Warner Bros.Or at least we are the first batch of acts officially announced on Tuesday for this year’s NXNE festival, running June 16 through 19 around Toronto. It’s certainly not all of them, but there’s some moderate to big names in there and perhaps most key, the headliners for the free shows at Yonge-Dundas Square that have become the centrepiece of the fest have been revealed.

While there’s no one quite of the stature of last year’s Saturday night marquee of Iggy & The Stooges, New Wave legends Devo have certainly got the pedigree to act as a worthy centrepiece for this year’s event. They and their energy domes and jumpsuits will be headlining the YDS Stage on the Saturday night, closing off what will likely be a full day’s slate of acts. They were here in Fall 2009 offering full-album performances of Q: Are We Not Men and Freedom Of Choice, but have since released their first new album in forever with last year’s Something For Everybody. Which, I’m sure, the masses will want to hear lots of material from at this show. Mm hmm.

And while there’s enough tapped for the free stage that you could have a fine weekend just camped out in front of the Eaton Centre, NXNE is still a club-level fest and there’ll be hundreds more artists from near and far vying for your attention. The schedule won’t be out for a while yet but I’ve managed to cobble together a very early list of who will be playing where and when – obviously all subject to change – and while some of this was previously announced, a lot of it is new:

Thursday, June 16, 2011
The Descendents, OFF!, Rusty, Metz @ Yonge-Dundas Square
Evan Dando & Juliana Hatfield, The Luyas @ Lee’s Palace
Snowblink, Forest City Lovers, Evening Hymns @ The Music Gallery
The Dodos, Deerhoof, Gauntlet Hair @ The Phoenix
Ty Segall, The Dig @ The Garrison
Woodsman @ The El Mocambo

Friday, June 17, 2011
Stars, Land Of Talk, Diamond Rings @ Yonge-Dundas Square
Suuns, No Joy, PS I Love You @ The Horseshoe
Bouncing Souls, Anti-Flag, The Flatliners @ The Phoenix
Art Brut @ The Mod Club
Braids @ The Garrison
Dum Dum Girls, Cults, Superhumanoids, Writer @ Lee’s Palace
Ty Segall, Julianna Barwick, Daniel Pujol, Secret Cities @ Wrongbar

Saturday, June 18, 2011
Devo, Men Without Hats, Cults, Writer @ Yonge-Dundas Square
Twin Shadow, Wild Nothing @ Lee’s Palace
Foster The People @ The Mod Club
Hot Water Music, A Wilhelm Scream, Mockingbird Wish Me Luck, Sharks @ The Opera House
Talk Normal, Prince Rama, AIDS Wolf, Grimes, Doldrums @ 918 Bathurst
Chad Van Gaalen, Braids, Jennifer Castle, Duzheknew, Grimes @ The Great Hall
The Balconies @ Sneaky Dee’s

Sunday, June 19, 2011
Wild Nothing @ The Garrison
The Pharcyde, Digable Planets @ Yonge-Dundas Square

And some of the acts who don’t have any more specific information available besides “they’ll be there” are Crocodiles and Lower Dens. Yeah, I think I can find enough to occupy myself for four evenings or so.

MP3: Art Brut – “Lost Weekend”
MP3: Julianna Barwick – “The Magic Place”
MP3: Braids – “Lemonade”
MP3: Jennifer Castle – “Neverride”
MP3: Cults – “Go Outside”
MP3: Deerhoof – “The Merry Barracks”
MP3: Diamond Rings – “Something Else”
MP3: The Dodos – “Don’t Stop”
MP3: Evening Hymns – “Broken Rifle”
MP3: Forest City Lovers – “Light You Up”
MP3: Foster The People – “Pumped Up Kicks”
MP3: Grimes – “Vanessa”
MP3: Land Of Talk – “Quarry Hymns”
MP3: The Luyas – “Tiny Head”
MP3: No Joy – “Hawaii”
MP3: OFF! – “I Don’t Belong”
MP3: Prince Rama – “Lightening Fossil”
MP3: PS I Love You (featuring Diamond Rings) – “Leftovers”
MP3: Ty Segall – “Girlfriend”
MP3: Snowblink – “Ambergris”
MP3: Stars – “We Don’t Want Your Body”
MP3: Suuns – “Up Past The Nursery”
MP3: Talk Normal – “In A Strangeland”
MP3: Chad Van Gaalen – “Sara”
MP3: Twin Shadow – “Castles In The Snow”
MP3: Woodsman – “Insects”
Video: Devo – “What We Do”
Video: The Descendents – “I’m The One”
Video: Digable Planets – “Rebirth Of Slick”
Video: Men Without Hats – “Safety Dance”
Video: The Pharcyde – “Drop”

