Deirdre O’CallaghanSometimes the best kinds of surprises are the ones you already knew were coming. For example – everyone knew The National was making a new record. High Violet came out way back in Spring 2010, touring behind it wrapped in late 2011, and they’ve since been posting updates from the studio via Instagram. Everyone knows they’ve not been idle, and yet it was hard not to feel a shiver when the official press release arrived in the inbox, announcing the album was done and would be out in May. No other details about the release like title or precise release date, but for now it was enough. Well, almost – it also revealed some Spring/Summer tour dates including the fact that The National would be the Yonge-Dundas Square headliner at NXNE.

I had wondered why NXNE was making their first official festival lineup announcement so early – last year’s Flaming Lips reveal didn’t come until mid-April – but I guess when one of your biggest act is going to let the cat out of the bag anyways, why not get on board? And so you can officially circle Friday, June 14, on your calendar as that evening The National will perform a free show for anyone and everyone who cares to listen at Yonge-Dundas Square. It won’t be the multi-sensory spectacle as The Lips offered last year, but it will be gorgeous, showered, and blue-blazered.

A whole batch of acts was announced alongside The National with some of the other high-profile acts coming to town including: Tuscon desert-rock stalwarts Calexico at The Mod Club on June 12, which explains why they’ve taken so long to come to town behind last year’s Algiers; Copenhagen post-punks Iceage at locations to be determined on June 15 and 16, which is why their current tour behind You’re Nothing has a curious Toronto-shaped gap in it despite there being time and space to fit it; one of the two Black Flag reunions – FLAG, featuring Keith Morris and Chuck Dukowski – are at The Opera House on June 14; ascendant Californian garage-rocker Mikal Cronin, whose second album MCII is out May 7, assumes the Silver Dollar residency from June 13 to 15; and the touring bill of Milk Music and Merchandise will play showcases perhaps together, perhaps not.

It’s interesting that with a couple exceptions, most of what was announced yesterday tends to the loud, punk side of things. Perhaps the festival just wants to make an impactful first impression? Certainly did for me, and they’ve got almost four more months to roll out some more rangy acts. Can’t wait.

MP3: The National – “Think You Can Wait”
MP3: Calexico – “Para”
MP3: Iceage – “Coalition”
MP3: Milk Music – “I’ve Got A Wild Feeling”
Stream: Mikal Cronin – “Shout It Out”

Austra took to Twitter to announce themselves as a rather late add to Canadian Musicfest; they’ll be playing The Danforth Music Hall on the evening of March 23. Austinist has an interview with frontwoman Katie Stelmanis.

MP3: Austra – “Lose It”

Stepping out of festival-y stuff for a moment, I’m excited that Stornoway are at The Horseshoe on May 9 in support of their second album Tales From Terra Firma, out March 19. Tickets for that are $15 in advance.

Video: Stornoway – “Knock Me On The Head”

Keeping with the festival additions theme, Stars have been added to the Arts & Crafts past-and-present Field Trip lineup playing Garrison Commons at Fort York on June 8. Right now they’re a little further abroad, hence interviews at AsiaOne and The Sydney Morning Herald

MP3: Stars – “The Theory Of Relativity”

The Toronto Urban Roots Fest continues to make good on their promise to reveal a few more acts every week; this week’s adds to the four-day fest at Garrison Commons from July 4 to 7 include The Hold Steady, Justin Townes Earle, Frank Turner, The Lowest Of The Low, and The Skydiggers. Info on which specific date each act is playing and ticket on-sales are still a few weeks out, but if the festival’s intent is to keep building excitement each week until it lets details out… I think it’s working.

MP3: The Hold Steady – “Stuck Between Stations”
MP3: Justin Townes Earle – “Harlem River Blues”
MP3: Frank Turner – “The Roads”
MP3: The Lowest Of The Low – “Bleed A Little While Tonight”
MP3: The Skydiggers – “Alice Graham” (live)

And not a festival, but still sort-of keeping in theme as a new addition to an existing event and happening on an outdoor stage… more than a month out from their Sound Academy show, and Alt-J have already announced a return engagement on September 11 at Echo Beach, tickets $34.50 general admission and $50 VIP.

