Frank YangIn discussing Ladytron’s latest effort Gravity The Seducer, I mentioned how the Liverpool band had managed to pull off the difficult move of shifting creative course sufficiently to earn a fresh listen from those who figured they knew what to expect without abandoning their signature sound and alienating those who were perfectly happy to get what they were expecting from a new Ladytron record. Whether they’d manage to do the same with regards to their live show would be seen this past Wednesday night, when they came back to Toronto for the first time since either the release of Gravity or their decade-marking Best Of.

This isn’t to suggest their live reputation required any reputation. Granted, the idea that live, they just stand stock still and play keyboards has followed them around since their inception – I’m as guilty of perpetuating the perception as anyone despite knowing better from having seen them on their last two visits in 2008 and 2009 – but the truth is they actually put on very good live shows, offering impressive lightshows and great sound in lieu of on-stage antics. And of course they stand there. They play keyboards. Do you really want to see them strap on keytars? No you do not.

Warming up for them on this leg of the tour was New York dance veterans VHS OR Beta, who themselves have been at it long enough that once upon a time their name had some retro cleverness rather than just being meaningless to today’s youth (maybe they should consider switching to BluRay or HDDVD. Or not). In any case, their bass-heavy, straightforward synth-rock didn’t make a lot of arguments that you’d want to be remembering their name for long after the show. It wasn’t that they were bad by any means, just unremarkable. But perhaps it’s unfair to criticize them for being lyrically vague or bland when their mandate isn’t to offer deep insights into the human condition but simply to get people moving. And that they did.

Another point in my review of Gravity The Seducer was how it seemed that Helen Marnie was assuming more the de facto frontwoman role, with fewer lead contributions than Mira Aroyo; I don’t necessarily have quantitative proof that that was the case but it also certainly seemed that the live dynamic had shifted that way, if not moreso. While her bandmates were dressed in trademark black (and Reuben Wu in a Ladytron t-shirt though I’ll give him the benefit of the doubt that it was laundry day), Marnie stood out in a shiny white top and giant bow in her hair – it would be hard not to be the centre of attention looking like that, never mind her dancing and swaying throughout the show. And while Aroyo’s lead contributions were fewer – she only took lead on two songs, the first almost halfway into the set – they seemed extra effective in accenting the darker side of their sound, compared to Marnie’s more wide-eyed vocal stylings.

Though the pyramid-referencing stage dressing implied this was the Gravity The Seducer tour, the setlist felt more appropriate to the singles collection with the new material not receiving any greater focus than the old with Witching Hour being drawn from the most. And while I quite like Gravity, I readily admit that its gentler textures wouldn’t have made for nearly as impactful a live set as their back catalog. Thankfully free of the sound issues that marred their last show, Ladytron sounded heavier and more determined than I’ve seen them. I don’t know that you could say their fanbase has necessarily grown over their long run – they’ve been playing The Phoenix as long as I can recall – they’ve remained steady and devoted and based on the sample group in my immediate vicinity, are still energized enough by the band to be able to jump up and down for over an hour straight. Any band at it for over a decade should be so lucky.

The Toronto Star and BlogTO also have reviews of the show while Spinner and The Boston Herald have interviews with the band.

Photos: Ladytron, VHS Or Beta @ The Phoenix – October 5, 2011
MP3: Ladytron – “White Elephant”
MP3: Ladytron – “Ace Of Hz”
MP3: Ladytron – “Black Cat”
MP3: Ladytron – “Open Your Heart”
MP3: Ladytron – “Play Girl”
MP3: Ladytron – “Seventeen”
MP3: VHS Or Beta – “I Found A Reason”
MP3: VHS Or Beta – “I Found A Reason”
Video: Ladytron – “White Elephant”
Video: Ladytron – “Ace Of Hz”
Video: Ladytron – “Runaway”
Video: Ladytron – “Ghosts”
Video: Ladytron – “Destroy Everything You Touch”
Video: Ladytron – “Sugar”
Video: Ladytron – “Evil”
Video: Ladytron – “Blue Jeans”
Video: Ladytron – “Seventeen”
Video: Ladytron – “Play Girl”
Video: VHS Or Beta – “Breaking Bones”
Video: VHS Or Beta – “You Got Me”
Video: VHS Or Beta – “Night On Fire”
Video: VHS Or Beta – “Can’t Believe A Single Word”

JAM talks to Portishead in advance of their two-night stand at The Sound Academy this coming Sunday and Monday while Stereogum finds out how advance work on album number four is coming. They also just announced they’ll be releasing 2009’s “Chase The Tear” as a 12″ single with proceeds going to Amnesty International on November 14.

