Alexandra ValentiIf Will Sheff has ever felt too predictable in what people expect from Okkervil River, he’s really got no one to blame but himself. Since their breakout 2005 record Black Sheep Boy, the band in which he’s been the only real constant has made a habit (okay, twice) of releasing literarily-inclined multi-volume sets with a very specific narrative and musical themes; Black Sheep Boy being a mythically-tinged folk-rock study of the Tim Hardin song and the 2007-08 season’s production of The Stage Names/The Stand Ins was his ruminations on fame and the rock’n’roll life set to a soundtrack appropriately indebted to classic sounds of the ’60s and ’70s.

It’s an approach that has worked, clearly; each of Okkervil’s releases has brought the band more and more acclaim and all have been favourites around these parts. But based on their new record I Am Very Far, it’s one that required a little shaking up. Or a lot. While time will tell if there’ll be a companion record released in the near future, those looking for an easy angle on what Very Far is about, thematically, will be disappointed – having essentially put novels and memoirs to song, Sheff has now assembled his short story collection with each of the record’s eleven songs standing self-contained, both lyrically and musically. And it’s on the latter point that I Am Very Far really stands apart from its predecessors.

With a markedly different lineup from their last recordings, it’s inevitable that Okkervil would sound at least a little different. But rather than simply accept those variances, Sheff has opted to exploit them and give the band a new sonic identity. His own perfectly imperfect vocals remain the most identifying trait, but everything around it is bigger and broader-sounding than ever before. This is easily Okkervil’s most produced record ever, but rather than the extra gloss that that usually implies, here it means density. Overdubs and extra players, musical styles heretofore unexplored – dig the almost disco-ish groove of “Piratess” – and crazy echos and reverbs pervade the record as does an almost manic (or maniacal) sense of relentless restlessness; its bloodshot energy is almost as uncomfortable to listen to as it is invigorating. Some might suggest that I Am Very Far is the band’s bid to break into the mainstream but I think that if that was their intention, they’d sound like they’d have gotten a little more sleep before pressing “record”.

But for all the tumult that has obviously gone into making I Am Very Far, after a few acclimatizing listens, something quite beautiful emerges. The freedom gained from putting everything that defined Okkervil on the table with this record combined with Sheff’s already formidable skills as a songwriter, lyricist and arranger have produced the sort of album that I imagine most bands of a certain tenure long for; one that the more you thought you knew what the band were about, the more you’d be surprised by and which is like discovering one of your favourite bands again for the first time.

Spinner talks to Will Sheff and Pat Pestorius about making the new album. They play The Phoenix on June 10.

MP3: Okkervil River – “Wake And Be Fine”
Video: Okkervil River – “Wake And Be Fine”
Stream: Okkervil River / I Am Very Far

San Diego’s Crocodiles, whom I’d begun to think had some personal issue with Toronto for their never touring up this way, will make up for their absence in a big way for NXNE as they will play a three-night residency at The Silver Dollar over the course of the festival, June 17, 18 and 19, with a different undercard each night.

MP3: Crocodiles – “Sleep Forever”

Chicago emo/math-rock veterans Joan Of Arc have a date at The Garrison for August 5, ticket $12.50. Their new record Life Like is out today.

MP3: Joan Of Arc – “Love Life”

The best of news, the worst of news. With their self-titled album due out on June 21, Bon Iver have announced a Summer tour that brings Justin Vernon and company back to Toronto on August 8… to The Sound Academy. Well at least it’ll be warm. Tickets are $35 general admission, $45 VIP and go on sale Friday. Support will come from Vernon’s old bandmates The Rosebuds, who themselves have a new record out in Loud Planes Fly Low, out June 7.

MP3: Bon Iver – “Blood Bank”
MP3: The Rosebuds – “Second Bird Of Paradise”

New York singer-songwriter Lia Ices has announced a date at The Rivoli for August 9, tickets $12, and has also released a video for the title track of her debut album Grown Unknown. The Georgia Straight has a profile.

