Lee ClowerThere’s nothing like going into the long weekend with a healthy dose of WTF, so we’ll run with this – a concert announcement either torn from the playlists of Alternative Nation circa 2005 or the dollar bins of CD stores for pretty much every year after that. That’d be the double-bill of Leeds-born, New York-based glam-rock revivalists Spacehog and Detroit’s post-grunge champions Sponge, who will take the stage at Lee’s Palace on December 11, tickets $23 (that’s about $15 in 1995 dollars, if you were wondering).

Also, if you were wondering, they do both have new material that they’re ostensibly promoting. Though they basically split in 2001, Spacehog reunited in 2008 and released a new record in As It Is On Earth at the start of this year. Sponge, remarkably, never actually broke up and have been chugging along since their commercial peak with Wax Estatic and put out and Stop The Bleeding last month. But it’s okay if you don’t care; they probably know you don’t. But they know you wanna hear those old singles so you’re just going to have to deal.

The Nottingham Post has a quick interview with one of Spacehog’s Langdon brothers. It’s not really clear which one.

Stream: Spacehog – “Try To Remember”
Stream: Spacehog – “Glad To Know”
Video: Spacehog – “In The Meantime”
Video: Sponge – “Wax Ecstatic (To Sell Angelina)”

While it’s disappointing that Keep Shelly In Athens had to cancel their Toronto date at Wrongbar next week due to visa issues, their co-headliner Chad Valley will still be coming to town and be playing for free at The Horseshoe on October 15, set time 11:40PM.

MP3: Chad Valley – “I Want Your Love”

English producer Darren Williams has already toured through a couple times in the past two years as Star Slinger, will release his debut album next year – he’s offered a taste to stream below – but not before he puts together another tour that will bring him to the Drake Underground on November 16, tickets $15.

Stream: Star Slinger – “Free”

English singer-songwriter Jake Bugg may have to wait until the end of the month to learn if he’s going to win the Mercury Prize, but he’s already thinking big, following up this past August’s local debut at The Mod Club with a new date at The Sound Academy on January 14, tickets $29.50. Though the fact that his second album Shangri La will be out on November 19 might also have something to do with the tour.

Video: Jake Bugg – “What Doesn’t Kill You”

With a new album in Mug Museum due out on November 12, Welsh singer-songwriter Cate Le Bon has announced a North American tour that brings her to The Drake Underground on January 21 of the new year, tickets $12.50 in advance.

Stream: Cate Le Bon with Perfume Genius – “I Think I Knew”
Stream: Cate Le Bon – “Are You With Me Now”

The Line Of Best Fit, The Fly, and DIY have interviews with Anna Calvi about her new record One Breath, which came out this week.

If you missed the album stream that went with the UK release of Summer Camp’s second album back in September, Interview is hosting another preview of Summer Camp ahead of its US release next week on October 15.

Stream: Summer Camp / Summer Camp

The Neil Halstead-fronted Black Hearted Brother have released a new video from their debut Stars Are Our Home, due out October 22.

Video: Black Hearted Brother – “This Is How It Feels”

Los Campesinos! have made available a stream of a new song from No Blues, their forthcoming album due out October 29.

Stream: Los Campesinos! – “Avocado, Baby”

Posting of remixes is usually verboten around here but when it involves David Bowie, exceptions can be made. LCD Soundsystem’s James Murphy’s remix of “Love Is Lost” is one of the main selling points of The Next Day Extra, being released November 4, and it was premiered yesterday via Pitchfork but if you have the inclination, the rip of the BBC premiere is worth hearing for the short interview with Murphy that precedes it. And the version of “Sound & Vision” that soundtracked a cellphone commercial earlier this year is also available to hear (and buy, if you like) – Exclaim explains that one.

Stream: David Bowie – “Love Is Lost” (Hello Steve Reich mix)
Stream: David Bowie – “Sound & Vision” (Sonjay prabhakar mix)

There didn’t end up being a local Stone Roses date this year as I’d prophesied – sorry to anyone who believed me – but the Made Of Stone documentary film about their legacy and reunion definitely is. It’ll screen at The Bloor Cinema on November 22, so circle that one if you’re interested.

Trailer: The Stone Roses: Made Of Stone

Bowlegs has a video session with Lanterns On The Lake, whose wonderful new record Until The Colours Run doesn’t get a North American release until January 14.

