Elias TahanThere are many routes to Solange. Some may know her because of the surname she shares with her superstar sister. Others for her thespian endeavours which so far, have peaked with the starring role in the third chapter of the competitive cheerleading saga Bring It On. And her music career – two albums since 2003 – have sold hundreds of thousands of copies, so she’s got fans there, too. But it’s her recent turns covering Dirty Projectors and collaborating with Of Montreal that have garnered her scores of new followers in the indie realm.

She only came to my attention, however, when word got out that she was working with Dev Hynes as producer and co-writer. I had originally been a bit wary of his shift from the folk/orchestral indie-rock stylings of Lightspeed Champion to the ’80s-vintage disco-soul of of Lightspeed Champion and Blood Orange, but Coastal Grooves, his debut in that guise, was so irresistibly slick and funky – and at minimal cost to his guitar heroics – that the prospect of pairing those skills with an up-and-coming soul diva such as Knowles had so much potential.

The full-length fruits of their labours is still forthcoming, but the mini-album True, released digitally last November and out physically as of yesterday, certainly shows that promise is being fulfilled. It sounds like a companion piece to Coastal Grooves in style, but the use of an actual studio rather than Hynes’ home environs and Knowles’ vocals makes it a different creature entirely – smooth and expressive while eschewing the diva excesses so typical of her peers. It’s a bit of a subtle release, but that’s also what makes it refreshing and it doesn’t take but a few listens for the hooks to sink in and once they’re in, that’s it.

With the record’s release, Solange has announced a Winter tour that brings her – and presumably Hynes, who has been in her band for past live appearances – to The Hoxton on February 22. Tickets for that – which will go fast, you best believe – are $23 and go on sale this Friday at 10AM.

The Guardian has a feature piece on how Knowles came to work with Hynes, and if you’re curious about how their styles compare, know that the closing track on True is a Blood Orange cover of a 7-inch single; you can stream the original below. Solange’s performance of “Losing You” on Jimmy Fallon last year – with Hynes at her side – is also worth watching.

Video: Solange -“Losing You”
Video: Solange – “Losing You” (live on Jimmy Fallon)
Stream: Blood Orange – “Bad Girls”

Elsewhere, Brooklyn’s lo-fi surfers Beach Fossils have made a date at The Garrison for February 27 in support of their new album Clash The Truth, out February 19. Tickets are $14.50 in advance.

MP3: Beach Fossils – “Careless”
MP3: Beach Fossils – “Shallow”

With his/their third album Dormarion due out April 2, power-pop maestro Benjamin Michael Lerner – aka Telekinesis – has slated a Spring tour that stops in at the Horseshoe on May 12; tickets $11.50. A new song is also available to stream.

Stream: Telekinesis – “Ghosts And Creatures”

Pitchfork has debuted their new advance album stream feature with Yo La Tengo’s new one Fade, out next Tuesday. They’re at The Phoenix on February 9.

Stream: Yo La Tengo / Fade

The Stool Pigeon, New York Times, Red Eye, and The 405 interview Christopher Owens, whose solo debut Lysandre is out next Tuesday and who plays The Mod Club on January 18. The Line Of Best Fit has got a stream of the album right now.

Stream: Christopher Owens / Lysandre

Ra Ra Riot are streaming another new song from Beta Love, out January 22. They play Lee’s Palace on March 6.

Stream: Ra Ra Riot – “Dance With Me”

Two weeks out from the release of Almanac, Widowspeak have made another new song available to stream. It’s out January 22.

Stream: Widowspeak – “Thick As Thieves”

Local Natives have made another track from their forthcoming Hummingbird, out January 29. They’ve got a sold-out show at The Opera House on March 28.

MP3: Local Natives – “Heavy Feet”

Rolling Stone has some words with Jim James as well as a new stream from his forthcoming solo record Regions Of Sound & Light Of God, out February 5.

Stream: Jim James – “A New Life”

Spin talks to Caitlin Rose about expanding her country horizons on her second album The Stand-In, due out February 25, and the Arctic Monkeys cover that’s part of that. Watch the video for that one below, and see her at The Garrison on April 5.

Video: Caitlin Rose – “Piledriver Waltz”

The 405 has details on the new album from Brooklyn’s The Men, as well as a stream of a new song. Yes, its’ face-ripping. The album is called New Moon and is due out March 5.

Stream: The Men – “Electric”

Apparently that first taste in December of Low’s forthcoming The Invisible Way was unofficial because this new stream is being called the first official release from their new record, out March 19. They also just announced a live date at The Great Hall on March 16.

