic @ Wrongbar, 10PM – Darkly cinematic electro-pop from a husband-and-wife duo based out of New York (but half-Canadian!). They were just here in May but have since released their debut full-length Passage, so hey – welcome back.
MP3: Exitmusic – “The Sea”

Cousins @ The Velvet Underground, 11PM – Halifax lo-fi garage-pop duo whose The Palm At The End Of The Mind is making friends and annoying neighbours everywhere. They’re doing a double-header Thursday night, with a 2AM show at The Annex Live.
Stream: Cousins / The Palm At The End Of The Mind

The Hundred In The Hands @ Wrongbar, 12AM – Los Angeles synth-rock duo whose new record Red Night arrives this Tuesday, just in time for the festival. Clash has a feature on the band and Hype Machine is streaming the album, though that metaphorical baton may get passed to another site once the album is officially out tomorrow.
MP3: The Hundred In The Hands – “Keep It Low”
Stream: The Hundred In The Hands / Red Night

A Place To Bury Strangers @ The El Mocambo, 1AM – Legendarily loud and strobe-happy New York industri-rock outfit who will be previewing their new record Worship, due out on June 26 and from which they’ve begun streaming another new song. Pity the band who’re supposed to be playing upstairs from them at the same time slot (that’d be Revolvers, who deserve better).
MP3: A Place To Bury Strangers – “You Are The One”
Stream: A Place To Bury Strangers – “And I’m Up”

Friday, June 15
2:54 @ Lee’s Palace, 9PM – British sister act bringing the spirit of dark, goth-gaze guitar-pop from the ’80s and ’90s back on their just-released self-titled debut. There’s interviews at Loud & Quiet and NOW and Daytrotter just posted a session.
MP3: 2:54 – “The March”

The Danks @ The Dakota Tavern, 10PM – Garage-y pop from the Two Hours Traffic family who’re getting an awful lot of mileage out of their 2009 debut Are You Afraid Of The Danks?, though apparently it’s just come out in the US so I guess they’re excused.
MP3: The Danks – “Die Young”

Hooded Fang @ The Silver Dollar, 10PM – One of Toronto’s premiere retro-pop fun factories in band form, their second album Tosta Mista is nearly a year old so they’ve surely got five or six more albums ready to go. They’re also playing The Horseshoe on Thursday night at 10PM.
MP3: Hooded Fang – “Den Of Love”

Útidúr @ The Gladstone, 11PM – Even if I didn’t simply like upping Icelandic acts (and writing out their wonderful accents), I’d be endorsing this Reykjavik collective because the big, Beirut-y/Fanfarlo-y orch-folk sounds of their debut This Mess We’ve Made is all kinds of charming.
Stream: Útidúr / This Mess We’ve Made

Friends @ Lee’s Palace, 11PM – Brooklyn outfit specializing in buzz of both the synth and hype varieties have just dropped their debut album Manifest! and will be looking to make Lee’s look like Bedford Station on a Saturday night. Vulture has an interview with singer Samantha Urbani and The Guardian has a stream of the album.
Video: Friends – “Mind Control”
Stream: Friends / Manifest!

Yamantaka // Sonic Titan @ The Garrison, 12AM – Audaciously arty and yet visceral Montreal collective whose debut YT//ST will probably be celebrating a Polaris long list nomination by the time they take the stage. And odds are that’ll only be the beginning. They’ve also got an in-store at Sonic Boom confirmed though dates and times for those have still to be confirmed.
Stream: Yamantaka//Sonic Titan / YT//ST

Widowspeak @ The Garrison, 1AM – Brooklyn quartet whose self-titled debut ahs made my long-term dreams of forming a country/shoegaze band and creating a genre called “bootgaze” utterly redundant. Thanks a lot, Widowspeak.
MP3: Widowspeak – “Harsh Realm”

John Maus @ Lee’s Palace, 1AM – Unintentionally controversial university professor and electro-classical composer whose last album We Must Become The Pitiless Censors Of Ourselves came out in the Fall.
MP3: John Maus – “Head For The Country”