If you prefer your festivals a little more rustically-set, Exclaim has the lineup announcement for this year’s Hillside Festival, happening in Guelph from July 22 to 24. The roster reads like a who’s who of up-and-coming Canadian talent, including The Rural Alberta Advantage, Dan Mangan, Karkwa, Little Scream and really too many more to list. Tickets go on sale May 7 at 10AM at $110 for a weekend pass and these sell out quickly every year so don’t dither too long if at all.

And while talking Canadian fests, it’s worth noting that Montreal’s Osheaga added a bunch more acts including Janelle Monae and Broken Social Scene among them, and broken things down day by day.

In other live music news, Steve Earle will be at the HMV at 333 Yonge for a signing and in-store on April 28 at 6PM – you’ll just have to buy a copy of I’ll Never Get Out Of This World Alive when it comes out next Tuesday for tickets. Or wait for his show opening up for Blue Rodeo at the Amphitheatre on August 20.

San Diego’s The Donkeys are in town at a venue to be determined Sneaky Dee’s on May 21 in support of their new record Born With Stripes, out on Tuesday.

MP3: The Donkeys – “Don’t Know Who We Are”

The Baseball Project – aka Scott McCaughey, Steve Wynn, Peter Buck and Linda Pitmon celebrating America’s pastime in song – will bring their second album Volume 2: High & Inside to Lee’s Palace on June 1. And yeah, the Jays are at home that evening against Cleveland. Oregon Live has a feature on the band.

MP3: The Baseball Project – “1976”

Louisiana’s Givers, just here supporting Wye Oak a couple weeks ago, will return for their own show at The Garrison on June 21. Their album In Light is out June 7.

MP3: Givers – “Up Up Up”

With their new record D due out May 24, White Denim have announced a date at The El Mocambo for June 28.

MP3: White Denim – “Anvil Everything”

Antony & The Johnsons have released a new video from last year’s Swanlights

Video: Antony & The Johnsons – “Swanlights”

Spinner reports that one of The National’s next projects will be curating a Grateful Dead tribute album for charity. I can only hope that everyone involved covers “Touch Of Grey” because that’s about the only Dead song I know.

Exclaim talks to Explosions In The Sky guitarist Munaf Rayani about their new record Take Care, Take Care, Take Care, out on Tuesday.

My Morning Jacket frontman Jim James goes over some of his influences for Spin. Their new record Circuital comes out May 31 and they play The Kool Haus on July 11.

Titus Andronicus discusses his love of Fucked Up and plans for following up The Monitor with Spinner.

NPR has a World Cafe session with Iron & Wine while The Washington Post and Boston Herald have interviews with Sam Beam.

Spectrum Culture and Spin interview Michael Benjamin Lerner of Telekinesis. They’re at Lee’s Palace on May 27.

Bon Iver has declared their intention to make the Summer solstice a little more wintry by releasing their new self-titled album on June 21. Details at Pitchfork.

And finally, sympathies to family, friends and fans of TV On The Radio bassist Gerard Smith, who lost his battle with lung cancer yesterday morning. Fuck you, cancer. Just fuck you.

Frank YangFor as many years as I’ve been attending and covering Canadian Music Week and/or Canadian Musicfest, which is now quite a few, I’ve never hit up what is ostensibly it’s big gala show, the Independent Music Awards or, more unfortunately, the INDIES. Usually this was because the lineup of performers wasn’t as interesting as hitting up the clubs and because the awards themselves, being fan-voted, seemed odd and arbitrary. But this year, the combination of a weaker-than-normal Saturday night schedule and a very appealing one-two finale of Janelle Monáe and Shad convinced me that the ballroom at the Royal York hotel was the place to finish the festival off.

