Frank YangWish as we might, the day show still hasn’t quite taken hold of NXNE the way it has its heavyweight south by southwestern cousin, but there are things worth seeing and doing in the daylight hours if you look. And sometimes those things will take you to places like Urban Outfitters, who were hosting a honey of an in-store on the Friday of the festival. And sometimes, if you take the time to actually look at the address of the Urban Outfitters in question, you’ll get there on the first try, rather than use process of elimination, which is what I did. Aside: there are too many Urban Outfitters in this city.

Still, I made it to the correct Queen West UO location in time to see Florida’s Beach Day – cover boys and girls of my NXNE preview – setting up for the first of four shows they’d play in town this weekend. With their debut album Trip Trap Attack due the the following week – today, actually – they were primed to show off what they had to whomever would listen. And what they had was a fun and infectious retro-garage/surf pop sound that fit their name perfectly, though if you were to call them “Dum Dum Girls’ Little Archies”, you wouldn’t be wrong either. Besides the visual and stylistic similarities, singer-guitarist Kimmy Drake also has a Chrissie Hynde-like delivery not unlike Dee Dee Penny’s, and while their music doesn’t have the New Wave sophistication that elevates Dum Dum Girls above their peers, they do have a lot of youthful exuberance that also goes a long way. They play in an old style but do it like it’s brand new.

Photos: Beach Day @ Urban Outfitters – June 14, 2013
MP3: Beach Day – “Love Is Strange”
Video: Beach Day – “Beach Day”
Video: Beach Day – “Boys”

Following them from about as far as you could get, geographically and stylistically, were London’s Still Corners whose presence on the bill is what got me to take the day off work so as to be able to see them. It had been a long time since their local debut in October 2011 and neither their show a couple nights earlier opening for CHVRCHES nor their showcase that evening at The Horseshoe was logistically workable for me, so this was my best chance to hear Strange Pleasures live. Though the record’s ’80s-beholden, synth-heavy sound was quite a shift from the ’60s atmosphere of their debut Creatures Of An Hour, I’ve found myself liking it as much if not more. The band opted to not try and recreate their standard live show for the in-store setup, however, pre-apologizing if their messing with the set structure didn’t work as well as they hoped when they thought it up. They opened with three selections from Strange Pleasures with just band principals Tessa Murray on vocals and sequencer and Greg Hughes on guitar overtop some canned beats, the lushness of the new material’s recorded versions being traded in for some of the barer beauty more akin to the aesthetic of their debut, even when the rest of the band joined them for the remainder of the set. While they quite obviously weren’t unplugged, the performance had a similar intent with a greater emphasis put on Murray’s lovely vocals and allowing Hughes to show off some of his guitar chops. I do still wish I’d been able to hear the bigger, louder version of the show that those who saw their evening shows caught, but this was pretty special too.

The Boston Globe has an interview with Still Corners.

Photos: Still Corners @ Urban Outfitters – June 14, 2013
MP3: Still Corners – “Berlin Lovers”
MP3: Still Corners – “Fireflies”
MP3: Still Corners – “Eyes”
MP3: Still Corners – “Into The Woods”
MP3: Still Corners – “Cuckoo”
MP3: Still Corners – “Endless Summer”
Video: Still Corners – “Berlin Lovers”
Video: Still Corners – “Cuckoo”
Video: Still Corners – “Into The Trees”
Video: Still Corners – “Endless Summer”

After taking a few hours to tend to this and that – which is to say napping – it was off to Yonge-Dundas Square for the festival’s ostensible headlining act, and said act’s ostensible opener. That would be Hayden, a last-minute reveal given his appearance at Arts & Crafts’ Field Trip festival the weekend before, but not really a surprise considering their history together – Hayden Desser joined The National for a cover of his “Dynamite Walls” when they played The Phoenix in October 2007 and he also interviewed frontman Matt Berninger earlier this Spring. My own history with Hayden is pretty long as well – I first saw him at the Humanities Theatre in Waterloo back in 1996, and again opening for Juliana Hatfield at Guelph’s Trasheteria in 1998… but not since. To be honest, while I’ve always appreciated what Hayden did, I was never the biggest fan – his simple and genial brand folk-pop never quite resonated with me the way it did some, and this year’s Us Alone was the first of his releases I’ve listened to in almost forever (and I like it fine). But hearing those songs played out in the open air as the sun just began to set was really an ideal way to be reminded of the power of simplicity. Leading a trio and starting out on keyboards, he worked through an unhurried set of new tunes and old favourites – occasionally punctuated by a Crazy Horse-esque noise flourish lest you start to nod off – but mostly just comfortable and enjoyable. And hearing the songs with which he first garnered attention – Everything I Long For‘s “Bad As They Seem” and “In September” took be back the nearly 20 years since I first heard them, as well as appreciate how far his songwriting has evolved while staying in the same mould. And also that the throat-shredding gruffness he needs to affect for “In September” must really hurt.