Paste s streaming Still Corners’ debut Creatures Of An Hour ahead of its release next Tuesday. They play The Drake Underground on October 25 and The Stool Pigeon has an interview.

MP3: Still Corners – “Into The Trees”
MP3: Still Corners – “Cuckoo”
Stream: Still Corners / Creatures Of An Hour

Billboard talks fashion with Florence Welch of Florence & The Machine. Ceremonials is out November 1.

The 405 are streaming The Joy Formidable’s new EP The Big More, out October 17 in limited quantities.

Stream: The Joy Formidable / The Big More

The Vaccines have released a new video from What Did You Expect From The Vaccines, powered by the Instagram iPhone app.

Video: The Vaccines – “Wetsuit”

NPR is streaming Laura Marling’s recent show in Washington, DC.

The Line Of Best Fit has an acoustic video session – well, one song – Veronica Falls.

Also in session at The Line Of Best Fit – Lanterns On The Lake, captured out in the wilderness at End Of The Road in September.

Noel Gallagher takes Spin for a guided tour of Noel Gallagher’s High Flying Birds, out November 8, and talks to The Quietus about going solo. He has two nights slated at Massey Hall, November 7 and 8. And oh new video.

Video: Noel Gallagher – “AKA… What A Life”

Both Rolling Stone and Paste have premiered tracks from The Hours, who will be opening up those shows for Noel Gallagher.

MP3: The Hours – “I Want More”
Stream: The Hours – “I Just Wanna Be Happy”

The Twilight Sad are offering the first official single from album number three, No One Can Ever Know, well before it’s released in February.

Stream: The Twilight Sad – “Sick”

PopMatters talks to Joshua Third and Philly Burbs to Tom Cowan of The Horrors while NPR is streaming their set from last week’s All Tomorrow’s Parties.

Brett Anderson lists off his favourite albums for The Quietus and tells BBC that while they’re working on a new Suede record, that doesn’t necessarily mean there’s going to be a new Suede record.

Peter Hook bitches to Spinner about New Order getting back together without him.

Pitchfork interviews Anthony Gonzalez of M83. Hurry Up, We’re Dreaming is out October 18 and they’ve already sold out Lee’s Palace for their November 18 visit.

Though originally targeted for a domestic release in 2012, The Jezabels have announced a November 8 Canadian release for their debut Prisoner, which only makes sense – they’re opening up for Hey Rosetta! across the country this Fall including November 23 and 24 at The Phoenix. Really ought to have something to sell.

MP3: The Jezabels – “Endless Summer”

NOW has put Bjork on this week’s cover on the occasion of Biophilia‘s release next week, but Drowned in Sound has topped them with a week-long, five-part feature on the Icelandic icon. And NPR wins because they’re streaming the whole album.

MP3: Bjork – “Cosmogony”
Stream: Bjork / Biophilia

Fat CatThere’s been a few pieces recently about the growth of anti-marketing in music, with artists hiding behind disguises or pseudonyms and refusing to engage the media by giving interviews or offering a backstory. Scotland’s Twilight Sad can’t undo the profile they’ve gained in the past four or five years of making deafening, gloriously miserable rock music but on their just-announced third record, they’re at least trying to get folks to avert their eyes – or at least that’s what one surmises from their decision to name it No One Can Ever Know.

Or maybe it’s just a reference to the dark and gloomy secrets that vocalist James Graham has dredged up as lyrical fodder… which is funny because if you were to follow him on Twitter you’d know that he’s actually pretty funny, mostly occupying his thoughts with comic books, movies and retweeting people who hate his band. Either way, the album will be out in February – precise date still to be determined – and the first single, “Sick”, will be made available in mid-November. In the meantime, they’ve released a different song from the record as a preview and those expecting a wall of guitars as per their earlier works might be surprised in the shift in direction as it starts out sounding like Portishead and ends off going all New Wave. I approve.

MP3: The Twilight Sad – “Kill It In The Morning”
Trailer: The Twilight Sad / No One Can Ever Know

The National Post, Los Angeles Times, San Francisco Examiner, Montreal Gazette and Magnet have interviews with Laura Marling, who plays The Great Hall tonight.