MP3: Alt-J – “Matilda”

And in non-concert announcement business… Low have made another track from The Invisible Way available to download. They play The Great Hall on March 16 and the album is out March 19.

MP3: Low – “So Blue”

Yeah Yeah Yeahs have made the first single from Mosquito available to stream, largely putting to rest fears that the album art would accurately reflect the contents. It’s out April 16.

Stream: Yeah Yeah Yeahs – “Sacrilege”

Rolling Stone has a stream of another song from the new Iron & Wine album Ghost on Ghost, out April 16.

Stream: Iron & Wine – “Grace For Saints And Ramblers”

Clash talks to Jim James, paying a visit to The Phoenix on April 24.

NPR has a World Cafe session with Beach House.

Justin JayThe Strokes has got themselves a nice little racket going. Most bands who’ve been at it for over a decade would be critically if not commercially pilloried for not changing up their style, but The Strokes get drubbed when they do. Luckily for them, they’re very good at doing what they do and they’re smart enough to know their business model as a band relies on actually doing just that while releasing a new album (or solo record that doesn’t fall too far from the tree) and some fitful, big paycheque touring.

But that doesn’t mean they don’t like to have a little fun with their fans, who are curiously anxious for such a consistent and predictable band. Case in point, the lead-up to their fifth album Comedown Machine. Considering they let five years elapse between their previous two albums, it’s a bit of a surprise that they’d have a follow-up to 2011’s Angles together so quickly. More surprising was their choice for a first preview, though, the synth- and falsetto-powered, to say nothing of a-ha-cribbing, “One Way Trigger”, which impressed some with its un-Strokes-iness but terrified other for the same reason.

The latter camp are probably feeling a lot more settled now, however, with yesterday’s release of a second preview of and first official single from the new record. “All The Time” is almost unremarkable in its boilerplate Strokes qualities, all insouciant vocals, precisely downstroked guitars, and unmistakable air of leather and denim, but while it’s not a song that’ll feature on any career-summing compilations, to those whose faith was shaken it probably sounded like hearing “The Modern Age” for the first time. Cue excitement, declarations that The Strokes are back and better than ever, etc, etc. Somewhere in New York, The Strokes are high-fiving each other or, at least, smirking.

Comedown Machine is set for a March 26 release.

MP3: The Strokes – “One Way Trigger”
Stream: The Strokes – “All The Time”

NOW and The Waterloo Record have interviews with Ken Stringfellow, who has released a new video from Danzig In The Moonlight, with Margaret Cho filling in for The Head & The Heart’s Charity Rose Thielen, who duets on the album. Stringfellow is at The Drake Underground on February 19; it’s unlikely either Cho or Thielen will join him.

Video: Ken Stringfellow – “Doesn’t It Remind You Of Something”

Black Cab Sessions takes Solange and Dev Hynes for a ride in exchange for a song. They drop her off (figuratively) at the Danforth Music Hall on February 22.

Stereogum talks to Alan Sparhawk of Low, whose new album The Invisible Way is out March 19. They play The Great Hall on March 16.

Pitchfork and aux.tv have interviews with Local Natives, who’ve just released a new video from Hummingbird. They play The Phoenix on March 28.

Video: Local Natives – “Heavy Feet”

New Orleans pop duo Generationals have put together an extensive tour behind their new record Haze, in stores April 2. They play The Garrison on May 2.

MP3: Generationals – “Greenleaf”

The Postal Service are streaming one of the unreleased tracks that will make the 10th anniversary edition of Give Up a must-buy for many when it comes out April 9.

Stream: The Postal Service – “A Tattered Piece Of String”

Spin has a chat with Hutch Harris about the first track from the new Thermals record Desperate Ground, out April 16. Watch the lyric video or trade your email for a download.