The 405 have got a stream of the new Peggy Sue album Choir of Echoes, due out on January 27 of the new year.

Stream: Peggy Sue – “Idle”

The Fly checks in with The Horrors, at work in the studio on their next album.

Filter talks to Bobby Gillespie of Primal Scream.

Manic Street Preachers have released a poignant new video from their latest, Rewind The Film.

Video: Manic Street Preachers – “Anthem For A Lost Cause”

Camera Obscura have released a new old-school sci-fi video from Desire Lines.

Video: Camera Obscura – “Troublemaker”

Noisey chats up London Grammar about their current North American tour

Under The Radar has an interview with Savages.

A Music Blog, Yea grabbed an interview with Daughter when they were in town a couple weeks back.

In excerpting the book Isle Of Noises: Conversations With Great British Songwriters, Clash gets some insights into the processes of Laura Marling and Johnny Marr.

Noisey sends Emmy The Great to find out how much it would cost to be A$AP Rocky’s girlfriend a la the prerequisites in “Fashion Killa”; hilarity ensues.

Anyone who had “founding a company dedicated to building and restoring early 1990s Porches” in the, “What has former Catherine Wheel frontman Rob Dickinson been doing since releasing his first and only solo record Fresh Wine For The Horses way back in 2005″ pool, congratulations – you win. Hypebeast has a video interview with Dickinson, who sadly doesn’t sound like a man who misses strapping on a Stratocaster and singing “Black Metallic”.

Eliot Lee HazelIf hype were actual currency, you could trade in copies of Scottish trio CHVRCHES’ debut album The Bones Of What You Believe for bars of gold, their buzz-versus-time graph having steadily grown over the last year, successfully buoying them through three North American tours of increasing stature and scale before their first full-length was in stores.

These heightened expectations might seem to demand a big record, but those who were in attendance at the band’s first Toronto show in March – hardly a powerhouse live show with two-thirds of the band anchored to their keyboard stations and frontwoman Lauren Mayberry personable but not exactly owning the stage with her presence – can attest that it’s the small aspects of the band that give them their charm, an opinion borne out by Bones.

The karaoke versions of these songs might easily be mistaken for M83 numbers, with their big synth textures and singalong melodies reaching unashamedly skywards, Mayberry’s sweet voice and the melancholic-to-miserable sentiments it delivers keeps things grounded and resonant at a human scale. It’s understandable if the lyrics aren’t the first things that the listener notices – the big gleaming hooks around them, both instrumental and vocal, do tend to grab one’s attention – but they do offer welcome substance to the proceedings and add an extra dimension that helps them exceed expectations. To be clear: even if Mayberry was singing nonsensical verses about squirrels and tapioca these songs would be earworms of the highest order, but that there’s heart and intelligence here as well makes Bones a record that will merit plays well after the hype machine has moved onto the next big thing.

The Bones Of What You Believe is out this week on September 24 and NPR has a stream of the album. Consequence Of Sound, Billboard, The Wall Street Journal, and The Scotsman have features on the band and their ascent and CBC Music has a video session.

MP3: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “Gun”
Video: CHVRCHES – “Recover”
Stream: CHVRCHES / The Bones Of What You Believe

The Independent gets to know Daughter, in town for a show at The Phoenix on September 29.

MusicOmh talks to Johnny Flynn, who is streaming a new song from his forthcoming album Country Mile, hitting stores September 30.

Stream: Johnny Flynn – “Fol-De-Rol”

Yuck have released a new video from their forthcoming second record Glow & Behold, out September 30.

Video: Yuck – “Middle Sea”

Rolling Stone has made another song from the Neil Hasltead-fronted Black Hearted Brother available to download; their debut Stars Are Our Home comes out October 22.

MP3: Black Hearted Brother – “This Is How It Feels”

Under The Radar has posted the excerpts of the interview with Charli XCX that went into last issue’s cover story. She plays Wrongbar on November 9.

The Fader is streaming a new song from London’s Arthur Beatrice – introduced back in July – taken from their full-length debut, due out early next year.

Stream: Arthur Beatrice – “Grand Union”

Katie Harkin of Sky Larkin talks to DIY and The Yorkshire Evening Post about their new album Motto.

The Guardian, Exclaim, The National Post, and Stereogum talk to Elvis Costello and The Roots about their just-released collaborative album Wise Up Ghost.