Saturday, June 16
Brasstronaut @ Yonge-Dundas Square, 1PM – Vancouver prog-pop outfit whose second album Mean Sun came out just last month. They’re also at The Gladstone on Friday night at midnight and The Vancouver Sun, Spinner, NOW have interviews.
MP3: Brasstronaut – “Hollow Trees”

Zulu Winter @ Urban Outfitters, 2PM – A rare UK signing to Arts & Crafts, this Oxfordshire-bred band’s peppy, guitar-and-synth-laden debut Language – out June 19 – files nicely alongside the likes of Phoenix and Bombay Bicycle Club. In other words, “stuff the kids like”. They’ve also got evening showcases at The Rivoli on June 14 at 12AM and Lee’s Palace on June 15 at 2AM.
Video: Zulu Winter – “Silver Tongue”

Of Montreal @ Yonge-Dundas Square, 7PM – Veteran Athens, GA, Elephant 6 survivor psych-freaks who’d have made a mind-bending one-two punch with The Flaming Lips if someone hadn’t gone and booked Portugal. The Man between them. Pssh. Their latest Paralytic Stalks came out earlier this year.
MP3: Of Montreal – “Wintered Debts”

Robyn Dell’Unto @ The Cameron House, 8PM – Mississauga-based pop singer who impressed when guesting with Rose Cousins at The Rivoli last monthI’m Here Every Night came out in 2010 – I did, it’s fun. You should too.
Video: Robyn Dell’Unto – “Just A Bird”

The Flaming Lips @ Yonge-Dundas Square, 9PM – If you need an introduction to The Flaming Lips then clearly you’ve gotten to this website by accident. Note that the allotted 20 minute set up time between the preceding act and theirs is ridiculous and I wouldn’t expect Wayne Coyne’s bubble walk to begin any earlier than 9:15. There’s Lips interviews at NOW, Spinner, and The Toronto Star, Coyne writes a piece about creativity for NPR, and while their Record Store Day-exclusive collaborative album Heady Fwends – amongst whom Erykah Badu no longer counts herself – will be getting a wide release June 26, The Lips are also planning a proper (?) studio album for release later this year.
Video: The Flaming Lips – “Fight Test”

Revolver @ The Gladstone, 10PM – A relatively late addition to the fest, the French pop outfit known for multi-part harmonies and cellos will be showing off their latest album Let Go, released back in March. The schedule also has them on at 1AM at The Painted Lady that same night, though it’s in conflict with another band’s set so…
MP3: Revolver – “Get Around Town”

The Lumineers @ The Horseshoe, 11PM – Denver-based trio whose self-titled debut has made them one of the alt.country/folk/roots stories of the year. The Horseshoe is kind of the perfect place for them.
Video: The Lumineers – “Ho Hey”

Limblifter @ The El Mocambo, 12AM – It’s not a festival without some kind of ’90s reunion; this year it’s Limblifter, which is several steps up from last year’s Rusty. Yes it is. Spinner talks to Ryan Dahle about getting the old band out of mothballs.
Video: Limblifter – “Tinfoil”

Bleached @ The Silver Dollar, 1AM – The three-night, garage-rock Silver Dollar residency is kind of a NXNE/CMF fixture now, and this year that honour goes to California’s Clavin sisters in Bleached. In addition to the Silver Dollar dates – the Thursday and Friday shows are at midnight, as opposed the 1AM slot on Saturday – they’re playing the Bruise Cruise the afternoon of the 16th, bringing the rock to the Toronto harbour.
Video: Bleached – “Think Of You”

Sunday, June 17
Raekwon & Ghostface Killah @ Yonge-Dundas Square, 9PM – Things are mostly wound down on Sunday but the traditional hip-hopping of the Yonge-Dundas mainstage continues with a little Wu-Tang flavour; Raekwon the Chef recently relocated to Toronto so there’s a hometown angle to this one as well.
Video: Raekwon featuring Ghostface Killah – “New Wu”

That’s just a handful – okay, a couple handfuls – of recommendations for the week; there’s certainly more to see and for more tips, check out these festival minisites at Spinner and NOW and the feature pieces at The Grid, The AV Club, BlogTO, and Hype Machine.