Lyric Video: The Thermals – “Born To Kill”

The Line Of Best Fit, Salon, and Spin talk to Jim James, who has a new video from Regions Of Light And Sound Of God to share. He’s at The Phoenix on April 24.

Video: Jim James – “A New Life”

New York singer-songwriter Jamie Seerman – aka Jaymay – pretty much fell off my radar completely following the release of her debut album Autumn Fallin’ some five years ago. And a pity, too, as her lyrically dense, emotionally overcast, yet melodically light folk-pop really caught my ear at the time. But to my surprise, she’s not only still active – she’s released a series of EPs since that first full-length – but she’s touring. She’ll be at The Drake Underground on April 28, tickets $10.50. And I just revisited Autumn Fallin’ – holds up quite nicely.

MP3: Jaymay – “Blue Skies”

If you thought rock artists assuming new identities for their synth-pop endeavours was a strictly Toronto phenomenon… you’re wrong. Jenn Wasner of Wye Oak will answer to Dungeonesse when discussing her solo debut of the same name when it comes out May 14. Exclaim has details, and you can stream one new song and watch a video for another.

Stream: Dungeonesse – “Shucks”
Video: Dungeonesse – “Drive You Crazy”

NPR has a video session with Wild Nothing, who’ve put out a new video from Nocturne.

Video: Wild Nothing – “Only Heather”

NOW talked to Yo La Tengo ahead of last weekend’s show at The Phoenix, from which Mechanical Forest Sound is sharing some recordings. NPR also welcomed the band for a World Cafe session and NorthJersey.com had a chat.

Those catching Mark Eitzel on tour in Europe this Winter may notice an album of new material entitled Glory for sale at the merch table. It won’t be made available in stores but remaining copies will be available online starting in April.

The 405 talks to Dinosaur Jr.

Vogue welcomes Widowspeak for a Valentine-themed video session.

Carlie ArmstrongNot much stays fresh after 30 years, particularly something as fleeting as creativity, and not even a band that’s as stylistically rangy as Yo La Tengo is immune to the of feeling of repeating themselves. That’s not necessarily a bad thing, as their last release – 2009’s Popular Songs – was an enjoyable summation of everything Yo La Tengo has done well over the past three decades or so, from concise poppers to sprawling rockers on the x-axis and quiet to loud on the y, but didn’t really offer much as a jumping-off point for where they’d could go next.

As it turned out, the “where” would be Chicago, to work with John McEntire of Tortoise, rather than Nashville and Roger Moutenot, who had been behind the boards for every one of their records since 1993’s Painful – that’s their last seven releases. And while it’s not necessarily clear that a change in producer would have that drastic an effect on a band that’s as assured in what they do and how they do it as Yo La Tengo, if they were looking to come away with something different, it’s reasonable to say that the fruits of those sessions – Fade, out tomorrow – accomplished that.

The songs still follow the familiar Yo La Tengo templates, but the presentation feels compressed. Not in the technical studio sense of being less dynamic, but it’s not hard to imagine bookend tracks “Ohm” and “Before We Run” stretching past the 10-minute mark on other records instead of being constrained to their relatively concise six-and-change running times here. And those are the longest tracks on the album – almost everything else clocks in at under five minutes. Not to get too hung up on matters of time – what’s more remarkable than the fact that the whole thing could be dubbed onto a single side of a 90-minute cassette is that it seems to have been done without compromising any of the band’s trademark atmospheric indulgences or rushing their gentler, languid tempos.

On the quiet side, “Two Trains” exists in a sumptuous, phase-shifted dream-state, and “I’ll Be Around” hums along, carried by whirring organs and Ira Kaplan’s fingerpicked guitarwork, yet maintain enough presence to avoid becoming pretty aural wallpaper, and at the other end of the spectrum, “Well You Better” and “Paddle Forward” are welcome additions to the crunchy pop nugget section of their songbook. Fade may not necessarily break any new ground for the band – that may well be mathematically impossible for them at this point – but it does offer a fresh perspective on much of what they do best.