Summer Camp takes The Quietus on a track-by-track tour of their new record Summer Camp.

JAM and Pitchfork have feature interviews with Arctic Monkeys.

The Wall Street Journal has a video session with Laura Marling, who has just released a new video from her latest album Once I Was An Eagle.

Video: Laura Marling – “Devil’s Resting Place”

Noisey, The Georgia Straight, and City Pages interview Savages.

PopMatters talks to Tracyanne Campbell of Camera Obscura, who just gave birth to her first child. Congratulations!

Metro finds out what Johnny Marr thinks of Queen.

The Toronto Star caught up with Peter Hook before his visit to town last week.

Berlin Beat talks to David Lewis Gedge of The Wedding Present.

Jimmy KingSo the shortlist for the 2013 Mercury Prize – awarded to the best British or Irish album of the year – was announced the other day, and contrary to the odds reported by NME earlier this week, London Grammar – favoured to win – was nowhere to be found. Nor, out of their top ten, were Steve Mason, Daughter, Primal Scream, or CHVRCHES. Not that I have any idea how bookmakers come up with their odds, nor how accurate they’ve been in the past. But to list an album at 15:8 to win and not even have it make the shortlist, well that’s some questionable prognostication.

The ten records that did make the list are as follows, and I’m mildly surprised that I’ve heard more of these than I usually have – a fact which kind of supports those who complain that the Mercury has gotten safe or predictable. I’m personally pulling for Bowie, if you hadn’t guessed; the release of The Next Day instigated a year of Bowie discovery, which included a deeper appreciation for has last two records Heathen and Reality along with the more classic material and a pilgrimage to his old digs in Berlin (though that wasn’t the main reason for the trip, that would be ridiculous). Plus there’s the David Bowie Is exhibit opening at the Art Gallery of Ontario later this month – let’s face it, this is the year of Bowie. The Mercury should just accept it and fall in line. The winner of this year’s prize will be announced on October 30.

Oh, and Kevin Shields of My Bloody Valentine has some choice words for the Mercury Prize, and they’re not positive. The Guardian has that.

Arctic Monkeys / AM / Video: “Do I Wanna Know?”
David Bowie / The Next Day / Video: “The Next Day”
Disclosure / Settle / Video: “When A Fire Starts To Burn”
Foals / Holy Fire / Video: “Late Night”
Jake Bugg / Jake Bugg / Video: “Lightning Bolt”
James Blake / Overgrown / Video: “Retrograde”
Jon Hopkins / Immunity / Video: “Open Eye Signal”
Laura Marling / Once I Was An Eagle / Video: “Master Hunter”
Laura Mvula / Sing To The Moon / Video: “Green Garden”
Rudimental / Home / Video: “Waiting All Night”
Savages / Silence Yourself / Video: “Shut Up”
Villagers / Awayland / Video: “Nothing Arrived”

Summer Camp’s Elizabeth Sankey takes Clash behind the scenes of the video for “Fresh”, taken from their just-released new record Summer Camp.

NOW checks in with Arctic Monkeys, who kick off their North American tour on September 15 at The Kool Haus.

The Skinny and philly.com get to know CHVRCHES, who play The Danforth Music Hall on September 15. Their debut The Bones Of What You Believe is out September 24.

Filter talks to Elvis Costello and ?uestlove of The Roots about their new collaborative album Wise Up Ghost, which comes out September 17.

Icona Pop have released a new video from their forthcoming kinda-but-not-really debut This Is… Icona Pop, out September 24.

Video: Icona Pop – “All Night”

The Line Of Best Fit has a video session with London Grammar, who will be at The Great Hall on October 4.

Under The Radar has posted their recent cover story on Charli XCX, who makes her local headlining debut at Wrongbar on November 9.

Dev Hynes is a dancing machine in the new Blood Orange video, which also serves as the first taste of his new record Cupid Deluxe. It should be out this year.

Video: Blood Orange – “Chamakay”

A Music Blog, Yea interviews The Vaccines.

Under The Radar talks to Still Corners.

Junip have released a new video from this year’s self-titled album.

Video: Junip – “Walking Lightly”

FacebookWhile I as much as anyone appreciate that there remains an impulse to respond to news of My Bloody Valentine doing anything with an “oh my god!”, the fact is that circa late 2013, the shoegazing gods have successfully transitioned from myth back into a real, active band – albeit one that moves at their own leisurely pace – and are going to do things like release new record and tour.