Post-City has a feature piece on Hayden.

Photos: Hayden @ Yonge-Dundas Square – June 14, 2013
MP3: Hayden – “Old Dreams”
Video: Hayden – “Oh Memory”
Video: Hayden – “Rainy Saturday”
Video: Hayden – “Barely Friends”
Video: Hayden – “Where & When”
Video: Hayden – “All In One Move”
Video: Hayden – “Carried Away”
Video: Hayden – “Dynamite Walls”
Video: Hayden – “The Closer I Get”
Video: Hayden – “Bad As They Seem”

While the Yonge-Dundas Square mainstage of NXNE is fantastic in theory – free shows in the heart of the city with big names that help give a club-level festival a little major-league cachet – in practice it’s… less than fantastic. The built-in stage offers poor sightlines, made worse by the number of sponsors tents and beer cordons so that many in attendance are lucky to get some line of sight to one of the two video screens, never mind the stage. Add in massive crowds, many of whom are only there for something to do rather than actual fans and will think nothing of talking loudly through the whole set, and, well, maybe you’d be better off at the clubs. Unless, of course, the big-name headliner for this evening is one of your favourite bands of the past decade, in which case you suck up whatever complaints you might otherwise have and you see The National.

And if I thought that seeing them play an arena – albeit theatre-configured – in December 2011 was a headtrip, then seeing them in such a setting was just mental considering I still clearly remember our first meeting in March 2006 at The Horseshoe. Their environs were a touch amusing to the band, as well, with Matt Berninger commenting on the giant Beyonce H&M ads directly in his line of sight on the Eaton Centre, and Aaron Dessner noting the Blue Jays game was playing on another giant screen behind them. But they were here to do a job and do it they did.

Trouble Will Find Me lead track “I Should Live In Salt” set the tone for the evening, all stately melancholia, and certainly a far cry from the merry bedlam The Flaming Lips brought to the same stage the year prior. Even as their stages have gotten bigger, their show has remained pretty consistent – Berninger anchored centre stage, microphone gripped tightly, Dessner twins flanking him on guitars and the Devendorff rhythm section laying back and tending to business. The Dessners did alternately step out towards the audience whilst powering the band’s crescendos, but Berninger didn’t venture out to meet the audience until “England”. And while the public square is arguably the least acoustically favourable place they’ve played in the city, there was something special about hearing the likes of “Apartment Story” and “Fake Empire” ring out and off of the steel and glass surroundings.

The set naturally favoured Trouble and High Violet, but long-time fans were treated with “About Today” off of 2005’s Cherry Tree EP. Alligator has sadly gotten to the point of only being represented by the obvious “Abel” and “Mr. November”, though I will admit the latter takes on some new life when Berninger is now able to actually plunge into the crowd and be carried on the arms of, if not cheerleaders, then festival-goers. Having missed the end of their Air Canada Centre performance, their show-closing “Vanderlyle Crybaby Geeks” was unexpected and powerful – pulling off an unplugged singalong can be difficult in a club or theatre setting; doing it on an outdoor urban stage? Nearly impossible. So of course they did, and with ease.

Some may grouse about the aforementioned problems of shows such as this and even used them as excuses to skip it, particularly knowing that the band will certainly return before long to do a proper ticketed show in a more personable venue. I took that as an extra reason to go to this show and appreciate its uniqueness, niggles aside. After all – R.E.M.’s free noon-hour show at the very same intersection in 2001 was also hardly an ideal concert setting, but it’s not one I’ll ever forget. I can’t say this one will be as indelible, all said and done, but for what it was, it was still great.

CBC Music and aux.tv have interviews with The National and NPR a World Cafe session.