Due to some logistics and the fact that their sets were maybe ten minutes long, I missed the first couple performers but arrived in time to see London’s Bombay Bicycle Club, who despite being only moderately successful back home were treated as nigh on royalty over here across their several festival appearances. And it’s not that they’re unlikeable – they ply a sort of scrappy but earnest Brit-rock that’s thankfully not of the snotty post-Libertines/Arctic Monkeys variety, but isn’t especially memorable, either. Though from the cheers that met them and the stories that I’ve heard from the rabid fans at their other shows, I’m in the minority with that opinion, and that’s fine. The Brit-kids need their fix and this week, Bombay Bicycle Club was it.

The National Post and Spinner have chats with the band.

Photos: Bombay Bicycle Club @ The Fairmont Royal York – March 12, 2011
Video: Bombay Bicycle Club – “My God”
Video: Bombay Bicycle Club – “Always Like This”
Video: Bombay Bicycle Club – “Evening/Morning”
Video: Bombay Bicycle Club – “Dust On The Ground”
Video: Bombay Bicycle Club – “Magnet”

Similar can be said for the next act, Ottawa-area natives Hollerado. There’s no doubt the band has earned all the success they’ve achieved so far, what with touring constantly, giving away their album Record In A Bag for free (grab it off their website), making creative videos and generally working their asses off – but while I find their collegiate riff-rock material decent enough from a melodic/catchiness perspective, it just doesn’t come off as all that interesting to me. But even so, they do put on an entertaining show and elicit a tremendous response from their fanbase who were out on this evening in force and by way of saying hello and thanks for their support, frontman Menno Versteeg lept into the crowd for their set’s finale.

The National Post has a Q&A with Versteeg.

Photos: Hollerado @ The Fairmont Royal York – March 12, 2011
MP3: Hollerado – “Juliette”
MP3: Hollerado – “Fake Drugs”
MP3: Hollerado – “Americanarama”
Video: Hollerado – “Juliette”
Video: Hollerado – “Americanarama”

At this point, I’ll talk a bit about the awards themselves which were kind of fascinating to behold. First, there was a disconnect between the performers and the nominees in that half of the former had nothing to do with the awards being given out, they were just there to play a show and accordingly, much of the audience seemed indifferent to the ceremonies being held on the side stage. And since the Indies don’t really rate as a major award, many/most of the winners didn’t show up or send a representative, resulting in a stretch where a bunch of ostensibly big winners were announced in rapid fire succession with the audience cheering a name and an image on the video screen for a second or two. Just odd.

But back to the show. Even though Shad was himself an Indie winner (for Favourite Urban Artist), his set seemed less a part of the awards show and more the start of a separate event altogether, where he was the warm up, Janelle Monáe the headliner and that was it. Now I have never seen Shad in the context of his own headlining show – festivals, in-stores and awards ceremonies yes, and now as support, but his own show? Not yet. But considering that none of the above are what you’d call ideal circumstances for a performer, that he’s been fantastic in every one makes me think that there’s no way Shad ever puts on a bad show. Goodness knows he didn’t on this evening, with a compact but totally entertaining set drawing from his two Polaris shortlisted records TSOL and The Old Prince while backed by a DJ and bassist/keyboardist while he delivered smart, snappy rhymes overtop. He might be a perpetual Polaris bridesmaid, at least so far, but there’s no denying he’s one of if not the top hip-hop artist in the country right now.

eye and The National Post have feature pieces on Shad.