Stream: Low – “Just Make It Stop”

Rolling Stone talks to Black Rebel Motorcycle Club frontman Robert Been about writing and recording their new album, still untitled but due out this March, in the wake of his father’s sudden death in 2010. Update: Turns out it does have a name, as well as release date: Specter At The Feast is out March 18.

Spinner talks to John Darnielle of The Mountain Goats.

NYC Taper has a recording of Titus Andronicus’ set opening up for one of the Yo La Tengo Hannukah shows last December.

Carlie ArmstrongSo here’s one last housecleaning post before basically winding down for the holidays. Which isn’t to say I won’t pop back next week, but let’s not assume so.

Happily, Yo La Tengo have made it easy to wrap things up – whereas most quiet down in December, the trio traditionally have their busiest run of the year thanks to their eight-night run of Hannukah shows at Maxwell’s in Hoboken. The combination of a tiny room and ridiculously cool opening acts and special guests have made the events instant sellouts, so those of us who don’t reside in or around the New Jersey area can thank NYC Taper for doing their best to document and share the proceedings.

This year, they captured seven of the eight shows and have made them all available to download, so when you’re sick of Christmas carols, pick one and turn it up. And if you want more, Matablog reports that special mix CDs compiled by the band from their own record collections and made available at the shows will be put on sale online today and tomorrow with all proceeds going to Norton Records, whose Brooklyn warehouse was basically destroyed by Hurricane Sandy. Update: And night six is up. Collect them all!

Looking ahead to the January 15 release of their new album Fade, a new video from the record was just released – yes, it’s a time-lapse of a tree not entirely dissimilar to the one on the album cover; it serves as a nice companion piece to the “Before We Run” clip released last month. There’s also a short interview with Ira Kaplan about the new record at DIY, and a gentle reminder that the band are in town at The Phoenix on February 9.

And to keep it seasonal, here’s the Jan Terri cover that led off their 2002 Merry Christmas From Yo La Tengo EP. Because it’s fun.

MP3: Yo La Tengo – “Rock’N’Roll Santa”
Video: Yo La Tengo – “Ohm”

Exclaim has some details on the new Guided By Voices EP coming in the new year. It’s called Down By The Racetrack and will be available as of January 22.

Fast Company Create talks to J Mascis and mixer John Agnello and Village Voice to Lou Barlow about why the Dinosaur Jr reunion has been so successful.

Earlier this week, Bob Mould stopped by Reddit for an “Ask Me Anything” session. On March 1, he stops by The Horseshoe for face-tearing rock session.

Some show announcements before people stop paying attention entirely… American lo-fi soul saviour Cody ChesnuTT brings his 2012 release Landing On A Hundred to Wrongbar on February 10, tickets $19.50 in advance.

Video: Cody ChesnuTT – “Till I Met Thee”

Nashville’s Caitlin Rose is at The Garrison on April 5 as part of a Spring tour in support of her new album The Stand-In, due out February 25. A couple of tracks from the record are available to stream.

Stream: Caitlin Rose – “No One To Call”
Stream: Caitlin Rose – “I Was Cruel”

Brooklyn’s Caveman aren’t saying much about their follow-up to last year’s debut Coco Beware besides that it will be out this Spring, but they’ve already announced a tour to promote it. Look for them at Lee’s Palace on March 1, tickets $10.50.

MP3: Caveman – “Easy Water”
MP3: Caveman – “Thankful”

Memphis’ Lucero have graduated to the big rooms – the March 26 date of their Spring tour, still in support of this year’s Women & Work, will have them at The Phoenix. Tickets for that are $20.

Video: Lucero – “Women & Work”

NYC Taper is sharing a recording of Sharon Van Etten’s secret show in Brooklyn last week and The Sydney Morning Herald a short interview. She’s here at Massey Hall on March 23 opening up for Nick Cave & The Bad Seeds.

She & Him get animated in a video for last year’s A Very She & Him Christmas, confirming that releasing a Christmas album is one of the best business decisions – if also one of the worst artistic decisions – a musician can make.

Video: She & Him – “Baby, It’s Cold Outside”

The 405 talks to Jack Tatum of Wild Nothing.

It shouldn’t be a point of surprise – they were due – but it’s still exciting that Yeah Yeah Yeahs have confirmed a new album will be out in the Spring via Twitter.

Bat For Lashes have released a third video from The Haunted Man. The Guardian talks to Natasha Khan about her 2012.

Video: Bat For Lashes – “A Wall”

Interview and The Village Voice talk to METZ.

Not sure why it took so long, but Modern Superstitions’ solidly garage-rocking self-titled debut is now available to stream. And buy.