Okay, that the former happened – you’ll recall the semi-sneak release of twenty years-in-the-making mbv back in February – is still remarkable, but this week’s announcement of east coast dates shouldn’t really have come as a surprise. This year has already seen the band hit Asia, Australia, Europe, and the west coast of North America – if they skipped the east altogether, that would have been a surprise. And so it is that they’ll be back in Toronto on November 5 – tickets $45 in advance – at the Kool Haus where they first made their local comeback appearance in September 2008. That show, if you’ll recall, had originally been slated for the 6000+ capacity Ricoh Coliseum before the reality of their legend-to-actual fanbase ratio hit home and they downsized the venue appropriately.

What’s interesting about recent shows compared to that one is that the set lists from this year are nearly identical in composition and order to 2008, save for the insertion of four new songs and the excision of one rarity (“Slow”). Which means that this show will be at least 15 minutes longer than the last one, unless they trim the “holocaust” portion of “You Made Me Realise” which carved our brains like a sonic glacier for 24 minutes last time… I’m guessing they won’t.

Stream: My Bloody Valentine / mbv

Another one for the, “it’s happening, really” file – Mazzy Star making good on their promise to tour behind Seasons Of Your Day, their first record in 17 years, after it comes out September 24. Pitchfork has the complete itinerary for the Californian dream-pop duo of Hope Sandoval and David Roback, which stops in at the Danforth Music Hall on November 16 – tickets for that range from $32.50 to $47.50.

Stream: Mazzy Star – “California”

Soldiering on following the sudden passing of bassist Chris Friedrich last month, Boston post-rockers Caspian are teaming up with English spiritual and stylistic cousins 65daysofstatic for a Fall tour that hits Lee’s Palace on November 7, tickets $15.50. Caspian’s last album was 2012’s Waking Season, while 65daysofstatic’s new record Wild Light will be out October 29 – they talk to The Skinny about it.

MP3: 65daysofstatic – “Prisms”
Stream: Caspian / Waking Season

San Francisco psych-rockers Wooden Shjips will release a new album in Back to Land on November 12, about midway through their North American tour in support of it. They’re at The Horseshoe on November 10, tickets $15.50, and Spin has album and tour details.

MP3: Wooden Shjips – “Lazy Bones”

Australian electro-rock outfit Cut Copy have been teasing their new record Free Your Mind with billboards set up in a half-dozen locales around the world, but have now announced they’ll bring their new songs to their fans rather the other way round via a world tour. Free Your Mind is out November 5 – you can stream the title track below – and they’re at The Danforth Music Hall on November 15, tickets $30 to $40 in advance.

Stream: Cut Copy – “Free Your Mind”

London-bred, Vienna-based, 4AD-signed electro-soul producer/artist SOHN will be making his Toronto debut at The Drake Underground on November 23, tickets $12. There’s no word of his debut album yet but presumably he’ll have more to perform than a 40-minute remix of his single.

Video: SOHN – “Bloodflows”

NME has an advance stream of Motto, the forthcoming record from Sky Larkin, out as of Monday September 16.

Stream: Sky Larkin / Motto

Greek don’t-call-them-chillwave duo Keep Shelly In Athens have given their full-length debut At Home an advance stream at Pitchfork before it comes out September 17. They play Wrongbar on October 15.

Stream: Keep Shelly In Athens / At Home

Interview talks to Spaniards Delorean, who bring their just-released new album Apar to The Horseshoe on October 17.

Anna Calvi is streaming another new song from her forthcoming One Breath, out October 7.

Stream: Anna Calvi – “Sing To Me”

Alex Kapranos of Franz Ferdinand runs down the music that soundtracked his life for Pitchfork, and he tells The AV Club why “Kumbaya” is not on that list. They play The Kool Haus on October 24.

There’s not much in the way of information, but this teaser trailer says that Nina Persson will be releasing her first solo record – not a Cardigans or A Camp record – in January of next year. Which is, of course, exciting.

DIY interviews Summer Camp.

Under The Radar has an interview with Sigur Rós.

Le Blogotheque has posted their three-headed Take Away Show with Phoenix, recorded all over Paris.