MP3: Lia Ices – “Daphne”
Video: Lia Ices – “Grown Unknown”

The National have taken their two recent non-album releases – songs from the Win/Win film and Portal 2 video game soundtracks – and put them on a 7″ single for those who like physical things made of vinyl.

Sufjan Stevens talks to The Guardian about the nervous breakdown that informed The Age Of Adz.

NYC Taper is sharing a recording of an Antlers show in New York from earlier this week. Their new record Burst Apart is out today and Pitchfork has an in-studio video performance of one the new songs with an assist from Neon indian. There’s interviews with the band at The Huffington Post, eMusic and Village Voice. They play The Mod Club on June 14.

The AV Club chats with Bon Iver drummer S Carey about his solo work.

Pitchfork talks to Robin Pecknold of Fleet Foxes. They’re at Massey Hall on July 14 and tonight’s show in Austin is going to be webcast live on NPR.

Richard Buckner fields questions from Aquarium Drunkard about his new record Our Blood, due out August 2.

PopMatters interviews Lissie, in town for a show at The Phoenix on May 28.

Death Cab For Cutie have released a second video from Codes & Keys, out May 31. They’ve got two local dates coming up – May 18 at The Phoenix and July 29 at The Molson Amphitheatre. Tickets for the latter will range from $29.50 to $49.50 and go on sale Friday at 1PM. Black Book talks food with Ben Gibbard.

Video: Death Cab For Cutie – “Home Is A Fire”

NYC Taper has posted a recording of The Pains Of Being Pure At Heart’s show at New York’s Webster Hall last week. The band are at The Opera House on August 2.

Beatroute interviews Explosions In The Sky.

Low steps into The AV Club’s Undercover studio and records a cover of Toto’s “Africa”, and damn if they don’t sound amazing.

Wayne Coyne of The Flaming Lips discusses the viability of gummy skulls as the next medium of music delivery with Billboard.

Graham KennedyCanadian music circa 2011 is doing pretty great; more plentiful, creative and respected at home and abroad than ever before. No doubt sometime in the not too distant future, someone will write a book about this 21st century musical renaissance that (mostly) put an end to having Bryan Adams and Celine Dion as our national ambassadors of song.

But this golden age didn’t just happen, and the crucial decade that laid the foundation for today was documented by local scribes Michael Barclay, Jason Schneider and Ian AD Jack in the 2001 book Have Not Been The Same: The CanRock Renaissance 1985-1995, which documented the rise of Canadian music as it emerged from local scenes, college campuses and the underground in general to produce acts who are institutions today and inspired countless others to follow, such as Blue Rodeo, Sloan and The Tragically Hip and a slew of others familiar to me from my time as a university newspaper music writer and general nascent music obsessive.

I can’t actually go into detail about the book because, well, I haven’t read it. Originally released in 2001, it has been out of print for over half a decade (though yes the Toronto library has copies, shush now) but that unfortunate status is being rectified, just in time for the volume’s tenth anniversary. An expanded and updated second edition will be released on July 1 and if that’s not cause for celebration, then I don’t know what is. Okay, maybe Canada’s 144th birthday. But I digress.

A proper celebration of the occasion will be happening on June 10 at Lee’s Palace, and feature a terrific, period-correct bill. It’s led by the Cold Snap-era Weeping Tile, the Sarah Harmer-led outfit who occasionally break hiatus for special occasions like this, Wolfe Island 2007 or whenever Harmer feels like putting the folk-pop aside to make a righteous racket. Joining them are Guelph’s recently reunited jazz-rock heroes King Cobb Steelie and Kevin Kane, co-leader of Vancouver’s also recently-reunited Grapes Of Wrath and though he’ll be here with his solo career band, I’ll bet you can expect to hear some GOW tunes in the set.

