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Friday, September 27th, 2013

Electric

Pet Shop Boys at The Sony Centre in Toronto

PSB Photo By Frank Yang Frank YangI can pinpoint the exact date, time, and place that I became a Pet Shop Boys fan – 8PM on August 30, 2009 at the Molson Amphitheatre. That was when they took the stage – the penultimate act of the final V Fest in Toronto and part of the “Pandemonium” tour in support of that year’s Yes – to the sampled voices of “Heart” and kicked off one of the most ridiculously entertaining hours of live music I can remember. I’d known the songs, of course – everyone knows many of those songs even if they don’t – but the marriage of their perfect pop and over-the-top, technicoloured building block visuals was impossible to resist, and since that too-short festival-length performance, I’ve been waiting for them to come back for their own full-length show.

It didn’t happen for last year’s Elysium, but for its strengths – maybe I liked it more than most because it was the first new PSB record to come out with me as a card-carrying member of their fanbase – its relatively low-key presentation may not have been the strongest foot to launch a world tour from. So thank goodness for this year’s unexpectedly fast follow-up Electric, a far more danceable and banging companion album that would get the Boys back on the road with the festival circuit in the Summer, and North America this Fall, stopping in at The Sony Centre in Toronto on Wednesday night.

With no opening act, the sold-out house waited and chattered patiently until the house lights dropped and screaming (the good kind) commenced. With projections of geometric abstractions and speeding tunnels on the giant scrim covering front of the stage, Messrs Tennant and Lowe took the stage behind giant glowing silhouettes, and ping-ponged from present to past with Electric opener “Axis”, Actually‘s “One More Chance”, and Elysium – all obscured behind trippy visuals – before dropping the scrim for “Opportunities” and bidding the crowd a proper “hello” with the first of many, many shouts of, “Toronto!”.

Even though the visuals of this tour were completely different from the Pandemonium tour – the Lego-esque aesthetic put aside for lasers, strobes, and the aforementioned giant projections, all tied together by a printed circuit board aesthetic – the structure was quite similar. Visually, you had Chris Lowe expressionless at his keyboard station handling the music, Neil Tennant roaming the stage in excellent voice, sometimes accompanied by a pair of dancers, and all in a dazzling and nonsensical array of costumes involving but certainly not limited to giant antlered animal masks, finely-tailored suits, disco ball helmets, and tinsel bodysuits on pogo sticks.

Musically, they tied songs together into suites with corresponding choreography, and as per the opening numbers, they focused mainly on their last two albums and their platinum-selling early records, although Behaviour was curiously left out completely. Also curious was the omission of two of Electric‘s highlights – new single “Love Is a Bourgeois Construct” and Springsteen cover “The Last To Die”. But you can’t have everything, I suppose, so wishing that some more of their ’90s singles had also made the cut in lieu of the early ’00s tracks is really besides the point. Even with a near two-hour show, a band with a catalog of classic songs as deep as Pet Shop Boys as well as very worthy current records to promote is going to leave someone’s favourites out. Probably best to focus on the fact that even so, no one was having anything but a great time and even though the Sony Centre’s seats weren’t the most conducive to dancing, we did what we could.

The show’s finale was heralded by a string of the biggest tunes – “It’s A Sin”, “Domino Dancing”, “Always On My Mind”, and “Go West” are the very definition of show stoppers – but the final number was Electric closing number “Vocal”; not a classic like the others – at least not yet – but certainly a banger and if you wanted to send a giddy crowd into the night understanding that even after more than a quarter century, you’re still writing and releasing great, great songs to go with your great, great shows, you could do far worse.

Global News, Panic Manual, and Live In Limbo also have reviews of the show, and Philly.com and The New Statesman interviews.

The New York Times has the advance stream of Yuck’s second album Glow & Behold, being released September 30.

Stream: Yuck / Glow & Behold

Also out next week is Johnny Flynn’s new long-player Country Mile, which is available to preview at For Folks Sake. And if that’s not enough, there’s the sampler A Recapitulation Of Johnny Flynn EP which is available to download for free (or a donation).