As for what I was saying earlier about how NXNE is faring as a festival, the fact that there’s many more day shows than even last year, which had more than the year before that, is an encouraging trend. We’re not yet seeing conventional venues opening up during the day, but the number of in-stores, parties in unconventional spaces, and just more stuff going on during the day before the official programme starts up – it’s all very encouraging and while those who seek to compare NXNE to its similarly-acronymed Texan cousin will still find it pales in comparison, it’s getting pretty damn good up here; all we need is a better infrastructure for tracking and disseminating information about them. There’s a list of officially-endorsed/recognized day shows at NXNE.com and BlogTO has rounded up some more events. And Unofficial NXNE is also good.

And if I’m allowed a bit of self-promotion, I’m one of the photographers with some work on display at the #Hashtag Gallery this week for Live @ NXNE, a photographic exhibition of NXNE artists, past and present. The exhibition runs till June 27 but the opening party thing is Tuesday night at 7PM. Drop by, have a look. If you like.

And remember – particularly if you’re planning on getting around via transit or taxi or otherwise street-bound vehicle, College St. is closed Friday and Saturday nights from Bathurst to Shaw for Taste Of Little Italy and Queen St. W is closed between Beverley and McCaul on Friday and Saturday nights to set up for the MMVAs.

Friday, June 8th, 2012

Arrows

Evening Hymns lets Spectral Dusk settle

Photo by Lane MeyersLane MeyersHave I been waiting for this for a while? You might say that. Ever since Evening Hymns’ debut album of gorgeous folk-pop Spirit Guides made my 2009 year-end list, I’ve been eagerly anticipating its follow-up, following along on their Tumblr as it was recorded in early 2011 and keeping an eye for its expected release date of that Fall. I even had a spot on this year’s Polaris Prize ballot reserved for the record, dubbed Spectral Dusk as early as last January, in expectation of its arrival in the eligibility period. That’ll teach me to be presumptuous.

A Fall 2011 release turned into Spring 2012 and then Summer, and while a first taste of the record was offered up last October in the song “Asleep In The Pews”, it has since been quite effectively redacted from the internet; only a live acoustic video featuring band principals Jonas Bonetta and Sylvie Smith remains. But this week, it finally looks like the wait is ending: a Facebook post declared an August 2012 release for the record – though I’ve been told that it’ll be out the 21st of that month – and a stream of a new song from the record which, based on the Soundcloud information, has been sitting around for a good eight months. Maybe someday it will come out just how/why it’s taken so long to get this record out, but for now all that really matters is that a) it’s almost here and b) based on “Arrows”, it will be a stunner.

Stream: Evening Hymns – “Arrows”
Video: Evening Hymns – “Asleep In The Pews” (live)

A few days after making the b-side available as a download, Young Galaxy are streaming the a-side of their new 7″ single.

Stream: Young Galaxy – “Shoreless Kid”

Billboard interviews Feist.

Earshot has an interview with Joel Plaskett.

A couple of interesting tidbits from camp Sloan: first, come Tuesday they’ll be offering another limited edition live vinyl “bootleg” – this one a soundboard recording from their first Australian tour in 1999. It’s limited to 500 pieces and is available to order as of 12PM on June 12. And to keep an eye out for the Fall – a triple-vinyl Twice Removed deluxe box set and supporting tour.

Spinner talks to Emily Haines about the Lou Reed angle of their new album Synthetica, out next Tuesday.

NPR has a World Cafe session with Kathleen Edwards. She plays a free show at Pecault Square on the afternoon of June 16 for LuminaTO.

Also playing that LuminaTO show is Dan Mangan; Creative Loafing has an interview with the singer-songwriter.

