Frank YangFriday nights usually find Torontonians spoilt for entertainment options and tonight will be no exception, but if you’re at all unsure of what to do with your evening then consider heading down to Lee’s Palace. It’s hosting a benefit concert for three young Oakville boys whom, following a tragic series of events, were orphaned in January of this year and in addition to all the emotional devastation, were left in a dire financial situation.

Their uncle, however, was a founding member of The Hidden Cameras and has deep connections to the Guelph and Toronto music communities and has organized a benefit show at Lee’s that will feature performances from some of the best this city has to offer, including Owen Pallett, Basia Bulat, Sandro Perri, Bry Webb, Jim Guthrie, Nathan Lawr, Andre Ethier, Ohbijou’s Casey Mecija and Light Fires.

Tickets for the show are $15 in advance and at the door, and proceeds will go to both a trust fund for the boys and Halton Women’s Place. Specifics can be found at the Facebook event and there are feature pieces on the benefit at The Grid and CBC Music. And if you can’t make it and still want to help out, donations can be made at Newman Boys Trust Fund. There’s not really any more worthy cause than this.

MP3: Owen Pallett – “A Man With No Ankles”
MP3: Basia Bulat – “Gold Rush”
MP3: Bry Webb – “Rivers Of Gold”

Saturday is Record Store Day and, while you’ve already been briefed on the day-long in-store festival at the Annex location of Sonic Boom, but that’s not the only place you can enjoy some live music on whilst getting your shopping on – Soundscapes will be hosting Toronto’s next great power-pop hopes The Elwins at 7PM. They’ll surely have copies of their debut And I Thank You for sale – they just debuted a new video from it – but in the spirit of the occasion they’ll also have a limited-edition handmade CD containing a new remix and their cover of Beyonce’s “Countdown”, which will also be available to download free via their Bandcamp.

Video: The Elwins – “Are You Flying With A Different Bird?”

While on the topic of Record Store Day, one of the more sought-after releases is sure to be the Feistadon release – that’s Feist/Mastadon covering each other on either side of a split-7″ – and if you’re not lucky enough to get your hands on one you can at least hear it via stream.

Stream: Feist – “Black Tongue” (Mastadon cover)
Stream: Mastadon – “A Commotion”

The split-7″ between Toronto’s METZ and Fresh Snow is probably one of the more limited releases out there tomorrow – it’s only available at Sonic Boom. METZ contribute a cover of Sparklehorse’s “Pig” and Fresh Snow’s new track continues to establish them as one of the city’s new bands to watch, building on a rock-steady Krautrock foundation with horns and pretty, interesting things. They’re playing a Sonic Boom in-store tomorrow at 6 and are at The Boat on May 9. Both sides of the release are up for stream.

Stream: METZ – “Pig” (Sparklehorse cover)
Stream: Fresh Snow – “BMX-Based Tactics”

And oh, if you’re planning on spending oodles of money on vinyl and are going to listen to them on a turntable you bought at Urban Outfitters… read this New York Times piece on turntables and set a little money aside to save up for a Rega. You’re welcome. There’s also chats with some of Toronto’s record stores about RSD at Plaid and across the pond, The Stool Pigeon has an interview with Martin Mills, head of the Beggars group of independent labels (Matador/4AD/XL) about the annual event.

NOW and Post City talk to Plants & Animals, who are at Sonic Boom tomorrow afternoon before their show at Lee’s Palace that night, and then will be at NXNE in June and are allegedly going to on the bill with Sam Roberts at Echo Beach on July 26. All of which is to say that if you are a Plants & Animals fan, you have no excuse whatsoever for not seeing them play. Unless you’re just lazy. Can’t argue with that.

The Chronicle-Herald talks to Rose Cousins, in town at The Rivoli on May 3.

Exclaim and Spinner chat with Patrick Watson while aux.tv points to a mini-documentary on the making of his latest album Adventures In Your Own Backyard. He plays The Music Hall on May 29.