The concert/book release announcement at Barclay’s Radio Free Canuckistan says that ticket information is still forthcoming but proceeds will be donated to Centre For Addiction & Mental Health. Read the book, see the show, support a worthy cause, bask in it all.

MP3: Weeping Tile – “Good Fortune”
Video: King Cobb Steelie – “Rational”
Video: Kevin Kane – “All The Things I Wasn’t” (live)

Ron Hawkins, whose Lowest Of The Low were possibly/probably the most important band for me in the era covered by Have Not Been The Same, will play an in-store at Sonic Boom on May 28 at 3PM to promote his new solo record Straitjacket Love. He’s also got two solo shows at Graffiti’s in Kensington on May 26 and 27 and a full-band residency at The Drake on June 22, 29, July 6 and 13. The Low are at Massey Hall on May 7.

NOW and The National Post chat with The Rural Alberta Advantage in advance of tonight’s show at The Phoenix. NOW have also got another Southern Souls-shot video with the band, this one a performance of “Barnes’ Yard”.

The Toronto Star and Toronto Standard talk to Malajube, in town for a show at The Horseshoe on Saturday night, April 30.

DIY welcomes Timber Timbre to the UK with an interview.

Dan Mangan gives Exclaim a sneak preview of his new record, which may be called Oh, Fortune and will likely be out come September. hour also has a chat.

NOW welcomes The Kills to Toronto, where they’ll play The Sound Academy on May 1.

Denver Westword has an in-depth conversation with John Vanderslice, who has a date at The Drake Underground on May 10.

Jason Isbell has conversations with Prefix and The Patriot-Ledger. He and The 400 Unit play The Horseshoe on May 22.

The Bay Bridged is sharing MP3s from a session with Thao & Mirah, who bring their Thao & Mirah collaboration to Lee’s Palace on June 5. Oregon Music News and LA Weekly talk to the pair about working together, and yes – that is a Pat Benatar cover.

MP3: Thao & Mirah – “Folks” (live)
MP3: Thao & Mirah – “Love Is A Battlefield” (live)

Paste catches up with Alela Diane, who brings her new record Alela Diane and Wild Divine to The Rivolli on June 11.

Titus Andronicus’ new Garden State-tripping, New Jersey-celebrating video from The Monitor – almost enough to make you not make a beeline for Penn Station as soon as you land in Newark. Almost. AM New York has an interview with the band, who are in town at The Phoenix on June 10 opening for Okkervil River.

Video: Titus Andronicus – “No Future Part Three: Escape From No Future”

Spinner sits down with David Lovering and Joey Santiago of Pixies while The Montreal Gazette talks to Santiago alone.

Toro and The Seattle Times talk to members of The Head & The Heart.

Spinner has a feature piece on Explosions In The Sky.

Frank YangRelative to most of the people seeing any part of Godspeed You! Black Emperor’s three-day, four-show residency at Lee’s Palace this past weekend, for which I hit up the Saturday night performance, I didn’t want to be there at all. I did, of course, but that was nothing compared to the anticipation so many had for the Montreal post-rock forebears’ first shows here in eight years, part of their surprise return to active duty – touring, at least – announced last Spring.

I just missed out on Godspeed the first time around – either being aware of them but not getting around to listening or listening but not getting around to getting, I’m not sure – but have spent the better part of the past decade getting acquainted both with their works and their ideological and musical mythology. Much of the latter, at least locally, centered around their legendary shows at the Palais Royale in the Fall of 2001 and the Spring of 2003 so the opportunity to witness them for myself – even if not on the edge of Lake Ontario – wasn’t to be missed and would hopefully be at least a fraction as unforgettable as those performances were purported to be. Dispatches from Friday night’s show certainly implied they would be.