Spin and DIY have interviews with Ira Kaplan. They’re at The Phoenix on February 9.

MP3: Yo La Tengo – “Stupid Things”
Video: Yo La Tengo – “Ohm”
Video: Yo La Tengo – “Before We Run”
Stream: Yo La Tengo / Fade

It’s not as good as, say, her own tour in support of a new album, but it’s worth noting that Nicole Atkins will be in town on February 25 opening up for Eels at The Phoenix.

MP3: Nicole Atkins – “Vultures”

And if you missed the post addendum last week, Low have announced a local date in support of their new record The Invisible Way. The album is out March 19 but they’ll be here a few days earlier, on March 16, at The Great Hall. Tickets for that are $18.50 and on sale now.

MP3: Low – “Just Make It Stop”

Chelsea Light Moving – aka Thurston Moore’s new post-Sonic Youth band – will be at Lee’s Palace on March 31 in support of their self-titled debut, out March 5. Tickets are $19.50, details on the release available at Matablog and there’s quite a bit of the new record available to preview; spoilers – it sounds like Thurston Moore.

MP3: Chelsea Light Moving – “Burroughs”
MP3: Chelsea Light Moving – “Frank O’Hara Hit”
MP3: Chelsea Light Moving – “Empire Of Time”
MP3: Chelsea Light Moving – “Groovy & Linda”

Los Angeles electro-pop outfit Fol Chen will be at The Drake Underground on April 7 in support of their new album The False Alarms, due out March 19.

MP3: Fol Chen – “Cable TV”
Stream: Fol Chen – “200 Words”

Good news for those anticipating/dreading the auction later this week for the new Replacements benefit EP, Songs For Slim; while that limited edition of 250 will still be auctioned off to raise money for former ‘Mats guitarist Slim Dunlap’s medical bills, a regular edition of the recordings will be made available for sale to the general public. Details on that at Consequence Of Sound.

NPR interviews Christopher Owens, whose solo debut Lysandre is out tomorrow and who hits The Mod Club this Friday night.

NPR has got the whole of the new Widowspeak album Almanac available to stream ahead of its January 22 release.

MP3: Widowspeak – “Ballad Of The Golden Hour”
Stream: Widowspeak / Almanac

Hit up Consequence Of Sound to hear a stream of a track from the new Guided By Voices EP Down By The Racetrack, due out January 22. Their next full-length English Little League will follow on April 30.

Stream: Guided By Voices – “Copy Zero”

The Line Of Best Fit talks to Caitlin Rose, whose second album The Stand-In is out February 25 and who plays The Garrison on April 5.

Charles Bradley has given his second album Victim Of Love an April 2 release date. Details over at Exclaim.

The Flaming Lips have announced plans to release their 1997 mind-fuck opus Zaireeka as a vinyl reissue for Record Store Day this year, which is to say April 20. Which sounds great but when you factor in the fact that you’d not only need four turntables instead of the original issue’s quad-CD player setup, but you’d need to swap sides and records for each disc… yeah. No.

Memory Tapes have released a new video from last year’s Grace/Confusion.

Video: Memory Tapes – “Sheila”

The Alternate Side has a studio session with Dinosaur Jr.

Glasswerk have a video session with Crooked Fingers.

Elle Canada has an interview with Janelle Monáe.

Popmatters talks to Wild Nothing’s Jack Tatum.

Elias TahanThere are many routes to Solange. Some may know her because of the surname she shares with her superstar sister. Others for her thespian endeavours which so far, have peaked with the starring role in the third chapter of the competitive cheerleading saga Bring It On. And her music career – two albums since 2003 – have sold hundreds of thousands of copies, so she’s got fans there, too. But it’s her recent turns covering Dirty Projectors and collaborating with Of Montreal that have garnered her scores of new followers in the indie realm.