Photos: Shad @ The Fairmont Royal York – March 12, 2011
MP3: Shad – “Rose Garden”
MP3: Shad – “Yaa I Get It”
Video: Shad – “Keep Shining”
Video: Shad – “We Myself & I”
Video: Shad – “Rose Garden”
Video: Shad – “Yaa I Get It”
Video: Shad – “The Old Prince Still Lives At Home”
Video: Shad – “I Don’t Really Like To”
Video: Shad – “Brother (Watching)”

Ultimately, though, the night was about Janelle Monáe. If you were able to exact spot where the best of R&B, soul, funk, rock, pop, singer, songwriter, dancer and out-and-out visionary artistry intersected, it would be in the shape of a tiny pompadoured woman in a tuxedo. Though only on the scene for a few years, her live shows are already legendary spectacles, and not in the all flash no substance way of many pop stars, but in the jaw-dropping musicianship and entertainer sense. Toronto got their first taste of Monáe last Summer when she opened up for Arcade Fire on the Islands, and while for many she nearly stole the show, it was still very much not her audience.

This evening, however, it was and though some might have wished that she’d played a normal show unattached to any awards or festivals, she still delivered a full-length set that bore out her reputation as one of the most electrifying performers going today. Using the futuristic concepts laid out in her ArchAndroid album as a framing device, she and her ridiculously tight band put on a dazzling hour-long show replete with costume changes, extraordinary dancing and just great songs that refuse to be pigeonholed into any specific genre. And unlike the Island show, which curiously put show-stoppers “Cold War” and “Tightrope” mid-set, this time they saved them for a perfect one-two punch finale, and yet still managed to top it with an extended “Come Alive (War of the Roses)” where the stage was first invaded by dancers cast as androids and then the audience was invaded by Monáe, who went for a venue-spanning crowd surf. Awards? What awards? All I know is that Janelle Monáe won. At everything.

Spinner has a wrap up of the entire night, start to finish.

Photos: Janelle Monáe @ The Fairmont Royal York – March 12, 2011
Video: Janelle Monáe – “Cold War”
Video: Janelle Monáe – “Tightrope”
Video: Janelle Monáe – “Many Moons”

Spinner talks to TV On The Radio’s Kyp Malone about their new record Nine Types Of Light, due out April 12. They’ll be at the Sound Academy on April 18 but Pitchfork reports that bassist/keyboardist Gerard Smith won’t be joining them on the road as he’s being treated for lung cancer – best wishes to Smith for a speedy recovery.

Spin and Interview have feature pieces on The Kills, who’ve made a track from their new record Blood Pressures available to download. It’s out April 5 and they play The Sound Academy on May 1.

MP3: The Kills – “DNA”

A week before its release, The Strokes have posted their new record Angles on their website for all to stream, and you can follow along with the song-by-song commentary Julian Casablancas has give to NME.

Stream: The Strokes / Angles

Drive-By Truckers will bring their new record Go Go Boots to The Phoenix on June 15, tickets $29.50 in advance. The Georgia Straight chats with guitarist Mike Cooley.

MP3: Drive-By Truckers – “Used To Be A Cop”

A couple of ladies for whom one name is enough – Thao & Mirah – have teamed up for an album they’ve called Thao & Mirah and will be in town for a show at Lee’s Palace on June 5. That’s just short of a year after their last visit was cancelled on account of a little incident we locals like to call the G20 clusterfuck.

MP3: Thao & Mirah – “Eleven [featuring tUnE-yaRds]”

NXNE is still a ways off but some of the performers at this year’s fest are getting out – the Thursday night, June 16, will find Deerhoof and The Dodos at The Phoenix. Both acts have new records out, Deerhoof Vs Evil and No Color, respectively. Paste talks to The Dodos about their new record.

MP3: Deerhoof – “The Merry Barracks”
MP3: The Dodos – “Don’t Stop”

Michael LavineI think I spent my 21st birthday at the venerable Phil’s Grandson’s bar in Waterloo, Ontario, and while I feel obliged to point out to American readers that our age of majority (as far as drinking goes) is 19 so the 21st isn’t actually all that meaningful, I still spent it getting well and truly smashed. I won’t lie, It wasn’t classy.