Stream: Johnny Flynn / Country Mile

Clash, MIPro, and New Statesman talk to Anna Calvi about her new album One Breath, which is out October 7 and from which a new song is available to stream.

Stream: Anna Calvi – “Suddenly”

The History Of Apple Pie are streaming the a-side of a new 7″-single, out October 14 to coincide with their hop across the Atlantic to play CMJ.

Stream: The History Of Apple Pie – “Don’t You Wanna Be Mine”

Clash premiered a stream of the first new Fanfarlo music in a while; it comes from their new EP The Sea, which will be released on October 14.

Stream: Fanfarlo – “A Distance”

Daytrotter has a session with Kate Nash, who plays The Phoenix on November 5.

Though her debut album True Romance is still only a few months old, Charli XCX has released a video for a new song from her next album, which she obviously hopes will be out sooner rather than later. She plays Wrongbar on November 9.

Video: Charli XCX – “Superlove”

The Guardian examines the new wave of psych-rock bands coming out of the UK including Temples, who are at The Horseshoe on November 20 ahead of releasing their full-length debut next year.

Foals have a new clip from their latest, Holy Fire.

Video: Foals – “Out Of The Woods”

Savages have released a new video from Silence Yourself.

Video: Savages – “Husbands”

Sky Larkin share their favourite mottos with Clash, while ZME Music settles for a regular old interview.

NPR has a video session and Exclaim an interview with CHVRCHES.

Spin talks to Elvis Costello and Questlove of The Roots about their collaborative record Wise Up Ghost.

Wild Honey Pie have posted a video session with Camera Obscura.

As part of their ongoing 4AD week – marking the release of Facing The Other Way, a new book about the legendary label, Drowned In Sound talks to Vaughan Oliver, the graphic artist responsible for the 4AD’s signature visual style.

Tags: Anna Calvi, Camera Obscura, Charli XCX, CHVRCHES, Elvis Costello, Fanfarlo, Foals, History Of Apple Pie, Johnny Flynn, Kate Nash, Pet Shop Boys, Roots, Savages, Sky Larkin, Yuck

Posted in Concert Reviews | 2 Comments »

Friday, September 13th, 2013

The Stars Are Out Tonight

The 2013 Mercury Prize shortlist includes David Bowie and nine acts who are not David Bowie

David Bowie Photo By Jimmy King Jimmy KingSo the shortlist for the 2013 Mercury Prize – awarded to the best British or Irish album of the year – was announced the other day, and contrary to the odds reported by NME earlier this week, London Grammar – favoured to win – was nowhere to be found. Nor, out of their top ten, were Steve Mason, Daughter, Primal Scream, or CHVRCHES. Not that I have any idea how bookmakers come up with their odds, nor how accurate they’ve been in the past. But to list an album at 15:8 to win and not even have it make the shortlist, well that’s some questionable prognostication.

The ten records that did make the list are as follows, and I’m mildly surprised that I’ve heard more of these than I usually have – a fact which kind of supports those who complain that the Mercury has gotten safe or predictable. I’m personally pulling for Bowie, if you hadn’t guessed; the release of The Next Day instigated a year of Bowie discovery, which included a deeper appreciation for has last two records Heathen and Reality along with the more classic material and a pilgrimage to his old digs in Berlin (though that wasn’t the main reason for the trip, that would be ridiculous). Plus there’s the David Bowie Is exhibit opening at the Art Gallery of Ontario later this month – let’s face it, this is the year of Bowie. The Mercury should just accept it and fall in line. The winner of this year’s prize will be announced on October 30.

Oh, and Kevin Shields of My Bloody Valentine has some choice words for the Mercury Prize, and they’re not positive. The Guardian has that.