Photos: The National @ Yonge-Dundas Square – June 14, 2013
MP3: The National – “I’ll See You In My Dreams”
MP3: The National – “Twenty Miles To NH (Part 2)”
MP3: The National – “Exile Vilify”
MP3: The National – “Think You Can Wait”
MP3: The National – “Afraid Of Everyone”
MP3: The National – “Bloodbuzz Ohio”
MP3: The National – “So Far Around The Bend”
MP3: The National – “Fake Empire”
MP3: The National – “90 Mile Water Wall”
MP3: The National – “Cold Girl Fever”
MP3: The National – “Son”
MP3: The National – “Beautiful Head”
Video: The National – “Sea Of Love”
Video: The National – “Demons”
Video: The National – “Exile Vilify”
Video: The National – “Think You Can Wait”
Video: The National – “Conversation 16”
Video: The National – “Terrible Love”
Video: The National – “Bloodbuzz Ohio”
Video: The National – “So Far Around The Bend” (live)
Video: The National – “Mistaken For Strangers”
Video: The National – “Apartment Story”
Video: The National – “Abel”
Video: The National – “Lit Up”
Video: The National – “Daughters Of The Soho Riots”
Video: The National – “Sugar Wife”
Video: The National – “Son”

Exclaim has details on the new Scud Mountain Boys album, entitled Do You Love the Sun and out July 9 digitally and August 6 on vinyl.

Esquire talks the festival life with Father John Misty. He plays a non-festival at The Danforth Music Hall on August 3.

Rolling Stone talks to Tommy Stinson about the Replacements reunion which kicks off August 25 at Riot Fest in Toronto at Garrison Common.

The first song from the new Okkervil River album The Silver Gymnasium is now available to stream via lyric video. The record is out September 3 and they play The Phoenix on September 28.

Stream: Okkervil River – “It Was My Season”

The Quietus gets to know former Okkervil River-er and current Shearwater frontman Jonathan Meiburg in his capacity as an ornithologist.

Beatroute chats with Explosions In The Sky, in town supporting Nine Inch Nails at The Air Canada Centre on October 4.

NPR has premiered the new video from Low’s latest, The Invisible Way, while Drowned In Sound has posted a video session and interview with the Minnesotans.

Video: Low – “Plastic Cup”

NYC Taper is sharing a recording of The Mountain Goats show at the soon-to-be-late Maxwell’s in Hoboken a couple weeks ago.

NPR and SF Weekly talk to John Vanderslice about making his latest record Dagger Beach.

NYC Taper has a recording of an Antlers show in New York last week.

Beatroute gets to know The Thermals.

Frank YangTo the best of my knowledge, there does not exist a remotely official image of the outfit calling themselves Overseas, but anyone who’s paid any sort of attention to the American indie rock scene over the past twenty-some years knows exactly what they look like, and that’s because the each of the band’s members has a formidable resume behind them: Will Johnson of Centro-Matic, South San Gabriel, Will Johnson, and Monsters Of Folk; David Bazan of Pedro The Lion and David Bazan; and Matt and Bubba Kadane of Bedhead and The New Year. And if you don’t know any of those acts but are assuming they’re a bunch of white, bearded dudes with guitars… well, yeah.

As to the more important question of what Overseas sound like, their self-titled debut sounds pretty much exactly as you’d expect given the personalities involved, with either Johnson’s weary rasp or Bazan’s mournful growl – they trade off lead vocal duties – overtop the steady whirlpool created by the Kadanes’ signature slow, spidery guitars. Or, in a word and if you’re predisposed to what any of the principals do, gorgeous. Even though the project was announced over a year ago, the finished product is only going to coming out next week, on June 11, and Paste has the advance stream of the whole thing. Do listen. A handful of live dates are planned for August but I’m not holding my breath for more extensive itineraries.

D Magazine has an interview with Bazan about the for-lack-of-a-better-term, “supergroup”.

MP3: Overseas – “Old Love”
Video: Overseas – “Ghost To Be”
Stream: Overseas / Overseas

Paste has an advance stream of John Vanderslice’s new joint, Dagger Beach – it’s out on June 11. The Bay Bridged talks to Vanderslice about the 15th anniversary of his Tiny Telephone studio.

MP3: John Vanderslice – “Raw Wood”
Stream: John Vanderslice / Dagger Beach

NOW, Spin, Interview, Black Book, and DIY have interviews with The National, whose Perfume Genius cover – released as bonus track on the Japanese edition of Trouble Will Find Me – is streaming and well worth hearing. They headline Yonge-Dundas Square for NXNE on June 14.