The Grid, Montreal Gazette, Chicago Sun-Times and Interview check in with Peter hook, in town with The Light at The Phoenix on September 24.

Room 205 has the second instalment in their video session series with Yuck. They’re at The Horseshoe on Sunday night, September 25.

Folks outside the UK won’t be able to hear but 30-second clips of NME‘s stream of Brett Anderson’s new solo record Black Rainbows, but they can read the whole of his song-by-song annotations on the record, which is out September 26. He also offers The Guardian a “How I wrote” lesson for his song “Brittle Heart”.

NOW interviews Horrors guitarist Joshua Hayward. He and his band are at Lee’s Palace on September 27.

Wild Beasts are giving away a new non-album track just because. They’re at The Mod Club on September 29 and submit to a Q&A by The Daily Texan.

MP3: Wild Beasts – “Thankless Thing”

BBC6 talks to James Blake about his plans for album number two. He’s at The Phoenix on September 30.

A double-shot of good news from Veronica Falls; not only is their excellent just-released self-titled debut available to stream in whole at Stereogum, they’ve added a headlining show at Parts & Labour on October 2, the night after they open up for The Drums at The Mod Club; tickets $7 in advance.

MP3: Veronica Falls – “Come On Over”
Stream: Veronica Falls / Veronica Falls

Geoff Barrow tells Rolling Stone that work will begin on Portishead’s fourth album in January of the new year. They’ve got two nights at The Sound Academy on October 9 and 10.

Spinner has an extended sit-down with the always chatty Noel Gallagher. His solo debut Noel Gallagher’s High Flying Birds is out November 7 and he plays Massey Hall that evening and the one after.

The Oracle With Jessica And Elizabeth – which is a blog run by Emma-Lee Moss of Emmy The Great and Elizabeth Sankey of Summer Camp – have an interview with Charlie Fink of Noah & The Whale. They’re at The Phoenix on November 8.

Speaking of Jessica and Elizabeth’s alter-egos, Pitchfork has a track from Summer Camp’s debut Welcome To Condale which was previously only available to stream; the album is out November 8.

MP3: Summer Camp – “Better Off Without You”

And Artrocker and Clash talk to Emmy The Great about her sartorial sense and taste in books, respectively, while For Folk’s Sake settles for talking about her music.

Lanterns On The Lake have their tour guide hats on, taking Clash on a track-by-track tour of their just-released debut album Gracious Tide, Take Me Home and Drowned In Sound on a guided tour of their hometown, Newcastle-Upon-Tyne.

James Dean Bradfield reflects on the years covered by the forthcoming Manic Street Preachers compilation National Treasures with XFM. The collection is out October 31.

Kele Okereke tells NME that the Bloc Party hiatus is indeed over – but the rest of the band appears to have forgotten to invite him to rehearsals. And perhaps with a notion that his solo project could be become his sole project, he’s released a new video from his forthcoming EP The Hunter, out November 7. Though with Lucy Taylor taking lead vocals on the track, it’s possible he’s also been fired as singer for himself. But seriously, Bloc Party fans, don’t worry – this blog post implies that he was, as they say, taking the piss in that interview.

Video: Kele – “What Did I Do”

Blurt chats with Ritzy Bryan of The Joy Formidable.

Peter Brewis of Field Music tells BBC6 that their new record should be out in January of next year.

Male Bonding have released a new video from Endless Now.

Video: Male Bonding – “Tame The Sun”

For a limited time, 4AD is giving away a download of their limited-edition 4AD Sessions 2008-2011 compilation, which will only be available physically on a limited edition of 1000 vinyl pieces. It features performances from the likes of Iron & Wine, Stornoway and Blonde Redhead. Needless to say, it’s worth the price of your email address.

Mei LewisIn case it wasn’t obvious from the name, Jonny is the musical marriage of Teenage Fanclub’s Norman Blake and former Gorky’s Zygotic Mynci Euros Childs. It’s perhaps not a pairing that people have been clamouring for – it never even occurred to me that the two might work together before it was announced that they were – but it’s not out of left field either. In fact, the more I think about it, the more logical it gets – Blake led the Fannies through two decades of power pop perfection while Childs’ now-defunct Mynci made their name with a unique blend of psychedelia and folk that proudly wore their Welsh heritage on their sleeves; there’s really no reason that the meeting of these minds shouldn’t produce something worthy.