MP3: Modern Superstitions – “Bad Habit”
Stream: Modern Superstitions / Modern Superstitions

Stereogum goes record-listening with John O’Regan of Diamond Rings. The Calgary Herald also has an interview.

That’s it, hopper’s about empty. Have a happy and safe holiday season everyone.

Peter EllenbyWhen Bob Mould looks back on his 2012, he should be able to reflect on a very busy and productive year. First, he released his memoirs See A Little Light – a very direct and enlightening, if somewhat dryly written, accounting of his professional and personal life over the past half-century, back in June. Shortly thereafter came the release of the complete output of his second most-important power trio in Sugar, which he’d also marked by playing the entirety of the seminal Copper Blue on tour throughout the year. And oh yeah, on top of all that, he released his first album of new material since 2009’s Life & Times in The Silver Age, rightly heralded as his strongest – and most all-out rocking – work in some time.

One thing Mould didn’t get time to do this year, though, was come north of the border to play some shows. It would have been great to have one of the Copper Blue shows up here, but it didn’t happen – which makes me feel extra-fortunate that I was able to catch on at SXSW, not that that does the rest of his Toronto fanbase much good. But while it seems improbably that 2013 will be as busy for Bob as 2012, he’s added a few more dates including his first local show since Fall 2009, on March 1 at The Horseshoe. Yes he could easily play a bigger room – which is why this will be extra-great. It won’t be a Copper Blue recital – he officially retired that in November – but one of the perks of having thirty years worth of material to draw from is that he can assemble a near-infinite number of different set lists and they’ll all be fantastic. Bob will bring the tunes, you bring the earplugs. Tickets for the show are $24.50, on sale tomorrow.

Another thing Mould has been doing this year? Turning to Kickstarter to fund a release of the See A Little Light: A Celebration of the Music and Legacy of Bob Mould concert film recorded in Los Angeles last November, wherein a collection of musicians including Dave Grohl, Britt Daniel, Craig Finn, and Britt Daniel came together to perform works from Mould’s entire career. Sound like something you’d want to see? Me too – so chip in if you can.

And finally – last thing – Mould is doing a Reddit “Ask Me Anything” on Monday, December 17, starting at 1PM. So if there’s something you’ve been wanting to ask him – that’s your chance.

Video: Bob Mould – “The Descent”

Also hellaciously busy this year were Guided By Voices, with the reunited indie rock icons releasing fully three new albums in barely 11 months. So what do you do for an encore? As Tobin Sprout tells Ghettoblaster, one more album and an EP in January for sure, and maybe another album after that.

The Afghan Whigs, who set stages on fire (figuratively) with their reunion tour through much of this year, play a video session for NPR.

It would be reasonable to assume that Alan Sparhawk would be focusing on Low next year, what with a new album in The Invisible Way coming out March 19, but no – his Retribution Gospel Choir will release a two-track, Nels Cline-starring third album entitled 3 on January 22, with some touring scheduled for the early part of the year. A warm-up for Low, I guess. Details on the release over here. And back to Low, there’s a mini-documentary film at BYUtv about the band’s 20-year history together.

NYCTaper has recordings of the first two nights of Yo La Tengo’s Hannukah shows at Maxwell’s this week. New album Fade is out January 15 and they’re at The Phoenix on February 9.

Funny Or Die has got a pretty damn funny video short featuring Cat Power singing to a class of second-graders while being Cat Power.

Josh Ritter has announced the return of Josh Ritter in both recorded and live formats. To the former, his new record The Beast In In Tracks will be out March 5 – stream a new song below – and to the latter, he’s announced a Spring tour that brings him to the Danforth Music Hall on April 16.

Stream: Josh Ritter – “Joy To You Baby”

Widowspeak have premiered a stream of another new song from Almanac over at Paste. The album is out January 22.

Stream: Widowspeak – “The Dark Age”

Also doing the preview stream thing is Ra Ra Riot; Entertainment Weekly brings you the second taste of Beta Love, out January 22. They’re at Lee’s Palace on March 6 and there’s an interview with the band at The Shreveport Times.

Stream: Ra Ra Riot – “When I Dream”

Spinner chats with Christopher Owens about his solo debut Lysandre. It’s out January 15 and he plays The Mod Club on January 18.

PopMatters interviews Savoir Adore.

Chairlift are giving away an EP’s worth of demos for Something via Soundcloud.

Frank YangIt’s less accurate to say that Mark Eitzel was/is/ever shall be the frontman for American Music Club than it is to simply say Mark Eitzel is American Music Club. Over both of the band’s incarnations – their original run from 1982 to 1994 and the reunion from 2004 to 2009 – Eitzel released solo records whose songbooks intersected liberally with AMC but roamed more musically, most curiously on The Ugly American, which saw him arranging old songs for traditional Greek instruments, and Candy Ass, which took him electronic.