She only came to my attention, however, when word got out that she was working with Dev Hynes as producer and co-writer. I had originally been a bit wary of his shift from the folk/orchestral indie-rock stylings of Lightspeed Champion to the ’80s-vintage disco-soul of of Lightspeed Champion and Blood Orange, but Coastal Grooves, his debut in that guise, was so irresistibly slick and funky – and at minimal cost to his guitar heroics – that the prospect of pairing those skills with an up-and-coming soul diva such as Knowles had so much potential.

The full-length fruits of their labours is still forthcoming, but the mini-album True, released digitally last November and out physically as of yesterday, certainly shows that promise is being fulfilled. It sounds like a companion piece to Coastal Grooves in style, but the use of an actual studio rather than Hynes’ home environs and Knowles’ vocals makes it a different creature entirely – smooth and expressive while eschewing the diva excesses so typical of her peers. It’s a bit of a subtle release, but that’s also what makes it refreshing and it doesn’t take but a few listens for the hooks to sink in and once they’re in, that’s it.

With the record’s release, Solange has announced a Winter tour that brings her – and presumably Hynes, who has been in her band for past live appearances – to The Hoxton on February 22. Tickets for that – which will go fast, you best believe – are $23 and go on sale this Friday at 10AM.

The Guardian has a feature piece on how Knowles came to work with Hynes, and if you’re curious about how their styles compare, know that the closing track on True is a Blood Orange cover of a 7-inch single; you can stream the original below. Solange’s performance of “Losing You” on Jimmy Fallon last year – with Hynes at her side – is also worth watching.

Video: Solange -“Losing You”
Video: Solange – “Losing You” (live on Jimmy Fallon)
Stream: Blood Orange – “Bad Girls”

Elsewhere, Brooklyn’s lo-fi surfers Beach Fossils have made a date at The Garrison for February 27 in support of their new album Clash The Truth, out February 19. Tickets are $14.50 in advance.

MP3: Beach Fossils – “Careless”
MP3: Beach Fossils – “Shallow”

With his/their third album Dormarion due out April 2, power-pop maestro Benjamin Michael Lerner – aka Telekinesis – has slated a Spring tour that stops in at the Horseshoe on May 12; tickets $11.50. A new song is also available to stream.

Stream: Telekinesis – “Ghosts And Creatures”

Pitchfork has debuted their new advance album stream feature with Yo La Tengo’s new one Fade, out next Tuesday. They’re at The Phoenix on February 9.

Stream: Yo La Tengo / Fade

The Stool Pigeon, New York Times, Red Eye, and The 405 interview Christopher Owens, whose solo debut Lysandre is out next Tuesday and who plays The Mod Club on January 18. The Line Of Best Fit has got a stream of the album right now.

Stream: Christopher Owens / Lysandre

Ra Ra Riot are streaming another new song from Beta Love, out January 22. They play Lee’s Palace on March 6.

Stream: Ra Ra Riot – “Dance With Me”

Two weeks out from the release of Almanac, Widowspeak have made another new song available to stream. It’s out January 22.

Stream: Widowspeak – “Thick As Thieves”

Local Natives have made another track from their forthcoming Hummingbird, out January 29. They’ve got a sold-out show at The Opera House on March 28.

MP3: Local Natives – “Heavy Feet”

Rolling Stone has some words with Jim James as well as a new stream from his forthcoming solo record Regions Of Sound & Light Of God, out February 5.

Stream: Jim James – “A New Life”

Spin talks to Caitlin Rose about expanding her country horizons on her second album The Stand-In, due out February 25, and the Arctic Monkeys cover that’s part of that. Watch the video for that one below, and see her at The Garrison on April 5.

Video: Caitlin Rose – “Piledriver Waltz”

The 405 has details on the new album from Brooklyn’s The Men, as well as a stream of a new song. Yes, its’ face-ripping. The album is called New Moon and is due out March 5.

Stream: The Men – “Electric”

Apparently that first taste in December of Low’s forthcoming The Invisible Way was unofficial because this new stream is being called the first official release from their new record, out March 19. They also just announced a live date at The Great Hall on March 16.