Stream: The National – “Learning”

Sebadoh have come clean on details of their first new album in 14 years; following the June 25 release of The Secret EP,the new full-length Defend Yourself will be out September 17. Joyful Noise – who are releasing the album – have a Q&A with Lou Barlow about the new record and Spin also has an interview and stream of the EP.

Stream: Sebadoh / The Secret EP

Stereogum talks to Smith Westerns about their forthcoming Soft Will, out June 25. They play Lee’s on July 29.

Salon chats with Stephin Merritt about the new Future Bible Heroes album Partygoing, and Vulture has an animated Merritt dressed as an elephant singing a song about Thomas Edison from Bob’s Burgers because of course they do. Future Bible Heroes are at Lee’s Palace on July 22; Merritt will not be with them.

Spin reports that Divine Fits are putting out some new tunes in the form a 12″ single due out July 23, though digital formats are available now. You can hear the new tunes performed live on Conan via Pitchfork.

Spin and Vita.mn get to know Father John Misty, who has just released a new video from last year’s Fear Fun and will be at The Danforth Music Hall on August 3.

Video: Father John Misty – “Funtimes In Babylon”

The first track from Superchunk’s new record I Hate Music is now available to stream; it’s out August 20.

Stream: Superchunk – “FOH”

Confirming the life cycle of profitable farewell tour to profitable reunion tour at barely four years, Nine Inch Nails will return with a new album in Hesitation Marks on September 3 – stream the first single below – and have scheduled an extensive North American arena tour to support. The Toronto date comes October 4 at The Air Canada Centre with Explosions In The Sky opening up.

MP3: Nine Inch Nails – “Starsuckers, Inc.”
MP3: Explosions In The Sky – “Memorial”
Stream: Nine Inch Nails – “Came Back Haunted”

Drowned In Sound has an interview and NPR a video session with Wild Nothing, in town supporting Local Natives at The Kool Haus on September 21.

The context is a little weird – a compilation released by Toyota automobile imprint Scion – but hey, a new Chromatics tune is a new Chromatics tune.

MP3: Chromatics – “Red Car”

Frank YangI don’t think Toronto necessarily has an international reputation as a destination for expatriate pop geniuses, but apparently Canadian women hold a certain appeal for them. Joe Pernice of Pernice Brothers has been up here for the better part of eight years while Norman Blake of Teenage Fanclub moved to Kitchener a couple years ago – both on account of their Canadian wives – and on Friday night, they were on stage together at The Dakota Tavern for a low-key show together. It had been advertised as a Joe Pernice show with the promise of a “special guest”, and while a show from Joe alone would be worth pencilling into the calendar, once the faintly-veiled clues as to who said guest would be got out, it turned into a must-see.

Anyone expecting a high-falutin’ musical summit between two of the finest pop songwriters around would have done well to dial down their expectations, though. The show was much more of a back porch strumalong between two old friends who just happened to have one hell of a songbook to draw from and though it had its share of sloppy moments, that arguably made it even more special and memorable than if it had been meticulously rehearsed. Pernice started out with a short solo set that drew from his many projects – Pernice Brothers, Joe solo, Scud Mountain Boys – and included a new song entitled “Surf’s Up” that he revealed was from a new, just-completed Scuds record. Scoop!

Blake was then invited onstage and the two spent the rest of the show playing each other’s songs – Pernice on a standard acoustic, Blake on a Nashville-strung parlour-body – and reminding the gathered that they were two of the funniest stage banterers in the business with some great repartee. There was plenty of time for banter as Blake’s guitar required plenty of tuning and retuning – their first run through of “Baby Lee” went further out of tune with each strum and forced a do-over – but when they were able to get onto a song, it was grand if clearly not overly rehearsed. Even with a music stand overflowing with notes onto the floor between them, they were happy to do things off the cuff – Blake had to teach Pernice the chords to “You Was Me” from his Jonny side-project with Euros Childs on the fly (it turned out fine) and even though their take on Fanclub’s “I Don’t Want Control Of You” was a bit of a comedy of errors, they still made it tremendously entertaining.