Spinner collects some more details on the new Metric album Synthetica, due June 12.

Dan Mangan is the subject of a just-released short documentary film. He plays a free show at Pecault Square on the afternoon of June 16 for LuminaTO.

Video: In The Car With Dan Mangan

Hidden Cameras fans wondering why the band’s recently-announced itinerary of eastern Canada dates didn’t include a hometown show in Toronto now have their answer – the band will be playing a free show at Harbourfront Centre on Canada Day, July 1. I remember seeing them on that same stage for the Indie Unlimited festival back in August 2006. And now I feel terribly old.

MP3: The Hidden Cameras = “In The NA”
MP3: The Hidden Cameras – “Walk On”

The big fest announcement hereabouts this week was NXNE, but Guelph’s Hillside Festival also let the world know who would be gathering on the shores of Guelph Lake from July 27 to 29 – Bry Webb, Cold Specks, Kathleen Edwards, Great Lake Swimmers, Memoryhouse, Chad VanGaalen and more.

NPR is streaming a World Cafe session with Grimes and The List has an interview.

Katie SadieSo yeah, Canadian Musicfest kind of screwed me over this year. For the past however many years, we’ve had a good arrangement: Canadian Music Week, as it was once know, runs the week before SXSW and allows me to a) get into some semblance of game shape for a club-hopping festival, b) check out some bands that I might otherwise have to find time to see in Austin, and c) allow me to build up a backlog of content to allow me to keep posting while I’m experiencing taco country. Everybody wins. But for this year, for some inexplicable reason, CMW/CMF decided to move to the week AFTER SXSW, not only invalidating all of the above points but also making next week doubly busy as I try to plough through gigs of SXSW content and still hit the clubs for CMF. And oh yeah, go back to work.

All of which would be more acceptable if the schedule shift had been to accomodate some impressive talent in the festival lineup; I don’t think I’m creating any scandals by saying that that is not so much the case. Compared to past years, there’s seems to be a real dearth of either breakout or on-the-cusp acts, be they local or international – or maybe I’m just not up on what the kids are into these days. They still like the I Mother Earth? Really? Anyways, none of this is to say there’s nothing worth seeing next week – not at all – it just might take a little more research to fill out one’s schedule. I’ve done some of that research. Let me share some of it with you.

Army Girls – It’s a bit cruel that the only showcase I could theoretically make for this duo – my pick for the best up-and-coming act in Toronto – is at the most remote venue in the city and appears to be scheduled so that the set’s no longer than 20 minutes, but even so I will bet that it’d be worth the trek. Amazingly hooky guitar pop with the right amount of abrasiveness.

Thursday, March 22, 10:30PM @ Parts & Labour
Friday, March 23, 2:00PM @ The Toronto Institute For The Enjoyment Of Music

Stream: Army Girls / Close To The Bone

Lake Forest – you might think that a solo project from The Wilderness Of Manitoba’s Will Whitwham a touch redundant since he sings lead and writes most of the WOM material, but his debut album Silver Skies stands apart enough to justify itself while offering plenty to appeal to fans of his band.

Thursday, March 22, 1:00AM @ The Cameron House

MP3: Lake Forest – “Autumn Skies”

Benjamin Francis Leftwich – Singer-songwriter whose debut Last Smoke Before the Snowstorm has made him something of a rising star in his native England; nothing wrong with taking the opportunity to see him in an intimate setting in case he catches on similarly over here.

Thursday, March 22, 11:00PM @ The Cameron House
Friday, March 23, 9:10PM @ Supermarket

MP3: Benjamin Francis Leftwich – “Ticket To Ride” (Beatles cover)
Video: Benjamin Francis Leftwich – “Pictures”

Neufvoin – solidly anthemic guitar rock from hailing from the fjords of Norway wilds of Finland. They’re still young – a debut album is supposed to be out this Spring – but they already sound sophisticated and assured. Was originally just looking for something to fill a time slot but now I quite want to see these guys.