Dan Snaith talks to Exclaim about the new Caribou album. They play Downsview Park on June 16 opening up for Radiohead.

Filter, The Line Of Best Fit, MTV, Clash, eMusic, and CBC Music have interviews with Japandroids – they’re at Lee’s Palace on June 23.

eMusic gets to know Al Spx of Cold Specks while NPR welcomes them for a KUT session. They’re playing the Great Hall on August 8.

NPR and BBC talk Americana with Neil Young. He and Crazy Horse are at the Air Canada Centre on November 19.

And proving the cosmos doesn’t give a damn about my carefully cultivated blog themes, here’s some notable bits that arrived too late to make my, “hey here’s a bunch of show announcements!”, “hey here’s a bunch of new album announcements”, and “hey here’s a bunch of Scandinavian/European stuff!” posts from earlier this week. You notice I do that, right?

First, Beach House have announced the dates for what they’re calling their “Frightened Eyes” tour but what everyone is calling “the long-awaited Fall tour dates in support of their new record Bloom“. Toronto gets them at The Kool Haus on October 13 – smaller than I expected but when you look at the full schedule, it’s hard not to notice that there’s off days on either side of it… mayhap a multi-night stand is in the cards? They’ve also released a new video from the album and there’s a piece at The Wall Street Journal about the whole Volkswagen/ad rip brouhaha that’s been going on the past couple weeks.

MP3: Beach House – “Myth”
Video: Beach House – “Lazuli”

While everyone is rightly excited about the Sugar reissues that are coming July 24, let’s not forget that Bob Mould has a new album coming as well. Consequence Of Sound reports that said new album will be entitled The Silver Age and be out September 4. There are also Fall tour dates that will straddle the Sugar/Silver material, but nothing up this way. Alas.

Finally, Jens Lekman has announced his first new full-length in five years – I Know What Love Isn’t will be out on September 4 and the first taste of it is available to stream below.

Stream: Jens Lekman -“Erica America”

Thursday, June 7th, 2012

Sense

Review of Amanda Mair’s Amanda Mair

Photo By Kjell B PerssonKjell B PerssonIt’s not unfair to say that Labrador Records has something of a “house sound”, and not just for the Swedish accents. With acts like The Radio Dept., Acid House Kings, and Sambassadeur on their roster, they’re a reliable source for warm, fuzzy, indie pop-ish sounds and so when they announce a new signing, it’s usually worth paying some attention – even when on paper the artist doesn’t seem have much in common with the rest of their roster. Or in the case of Amanda Mair, especially when. Not many labels would sign a 15-year old singer-pianist on the strength of her raw talent – there weren’t even any demos – but Labrador did just that in 2010. And having given her a couple years to hone her craft before sending her into the studio with Philip Ekström of The Mary Onettes and the result – her self-titled debut, released in Sweden in February and in North America this week – has proven worth the wait.

It’s hard not to want to use Mair’s youth as a qualifier for offering praise, but the fact is that Amanda Mair would be an accomplished collection of polished pop and piano balladry from an artist of any age. Mair does just fine on the latter with a direct, unadorned presentation – her voice is innately suited to tugging at the heartstrings – but Ekström deserves credit for making the former so sonically dense and interesting without overwhelming her. The choice of a lightly but distinctly ’80s production style is an interesting one, considering those years were a distant memory before Mair was born, but it really does work – for those old enough to remember the era, the sounds are familiar but Mair’s presence is so fresh that it never feels deliberately retro or nostalgic.

Her lyrics may come across a bit vague – one would hope she doesn’t yet have the sort of life experience that would allow her to pen truly pointed, emotional songs – but that gives them a sort of universality that serves her well and the delivery is well-balanced between earnest open-heartedness and knowing wisdom. I suspect every review of this record closes with some sentiment along the lines of how good she already is and how much better she’ll surely get as she gains more experience, but it really is true. And while Mair’s upside is astonishing, don’t assume that Amanda Mair is all about potential – she’s already arrived.