The stuff that was more properly arranged, however, was nothing sort of sublime. Hearing them trade verses on “Everything Flows” was easily the highlight of the night and their finale of “Alcoholiday” not far behind. You obviously didn’t have the wall of harmonies that Teenage Fanclub proper can offer, but Pernice’s falsetto was a pretty good stand-in. It wasn’t just about the Fanclub material, mind, as their work on “Loving Kind” off the last Pernice Brothers album Goodbye Killer was stirring and their cover of The Zombies’ “The Butcher’s Tale” darkly affecting. Though they obviously could have kept going all night, a hard curfew forced them to cap things at 90 minutes though they were permitted an encore of Fanclub’s “Start Again” that was a divine finale.

It’s not clear if this tweet is a joke or a promise, but an actual collaboration between the two – or even some more of these casual-vibe shows – would be a great treat and a far better way to enjoy having these talents as locals than going through their trash.

The Calgary Herald has an interview with Joe Pernice about his plans to release two albums this year – the aforementioned new Scuds record and the long-promised new Pernice Brothers album.

Photos: Joe Pernice & Norman Blake @ The Dakota Tavern – June 22, 2012
MP3: Pernice Brothers – “Somerville”
MP3: Scud Mountain Boys – “Grudge Fuck”
MP3: Teenage Fanclub – “Baby Lee”
MP3: Teenage Fanclub – “It’s All In My Mind”
MP3: Teenage Fanclub – “Everything Flows”
MP3: Jonny – “Candyfloss”
MP3: Jonny – “Gloria”

Dirty Projectors are giving away a couple tracks from their forthcoming Swing Lo Magellan, out July 10. They play The Music Hall on July 6.

MP3: Dirty Projectors – “Dance For You”
MP3: Dirty Projectors – “Gun Has No Trigger”
Video: Dirty Projectors – “Gun Has No Trigger”

The Alternate Side has a session and Clash, Houston Press, and Indy Week have interviews with Lower Dens. They play Lee’s Palace on July 17.

Beirut has released a video for the title track of last year’s The Rip Tide. They are at The Sound Academy on July 19.

Video: Beirut – “The Rip Tide”

The Antlers are streaming a track from their forthcoming EP Undersea, due out July 24.

Stream: The Antlers – “Drift Dive”

The Shins have rolled out a new video from Port Of Morrow; they’re in town August 4 opening up for The Black Keys at The Molson Amphitheatre.

Video: The Shins – “No Way Down”

Pitchfork talks to Cat Power about her new record Sun, due for release on September 4.

Aimee Mann has given Rolling Stone the title track of her new record Charmer to stream. It’s out September 18.

Stream: Aimee Mann – “Charmer”

The Jon Spencer Blues Explosion has taken their reunion from the stage into the studio and are set to release their first new album since 2004’s Damage in Meat & Bone, out September 18. Then they’ll take in back to the stage with a series of live dates that includes an October 18 appearance at The Horseshoe in Toronto. Stream one of the new songs below.

Stream: The Jon Spencer Blues Explosion – “Black Mold”

San Fransciso goth-gazers The Soft Moon will be at The Drake Underground on September 22, tickets $11.50 in advance.

MP3: The Soft Moon – “Tiny Spiders”
MP3: The Soft Moon – “Breathe The Fire”

Michael Gira’s Swans will make an appearance at Lee’s Palace on October 25 in support of their new double-record We Rose From Your Bed With The Sun In Our Head, tickets for that $26.50 in advance.

MP3: Swans – “Sex God Sex”

Matt & Kim are preparing for the Fall release of their new record Let’s Go with a video for the title track.

Video: Matt & Kim – “Let’s Go”

Boulder Weekly has a tete-a-tete with Jeff Tweedy of Wilco while The Daily Herald and Missoulian chat with Nels Cline.

Interview talks to Munaf Rayani of Explosions In The Sky.

Spinner documents a typical day in the life of The Flaming Lips, assuming that playing a free show in downtown Toronto as part of NXNE counts as typical for these guys. Maybe it does. You don’t know.

Okay, gotta go. San Francisco beckons.

Frank YangWhen we left off yesterday, I was biking furiously across town to get from The Rivoli to The Phoenix for Archers Of Loaf. So why not roll this show into the festival coverage? Well, although some wristbands were granted admission and the premiere of the What Did You Expect? live Archers doc was one of the big gets of the NXNE film festival, this show wasn’t technically part of the festival and I am, if nothing else, a stickler for these sorts of things. And having waited this long for the show, delaying it just that much longer seemed appropriate.