Matador Records is looking to spend their coming of age in slightly glitzier environs. They offered some teasers earlier this year but yesterday made things official with an announcement that pretty much met any and all lofty expectations about what kind of party they might throw. Led by a reunited Guided By Voices – the most classic 1993 to 1996 Bee Thousand/Alien Lanes/Under The Bushes Under The Stars lineup no less – the three-day bender will take place in the Palms hotel and Casino in Las Vegas from October 1 to 3 and feature a who’s who of Matador artists, past and present. In addition to GBV (GBV!), you’ve got label stalwarts Pavement (who if they hadn’t already reunited might have had to for this party), Belle & Sebastian, Cat Power, The New Pornographers, Yo La Tengo and Liz Phair (whose contract probably has a strict “first three albums only” clause) as well as acts like Sonic Youth, Spoon and Superchunk who might be better associated with other labels but who have OLE catalog numbers in their discographies. In short, for anyone who came of musical age with the golden age of college rock in the 1990s, it’s a dream lineup and then some. AND there’s gambling.

Full details about pricing and additional acts are coming next week, but if you aren’t at least taking a look at how much flights and hotels in Vegas for that weekend will run you, you must have stumbled across this site by accident. That said, my attendance is far from certain but damn if I’m not thinking hard about it.

MP3: Guided By Voices – “I’ll Replace You With Machines”
MP3: Pavement – “Gold Soundz”
MP3: Belle & Sebastian – “Another Sunny Day”
MP3: Sonic Youth – “Sacred Trickster”
MP3: Spoon – “Mountain To Sound”
MP3: Yo La Tengo – “Here To Fall”
MP3: Cat Power – “The Greatest”
MP3: The New Pornographers – “My Rights Versus Yours”
MP3: Liz Phair – “Fuck And Run”

In talking to Aux.tv, Bob Nastanovich of Pavement throws cold water on the prospect of new material coming out of the current reunion.

The National stopped in for a performance at CBC’s Q when in town earlier this month.

Video: The National – “Terrible Love” (live on Q)

aux.tv and The Guardian interview Warpaint, who’ve got two local dates coming up – a headlining appearance on August 11 at Wrongbar and as support for The xx at Massey Hall on September 29.

Insound has posted a video session with The Hold Steady and are offering one track as a download in exchange for signing up for their newsletter. And in related news, the Hold Steady’s Toronto show on July 16 just got twice as intimate, having been moved from The Kool Haus to The Phoenix. All tickets still honoured.

David Bazan (formerly of Pedro The Lion) will be joined by The Mynabirds, aka Laura Burhenn (formerly of Georgie James) at Lee’s Palace on September 18. Tickets $12.50 in advance.

MP3: David Bazan – “Bless This Mess”
MP3: The Mynabirds – “Let The Record Go”
MP3: The Mynabirds – “Numbers Don’t Lie”

Lee’s Palace will host two of Kill Rock Stars’ finest on October 3 when Deerhoof and Xiu Xiu perform as part of a Fall tour.

MP3: Deerhoof – “+81”
MP3: Xiu Xiu – “Gray Death”

Australia’s Temper Trap will be in town at the Phoenix on October 5 – tickets $21.50 in advance.

MP3: The Temper Trap – “Down River”

There’s new music from Sharon Van Etten, via the soundtrack to the film The Builder. The DVD for the film will be released on July 27.

MP3: Sharon Van Etten – “I Couldn’t Save You”
Trailer: The Builder

Offering more proof to the theory that they’re incapable of doing anything that’s not adorable, Mates Of State have released a new video from their covers album Crushes. Actually it’s the second video from the record, the first was for this Nick Cave & The Bad Seeds tune, which isn’t so much adorable but isn’t trying to be. Anyways.

Video: Mates Of State – “True Love Will Find You In The End”
Video: Mates Of State – “Love Letter”

Each Note Secure talks to Free Energy, who’ve recorded an Interface session at Spinner.

Yours Truly has posted up a new video performance from The Morning Benders, in town to open for The Black Keys at The Kool Haus on August 3 and 4.

Pitchfork has got the first sample of The Thermals’ new record Personal Life, due out September 7.

MP3: The Thermals – “I Don’t Believe You”

Vampire Weekend talks to BBC. They’re at the Molson Amphitheatre on September 7.