And their self-titled debut, released earlier this Spring, is very much worthy. It’s not a record that necessarily aspires to greatness – the vibe is much more casual and off-the-cuff with a healthy dose of goofiness added in for good measure – but the combination of Childs’ distinctively fantastical songwriting and Blake’s immaculate songcraft can’t help but be a winning combination. Jonny offers both the spot-on harmonies and indelible melodies you’d expect from a Fanclub record but also some of the musical unpredictability that Gorky’s were known for. Not everything hits – opener “Wich is Wich” is pretty much a throwaway and there’s no reason “Cave Dance” needed to run over ten minutes, but songs like “Circling The Sun” and “Candyfloss” are the sort of gems that might represent the career highwater marks of lesser artists. Their name might be nigh-on meaningless but their music makes an impression.

The record is currently available to stream in whole at Merge, and their introductory EP – consisting of non-album material – is still available to download for free. They will be kicking off a North American tour with two nights at the Drake Underground in Toronto – fun fact, Blake now resides in Kitchener, Ontario – on June 3 and 4. Tickets for each show are $21.50 in advance but courtesy of Collective Concerts and Merge, I’ve got a couple of prize packs to give away. There’s one for each night and they consist of a pair of passes to the show, a copy of Jonny on CD and a pink balloon that was given away to those who pre-ordered the album. Why? Why not? To enter, email me at contests AT chromewaves.net with “I want to meet Jonny” in the subject line and your full name in the body along with your mailing address and a note as to which night you’d prefer or if you’ve no preference, say you have no preference. Contest closes at midnight, May 19.

MP3: Jonny – “Candyfloss”
Video: Jonny – “You Was Me”
Video: Jonny – “Candyfloss”
Stream: Jonny / Jonny
ZIP: Jonny / Free

Keeping with both the “streaming new records from Merge” and “bands made up of people from other bands” memes, we have Amor de Días – aka Alisdair from The Clientele and Lupe of Pipas – and their debut full-length Street Of The Love Of Days, which is out next week. The record is streaming at Merge, a new video from said record has just been released, the band is on the road and at The Horseshoe on May 25 and Design Sponge has an interview with Lupe Núñez-Fernández.

Video: Amor de Dias – “Late Morning”
Stream: Amor de Dias / Amor de Dias

Also out next week is Nursing Home, the second album from London’s Let’s Wrestle. Paste has the whole thing available to listen in advance of its release next Tuesday, May 17.

Stream: Let’s Wrestle / Nursing Home

Not out on Merge but definitely out soon – May 24 to be precise – and up and streaming at Hype Machine is Pala, the second effort from Friendly Fires. You can also download an MP3 over there and see them at The Phoenix on May 30.

Stream: Friendly Fires / Pala

The Fly and The Phoenix checks in with Arctic Monkeys about their forthcoming album Suck It And See, out June 7. Spin has also got a new track from the record available to stream. They play The Kool Haus on May 21.

Opening up that show are The Vaccines, who have got a Daytrotter session up, are interviewed by Buzznet and whose debut What Did You Expect From The Vaccines is out May 31. And oh yeah, they’re giving away a live track.

MP3: The Vaccines – “Norgaard” (live)

Black Book gets Paul Banks of Interpol to interview Anna Calvi while Mojo just sends some guy to do the same. She is at The El Mocambo on May 27.

Scott Hutchison of Frightened Rabbit talks about the importance of music blogs at The Pop Cop. They’re at The Molson Amphitheatre on July 29, opening for Death Cab For Cutie.

DIY, The Guardian, The Skinny, The Australian, Clash, Paste and The Quietus all get some time with Wild Beasts about their new record Smother.

The AV Club talks to Stuart Staples of Tindersticks about the art of scoring. Movies. Scoring movies.

Clash welcomes the British festival season with a conversation with Elbow.

Drowned In Sound meets Graham Coxon.

Dev Hynes’ Blood Orange has released a new video for the A-side from his debut 7″ and put the b-side up on Soundcloud to stream.

Video: Blood Orange – “Dinner”

The Twilight Sad are giving away an acoustic EP to anyone who hands over their email address; the sign-up form is up on their website, as is a set of videos from the recording session.

Pitchfork reports that Upside Down, the documentary about Creation Records, has gotten a DVD release as of this week and comes packaged with a two-CD soundtrack/sampler of Creation artists. Which would be great if not for the the fact that it’s only PAL and region-2. Would someone please bring this film to North America in some watchable form?