Thursday, March 22, 12:30AM @ El Mocambo (upstairs)
Friday, March 23, 9:00PM @ Rancho Relaxo

MP3: Neufvoin – “Drunken Captain”
MP3: Neufvoin – “Polar Song”
MP3: Neufvoin – “Villasukka”
Video: Neufvoin – “Polar Song”

Fred – I’m pretty sure I’ve seen these Cork (Ireland) natives on the lineups for past CMWs and NXNEs both, so they’re no strangers to our city. But if they’re still strangers to you, and you like big, friendly pop-rock of the sort that fills their new record Leaving My Empire, then you ought to get acquainted.

Thursday, March 22, 11:00PM @ The Rivoli

MP3: Fred – “Eleven”
Video: Fred – “Eleven”

Husky – recent signees to SubPop who fit the label’s rustic/bearded division perfectly, despite hailing from Australia rather than the Pacific Northwest. Their debut Forever So is out July 10; get on board now.

Saturday, March 24, 2:45PM @ The El Mocambo
Saturday, March 24, 9:00PM @ The Garrison
Sunday, March 25, 9:00PM @ The Velvet Underground

MP3: Husky – “The Woods”
Video: Husky – “The Woods”

Louise Burns – Vancouver artist whose debut Mellow Drama made my shortlist for the 2010 Polaris Prize; I wasn’t surprised she didn’t make the shortlist but I wouldn’t have been surprised if she had. For some reason, she’s got no official showcase – just this day show. So if you’re free, take advantage of the opportunity. Update: An official showcase has been added.

Wednesday, March 21, 10:00PM @ The Drake Underground
Thursday, March 22, 4:00PM @ The Toronto Institute For The Enjoyment Of Music

MP3: Louise Burns – “What Do You Wanna Do?”
MP3: Louise Burns – “Drop Names Not Bombs”

And this isn’t all I’d recommend at all, but I need to save some stuff for my actual festival coverage, yeah? Yeah. And the full, three-day sched for those Toronto Institute For The Enjoyment Of Music afternoon shows is over here

BlogTO gets to know The Elwins, whom they declare one of the city’s breakout bands for this year. I don’t disagree. Their next show is March 25 at Rancho Relaxo as part of the Canadian Musicfest grace note and if you ever wanted to see the band, along with Luke Lalonde of Born Ruffians cover Beyonce – this is your lucky day. There’s also an interview at Exclaim where they talk about how they personalised their tour down to SXSW for each tour stop.

Video: The Elwins with Luke Lalonde – “Countdown”

Exclaim and The Georgia Straight talk to Memoryhouse; they play a record release show for The Slideshow Effect at The El Mocambo on April 13.

Forest City Lovers have made a date at The Great Hall on April 19. Tickets $12 in advance.

MP3: Forest City Lovers – “Light You Up”

American Songwriter is hosting the second instalment of The Wooden Sky’s “Grace On A Hill” video session series. The band is at The Opera House on April 20.

Billboard talks to Patrick Watson about his new record Adventures In Your Own Backyard, out April 30. He’s at The Music Hall on May 29.

Congratulations to the newly pregnant Coeur de Pirate, who has just released a new video from Blonde.

Video: Coeur de Pirate – “Golden Baby”

Beatrice Martin is also featured in a fashion spread for Brixton. Which in and of itself wouldn’t necessarily be noteworthy, but it also allows me to point at this fashion shoot for The Bay featuring some familiar local musician faces belonging to Diamond Rings and Fucked Up, amongst others. Sassy!

Clash and State profile Grimes. She plays The Horseshoe March 19.

Macleans looks at the ongoing trend of ’90s Can-rock bands hopping on the reunion bandwagon, including The Inbreds and Treble Charger, both of whom are getting high billing at Canadian Musicfest next week.

The Grid salutes Exclaim on the occasion of their 20th anniversary. I am doing the same. Exclaim, I salute you!