Arctic Monkeys / AM / Video: “Do I Wanna Know?”
David Bowie / The Next Day / Video: “The Next Day”
Disclosure / Settle / Video: “When A Fire Starts To Burn”
Foals / Holy Fire / Video: “Late Night”
Jake Bugg / Jake Bugg / Video: “Lightning Bolt”
James Blake / Overgrown / Video: “Retrograde”
Jon Hopkins / Immunity / Video: “Open Eye Signal”
Laura Marling / Once I Was An Eagle / Video: “Master Hunter”
Laura Mvula / Sing To The Moon / Video: “Green Garden”
Rudimental / Home / Video: “Waiting All Night”
Savages / Silence Yourself / Video: “Shut Up”
Villagers / Awayland / Video: “Nothing Arrived”

Summer Camp’s Elizabeth Sankey takes Clash behind the scenes of the video for “Fresh”, taken from their just-released new record Summer Camp.

NOW checks in with Arctic Monkeys, who kick off their North American tour on September 15 at The Kool Haus.

The Skinny and philly.com get to know CHVRCHES, who play The Danforth Music Hall on September 15. Their debut The Bones Of What You Believe is out September 24.

Filter talks to Elvis Costello and ?uestlove of The Roots about their new collaborative album Wise Up Ghost, which comes out September 17.

Icona Pop have released a new video from their forthcoming kinda-but-not-really debut This Is… Icona Pop, out September 24.

Video: Icona Pop – “All Night”

The Line Of Best Fit has a video session with London Grammar, who will be at The Great Hall on October 4.

Under The Radar has posted their recent cover story on Charli XCX, who makes her local headlining debut at Wrongbar on November 9.

Dev Hynes is a dancing machine in the new Blood Orange video, which also serves as the first taste of his new record Cupid Deluxe. It should be out this year.

Video: Blood Orange – “Chamakay”

A Music Blog, Yea interviews The Vaccines.

Under The Radar talks to Still Corners.

Junip have released a new video from this year’s self-titled album.

Video: Junip – “Walking Lightly”

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Tuesday, September 10th, 2013

Metal & Dust

Review of London Grammar’s If You Wait

Photo By Paolo Zerbini Paolo ZerbiniI’m sure it’s purely coincidence, but it’s a hell of one that the title of If You Wait, the 2013 debut from London Grammar, is but one word apart from If You Leave, the 2013 debut Daughter. After all, both are London-based, female-fronted three-pieces with atmospheric aesthetics, singular vocal signatures, and who plumb the depths of the heart’s frailties for lyrical inspiration.

But while they occupy a similar space, London Grammar stake out their own territory. A ways away from Elena Tonra’s wistful sigh of a voice, Hannah Reid’s rich, husky alto is clearly a powerful instrument akin to Florence Welch’s but rather than use it to blow the doors off, she keeps it set on a deep and steady soul-infused smoulder that expresses her wounded sentiments in rich tones. The musical accompaniment, built largely around guitar and piano, is sparse by default but more than able to swell for effect and works well in adding to the twilight ambience. One does wish that Dan Rothman’s lines and style – palm-muted and echoed – was a little less xx-marks-the-spot, but there’s no arguing its effectiveness in this context.

If there’s a complaint to be made about If You Wait, it’s in that the London Grammar aesthetic is a little too defined and consistently applied and over the course of the record starts feeling a bit monochromatic. It feels like a photograph of something beautiful, viewable from a single angle, than a living, breathing thing – more than acceptable for now, but a limitation they’ll have to transcend sooner rather than later.

NME reports that If You Wait is presently the odds-on favourite to win the Mercury Prize, the shortlist of which will be announced tomorrow and whose winner will be announced October 30. The West Australian and The Guardian have feature pieces on London Grammar and The Line Of Best Fit has a video of their covering La Roux for BBC’s Live Lounge. If You Wait is out today, September 10, and their inaugural North American tour brings them to Toronto for a show at The Great Hall on October 4.

Video: London Grammar – “Strong”
Video: London Grammar – “Wasting My Young Years”

The Guardian has a stream of Summer Camp’s second self-titled album, out now, while The Fly has a feature piece on the duo and Noisey gets them to go through and comment on their old photo albums.

Stream: Summer Camp / Summer Camp

Interview, Spin, The Telegraph, Tone Deaf, and The Fly mark today’s release of Arctic Monkeys’ AM with feature interviews; they play The Kool Haus on September 15.