Best Coast have released an MP3 from their much-buzzed forthcoming debut Crazy For You, coming July 27. They’re at Lee’s Palace on September 25.

MP3: Best Coast – “Boyfriend”

Miami New Times talk to Tampa’s Sleepy Vikings.

NOW welcomes We Were Promised Jetpacks to the Horseshoe on Saturday night. Daytrotter has also posted up a session.

So this past Saturday night’s Thao/Mirah show at the Horseshoe was cancelled on account of burning police cars. The guys from These United States, who were slated to support, have some video of their trip to Toronto. Y’all come back now, y’hear?

Rob Sheridan & Tamar LevineThey do try their best, I believe that, but it might be time to declare any Virgin Festival in Canada to be well and truly cursed. Don’t get me wrong, despite everything, I’ve always had a great time at the three in Toronto thus far, but you can’t really say they’ve gone smoothly. In 2006, they lost one headliner in Massive Attack (Broken Social Scene wasn’t a bad pinch hitter at all, but that it was necessary was unfortunate) and then there was the infamous 15-minute set from The Flaming Lips. The 2007 edition fared a bit better but still lost Amy Winehouse and Peter Bjorn & John without equal calibre replacements. Last year saw the the headliner famously assaulted onstage.

And that’s just the Toronto editions. As the rumour goes, last year’s Vancouver edition was cancelled outright after Pemberton poached Coldplay as headliner. And this year, after keeping silent well into the Spring as to whether there’d even be a festival this year, they came out and announced five across the country, most of which befell some sort of calamity. Vancouver was struck by lightning and had to cancel the headline set by The Roots. Halifax lost headliners The Tragically Hip at the 11th hour and had to make up for it by making the whole event free. Montreal headliners New Kids On The Block failed to contract food poisoning before their set and were able to perform. I think Calgary managed to avoid any sort of disaster their two years running – good on them.

Which left Ontario. Though still the subject of many complaints, I thought the 2009 lineup was pretty solid – but the decision to hold it an hour north of the city at Burl’s Creek in Oro was met with howls of protest from the 416. And it wasn’t just whinging from those who didn’t like going north of Bloor – there were genuine logistical concerns about transportation, traffic, accommodations and whatnot. But I guess the assumption was that the absence of those who didn’t want to leave the city would be made up for by others in southern Ontario who would find it easier to not drive downtown and a lovely time would be had by all.

Not so much.

An unexpected press release showed up yesterday around noon declaring that due to slow ticket sales and protests about the location, Virgin Festival Ontario had been moved from Burl’s Creek to the Molson Amphitheatre in downtown Toronto, barely two weeks before the event was scheduled to happen. Considering that many/most who had decided to go had already made travel and lodging arrangements, myself included, this wasn’t as much of the gift as it may have been intended to be. For example, I was able to get a full refund on my hotel room (I don’t camp) – I know others had booked non-refundable rooms. They’re now out a couple hundred dollars. Others who bought tickets early at full price will be justifiably upset that the new pricing structure offers much cheaper options, though refunds for tickets are available so you could trade those in and buy the cheaper Amphitheatre lawns if you just want to grab a piece of sod and chill out for a couple days. Mind you, those already holding tickets have been promised to be given first crack at the Amphitheatre’s floors and 200-level seats, though that may give you an idea of how many tickets were sold in the first place. I can’t say exactly how assignments will go, but it seems that those first in line will get wristbands granting GA floors and then everyone else will get assigned 200-level seating.

And while the festival organizers are assuring that all the announced acts will still perform, there’s other questions, like how the stages will be set up – the Amphitheatre itself can’t easily accommodate a second stage, particularly not one big enough to handle Pet Shop Boys or Pixies, who I would assume would be closing that one out on their respective nights. Which means that the second stage would have to go outside the Amphitheatre grounds and somewhere else in Ontario Place. Looking at the satellite imagery, the spot south of the Amphitheatre is the only logical place it could go but I have no idea what’s there and what might get mangled by a big stage and thousands of concert goers, never mind the fact that this is all going down when the CNE is on and Ontario Place will already be lousy with non-V Fest visitors.