Since the Archers reunited in early 2011 and were willing to make it a long-term thing, I’ve been waiting for a local date – a wait exacerbated by the fact that real life commitments for most of the band kept touring restricted to weekends. Hell, Eric Bachmann brought Crooked Fingers through town twice in 2012 without an Archers sighting; certainly not a complaint as I love me some Crooked Fingers, but one couldn’t help wondering if we were being slighted. And of course we weren’t, it just took this long to get the proverbial ducks in a row, and on this night – the busiest night of music in the city in recent memory – it was happening.

And happening early, as it turned out. If they’d stuck to the posted set times there’d have been no problem but as I got into the venue, I could already hear the rumble of “Audiowhore” through the doors. Early? Who goes on early on a Saturday night? Well Archers did, clearly, though only just. The Vs The Greatest Of All Time selection was an unlikely opener, but it segued straight into arguably one of the best songs of the ’90s – “Harnessed In Slums” and we were off. A benefit of still being a sort of cult band was that most everyone in attendance was surely some degree of die hard fan and singles and deep cuts alike would be greeted with roaring enthusiasm, though obviously the likes of college rock classics as “Slums” and “Web In Front” got the mostly middle-aged crowd most rowdy.

After years of seeing Eric Bachmann fronting Crooked Fingers and only offering Archers material via stripped down, Finger-y arrangements, it was astonishing to see him cut loose in full rock fury; he’s a big guy who plays at a sort of gentle giant figure with Crooked Fingers but here, he came out swinging. Despite wanting to distance himself from his old band in the years that it was in mothballs and concentrate on what he was actively working on, it was obvious he was having a blast playing these songs the way they were meant to be played and with the guys he’d written them with. It was great to see, and his bandmates were still having a great time of it as well, even almost a year and a half into their second act. Matt Gentling in particular – who’d incidentally come through town in the Dignity & Shame incarnation of Crooked Fingers in 2005 – was a maniac onstage, striking poses while attacking his bass, contributing vocals, or just bantering with the crowd. Though I’m not sure what his “Sixteen Sixty Four” Maple Leafs-esque shirt was about…

The Archers were loud, tight, and relentless, inciting the audience to behaviour most probably hadn’t engaged in in oh, fifteen years or so, like moshing, stage diving, and crowd surfing though I have to question if it’s really crowd surfing if it’s just the same group of people carrying the guy around? Bachmann applauded the effort, anyways. And after the band closed out their encore with “Plumbline”, the audience did their best to coax them back out for a second encore – I’ve not seen a crowd so insistent that a show not end in forever – but alas, that would be it this time and possibly for all time.

The band have not made any commitment to carrying on after the final two albums in their reissue series – All The Nation’s Airports and White Trash Heroes – come out on August 7. It’s interesting that though their stature in the annals of ’90s indie rock is enormous, their influence is not so easily traced. Not many bands have managed to or even tried to replicate their particular balance of heavy and abstract yet visceral rock, so if they were to put out something new, it’d probably still sound singular and distinct. But that’s getting ahead of things – for now, I was just thankful that Archers were here, that they were great, and that Bachmann had deigned to play “Chumming The Ocean” in the encore of the last Crooked Fingers show since it wasn’t being heard on this night.

BlogTO, Radio Free Canuckistan, and NOW also have reviews of the show, while CBC Music, Beatroute, and Torontoist welcome the band back to Canada for the first time this century.

Photos: Archers Of Loaf @ The Phoenix – June 16, 2012
MP3: Archers Of Loaf – “Dead Red Eyes”
MP3: Archers Of Loaf – “What Did You Expect”
MP3: Archers Of Loaf – “Wrong”
MP3: Archers Of Loaf – “Harnessed In Slums”
Video: Archers Of Loaf – “Harnessed In Slums”
Video: Archers Of Loaf – “Underachievers March & Fight Song”
Video: Archers Of Loaf – “Wrong”
Video: Archers Of Loaf – “What Did You Expect”
Video: Archers Of Loaf – “Lowest Part Is Free!”
Video: Archers Of Loaf – “Might”
Video: Archers Of Loaf – “Web In Front”

Paste has video of a Crooked Fingers set from SXSW back in March.

Mission Of Burma have made a second MP3 from their forthcoming album Unsound, out July 10.

MP3: Mission Of Burma – “Second Television”

Spin talks to Greg Dulli about the Afghan Whigs which makes its only Canadian stop on October 3 at The Phoenix. Stereogum has also taken it on themselves to enumerate the bands 13 “most vicious” songs.