Vanessa HeinsIt’s gotten to the point where the Tuesday before an album is officially released is as much a day to look forward to as the day an album is actually released. That’s because it’s standard practice these days to make any record anyone might care to buy available to stream at least a week before its official street date – it theoretically helps offset downloads of leaks, gets the promo cycle revved up, all of that sort of thing. It’s a trend I’m fully in favour of.

And based on this, it would seem that there’s a lot of anticipated Can-con coming out next week, starting with The Slideshow Effect from Guelph-via-Toronto duo Memoryhouse. It may be just their first album, but it already sees them trying to expand their sound beyond the slow-motion dreampop that got them attention in the first place without diluting that appeal. Does it work? Let’s find out. The Quietus has a song-by-song annotation of the record from the band and 77 Square and DIY have interviews.

MP3: Memoryhouse – “Walk With Me”
MP3: Memoryhouse – “The Kids Were Wrong”
Stream: Memoryhouse / The Slideshow Effect

Further over in the electronic spectrum is another Toronto-born debut; TRST, the first record from Trust – it should hold much appeal for goths who still like to get their dance on. They have a record release show at Wrongbar on March 3. The Grid has an interview.

Video: Trust – “Bulbform”
Video: Trust – “Candy Walls”
Stream: Trust / TRST

The new Wooden Sky album Every Child a Daughter, Every Moon a Sun is also much anticipated by fans of the rootsier side of things, and it’s now up to stream at Paste. They play The Opera House on April 20.

MP3: The Wooden Sky – “Malibu Rum”
MP3: The Wooden Sky – “Child Of The Valley”
MP3: The Wooden Sky – “Angelina”
Stream: The Wooden Sky / Every Child a Daughter, Every Moon a Sun

And if you needed more evidence that Paste loves them some Canadian acts, they’ve also got the new Plants & Animals record The End Of That available to hear. They play Lee’s Palace on April 21.

MP3: Plants & Animals – “Song For Love”
MP3: Plants & Animals – “Lightshow”
Stream: Plants & Animals / The End Of That

You don’t have to wait until next week to get a hold of PS I Love You’s collection of Meet Me At The Muster Station radio session tracks – the Kingston duo are giving The Muster Sessions away via Facebook in exchange for an email address, and is streaming over at Exclaim if you’re the sort who wants to know what they’re getting for their email address before they hand it over. Their official second album Death Dreams is out May 8 and they’re at Lee’s Palace on March 23 for Canadian Musicfest.

Stream: PS I Love You / The Muster Sessions

Patrick Watson will bring their new record Adventures In Your Own Backyard to The Music Hall on May 29, tickets $29.50 and $24.50 in advance. The album is out April 30 and I’ve noticed in the SXSW schedule, they’re listed as “Patrick Watson & The Wooden Arms” – are they done with pretending “Patrick Watson” refers to the band and not just the man?

MP3: Patrick Watson – “Into Giants”

CBC Radio 3 chats with The Elwins, whose debut And We Thank You is officially out now. They have a release party for it at the Burroghes Building this Friday, February 24, and are also Rancho Relaxo on March 25 for Canadian Musicfest.

Nick Thorburn tells Exclaim that if you think the new Islands record is dark, you haven’t seen anything yet. They’re at The Music Gallery on February 28.

Billboard, Blurt, The Montreal Gazette, The Ottawa Citizen, and The Edmonton Journal have feature pieces on Grimes. She’s at The Horseshoe on March 19.

Exclaim reports that the next Black Mountain record will come in the form of a soundtrack for the surfer film Year Zero; it will be out on April 3 and the first track is available to download.

MP3: Black Mountain – “Mary Lou”

The Toronto Standard has a video session with Army Girls. Still waiting on the where and when of their Canadian Musicfest gig; it will be a highlight of the fest, guaranteed.

Jenn Grant gives CBC Radio 3 a look into her songwriting process.

Daytrotter has posted a session with Kathleen Edwards.

Watch this Evening Hymns performance from Belgium wherein they perform “Dead Deer” with a big-ass band. Majestic. Still waiting on Spectral Dusk details. And waiting.