So how will it all end up going down? Will the V Fest brand be able to recover from this year and convince people to return in the future? Will they even try? I have no idea, but am very curious to see. And while I really was warming to the idea of the Burl’s Creek experience (if not the insect bites that would ensue), I can’t say I’m not pleased that like past years, I’ll be able to get there by bike and be able to sleep in my own bed.

Anyways.

They were just here last month opening for Frightened Rabbit but The Antlers have since garnered their own immense buzz for their new album Hospiceand so are are coming back for their own show at the Horseshoe on September 24.

Speaking of shows, after Wilco’s October 14 show at Massey Hall sells out minutes after tickets go on sale this morning at 10AM, look for a second show to be announced for October 15. This comes from a press release for opener Liam Finn which lists both dates at Massey Hall and considering how Wilco have been playing the same venue since 2004 while their fanbase has arguably grown considerably, and the idea of a multi-night stand seems eminently logical though it makes my eight-year streak of seeing every Wilco appearance in Toronto considerably more difficult to maintain. LiveDaily has an interview with Wilco drummer Glenn Kotche.

And if that’s not enough Liam Finn for you, Bumpershine reports that he’ll play his own headlining show at Lee’s Palace on October 29 with Miracle Fortress as support. Finn’s new EP with Eliza Jane Champagne in Seashells is out September 1.

MP3: Liam Finn with Eliza Jane – “Plane Crash”
Stream: Liam Finn & Eliza Jane / Champagne In Seashells

Those waiting for Sufjan Stevens ticket information for the October 1 show, looks like Ticketmaster is your only option. Face value is $17.50 so you’ll be lucky to come away a ducat for under $30, all said and done. Also note: “Tickets cannot be picked up at the outlet. They must be picked by the cardholder, with credit card in hand and photo identification at the venue by the cardholder ONLY”. So there you go.

And Cryptacize, who are touring with Stevens, are the subject of a feature video/audio session over at Luxury Wafers.

MP3: Cryptacize – “Blue Tears” (live on Luxury Wafers)

Antony & The Johnsons have not only covered Beyonce, but they’ve made a video. No Jay-Z, though.

Video: Antony & The Johnsons – “Crazy In Love”

Previously venue-less, the August 30 Throw Me The Statue show will now be happening at The Boat with support from The Brunettes and Nurses. And if you dig on Nurses, they’re back in town on October 15 at the Drake Underground with Le Loup.

MP3: Throw Me The Statue – “Ancestors”
MP3: Nurses – “Caterpillar Playground”
MP3: The Brunettes – “Small Town Crew”
MP3: Le Loup – “Beach Town”

Deerhoof will be doing a free show at Yonge-Dundas Square on September 17, somehow related to TIFF. Is there a Deerhoof documentary premiering that I don’t know about?

MP3: Deerhoof – “+81”

The Flaming Lips have set an October 13 release date for their next album Embryonic. Rolling Stone has details and Pitchfork is streaming a song from the record, and early response to new material from those who’ve lost interest in the band nearly as much as I have is quite positive.

Spinner and Billboard talk to Death Cab’s Ben Gibbard and Son Volt’s Jay Farrar about their work on One Fast Move or I’m Gone, the soundtrack album for a documentary on Jack Kerouac by the same name. The album will be out October 20 and there are plans for a tour to follow.

Video: Jay Farrar – “San Francisco”
Trailer: One Fast Move or I’m Gone: Kerouac’s Big Sur

Laura Marling discusses her plans for album number two with BBC.

The Pittsburgh Post-Gazette talks to Decemberists guitarist Chris Funk and The Philadelphia Inquirer to Colin Meloy.

The Dan Deacon show at Sneaky Dee’s on November 3 isn’t his only local date – he’s also at the Great Hall on November 4.

Luxury Wafers talks to Oliver Ackermann of A Place To Bury Strangers. Their new one Exploding Head is out October 6 and they’re at the Mod Club on October 27.