One thing that was certain was that I picked the right show with regards to opening acts, at least. I didn’t know who either of the other two support acts were but I was pretty certain that The Sadies were better. And that’s because The Sadies are pretty much the best, be it headlining, opening, ordering tacos, whatever. And while it could be argued that their psych-country was a bit of an odd fit for Godspeed’s widescreen sonic apocalypses, doing so would be to ignore the dark and dusty gothic undercurrent that inhabits much of their work and also the fact that The Sadies are simply awesome. Given 45 minutes and a tiny portion of the stage with which to work, they powered through a set that was basically a Sadies 101, showcasing their songwriting and musical virtuosity and on-stage tricks, like the Good brother guitar neck-swapping of “Tiger Tiger”, which Dallas still managed even though he spent the rest of the set on a stool, still hobbled by the leg broken back in February. And all except for the guy standing beside me who couldn’t have looked more unimpressed – he had his Godspeed goggles on – I’d like to think they went over well.

I’d been tipped in advance of a few things with regards to the Godspeed live experience: That it would run two and a half hours, that photographically speaking house left was the better side to camp out on, that there would be no interaction between the band and the audience, with the band set up in a semi-circle and more intent on communicating with each other than those there to see them. And oh yeah, it would be incredible. I’ll be honest – as much as I wanted it to be a great show, I also hoped to somehow dispel some of the hyperbole that had enveloped the band in their time away by seeing and hearing it with my own earballs. And instead, I fear I may only be contributing to it.

The show-opening “Hope Drone” ceremony, wherein each band member entered the stage one at a time and began contributing to the din, wasn’t nearly as formal as I’d expected. It actually emerged out of sound check, perhaps at the expense of some of the drama, and the audience didn’t stop chattering until about halfway through when they finally turned on the film projectors. With the band arranged around the perimeter of the stage and three guitarists seated and hunched over, it was these projections of birds, glyphs, maps and a scrawled word “hope” which provided most of the evening’s illumination and visual interest – at least if you kept your eyes open. Eyes closed, you would be faced with whatever terrifying and beautiful imagery their music made your mind create.

The show drew heavily from the band’s masterwork, 2000’s Life Your Skinny Fists Like Antennas To Heaven, adding unreleased live staple “Albania” and one composition from F#A#∞ before closing with both sides of their Slow Riot For A New Zerø Kanada EP, but the specifics of what were played were really less important than the epic whole they created. And here’s where the hyperbole comes in. There was something unbelievably primal and elemental about what Godspeed You! Black Emperor create; like a force of nature if nature were sentient and pissed off. They moved slowly and inexorably, with massive weight and delicate grace and meant to be simultaneously marvelled at, feared and celebrated. The sound was deafening while perfectly clear, brutally beautiful and hitting with the impact of unchecked emotion made sound. I don’t doubt that the marathon-length shows are intended to add a dimension of actual physical exhaustion to the experience – are your knees buckling because you’re tired or because the existential momentousness of it all is too much to bear? Probably the former, but you can’t be sure.

But for those who endured and persevered through the entire show, who watched each member depart as they entered as “BBF3” was deconstructed, there was a very real sense of catharsis and transcendence – words far overused in music writing but wholly appropriate here – from the experience. Maybe it was because witnessing the performance had subtly changed everyone. Maybe it was just relief that they could finally get away from the pile of throw-up that someone left near the front of the stage during the second song. But either way, it was one to remember.

The National Post has a review of Friday night’s show; most notes are applicable to Saturday’s.

Photos: Godspeed You! Black Emperor, The Sadies @ Lee’s Palace – April 23, 2011
MP3: Godspeed You! Black Emperor – “Lift Yr Skinny Fists Like Antennas To Heaven”
MP3: Godspeed You! Black Emperor – “The Buildings They Are Sleeping Now”
MP3: The Sadies – “Another Year Again”
MP3: The Sadies – “Anna Leigh”
Video: The Sadies – “Another Day Again”
Video: The Sadies – “Cut Corners”
Video: The Sadies – “Postcards”
Video: The Sadies – “The Horseshoe”
Video: The Sadies – “Flash”

Billboard profiles Explosions In The Sky, whose new record Take Care, Take Care, Take Care is out tomorrow.