DIY talks to Tobin Sprout about the already so-prolific Guided By Voices reunion, which yields its third album Bears For Lunch around November.

Consequence Of Sound, Philly Burbs, and Metro talk to Doug Martsch of Built To Spill.

Sun Kil Moon has released a new video from Among The Leaves; Mark Kozelek plays these songs and more at The Great Hall on October 3. Boxing Scene also has an interview with the man about the pugilist themes of his songwriting.

Video: Sun Kil Moon – “Black Kite”

Wayne Coyne talks about the new Flaming Lips record to Paste and Rolling Stone. It’s due out later this year.

Paste checks in with Ira Elliot of Nada Surf.

Pitchfork talks to author Jesse Jarnow about his book Big Day Coming: Yo La Tengo and The Rise of Indie Rock, the new book about Yo La TengoYo La Tengo and the rise of indie rock.

Stereogum gets into a turntable.fm session with Ted Leo and talks tunes.

JAM and Beatroute get a moment of Craig Finn of The Hold Steady’s time for some questions.

Stereogum and The Los Angeles Times check in to see what Liz Phair is up to.

Paste has premiered a new video from Mates Of State; it’s a Guided By Voices cover taken from the Science Fair charity compilation coming out July 3.

Video: Mates Of State – “I Am A Scientist”

Interview has premiered the new video from Savoir Adore, whose new album Our Nature will be out this Fall.

Video: Savoir Adore – “Dreamers”

Bowerbirds have released another new video from The Clearing.

Video: Bowerbirds – “Sweet Moment”

Spin have premiered a new video from and Interview has a chat with Best Coast. They’re at The Phoenix on July 21.

Video: Best Coast – “The Only Place”

Consequence Of Sound talks to Munaf Rayani and Nashville Scene and Red And Black to Michael James of Explosions In The Sky.

Liz FlyntzIf we can regard Beach House literally as their namesake, which is to say as a holiday getaway, a reliably stolid place to escape from the real world, then the amount of adoration they’ve gotten for largely sticking to their skeletal formula through four albums now is understandable. Their fans don’t want them to reinvent themselves with each outing; they want that comforting blanket of Victoria Legrand’s narcoleptic vocals and whirring keyboard interwoven with Alex Scally’s languid slide guitar, and across their first two records – their 2006 self-titled debut and 2007’s Devotion – that’s almost exactly what they got, seasoned with some rudimentary percussion both electronic and organic.

The closest thing they’re ever likely to come to a revolution was with 2010’s Teen Dream, which managed to take a relatively huge leap forward with the production and songwriting, making interesting rhythms and pop hooks a front burner concern without compromising their core sound. A risk, perhaps, but one that paid off immensely in the form of their strongest and most critically and commercially successful work. So with that in mind, it’s not surprising that Bloom – out next Tuesday – opts to stay the course laid out by its predecessor. Surprises simply aren’t Beach House’s style.

Gorgeousness is, however. It took the aforementioned embrace of bigger sounds on Teen Dream to really make me appreciate Beach House – prior to that, I had to be in a very particular mood to listen to them for any period of time – and now they’re a band for all occasions. Having touring drummer Daniel Franz play on the whole of the record, a third member of the band even if he’s not formerly acknowledged as such, helps both ground and propel Bloom while Legrand and Scally do their thing in crafting the haunting textures and melodies that are the foundation of Beach House. And while we’re being literal about things, Bloom is an exceptionally appropriate name for this collection as there’s moments that simply burst outwards. To even suggest that the band be capable of this sort of dynamicism circa their debut would have seemed absurd, and yet just six years later, here we are – and without compromising their identity, no less.

It’s too early to say if Bloom is better than Teen Dream, but by the quantitative measure of how many times I’ve felt compelled to listen to it, it’s already well ahead. At worst, it’s as good as its predecessor and at best, its even better. In either case, it’s hard to imagine liking one and not the other and regardless of where you rank it relative to Beach House’s earlier output, despite really just being more of the same – or perhaps because of it – it’s excellent.

NPR has an advance stream of the new record and DIY, The Line Of Best Fit, The Orlando Sentinel, and Pitchfork have interviews with the band.

MP3: Beach House – “Myth”
Stream: Beach House / Bloom

Also streaming at NPR but two weeks ahead of release are The Only Place, the second album from Best Coast, and Passage, the debut from Exitmusic. Best Coast are at The Phoenix on July 21 and Exitmusic have a NXNE showcase at Wrongbar on June 14.