DIY and vita.mn talk to CHVRCHES as the September 24 release date of their debut The Bones Of What You Believe draws near; but first they play The Danforth Music Hall on September 15.

NPR is streaming the new Elvis Costello/Roots collaboration Wise Up Ghost ahead of its September 17 release date.

Stream: Elvis Costello with The Roots / Wise Up Ghost

Peter Hook updates The Hollywood Reporter on the attempts to take possession of those Joy Division/New Order master tapes rescued from the trash recently. And as you can assume from the word “attempts”, they’re not going well. Hook plays The Hoxton on September 18.

Pitchfork has got a stream of another new track from Laura Groves, nee Blue Roses, taken from her new EP Thinking About Thinking, due out September 30.

Stream: Laura Groves – “Pale Shadows”

Yuck has released an in-studio video of them getting their New Order on; their second album Glow & Behold comes out September 30.

Video: Yuck – “Age Of Consent”

Frightened Rabbit play a video session for The Line Of Best Fit from a pirate ship at the End Of The Road festival; they are at The Kool Haus on October 21.

The 405 talks to Polly Scattergood, who has released a new video from her second album Arrows, originally set for a June release but now locked in to an October 21 street date.

Video: Polly Scattergood – “Cocoon”

MTV Hive has an interview and NPR a World Cafe session with Franz Ferdinand, who’ve just put out a new video from Right Thoughts, Right Words, Right Action; they play The Kool Haus October 24.

Video: Franz Ferdinand – “Evil Eye”

Though still coy about details of a new album, The High Wire have made another new song available to download.

MP3: The High Wire – “The Thames & The Tide”

The xx tell NME they’re already at work on album number three.

Little Boots has released a new video from Nocturnes.

Video: Little Boots – “Satellite”

NME and Billboard talk to Billy Bragg about being recognized for his “outstanding contribution to music” by the UK’s Association of Independent Music.

The Guardian talks to James Allan of Glasvegas.

God Is In The TV has an interview with Chris Olley of Six By Seven.

The Wedding Present are streaming a new single which will be available for sale as a 7″ on their upcoming UK tour.

Stream: The Wedding Present – “Two Bridges”

NPR marks the 20th anniversary of Britpop with a playlist of the scene’s best.

Tags: Arctic Monkeys, Billy Bragg, CHVRCHES, Elvis Costello, Franz Ferdinand, frightened rabbit, Glasvegas, High Wire, Laura Groves, London Grammar, Peter Hook, Polly Scattergood, Roots, Six By Seven, Summer Camp, Wedding Present, XX, Yuck

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Wednesday, September 4th, 2013

The Universe Expanded

While I was out… featuring Franz Ferdinand and things of a British nature

Photo By Andrew Knowles Andrew KnowlesThe biggest releases of last week both happened to be Scottish in nationality. There was Franz Ferdinand’s fourth long-player Right Thoughts, Right Words, Right Action, which was the topic of conversation with Alex Kaparnos at NPR, Billboard, Canada.com, and DIY, while Kapranos and Bob Hardy both chat with Stereogum and Paul Thomson answers the phone when CBC calls. Further, Pitchfork has video of that acoustic Grimes cover the band played for French radio that everyone was linking to last week. They play The Kool Haus come October 24.

Meanwhile, with their new b-sides comp The Third Eye Centre finally out, Belle & Sebastian have released a new video featuring Hannah Murray from Skins and Game Of Thrones. Under The Radar has compiled their multi-part interview with the band into a single piece, PopMatters has a chat with Richard Colburn, and over at The Quietus, Stuart Murdoch opts to talk about other peoples’ records rather than his own.

Video: Belle & Sebastian – “Your Cover’s Blown” (Miaoux Miaoux remix)

James Allan talks to The Quietus, MusicRadar, and Yahoo! about Glasvegas’ new album Later… When The TV Turns To Static. It wasn’t alluded to in the lede, despite being Scottish, because a) it came out this week and not last week, and b) not many people care anymore.

Arctic Monkeys are streaming a new b-side which doesn’t appear on AM, due out September 10. And if you only care about the songs which do appear on the album, you’re in luck – the whole thing is now streaming at iTunes. Arctic Monkeys are at The Kool Haus on September 15.