Shearwater performed the whole of their last three albums – those dubbed The Island Arc – in a special hometown show in Austin earlier this year, and now a live album has been assembled, available to stream or digitally purchase at the band’s Bandcamp. The trilogy of Palo Santo, Rook and The Golden Archipelago is also notable as it represents the band’s entire tenure on Matador; they just announced that they’ve signed to Sub Pop for their next record, due out in 2012.

Drowned In Sound and The Line Of Best Fit and Billboard have features on Okkervil River, whose new record I Am Very Far will arrive on May 10. They play The Phoenix on June 10.

Also out May 10 is The Antlers’ new record Burst Apart, which is streaming in whole at NPR. They are at The Mod Club on June 14.

Stream: The Antlers / Burst Apart

Arriving in town a day before their sold-out show at The Mod Club, Battles will play an in-store at Sonic Boom on April 28 at 7PM, admission free with suggested donation of a canned food good. Their new record Gloss Drop is out June 7 and Drowned In Sound has an interview with the band.

Video: Battles – “Tonto”

Both Junior Boys and Miracle Fortress have new albums at the ready – the former with It’s All True due June 14 and the latter with tomorrow’s Was I The Wave? – so it makes perfect sense that they’d team up for a Summer tour that kicks off at The Phoenix on June 9. North America, dancing shoes at the ready.

MP3: Junior Boys – “In The Morning”
MP3: Miracle Fortress – “Raw Spectacle”

Alela Diane released her second album Alela Diane and Wild Divine at the start of the month and has now released her touring itinerary for the Summer; look for her on June 11 at The Rivoli on Toronto.

MP3: Alela Diane – “To Begin”

Warner Bros.Or at least we are the first batch of acts officially announced on Tuesday for this year’s NXNE festival, running June 16 through 19 around Toronto. It’s certainly not all of them, but there’s some moderate to big names in there and perhaps most key, the headliners for the free shows at Yonge-Dundas Square that have become the centrepiece of the fest have been revealed.

While there’s no one quite of the stature of last year’s Saturday night marquee of Iggy & The Stooges, New Wave legends Devo have certainly got the pedigree to act as a worthy centrepiece for this year’s event. They and their energy domes and jumpsuits will be headlining the YDS Stage on the Saturday night, closing off what will likely be a full day’s slate of acts. They were here in Fall 2009 offering full-album performances of Q: Are We Not Men and Freedom Of Choice, but have since released their first new album in forever with last year’s Something For Everybody. Which, I’m sure, the masses will want to hear lots of material from at this show. Mm hmm.

And while there’s enough tapped for the free stage that you could have a fine weekend just camped out in front of the Eaton Centre, NXNE is still a club-level fest and there’ll be hundreds more artists from near and far vying for your attention. The schedule won’t be out for a while yet but I’ve managed to cobble together a very early list of who will be playing where and when – obviously all subject to change – and while some of this was previously announced, a lot of it is new:

Thursday, June 16, 2011
The Descendents, OFF!, Rusty, Metz @ Yonge-Dundas Square
Evan Dando & Juliana Hatfield, The Luyas @ Lee’s Palace
Snowblink, Forest City Lovers, Evening Hymns @ The Music Gallery
The Dodos, Deerhoof, Gauntlet Hair @ The Phoenix
Ty Segall, The Dig @ The Garrison
Woodsman @ The El Mocambo

Friday, June 17, 2011
Stars, Land Of Talk, Diamond Rings @ Yonge-Dundas Square
Suuns, No Joy, PS I Love You @ The Horseshoe
Bouncing Souls, Anti-Flag, The Flatliners @ The Phoenix
Art Brut @ The Mod Club
Braids @ The Garrison
Dum Dum Girls, Cults, Superhumanoids, Writer @ Lee’s Palace
Ty Segall, Julianna Barwick, Daniel Pujol, Secret Cities @ Wrongbar