His latest Don’t Be A Stranger isn’t one of those sidebar releases, being both his first record for Merge and first since the book was formally closed on American Music Club for the second and probably final time. It also provided occasion for Eitzel’s first visit to Toronto since leading AMC through an excellent but lightly-attended show in Spring 2008. Despite Stranger being a fully-produced affair, Eitzel was touring light – just himself and a piano player, the same setup I saw him with during SXSW 2011.

Given that he was performing to his own, appreciative fans rather than drive-by hipster festival-goers, Eitzel was in a decidedly better mood than that show. Even though the dour dimension gave that performance a memorable intensity, it was nice to have him be able to show off his more jovial side instead with his humour thankfully stayed on the right side of the self-deprecating/self-loathing line. The set list was impressively career-spanning, offering four selections from the new record amongst old AMC favourites like show opener, “What Holds The World Together” off of San Francisco, and “Apology For An Accident” and “Hollywood 4-5-92” from personal favourite Mercury, all dramatically rearranged for the cabaret show configuration but still just as powerful as in their rock band format, thanks in no small part to Eitzel’s massive and emotive vocals – the mic often seemed more stage prop than necessary sound reinforcement. He may have only gotten through a baker’s dozen worth of songs in the hour-fifteen show, but most were accompanied by anecdotes that offered illuminating insights into the song. It was amazing how many of Eitzel’s songs are actually literal rather than allegorical; aspiring songwriters could do far worse than to study his works to learn how to transform daily experiences into compelling lyrical works.

Eitzel had to take a mulligan on the encore after a monologue hilariously derailed things, but wrapped up strongly with “We All Have To Find Our Own Way Out” off of Stranger, and closing with “Chanel No. 5”, a song that’s so much an essential part of the AMC canon that I’m astonished it was only released as a b-side. Mark Eitzel doesn’t come through town very often – he’d do well to take the advice of this album’s title – but when he does, it’s always special.

Back To The World also has an excellent review of the show. The Plain Dealer and Columbus Alive have interviews with Eitzel.

Photos: Mark Eitzel @ The Rivoli – November 28, 2012
MP3: Mark Eitzel – “I Love You But You’re Dead”
MP3: American Music Club – “Only Love Can Set You Free”
MP3: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “Rise”
Video: American Music Club – “Wish The World Away”
Video: American Music Club – “Electric Light”

The new Memory Tapes album Grace/Confusion is available to stream in whole right now; it’s out on Tuesday.

MP3: Memory Tapes – “Shelia”
Stream: Memory Tapes / Grace/Confusion

Pitchfork compiles an oral history of Interpol’s Turn On The Bright Lights, the deluxe edition of which is out this Tuesday.

Nuvo has an interview with Jason Lytle, who’s just released a new video from Dept. Of Disappearance. He’s at Massey Hall on December 5 opening up for Band Of Horses.

Video: Jason Lytle – “Somewhere There’s A Someone”

The Fader talks to Christopher Owens about the end of Girls. His solo record Lysandre is out January 15 and he plays The Mod Club on January 18.

Eater talks food with Yo La Tengo. Their new album Fade is out January 15 and they play The Phoenix on February 9.

Spin talks to Ra Ra Riot, whose new album Beta Love is out January 22 and who are at Lee’s Palace on March 6.

Local Natives have released a video from their next album Hummingbird, due out January 29. They play The Opera House on March 28 and talk to NME about what it was like to make the record with Aaron Dessner of The National.

Video: Local Natives – “Breakers”

Ameri-Kiwi psych-rock outfit Unknown Mortal Orchestra and Los Angeles’ Foxygen are teaming up for a North American tour in support of their new albums – UMO’s II is out February 5 and Foxygen’s We Are The 21st Century Ambassarors Of Peace & Magic is out January 22. They’re at Wrongbar on March 4, tickets $13.50 in advance.

MP3: Unknown Mortal Orchestra – “I’ll Come Back 4 U”
MP3: Foxygen – “Make It Known”

Jukebox The Ghost and Matt Pond are in town for a show at The Horseshoe on March 11. Jukebox released Safe Travels earlier this year and Pond has a new one in The Lives Inside The Lines Of Your Hand due out on February 15.

MP3: Matt Pond PA – “The Hollows”
Video: Jukebox The Ghost – “Don’t Let Me Fall Behind”

Low have announced details about their next album – The Invisible Way was produced by Jeff Tweedy and will be out on March 19. Check out the trailer below and inspect details – and also exchange your email for a live six-song set – over at Pitchfork.