There’s a stream of the album available at MTV, but it’s geoblocked to the US. Americans, have at it. Everyone else, just trust me.

MP3: Amanda Mair – “House”
MP3: Amanda Mair – “Sense”
MP3: Amanda Mair – “Doubt”
Video: Amanda Mair – “House”
Video: Amanda Mair – “Sense”
Stream: Amanda Mair / Amanda Mair (US only)

Anna Ternheim released her new album The Night Visitor this week, and it’s available to stream in whole at Spinner.

MP3: Anna Ternheim – “Walking Aimlessly”
MP3: Anna Ternheim – “The Longer The Waiting (The Sweeter The Kiss)”
Stream: Anna Ternheim / The Night Visitor

NPR is streaming The Tallest Man On Earth’s new album There’s No Leaving Now ahead of its release next Tuesday. Kristian Matsson hits the stage at the Queen Elizabeth Theatre on June 15.

MP3: The Tallest Man On Earth – “1904”
Stream: The Tallest Man On Earth / There’s No Leaving Now

Interview, The Music, and The Herald Sun talk to The Hives, in town at The Sound Academy on June 26.

Rolling Stone talks to Sigur Rós’ Georg Holm about their new album Valtari, from which they’ve released another video from their “Mystery Film Experiment” series. They play Echo Beach on August 1

Video: Sigur Rós – “Varúð”

Denmark’s Efterklang premiered songs from their forthcoming album Piramida in performance with the Sydney Symphony Orchestra at the end of May, and a video of one of them has been released to get people excited for the new set of songs, due out this Fall.

Video: Efterklang – “The Ghost” (live)

The Guardian wonders what’s up with the women who helped define the synthy sound of 2009: La Roux is supposed to have a second album out this year but there’s been nary a peep out of Elly Jackson in ages; Ladyhawke traded a lot of the keys for guitars on her just-released second album Anxiety – there’s interviews with Pip Browne at The New Zealand Herald and The Music; and Little Boots just debuted a new video taken from her second album which, while it clearly exists, has yet to have any specifics revealed.

Video: Little Boots – “Headphones”

NPR is streaming Hot Chip’s latest In Our Heads, due out next Tuesday. The Music talks to singer Alexis Taylor and they play The Sound Academy on July 15.

Stream: Hot Chip / In Our Heads

Pitchfork checks in with The xx, who’ve announced their second album Coexist will be released on September 11. They’ll preview the new material when they play a sold-out show at The Phoenix on July 28.

There’s a complete Clock Opera show from Amsterdam in May available to watch at 3voor12.

The Line Of Best Fit says hello to Mystery Jets, themselves saying hello when they open up for Keane at The Sound Academy on June 19.

Most pleased to hear that Richard Hawley’s latest Standing At The Sky’s Edge will be getting a North American physical release on August 28 – it’ll be available digitally next week – because I was getting close to biting the bullet and paying the $40+ for the import vinyl. Yay procrastination! And yay for a sample track from the album to download. Now let’s just get some touring happening over here…

MP3: Richard Hawley – “Leave Your Body Behind You”

Neil Halstead’s new solo record Palindrome Hunches – originally targeted for an August release – will now be out come September 11, but to make up for the delay a first MP3 has been made available for listening.

MP3: Neil Halstead – “Full Moon Rising”

Jarvis Cocker talks to The Guardian about his work raising awareness for Arctic environmental concerns.

MusicOmh chats with Supergrass frontman gone solo Gaz Coombes.

Muse have announced a September 17 release date for their new record The 2nd Law. The accompanying trailer does not inspire confidence, as it would appear to be a bombastic concept album about peak oil.

Trailer: Muse / The 2nd Law

The AV Club takes the occasion of the recent reissues to examine the career and importance of My Bloody Valentine.

Interview and NME both mark the 40th anniversary of David Bowie’s The Rise And Fall Of Ziggy Stardust; the former with an interview originally published in March 1973 and the latter with an interactive look at the album cover.