Stream: Low – “Just Make It Stop”

Rolling Stone talks to Black Rebel Motorcycle Club frontman Robert Been about writing and recording their new album, still untitled but due out this March, in the wake of his father’s sudden death in 2010. Update: Turns out it does have a name, as well as release date: Specter At The Feast is out March 18.

Spinner talks to John Darnielle of The Mountain Goats.

NYC Taper has a recording of Titus Andronicus’ set opening up for one of the Yo La Tengo Hannukah shows last December.

PulpHope everyone had a nice holiday. Just popping my head up to clear the decks before taking seasonal cover once again. Because despite very little technically happening over the last few days, a few noteworthy things floated their way up to the top of the internet, not least of which is a new old song from Pulp.

Though the safe return to port of the S.S. Coachella last week marked the band’s final engagement for the foreseeable future, they don’t go back into hiatus without some parting gifts. Passengers on the cruise were given gift cards with download codes which as of Christmas Day were redeemable for a new recording of an old song; “After You” had existed in demo form for many years, but recorded properly in November and given finishing touches on the cruise itself by James Murphy before being released to the cruise passengers, and then via Consequence Of Sound, onto the internet at large. The exact vintage of the tune is unclear but it certainly sounds like it predates their Common People/This Is Hardcore/We Love Life golden age, but hey. New! Old! Pulp! Happy! Christmas!

Stream: Pulp – “After You”

Wild Beasts have also offered up something from their archives, a track from the sessions for last year’s Smother.

Stream: Wild Beasts – “Stray”

Frightened Rabbit celebrated Christmas by giving away a holiday-themed track to their fans. Too late to make the caroling rounds this year, but an easy pick for your Christmas mixes next year. Their new album Pedestrian Verse is out February 5 and they play The Phoenix March 31.

MP3: Frightened Rabbit – “She Screams Christmas”

In what may the musical equivalent of constantly hitting refresh on the FedEx package tracking page, many were all agog about the announcement that My Bloody Valentine had completed mastering their new album, and while it seems unlikely that they’ll make good on Kevin Shields’ promise to release it this year, it’s done – as in out of Shields’ hands – and that much closer to being a reality. Exclaim has some specifics and design house IMeUs has some of the artwork that they submitted for consideration for the album’s packaging.

Radiohead Bonnaroo is a site that was set up to share a soundboard recording of Radiohead’s 2006 headlining set at said festival, though for a working download link you’ll have to hit Consequence Of Sound or, by now, your friendly neighbourhood bit torrent site.

Slicing Up Eyeballs have premiered a new Pet Shop Boys b-side, taken from “Memory Of The Future”, the latest single from Elysium.

Stream: Pet Shop Boys – “One Night”

Under The Radar interviews Django Django; they’re at The Opera House on March 12.

Wild Honey Pie has a video session with Daughter.

Editors frontman Tom Smith talks to The Daily Star about recovering from the departure of guitarist Chris Urbanowicz and their plans for their next album.

The Deer Tracks also offered up a Christmas gift to fans in the form of an unreleased track in both MP3 and video form. Their Archer Trilogy Pt. 3 full-length is due out on February 12 and there’s an interview with the band at MTV.

MP3: The Deer Tracks – “Bucket Of Sunbeams”
Video: The Deer Tracks – “Bucket Of Sunbeams”

Low are streaming the first taste of their new album The Invisible Way, out March 19.

Stream: Low – “Plastic Cup”

Under The Radar has details on the fourth (!) Guided By Voices reunion album – English Little League is coming April 30. Ready yourself.

Hey, you know Color Me Obsessed, the Replacements documentary from a few years ago that featured no appearances from or music by The Replacements? You can now watch all two hours of it online. If you want.

Video: Color Me Obsessed: A Film About The Replacements

CBC Music talks to Japandroids about their killer 2012.

NOW has a video session with Evening Hymns.

The lineup for the third installment of Fucked Up’s Long Winter series has been announced – hit the Great Hall on January 11 for sets from Buck 65, Picastro, Moon King, and more. Cover is PWYC.