Trailer: Low / The Invisible Way

Spinner talks to Jeff Tweedy of Wilco.

That song The National recorded for Boardwalk Empire last week is now available to download.

MP3: The National – “I’ll See You In My Dreams”

Rolling Stone has premiered another James Franco-directed – and starring – video from R.E.M.’s final album Collapse Into Now, and if you prefer your Stipe & co a little more vintage, Slicing Up Eyeballs has video of a complete R.E.M. live show from Atlanta circa 1981 available to stream.

Video: R.E.M. – “That Someone Is You”

DIY chats with Sharon Van Etten about her exceptionally good year.

Under The Radar has an interview with Oliver Ackerman of A Place To Bury Strangers.

Nashville Scene and The Arizona Daily Wildcat talk to John Darnielle and Peter Hughes of The Mountain Goats, respectively.

FoxSunday night’s television lineup got a healthy injection of The National this week, both directly and indirectly. In the Thanksgiving episode of Bob’s Burgers, viewers were treated to a holiday-themed song by Linda in abbreviated form and in full over the closing credits, and shortly thereafter The Vulture surfaced with a version of the song rendered in Matt Berninger’s distinctive baritone over appropriately tasteful backing. They had to take it down, unfortunately, but this is the internet – nothing ever dies.

Boardwalk Empire viewers didn’t have to do nearly as much legwork to hear the band’s contribution to this week’s episode – they just had to sit through the credits. As has been the custom for the Steve Buscemi vehicle, the band – assisted by Vince Giordano & the Nighthawks – covered a period-correct song to play while the best boys and gaffers got their due; this one was a 1924 song originally recorded by Isham Jones and The Ray Miller Orchestra. I didn’t know that – full credit goes to Fuck Yeah The National for pulling the background together on that one.

Stream: The National – “I’ll See You In My Dreams”
Stream: The National – “Bob’s Burgers Thanksgiving Song”

Freelance Whales, who just released their second album in Diluvia, and Hundred Waters, whose self-titled debut came out in September, will be at The Mod Club on January 17, tickets $16. Spinner and The Daily Tar Heel have Freelance Whales features.

Video: Freelance Whales – “Spitting Image”
Video: Hundred Waters – “Thistle”

Christopher Owens – aka the guy from Girls who was basically the entirety of Girls and who recently left Girls – will be at The Mod Club on January 18 as part of a North American tour in support of his solo debut Lysandre, out January 14.

Stream: Christopher Owens – “Lysandre’s Theme / Here We Go”

NPR has a World Cafe session with Titus Andronicus, and The Chicago Tribune, Denver Westword, and 77 Square have features. They’re at Lee’s Palace next Tuesday, November 27.

A new track from Memory Tapes’ forthcoming Grace/Confusion is now available to stream, as is a mish-mash of b-sides, unreleased material, and whatnot in mixtape form. The album is out December 4.

Stream: Memory Tapes – “Neighbourhood Watch”
Stream: Memory Tapes – “Displaced Mix”

Spinner talks to Paul Banks about Interpol turning ten. The decade-anniversary edition of Turn On The Bright Lights is out December 4 and one of the bonus tracks is now available to download. Las Vegas Weekly and Denver Post also talk to Paul Banks about his solo thing.

MP3: Interpol – “Roland” (first demo)

Yo La Tengo have released a video from their next record Fade, due out January 15. They play The Phoenix on February 9.

Video: Yo La Tengo – “Before We Run”

NPR welcomes Father John Misty to the World Cafe; MTV Hive also has an interview. He’s at The Danforth Music Hall supporting The Walkmen on January 16.

NYC Taper is sharing a recording of a Widowspeak show from earlier this month. There’s some new Almanac material to hear before the album is released on January 22.

Rolling Stone talks to Jim James about his forthcoming solo debut, Regions of Light and Sound of God. It’s out February 5.

Beach House have released a new video from Bloom.

Video: Beach House – “Wild”

R.E.M. may be gone, but they’re still able to remind you they’ve got some Hollywood-type friends, such as with this video for the final song from their final album, Collapse Into Now, directed by James Franco and starring Lindsay Lohan.

Video: R.E.M. – “Blue”

American Songwriter talks to Britt Daniel of Divine Fits.

The Fly and MusicOmh have interviews with Sharon Van Etten.

Stereogum talks to Steve Drozd of The Flaming Lips about how work is coming on their new album, at last check entitled The Terror and earmarked for release this Fall though that’s probably not happening. They could have asked Wayne Coyne, but he was otherwise occupied being detained by the TSA.

Happy Thanksgiving, America. Happy Thursday, rest of the world.