Video: Evening Hymns – “Dead Deer” (live at Transmusicales de Rennes)

Syncopated Sound talks to Damian Abraham of Fucked Up.

The Old Ideas With New Friends Leonard Cohen cover series continues, with Exclaim hosting a clip of Nicole Atkins doing “Bird On A Wire” and Matablog offering up AC Newman covering “Hey That’s No Way To Say Goodbye”.

Raphaël OulletWho would have thought that the title of Canada’s queen of electro-pop would be such a contested one? Just last year, Toronto’s Katie Stelmanis-fronted Austra seemed to have the title locked down, having collected numerous accolades both at home and abroad for their debut album Feel It Break. And yet just a few months later, it’s Vancouver native and Montreal resident Claire Boucher who operates as Grimes that everyone is talking about, what with her new record Visions set for release next week.

Not that it’s a competition, of course, and beyond the superficial there’s not that much in common; Visions is Grimes’ fourth album (but her first for indie juggernaut label 4AD) so if it is indeed her breakout album – and the just-awarded “Best New Music” won’t hurt – it’s been a long time in coming. And her sunnier sound, defined by Boucher’s affection for both dream-pop and R&B and her infectious chirp of a voice, is rather a far cry from Austra’s darker, goth-indebted aesthetic and Stelmanis’ operatic vocals. So why draw parallels? Lazy writing, of course, and the fact that it’s nice to have someone at the ready to pick up the Canadian electronic flag and run with it while Austra lays low and recovers from a whirlwind year.

The Georgia Straight, The Washington Post, The Province, Exclaim, Pitchfork, Prefix, The Guardian, The National Post, and SF Station all have feature pieces on Grimes and NPR has Visions available to stream in its entirety. Grimes is at The Horseshoe on March 19 and you’re damn skippy it’s sold out.

MP3: Grimes – “Oblivion”
MP3: Grimes – “Genesis”
Stream: Grimes / Visions

It’s not a total dearth of Austra happenings, though – their recent jaunt to Australia has yielded this video of a radio session wherein they cover Robyn.

Video: Austra – “None Of Dem”

Southern Souls has an interview with The Elwins, who are celebrating the release of their debut And We Thank You this coming Tuesday with a new video premiered at aux.tv and an album stream at Exclaim. They play a record release show at the Burroghes Building on February 24 and will also look to chase your CMW hangover away with a set at Rancho Relaxo on March 25 at 11PM.

MP3: The Elwins – “Stuck In The Middle”
Video: The Elwins – “Stuck In The Middle”
Stream: The Elwins / And We Thank You

Contra gets to know Army Girls. Their next show is March 10 at the Bovine Sex Club opening up for Carole Pope and they’re waiting to be scheduled in for Canadian Musicfest at the end of the month.

Cold Specks has announced details of her debut album, to be called I Predict a Graceful Expulsion and due out on May 22 on Arts & Crafts at home and Mute worldwide. A video for the first single has just been released and she will be at The Music Gallery on March 22 as part of Canadian Musicfest – a much better setting for her than The Phoenix, I’d say. This show is in addition to the already-announced June 2 appearance at The Music Hall opening for Great Lake Swimmers.

Video: Cold Specks – “Holland”

John K Samson talks to Exclaim about what’s in store for the next Weakerthans album, which he’ll get started on when he’s done being a solo act. Samson does the solo thing at The Great Hall on March 22.

Beat and Nine To Five help introduce Dan Mangan to Australia. He plays The Indie Awards at The Royal York on March 24.

Spencer Krug’s Moonface has announced the April 17 release of With Sinai: Heartbreaking Bravery, a collaboration with the Finnish band Sinai. The first MP3 sounds like this.

MP3: Moonface – “Teary Eyes And Bloody Lips”

The new Miracle Fortress video from Was I The Wave? has premiered at IFC; a must-see for anyone who’s ever wanted to set Graham Van Pelt on fire.