Saturday, June 18, 2011
Devo, Men Without Hats, Cults, Writer @ Yonge-Dundas Square
Twin Shadow, Wild Nothing @ Lee’s Palace
Foster The People @ The Mod Club
Hot Water Music, A Wilhelm Scream, Mockingbird Wish Me Luck, Sharks @ The Opera House
Talk Normal, Prince Rama, AIDS Wolf, Grimes, Doldrums @ 918 Bathurst
Chad Van Gaalen, Braids, Jennifer Castle, Duzheknew, Grimes @ The Great Hall
The Balconies @ Sneaky Dee’s

Sunday, June 19, 2011
Wild Nothing @ The Garrison
The Pharcyde, Digable Planets @ Yonge-Dundas Square

And some of the acts who don’t have any more specific information available besides “they’ll be there” are Crocodiles and Lower Dens. Yeah, I think I can find enough to occupy myself for four evenings or so.

MP3: Art Brut – “Lost Weekend”
MP3: Julianna Barwick – “The Magic Place”
MP3: Braids – “Lemonade”
MP3: Jennifer Castle – “Neverride”
MP3: Cults – “Go Outside”
MP3: Deerhoof – “The Merry Barracks”
MP3: Diamond Rings – “Something Else”
MP3: The Dodos – “Don’t Stop”
MP3: Evening Hymns – “Broken Rifle”
MP3: Forest City Lovers – “Light You Up”
MP3: Foster The People – “Pumped Up Kicks”
MP3: Grimes – “Vanessa”
MP3: Land Of Talk – “Quarry Hymns”
MP3: The Luyas – “Tiny Head”
MP3: No Joy – “Hawaii”
MP3: OFF! – “I Don’t Belong”
MP3: Prince Rama – “Lightening Fossil”
MP3: PS I Love You (featuring Diamond Rings) – “Leftovers”
MP3: Ty Segall – “Girlfriend”
MP3: Snowblink – “Ambergris”
MP3: Stars – “We Don’t Want Your Body”
MP3: Suuns – “Up Past The Nursery”
MP3: Talk Normal – “In A Strangeland”
MP3: Chad Van Gaalen – “Sara”
MP3: Twin Shadow – “Castles In The Snow”
MP3: Woodsman – “Insects”
Video: Devo – “What We Do”
Video: The Descendents – “I’m The One”
Video: Digable Planets – “Rebirth Of Slick”
Video: Men Without Hats – “Safety Dance”
Video: The Pharcyde – “Drop”

If you prefer your festivals a little more rustically-set, Exclaim has the lineup announcement for this year’s Hillside Festival, happening in Guelph from July 22 to 24. The roster reads like a who’s who of up-and-coming Canadian talent, including The Rural Alberta Advantage, Dan Mangan, Karkwa, Little Scream and really too many more to list. Tickets go on sale May 7 at 10AM at $110 for a weekend pass and these sell out quickly every year so don’t dither too long if at all.

And while talking Canadian fests, it’s worth noting that Montreal’s Osheaga added a bunch more acts including Janelle Monae and Broken Social Scene among them, and broken things down day by day.

In other live music news, Steve Earle will be at the HMV at 333 Yonge for a signing and in-store on April 28 at 6PM – you’ll just have to buy a copy of I’ll Never Get Out Of This World Alive when it comes out next Tuesday for tickets. Or wait for his show opening up for Blue Rodeo at the Amphitheatre on August 20.

San Diego’s The Donkeys are in town at a venue to be determined Sneaky Dee’s on May 21 in support of their new record Born With Stripes, out on Tuesday.