Paolo ZerbiniI’m sure it’s purely coincidence, but it’s a hell of one that the title of If You Wait, the 2013 debut from London Grammar, is but one word apart from If You Leave, the 2013 debut Daughter. After all, both are London-based, female-fronted three-pieces with atmospheric aesthetics, singular vocal signatures, and who plumb the depths of the heart’s frailties for lyrical inspiration.

But while they occupy a similar space, London Grammar stake out their own territory. A ways away from Elena Tonra’s wistful sigh of a voice, Hannah Reid’s rich, husky alto is clearly a powerful instrument akin to Florence Welch’s but rather than use it to blow the doors off, she keeps it set on a deep and steady soul-infused smoulder that expresses her wounded sentiments in rich tones. The musical accompaniment, built largely around guitar and piano, is sparse by default but more than able to swell for effect and works well in adding to the twilight ambience. One does wish that Dan Rothman’s lines and style – palm-muted and echoed – was a little less xx-marks-the-spot, but there’s no arguing its effectiveness in this context.

If there’s a complaint to be made about If You Wait, it’s in that the London Grammar aesthetic is a little too defined and consistently applied and over the course of the record starts feeling a bit monochromatic. It feels like a photograph of something beautiful, viewable from a single angle, than a living, breathing thing – more than acceptable for now, but a limitation they’ll have to transcend sooner rather than later.

NME reports that If You Wait is presently the odds-on favourite to win the Mercury Prize, the shortlist of which will be announced tomorrow and whose winner will be announced October 30. The West Australian and The Guardian have feature pieces on London Grammar and The Line Of Best Fit has a video of their covering La Roux for BBC’s Live Lounge. If You Wait is out today, September 10, and their inaugural North American tour brings them to Toronto for a show at The Great Hall on October 4.

Video: London Grammar – “Strong”
Video: London Grammar – “Wasting My Young Years”

The Guardian has a stream of Summer Camp’s second self-titled album, out now, while The Fly has a feature piece on the duo and Noisey gets them to go through and comment on their old photo albums.

Stream: Summer Camp / Summer Camp

Interview, Spin, The Telegraph, Tone Deaf, and The Fly mark today’s release of Arctic Monkeys’ AM with feature interviews; they play The Kool Haus on September 15.

DIY and vita.mn talk to CHVRCHES as the September 24 release date of their debut The Bones Of What You Believe draws near; but first they play The Danforth Music Hall on September 15.

NPR is streaming the new Elvis Costello/Roots collaboration Wise Up Ghost ahead of its September 17 release date.

Stream: Elvis Costello with The Roots / Wise Up Ghost

Peter Hook updates The Hollywood Reporter on the attempts to take possession of those Joy Division/New Order master tapes rescued from the trash recently. And as you can assume from the word “attempts”, they’re not going well. Hook plays The Hoxton on September 18.

Pitchfork has got a stream of another new track from Laura Groves, nee Blue Roses, taken from her new EP Thinking About Thinking, due out September 30.

Stream: Laura Groves – “Pale Shadows”

Yuck has released an in-studio video of them getting their New Order on; their second album Glow & Behold comes out September 30.

Video: Yuck – “Age Of Consent”

Frightened Rabbit play a video session for The Line Of Best Fit from a pirate ship at the End Of The Road festival; they are at The Kool Haus on October 21.

The 405 talks to Polly Scattergood, who has released a new video from her second album Arrows, originally set for a June release but now locked in to an October 21 street date.

Video: Polly Scattergood – “Cocoon”

MTV Hive has an interview and NPR a World Cafe session with Franz Ferdinand, who’ve just put out a new video from Right Thoughts, Right Words, Right Action; they play The Kool Haus October 24.

Video: Franz Ferdinand – “Evil Eye”

Though still coy about details of a new album, The High Wire have made another new song available to download.

MP3: The High Wire – “The Thames & The Tide”

The xx tell NME they’re already at work on album number three.

Little Boots has released a new video from Nocturnes.

Video: Little Boots – “Satellite”

NME and Billboard talk to Billy Bragg about being recognized for his “outstanding contribution to music” by the UK’s Association of Independent Music.

The Guardian talks to James Allan of Glasvegas.

God Is In The TV has an interview with Chris Olley of Six By Seven.

The Wedding Present are streaming a new single which will be available for sale as a 7″ on their upcoming UK tour.

Stream: The Wedding Present – “Two Bridges”

NPR marks the 20th anniversary of Britpop with a playlist of the scene’s best.