Video: Miracle Fortress – “Raw Spectacle”

Bry Webb gets into the end of the Constantines with Spinner.

Southern Souls chit-chats with Olenka Krakus of Olenka & The Autumn Lovers.

NPR has posted a World Cafe session with Kathleen Edwards.

It’s not the specifics of the new album Spectral Dusk that I’ve been patiently waiting for, but this unexpected Evening Hymns cover of a Trembling Blue Stars tune is pretty nice as well. Spectral Dusk is due out sometime in the Spring.

Stream: Evening Hymns – “If I Handle You With Care”

Torotonist, The AV Club, and NOW (in two parts) salute Toronto music showcase Wavelength on the occasion of its twelfth anniversary; the party goes all weekend.

Frank YangThough his punk credentials are beyond reproach thans to his tenure in Propagandhi, John K. Samson has always cut a bit of a curious figure in front of The Weakerthans. While his bandmates are more than willing and able to play the part of rockers in turning out muscular guitar riffs and solos, Samson by comparison has always been a bit slight of stature, reedy of voice, sheepish of grin; the thoughtful and verbose folksinger who somehow ended up fronting a rock band. I don’t know if the contrast between he and his mates has especially struck anyone else, but it’s always been one of those things I’ve noticed – particularly live – and been one of the key facets to The Weakerthans’ collective charms.

So the idea of Samson taking a solo sidebar, as he does for the first time on the just-released Provincial, is an interesting one. His songwriting style – photographically-detailed and emotionally evocative vignettes of everyday life in distinctly Canadian settings – is a well-established and well-loved one by this point, but what it would sound like without the extra sonic heft that the rest of The Weakerthans could be counted on to bring to the table? Not too different, as it turns out. Although it still has a lot of range amidst its dozen compositions and “Longitudinal Centre” comes wrapped in some nasty fuzztone, Provincial doesn’t get as punchy as a proper Weakerthans record might. It lays back some and moves at a more casual pace that feels different, but also entirely natural; it might be heretical to say, but Samson solo seems to suit Samson better than Samson as bandleader does. This is in no way a wish for the end of The Weakerthans, but if Samson wants to be himself for a little while longer, it’s alright with me.

It was Samson himself and alone who was marking the release day for Provincial with an acoustic in-store performance at Soundscapes last night, following up a reading from his also just-released Lyrics and Poems: 1997-2012 at Type the night before. It wasn’t a long set, as the clock ticked, but Samson still managed to showcase half his new record and reaffirm himself as a special kind of performer whose show you can go into knowing exactly what you’re going to get, get exactly that, and still somehow find yourself marvelling at how it was still somehow better than you expected. I’d listened to “Heart Of The Continent” and “The Last And” through the album quite a lot in the past month or so, and yet hearing it straight from his mouth still revealed unknown details. The album might be called Provincial but there’s no question that Samson is a national treasure.

There’s features on Samson and Provincial at Uptown, The Winnipeg Free Press, and Spinner while Exclaim and CBC talk to him about his lyrics book. Mechanical Forest Sound is sharing a recording of one of the songs from the in-store. Samson returns with a full band for a show at the Great Hall on March 22.

Photos: John K. Samson @ Soundscapes – January 24, 2012
Stream: John K. Samson – “Letter In Icelandic From The Ninette San”
Stream: John K Samson – “When I Write My Master’s Thesis”

Ohbijou are helping The Drake Hotel mark its eighth anniversary by playing a special, intimate show at The Underground on February 8 – tickets for the super-intimate show are $20 in advance.

MP3: Ohbijou – “Anser”

The Elwins will celebrate the February 21 self-release of their debut full-length And We Thank You with a release show on February 24 at The Burroghes Building at Queen and Bathurst (no, not the new CB2 – beside it), with support from The Meligrove Band and The Bicycles. Tickets $8 in advance.

MP3: The Elwins – “Stuck In The Middle”
MP3: The Meligrove Band – “Halflight”

And down the street the same night, Hooded Fang will be at The Great Hall; if you think that’s a bit of an ambitiously-sized room for them to try and fill, note that they’re bringing a lot of friends and only charging $10 in advance.