MP3: The Donkeys – “Don’t Know Who We Are”

The Baseball Project – aka Scott McCaughey, Steve Wynn, Peter Buck and Linda Pitmon celebrating America’s pastime in song – will bring their second album Volume 2: High & Inside to Lee’s Palace on June 1. And yeah, the Jays are at home that evening against Cleveland. Oregon Live has a feature on the band.

MP3: The Baseball Project – “1976”

Louisiana’s Givers, just here supporting Wye Oak a couple weeks ago, will return for their own show at The Garrison on June 21. Their album In Light is out June 7.

MP3: Givers – “Up Up Up”

With their new record D due out May 24, White Denim have announced a date at The El Mocambo for June 28.

MP3: White Denim – “Anvil Everything”

Antony & The Johnsons have released a new video from last year’s Swanlights

Video: Antony & The Johnsons – “Swanlights”

Spinner reports that one of The National’s next projects will be curating a Grateful Dead tribute album for charity. I can only hope that everyone involved covers “Touch Of Grey” because that’s about the only Dead song I know.

Exclaim talks to Explosions In The Sky guitarist Munaf Rayani about their new record Take Care, Take Care, Take Care, out on Tuesday.

My Morning Jacket frontman Jim James goes over some of his influences for Spin. Their new record Circuital comes out May 31 and they play The Kool Haus on July 11.

Titus Andronicus discusses his love of Fucked Up and plans for following up The Monitor with Spinner.

NPR has a World Cafe session with Iron & Wine while The Washington Post and Boston Herald have interviews with Sam Beam.

Spectrum Culture and Spin interview Michael Benjamin Lerner of Telekinesis. They’re at Lee’s Palace on May 27.

Bon Iver has declared their intention to make the Summer solstice a little more wintry by releasing their new self-titled album on June 21. Details at Pitchfork.

And finally, sympathies to family, friends and fans of TV On The Radio bassist Gerard Smith, who lost his battle with lung cancer yesterday morning. Fuck you, cancer. Just fuck you.

Leslie SissonIt was a sad day in late 2005 when Austin’s American Analog Set called it a day, or it would have been if they had bothered to officially do so. They announced prior to touring their last (as in most recent, not final) record Set Free that it would be their final tour before a hiatus, and that while they didn’t have any plans to do anything else together, be it recording or playing or whatever, they weren’t ruling out the possibility. And they invoked the “not dead, only sleeping” clause at SXSW 2009 when they reconvened to mark the 10th anniversary of The Golden Band by playing the whole album at a day show I had the privilege of helping present.

But that special occasion aside, the band’s signature blend of shimmering vibraphone, humming Farfisa and dreamy guitarwork has been silent with frontman Andrew Kenny trading his Jazzmaster in for an acoustic guitar and lending his gentle vocals to a new band, The Wooden Birds. AmAnSet had been extremely consistent in sound and vision throughout their existence, so it’s not surprising that despite the change-up in instrumentation and addition of female vocals from sometime AmAnSet member Leslie Sisson, The Wooden Birds’ 2009 debut Magnolia could easily have passed as a new Analog Set record. It’s more earthy than ethereal, thanks to its simpler presentation, and less drifitly droning but if you were an AmAnSet fan, it’s hard to imagine not finding much to like about The Wooden Birds. Unless, of course, you were all about the vibes, in which case you may want to keep walking.

The Wooden Birds have set a June 7 release date for their second album Two Matchsticks and having passed us by on all tour dates in support of the debut, it’s exciting to see that the first North American dates finally include a Toronto date at The Drake Underground on July 10 – the first time back as bandleader for Kenny since November 2005 (he may well have been here as a member of Kevin Drew’s “Presents…” band). And while you might not guess it from listening to the records, The American Analog Set were always a fantastic live show thanks to the mesmerizing and hypnotic nature of their sound. I expect similar head trips from The Wooden Birds. Tickets for the show are just $12.00 in advance.

Samples from Two Matchsticks aren’t available yet, but there’s no reason to believe the new material strays too far from what surfaced on Magnolia. Update: One of the new songs is streaming at MTV Hive.