MyspaceFor the better part of the year, I’ve been hearing about this Guelph duo Memoryhouse – another entrant in the increasingly fashionable he-she duo band configuration sweepstakes – and while I liked what I heard in passing of their hazy, languorous dream-pop, I figured I’d pay more attention around the next time they scheduled a local show. After all, they’re from Guelph. That’s like right over there.

And yet any time I saw tour dates posted throughout the year, they’d be touring and gathering accolades in far-flung places in Europe or around the US, never close to home. The closest they seemed to get was the Wolfe Island Music Festival in Kingston in August, and that wasn’t in the cards so I’ve waited. And waited. Not impatiently, mind you – I’m still in the curious stage more than anything else – but I’m still pleased to see that they’ve finally set a couple of live dates in and around Toronto before the year is out. There’s a December 2 engagement at E-Bar in Guelph, and more importantly a December 16 show at the Twist Gallery in Toronto.

Of course, that’s the same night that The Rural Alberta Advantage make their own long-awaited live homecoming at Lee’s Palace, so there’s no guarantee I’ll be availing myself of Memoryhouse’s show anyways. But their announcement did give me the incentive to go download their The Years EP – it’s free – and do up a little post. That’s really all anyone can ask for.

MP3: Memoryhouse – “Lately (Deuxieme)”
MP3: Memoryhouse – “Lately (Troisieme)”
MP3: Memoryhouse – “Gian Lorenzo Bernini”
Video: Memoryhouse – “Bonfire”
Video: Memoryhouse – “Lately (Deuxieme)”
ZIP: Memoryhouse / The Years

Also originally hailing from Guelph are disco-pop ensemble The Magic, who will be playing a free show along with Maylee Todd at the North York Central Library tomorrow night, November 20, at 8PM. Get details on this and other goings-on at the Toronto Public Library’s Make Some Noise blog.

Director Spike Jonze has the director’s credit on Arcade Fire’s new video/short film for the title track from The Suburbs. Win Butler talks to Exclaim about potential retirement plans.

Video: Arcade Fire – “The Suburbs”

Soundproof talks to The Thermals.

Rhett Miller of Old 97’s talks to Spinner about getting permission from Bob Dylan to crib the melody from “Desolation Row” for one of his own songs.

Even though Retribution Gospel Choir’s latest 2 came out way back in January, SubPop has opted to release a second MP3 from it for giving away. Why ask why? The Minnesota Daily chats with bandleader Alan Sparhawk.

MP3: Retribution Gospel Choir – “Workin’ Hard”

The Georgia Straight, Vancouver Sun and Oregon Music News talk to Blonde Redhead about their current tour and forays into electronica.

Spin declares Two Door Cinema Club to be breaking out. They’re at the Kool Haus on January 15 alongside Tokyo Police Club.

NPR is streaming a radio session performance from Elvis Costello while AOL Music has a video session with ol’ Declan.

Spin has got the video for the new collaborative single between Hot Chip and Bernard Sumner.

Video: Hot Chip & Bernard Sumner – “I Didn’t Know What Love Was”

A second MP3 from Blood Red Shoes’ second album Fire Like This is now up for grabs. The Prague Post has an interview.

MP3: Blood Red Shoes – “Heartsink”

White Lies have released a video for the first single from their second album Ritual, which is out January 18. They’ll be at The Mod Club on January 29.

Video: White Lies – “Bigger Than Us”

Sloucher interviews The Twilight Sad.

Creative Loafing checks in with Warren Ellis and The Wall Street Journal with Nick Cave of Grinderman.

Frank YangWith a wealth of options on the Toronto social calendar last Friday night, I rather feared that posting up Lee’s Palace might draw the short end of the stick. I didn’t know how much draw Junip would have, but I needn’t have worried. With their main attraction – frontman José Gonzalez – having not released a new record under his own name in some three years, there was apparently a good amount of pent-up appetite to see and hear him in any configuration.

Happily, this resulted in a good-sized crowd already in place for opener Sharon Van Etten, whom I will freely admit was the main draw for me just as she was when I saw her open for Megafaun at The Horseshoe back in April. Unlike that show, however, this time Van Etten was operating in a three-piece band format rather than solo, a change necessary to recreate the broader sonic palette of her gorgeous second album Epic. And though the full band format sounded glorious when Megafaun backed her for one song at the Horseshoe show, that she was only a few shows into the tour with these players was evident at times – mainly in the bassist and drummer playing too loudly and at the expense of the delicacy and nuance that’s essential to Van Etten’s songs. It’s a sensitivity that will no doubt come with time, but on this night at least the comfort level wasn’t where one would have liked. That said, the beauty of the songs still came through, particularly on the harmonium-led “Love More”, and by choosing to close her set solo and with a couple of audience requests from Because I Was In Love, her set ended on a beautiful note.