MP3: Hooded Fang – “ESP”
MP3: Hooded Fang – “Den Of Love”

Treble Charger aren’t the only band from my college years getting back together for Canadian Musicfest; The Inbreds are digging their bass and drums out of the attic for a reunion show at Lee’s Palace on March 24.

Video: The Inbreds – “Any Sense Of Time”

Montreal’s Plants & Animals will follow up the February 28 release of The End Of That with an immense Spring tour; the April 21 show at Lee’s Palace will be the end of that. Tickets are $15 in advance and oh, there’s a cover they did of a Wolf Parade tune that’s making the rounds, have a boo.

MP3: Plants & Animals – “Lightshow”
Video: Plants & Animals – “I’ll Believe In Anything”

Clearly, it was all the saxophone on Kaputt that did it; Destroyer is coming back to town for a show at The Opera House on June 23 as part of The Toronto Jazz Festival – tickets are $22.50 in advance.

MP3: Destroyer – “Chinatown”

Exclaim has some details on a show at The Horseshoe on February 4 as part of Junofest 2012. I’m not really sure what it is but it involves people who play in bands like Sloan, Fucked Up and Broken Social Scene doing stuff together. I dunno, read the piece and you tell me.

Kathleen Edwards continues to rack up the press clippings with Voyageur – there’s pieces on her at Paste, aux.tv, The Grid, NPR, eMusic, and The Globe & Mail. With this kind of momentum, her February 11 show at The Phoenix will be sold out right soon.

The Balconies have released a video for the title track of their Kill Count EP, which will get a physical release on February 28.

Video: The Balconies – “Kill Count”

Islands are streaming another new track from A Sleep & A Forgetting. It’s out February 14 and they’re at The Music Gallery on February 28.

Stream: Islands – “Hallways”

The Boston Globe has a feature piece on The Darcys, whose cover album of Steely Dan’s Aja is, like their self-titled debut, available to download for free from their website – or stream if you don’t want to commit – and to buy on LP. Consequence Of Sound has also premiered an alternate version of “Josie” for your listening pleasure. They’re at The Phoenix on March 1 opening for Bombay Bicycle Club and are also part of Edgefest at Downsview Park on July 12.

MP3: The Darcys – “Josie”
MP3: The Darcys – “Josie (Vol 2)”
Stream: The Darcys / Aja

CBC Radio 3 talks writing method with Dan Mangan. He’s at The Royal York on March 24 as part of the CMW Indie Awards.

Paste has premiered the first video from Great Lake Swimmers’ new album New Wild Everywhere. It’s out April 3 and they’re at The Music Hall June 2.

Video: Great Lake Swimmers – “Easy Come Easy Go”

The Line Of Best Fit has a feature interview with Bruce Peninsula, and also premiere a new video from Open Flames and are offering a mixtape of all the artists who’ve been part of the band.

Video: Bruce Peninsula – “In Your Light”

Xtra and Calgary Herald talk to Mark Hamilton of Woodpigeon on the occasion of the release of their new EP For Paolo.

Mike Haliechuk of Fucked Up talks to Eater about eating.

The Guardian talks to Leonard Cohen and Drowned In Sound reports on a tete-a-tete between he and Jarvis Cocker about his new record Old Ideas, out next Tuesday and streaming in whole now at NPR.

Stream: Leonard Cohen / Old Ideas

Neil Young in the news – MTV reports that he still hates digital music but likes Mumford & Sons, while Rolling Stone reveals that he’s been working on a new album with Crazy Horse.

If you enjoyed last year’s video session collaboration between Southern Souls and Paper Bag Records, you’ll be pleased to know that the recordings have been collected into a compilation entitled Paper Bag Sessions and it’s available to download and keep for free.

And because that’s what the CBC is for, CBC Radio 3 has compiled a list of all the notable Canadian releases due out in the first half of 2012.