Stream: Best Coast / The Only Place
Stream: Exitmusic / Passage

S. Carey’s new EP Hoyas came out this week – stream it at Stereogum and read interviews with Sean Carey about the record at The Leader Telegram and Volume One.

MP3: S. Carey – “Two Angles”
Stream: S. Carey / Hoyas

In concert announcements, Joe Pernice will stretch his legs and take a mosey to The Dakota Tavern on June 22, maybe play some songs.

MP3: Pernice Brothers – “Somerville”

Having sold out Lee’s Palace their last time through, Youth Lagoon will be at The Opera House on July 12 with Father John Misty, who still has to get through Monday night’s show at the Horseshoe before he can make a return engagement. Tickets are $15.50 in advance.

MP3: Youth Lagoon – “July”
MP3: Father John Misty – “Nancy From Now On”

If part of Liars’ to-do list in preparation for the June 5 release of WIXIW was slate a North American tour, they can cross it off – they’ll be at Lee’s Palace on July 21, tickets $15. They can also check off releasing the first video from the new album.

MP3: Liars – “Scissor”
Video: Liars – “No. 1 Against The Rush”

Twin Shadow is also hitting the road in support of a new record – with Confess due out July 9, George Lewis Jr will be at Lee’s Palace on July 30 and 31, tickets $20.

MP3: Twin Shadow – “Five Seconds”
MP3: Twin Shadow – “Slow”

Merge has released a companion album to Crooked Fingers’ 2011 album Breaks In The Armor comprised of acoustic demos of the album. It’s out now and you can stream one of the tracks at Donewaiting.

Stream: Crooked Fingers – “Bad Blood” (acoustic)

Exclaim reports that some of The Mountain Goats’ early cassette releases from the early ’90s – The Hound Chronicles and Hot Garden Stomp, specifically – will be released on a single CD on June 26.

Fang Island have announced that their second album Major will be out on July 12; details at Spin.

Pop Etc have released a video from their self-titled debut, out June 12.

Video: Pop Etc – “Live It Up”

Explosions In The Sky have released a second video from last year’s Take Care, Take Care, Take Care.

Video: Explosions In The Sky – “Postcard From 1952”

America Give Up has yielded another video from Minneapolis’ Howler.

Video: Howler – “This One’s Different”

Rolling Stone has premiered a new video from Mates Of State, off of last year’s Mountaintops.

Video: Mates Of State – “Unless I’m Led”

The Magnetic Fields have released a second video from Love At The Bottom Of The Sea.

Video: The Magnetic Fields – “Quick!”

Interview talks to Molly Hamilton of Widowspeak, in town at The Garrison on June 15 for NXNE.

The Line Of Best Fit has a video session with Of Montreal, in town for NXNE on June 16 at Yonge-Dundas Square.

Artrocker and Drowned In Sound talk to A Place To Bury Strangers about their forthcoming album Worship, out June 26.

Red Eye and The Detroit Free Press talk to Andrew Bird, in town at Echo Beach on July 19.

Sharon Van Etten plays a video session for WBEZ; she’s at The Phoenix on July 31.

Pitchfork talks to Merrill Garbus and the director of the recent tUnE-yArDs video for “My Country”. She plays The Phoenix on August 1.

SF Weekly chats with John Vanderslice.

Reverb interviews Kurt Wagner of Lambchop.

NPR is streaming a KCRW radio session with M. Ward.

The Line Of Best Fit talks to Savoir Adore.

Ra Ra Riot talks to Spin about what they’ve got planned for album number three and to Grantland about their appreciation for hockey.

NPR has a WFUV session with Shearwater.

Spin gets a progress report on the next Dinosaur Jr album, due out later this Summer.

Greg Dulli takes The Skinny on a guided tour of The Afghan Whigs’ catalog.

Spin talks to Bob Mould about the 20th anniversary of Sugar’s Copper Blue and the single, “If I Can’t Change Your Mind” in particular. Slicing Up Eyeballs reports that two of Mould’s ’90s albums – Bob Mould and The Last Dog & Pony Show – will be getting released as a three-disc set in the UK on June 18 with the third disc consisting of a live 1998 show.

The Atlantic reflects on the significance of Wilco’s Yankee Hotel Foxtrot on the occasion of its tenth anniversary.

The AV Club has posted the fourth part of their look at the history of R.E.M..