I don’t think it’s untoward to use Jose Gonzalez’s solo output as a reference point for Junip; the differences lie not in him or his songwriting but in what he surrounds himself with. Solo, it’s just that – Gonzalez, classical guitar, space and silence. With Junip and their debut Fields, those elements remain the centre but the addition of drums and keys, courtesy of Elias Araya and Tobias Winterkorn respectively, do allow the band to be its own distinctive thing. Live, the sound was expanded even further with the addition of a percussionist and bassist and if you were to compare Junip to an acoustic Zero 7, the English electronic outfit that introduced Gonzalez to much of his fanbase, you wouldn’t be wrong. Their set lasted only an hour but it felt much longer – in a good way – as they held the audience with their rhythmic, droning take on folk music. Understated but hypnotic, it sounded like Gonzalez being remixed live, his distinctive meditative vocals being utilized like another instrument in the mix. While I expect that many/most came to the show as José Gonzalez fans, they left as Junip fans. And hopefully Sharon Van Etten fans.

City Pages talks to Junip drummer Elias Araya while The Georgia Straight has an interview with Sharon Van Etten.

Photos: Junip, Sharon Van Etten @ Lee’s Palace – November 5, 2010
MP3: Junip – “Rope & Summit
MP3: Sharon Van Etten – “Love More”
MP3: Sharon Van Etten – “Don’t Do It”
MP3: Sharon Van Etten – “I Couldn’t Save You”
MP3: Sharon Van Etten – “For You”
MP3: Sharon Van Etten – “Consolation Prize”
Video: Junip – “Always”
Video: Junip – “Black Refuge”
Video: Sharon Van Etten – “For You”
MySpace: Junip
MySpace: Sharon Van Etten

Sorry to everyone excited about that Rhett Miller & Murry Hammond acoustic show at the El Mocambo announced a few weeks ago – its been cancelled.

Husband-and-wife retro pop duo Tennis have made a date at the Drake Underground for December 8 to build up anticipation for their debut Cape Dory, due out on January 18. Check out their Daytrotter session from earlier this Fall.

Phantogram return to town for their fourth and probably final Toronto show of the year, stopping in at Wrongbar on December 11 – tickets $15.50 in advance.

MP3: Phantogram – “When I’m Small”

The Music Tapes are putting together a North American “Lullabies and Bedsides” tour that is eschewing conventional venues in favour of house shows and sleepover parties – check out Merge for details on how it’ll work, but the itinerary calls for a Toronto date on January 2 of the new year.

MP3: The Music Tapes – “Majesty”

Call it some coincidence, call it prescience, but barely a day after posting about goings-on in The Radio Dept. camp, the full dates for their 2011 North American tour were revealed. There will be much rejoicing when the reclusive Swedes make their Toronto debut at Lee’s Palace on February 7, 2011. Update: Pitchfork has the tracklisting of the Passive Aggressive: Singles 2002-2010 compilation coming out early next year.

MP3: The Radio Dept. – “Heaven’s On Fire”

The Tallest Man On Earth has released a video from his new Sometimes The Blues Is Just A Passing Bird EP, out tomorrow.

Video: The Tallest Man On Earth “Love Is All”

Jonsi will release a live document of his 2010 solo tours on November 29; Go Live will include a CD and DVD and be available exclusively through his website. He talks to the Detroit News about creating his live show.

Trailer: Jonsi / Go Live

The Dumbing Of America and News Times chat with Bettie Serveert.

The Scotsman talks to Scotsman James Graham of The Twilight Sad.

Clash has an interview with White Lies, whose sophomore effort Ritual comes out January 18. They will be at the Mod Club on January 29 to promote – tickets $25.

Duffy discusses the dancier direction of her second album with Billboard. Endlessly arrives December 7.

Pulp are back. London or Barcelona. London or Barcelona. This must happen. Dates for both Wireless and Primavera are convenient as far as timing and holidays go, both are bloody expensive to get to, never mind accommodations, and either one might snooker my Japan plans for Autumn 2011… but, um, PULP. WWJCD?