Stream: Arctic Monkeys – “Stop The World I Want To Get Off With You”
Stream: Arctic Monkeys / AM

Drowned In Sound talks to London Grammar, who are offering a full stream of their debut album If You Wait via their own website with just a few hoops to jump through. The record is out September 10 and they play The Great Hall on October 4.

Stream: London Grammar / If You Wait

In a video session for Gigwise, Frightened Rabbit offer up a cover of Jessie Ware’s “Wildest Moments” and another track from the Late March, Death March EP, out September 10, is available to stream via Stereogum. They play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Candlelit”

Savages have premiered a new performance video from Silence Yourself at Pitchfork; they play The Opera House on September 12.

Video: Savages – “I Am Here”

Gigwise and MusicRadar check in with CHVRCHES, whose debut The Bones Of What You Believe is almost finally out on September 24 but not before they headline the Danforth Music Hall on September 15.

James Dean Bradfield of Manic Street Preachers talks to Wales Online about their new album Rewind The Film, while Nicky Wire takes The Quietus through the new record track by track. And NME has posted the whole of their recent Wire-led Twitter Q&A. Rewind The Film is out September 16.

The Quietus looks at the many, many collaborations Elvis Costello has undertaken in his career, the latest of which is Wise Up Ghost with The Roots, due out September 17. Costello talks to The Brisbane Times about the new record.

Peter Hook talks about matters past, present, future, and legal with Billboard, Pitchfork, The Huffington Post, Exclaim, and The Dumbing Of America. He leads his new band The Light through old material at The Hoxton on September 18.

Daughter are streaming a new b-side; they play The Phoenix on September 29.

Stream: Daughter – “Smoke”

Yuck talks to Rolling Stone about carrying on without their original frontman, as documented on their new album Glow & Behold, out September 30.

Two Door Cinema Club have released a video for the title track of their new Changing Of The Seasons EP, due out September 30; NME has details. They play The Danforth Music Hall on October 15.

Video: Two Door Cinema Club – “Changing Of The Seasons”

Anna Calvi has released the first video from her forthcoming One Breath, out October 7.

Video: Anna Calvi – “Eliza”

Lanterns On The Lake have released a video for the title track of their new album Until The Colours Run, which is due out on October 7 in the UK and will get a North American release early next year on January 14.

Video: Lanterns On The Lake – “Until The Colours Run”

The Line Of Best Fit reports Suede will finally reissue their entire catalog on vinyl on October 21, but the catch is you have to buy them all in one super-expensive box set, it’s only available in the UK, and you have to take A New Morning with the rest. And oh, they released a new video from Bloodsports.

Video: Suede – “For The Strangers”

Los Campesinos! have confirmed an October 29 release date for their new record No Blues, and have made the first track from it available to stream.

Stream: Los Campesinos! – “What Death Leaves Behind”

M.I.A. is streaming another new track from her forthcoming Matangi, out November 5.

Stream: M.I.A. – “Come Walk With Me”

The Charli XCX show originally scheduled for September 16 at The Hoxton has been rescheduled to Saturday, November 9, and will now take place at Wrongbar. All previous tickets will be honoured and all the new dates can be seen at Exclaim.

MP3: Charli XCX – “Valentine”

Drowned In Sound checks in with Josh Hayward of The Horrors on the status of their next album, due out in early 2014.

Drowned In Sound chats with David Gedge of The Wedding Present, who will be undertaking an exhaustive reissue series of their back catalog in the near future; FACT has details on that.

Tessa Murray talks to Vogue about the new Still Corners video from Strange Pleasures.

Video: Still Corners – “Fireflies”

Under The Radar and Pitchfork talk to Bobby Gillespie of Primal Scream.

With the assistance of Hefner’s Darren Hayman, Allo Darlin’ frontwoman Elizabeth Morris has put together a solo EP entitled Optimism, available for digital purchase now.

eMusic has an interview with Billy Bragg.