MP3: The Wooden Birds – “False Alarm”
Video: The Wooden Birds – “Hometown Fantasy”

There’s been no word of a follow-up to last year’s Goodbye Killer nor would I expect one, given the pace at which Joe Pernice works, but he’s taking the time out of whatever it he’s doing to play a show at The Dakota on May 6, tickets $20.

MP3: Pernice Brothers – “Jacqueline Susann”

That same evening, Peter Bjorn & John will warm up for their show at Lee’s Palace with an in-store at Sonic Boom at 7PM. Admission is free with the donation of canned goods.

Video: Peter Bjorn & John – “Second Chance”

With a new greatest hits compilation in Golden Greats, No. 1 just released, Sweden’s The Soundtrack Of Our Lives have made a date at Lee’s Palace for June 4. Tickets for the guaranteed rock spectacle are $18.50 in advance.

MP3: The Soundtrack Of Our Lives – “Karmageddon”

His show at Lee’s last month apparently a roaring (or dead silent) success, Mark Kozelek is coming back for a pair of even more intimate shows – he’s at The Drake Underground on July 8 and 9, tickets for each show $24.50 in advance.

Video: Red House Painters – “24”

The National Post Q&As Joey Santiago of Pixies; they close out their two-night stand at Massey Hall tonight.

The Antlers are giving away an MP3 from Burst Apart, out May 10. They’re at The Mod Club on June 14.

MP3: The Antlers – “Every Night My Teeth Are Falling Out”

Daytrotter has posted a session from The Pains Of Being Pure At Heart, in town at The Opera House on August 2.

I Am A Mermaid questions Stephin and Claudia of The Magnetic Fields about mermaids.

NYC Taper is sharing a recording of Sharon Van Etten’s homecoming show in Brooklyn this past weekend and Express Night Out has an interview.

Pitchfork has a feature interview with TV On The Radio.

The Baltimore Sun and Philly Burbs talk to Jenn Wasner of Wye Oak, who have a new video from their new record Civilian. NYC Taper is also sharing a recording of their show in New York last week.

Video: Wye Oak – “Fish”

NYC Taper is sharing a recording of a recent Mountain Goats show while The Sound Of Young America has an interview with John Darnielle.

Hear Ya, Madison Eagle, Jam Bands, Blurt and Paste talk to Jason Isbell, whose new record Here We Rest is out now and who leads The 400 Unit into The Horseshoe on May 22.

Want to hear some of the new My Morning Jacket record, Circuital? You can download the title track below, hear it played live on VH1 Storytellers via Pitchfork and stream another new tune over at Antiquiet. The record is out May 31 and they play The Kool Haus on July 11.

MP3: My Morning Jacket – “Circuital”

Pitchfork 3D – which is exactly what you think it is – has launched with a video session featuring Deerhunter.

BBC talks to Michael Stipe of R.E.M..

NPR is streaming the whole of Steve Earle’s new album I’ll Never Get Out Of This World Alive a week ahead of its April 26 release. Earle plays The Molson Amphitheatre opening up for Blue Rodeo on August 20.

Stream: Steve Earle / I’ll Never Get Out Of This World Alive

Spinner caught up with Rhett Miller of Old 97’s before their show in Toronto a couple weeks ago.

Spin, Clash and The Line Of Best Fit have features on Explosions In The Sky, whose new album Take Care, Take Care, Take Care comes out next week and is streaming in whole right now at Exclaim.

Stream: Explosions In The Sky / Take Care, Take Care, Take Care

The Line Of Best Fit reports that Memory Tapes will release a new album in Player Piano on July 4.

Crawdaddy interviews Liz Phair.

aux.tv has a video session with Warpaint while Relix offers an interview.

Spinner talks to Robin Pecknold of Fleet Foxes. Their new record Helplessness Blues arrives May 3 and they’re at Massey Hall on July 14.