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Thursday, August 15th, 2013

New House

Hear the (very near) future of Canadian music today, featuring Diana

Diana Photo By Laurie Kang Laurie KangA disproportionate number of intriguing Canadian indie releases scheduled for the 20th of August means a disproportionate number of intriguing Canadian indie advance streams the week prior to the 20th of August. And perhaps the most intriguing of these is Perpetual Surrender, the debut album from Toronto’s Diana, an outfit that barely existed a year ago and only started to gather notice locally last Fall, thanks to their connections to Destroyer – keyboardist/saxophonist Joseph Shabason was part of the Kaputt band – and Army Girls – frontwoman Carmen Elle’s main gig prior to this.

But clearly the time is right for ’80s-vintage, soft-focus synth-pop that sounds simultaneously luxurious and dissatisfied because Diana (sorry, won’t indulge the all-caps) are making impressive waves both at home and abroad and signing to esteemed label Jagjaguwar for the latter territories. They’ve opened for Fucked Up and Tegan & Sara, and went from being the undercard on one of the hottest shows at CMF to themselves being one of the big draws at NXNE. And while I will confess to feeling a slight bit of disappointment in Perpetual Surrender, that’s only because it delivers exactly what Diana has promised, and not anything more. That should be more than enough for most, though, and if Diana turn out to be Toronto’s new musical ambassadors to the world for the next while, hey – I’m okay with that.

Perpetual Surrender is streaming now at Pitchfork. They play The Great Hall on September 26.

MP3: Diana – “Born Again”
Stream: Diana / Perpetual Surrender

Just as predicted, Braids have made their new record Flourish//Perish available to stream ahead of its release next week, also via Pitchfork. And also as predicted, I’m enjoying it considerably more than I did their debut, so that’s something. Exclaim has an interview with Raphaelle Standell-Preston about the departure of keyboardist Katie Lee; they’re this month’s cover story, which should be online soon. And those attending their November 10 show originally scheduled for BLK BOX should note that it has moved upstairs and will now take place in The Great Hall proper.

Stream: Braids / Flourish//Perish

Pitchfork didn’t get the advance stream of Sarah Neufeld’s solo debut Hero Brother, though – that went to The Quietus. Exclaim talks to Neufeld about work outside Arcade Fire and she’s playing guest blogger at Elle this month, offering thoughts on touring, yoga, and other stuff. She plays The Drake Undergound on August 22.

MP3: Sarah Neufeld – “Hero Brother”
Stream: Sarah Neufeld / Hero Brother

Murray Lightburn has doubled down on Exclaim to get the word out on his solo debut Mass:Light; they’ve got both an interview feature on the Dears frontman but also the complete album stream.

MP3: Murray Lightburn – “Motherfuckers”
Stream: Murray Lightburn / Mass:Light

CBC Music talks to Kathryn Calder about A Matter Of Time, the documentary film about ALS at which she and her mother are at the centre, as well as what’s going on with her next solo record and the new New Pornographers album. She should be with the Pornos when they play the CNE on August 17.

The Georgia Straight and Beatroute interview Devon Welsh of Majical Cloudz. They play Wrongbar on September 17.

The Irish Examiner talks to Katie Stelmanis of Austra about life on the road. She leads them into The Phoenix on September 27.

If you thought The Polish Combatants Hall was an awfully small room for Basia Bulat to mark the October 1 release of her new record Tall Tall Shadow, you’d be correct. An October 11 show has been added to the previously announced October 10 date, tickets for both are $20.

Stream: Basia Bulat – “Tall Tall Shadow”

Seeing as how in recent years, Great Lake Swimmers has ceased being a straight-up alias for frontman Tony Dekker and become a proper band, it makes sense that he might seek to go solo. And so he has, announcing an October 8 release date for his first record under his own name and performed entirely by himself, Prayer Of The Woods. Exclaim has details.

Relix has a video session with Hayden.

Gold & Youth play a video session for Exclaim.

Tags: Austra, Basia Bulat, Braids, Diana, Gold & Youth, Hayden, Kathryn Calder, Majical Cloudz, Murray Lightburn, New Pornographers, Rachel Zeffira, Sarah Neufeld, Tony Dekker

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