Sean PecknoldWe’re a week out from the release of one of the most-anticipated records of the year – Helplessness Blues by Fleet Foxes – and as has become commonplace, the album is available to stream a week before it goes on sale at NPR. A couple of listens in and all the key ingredients that made the debut a smash are still in place: Robin Pecknold’s otherworldly voice, the ridiculously lush and immaculate harmonies, the blankets of reverb imported from some Pacific northwest mountaintop, but Blues also sounds more confident and dynamic than its predecessor, perhaps a sign that the songwriting is now more up to par up with the immense musical talents of the band. I liked but didn’t love Fleet Foxes and am cautiously confident that I’ll like the new record more. I am certain, however, that they won’t alienate any of their fanbase with it.

Exclaim and Spinner have conversations with Pecknold, the former about the process of writing the new record and the latter about the general awfulness of Myspace. Meanwhile, over at We All Want Someone To Shout For has a session the band played for BBC Radio 1 last week available to download and if you like Fleet Foxes but hate their songs, You Ain’t No Picasso has collected a decent-sized archive of covers they’ve performed.

Fleet Foxes are at Massey Hall on July 14.

Stream: Fleet Foxes / Helplessness Blues

Yours Truly has got a video session with The Head & The Heart which I’m sure is great, but can’t watch to confirm since it’s restricted to the US only… but they’re working on it, I’m told. In the meantime, read this interview at LAist.

Prefix talks to Charles Bissell of The Wrens about the state of their new record which will not actually be called Funeral and should be out someday. Maybe.

Wilco’s Jeff Tweedy talks to both Spin and Rolling Stone about their new record which may but probably won’t be called Get Well Soon Everybody and may be out come September. Know what would be awesome? If Tweedy gave completely contrary information to both publications. But he didn’t. More certain, as Exclaim reports, is the first release on the band’s new dBpm label – a 7″ single due out sometime in July A-sided by new song “I Might” and backsided by a cover of Nick Lowe’s “I Love My Label”.

NPR has a World Cafe session with Bright Eyes.

Spinner, Paste and Clash talk to Steve Earle about his just-released new record I’ll Never Get Out Of This World Alive, acting and the Gulf of Mexico (song and region), respectively. He also sets up behind a Tiny Desk for NPR. Earle is at the Molson Amphitheatre on August 20.

PopMatters catches up with The Thermals on tour in Germany.

PO Box 607 gets to know Anna-Lynne Williams of Trespassers William about a new solo record coming out as Lotte Kestner and her new label Saint-Loup Records.

Blurt profiles Buffalo Tom while Bill Janovitz contributes a piece on being both rocker and realtor to Boston Magazine.

PopMatters tries to extract an interview from J Mascis.

The Chicago Tribune talks to The Pains Of Being Pure At Heart. They’re at The Opera House on August 2.

Comic artist and musician Jeffrey Lewis is in town for the Toronto Comic Arts Festival and will be whiling away the evening by playing a solo show at The Dakota on May 8, tickets $10 at the door.

MP3: Jeffrey Lewis & The Junkyard – “Slogans”

Back for like the third time in less than a year, Robyn is back on June 3 with this past Winter’s tourmate Diamond Rings in tow and they’re playing an actual new venue in Toronto. It’s called Echo Beach and it’s an approximately 4000-capacity general admission outdoor venue at Ontario Place, on the water, not far from the Molson Amphitheatre but far away in time. Tickets for the show are $39.50, on sale Friday.

MP3: Diamond Rings – “All Yr Songs”
Video: Robyn – “Dancing On My Own”

New York’s Gang Gang Dance will have a new record out in Eye Contact on May 10 and be at The Horseshoe on July 10 to support.

MP3: Gang Gang Dance – “MindKilla”
Video: Gang Gang Dance – “MindKilla”

Frank YangKingston duo PS I Love You has done a pretty good job for themselves of building a buzz around both themselves and their debut album Meet Me At The Muster Station, with their guitar orgiastic-sound resonating strongly with those who lived through and miss the days when guitar orgies were regular occurrences. But they’ve also gotten help with the company they keep, in particular one John O’Reagan, aka Diamond Rings, whose debut single was a split 7″ with PS I Love You and with whom they were tourmates for no small portion of the Rings ascension, including much of this Spring on the way down to SXSW and back.

A few nights ago the billing order switched, however, with PS I Love You taking on headlining duties while Diamond Rings packed away the glitter and costumes and busted out his old band – which was also his new band – to support. The existence of Matters, risen from the ashes of The D’Urbervilles, was only announced a week earlier but the new outfit probably already garnered more and higher profile attention outside of the Toronto area than The D’Urbs ever did in their tenure, with Matters being framed as Diamond Rings’ rock band rather than Diamond Rings as the electro-glam offshoot of The D’Urbs.

In any case, it added an extra degree of narrative to their show at The Garrison on Thursday night, it being Matters’ second official show following their debut in Ottawa the night before. Though my own history with The D’Urbervilles is a long one, dating back almost half a decade, a good portion of the sizable audience were clearly unfamiliar with Matters’ former incarnation and were there to see one of the city’s big musical success stories of the past couple years in a completely different context. And as it would turn out, even those of us familiar with O’Reagan in rock mode were treated to something decidedly new. The D’Urbervilles were always a good to very good post-punk/new wave kind of band, solid live and their 2008 debut We Are The Hunters certainly bursting with potential if not completely delivering on it. And while the name change certainly seemed to be cosmetic – the personnel remained the same and many unreleased songs carried over – there was no denying that Matters came with a new lease on life and manifesto that consisted of kicking some serious ass. Fronted by an O’Reagan that hadn’t been seen in these parts in some time; sporting t-shirt, jeans and ball cap and not a bit of make-up, he led his bandmates through a punishing set of rock that seemed to decide that the “post-” part of their previous incarnation’s “post-punk” descriptors were no longer necessary and released the tension that the D’Urbs specialized in in big, loud and sloppy – as in not caring who got hit, not in lack of tightness – measures. In line with that transformation was O’Reagan as a frontman; though his towering, somewhat gangly presence always made him the focal point of D’Urbs shows, the charisma and magnetism honed through the Diamond Rings experience was just as present without the costuming. Their debut album is in the can and should be out this year; it’ll be a non-issue that Matters isn’t especially Google-able – you won’t have to search to hear about them.

Not to suggest there was any sort of competitiveness between Matters and PS I Love You, but the headliners had some work to do if they were going to be what people were talking about the next morning. I had seen and enjoyed them back in September, they weren’t exactly the sorts of performers who’d leave jaws on the floor with their showmanship. Frontman Paul Saulnier occupies himself with singing/yelping, Telecaster shredding and Moog bass pedal stomping which drummer Benjamin Nelson lays down a deceptively complex backbeat – neither is much for on-stage shenanigans but verily, do they make a massively loud sound. But just that can still get you a long way and the show, which ran through most or even all of their album, was far more engaging than you might well have expected it to be. It also affirmed that I’m much more a fan of Saulnier’s vocals live, when they’re buried unders many decibels of guitars, as opposed to on record where they’re audible – but even that I’m coming around on, finding Muster Station more listenable now than when it first came out last Fall.

Any question of which act would end up stealing the show was put to rest with PS’ encore, however, as O’Reagan came out to join them for “Leftovers”, the single released back in February which featured guest vocals from Diamond Ring. But in keeping with the apparent theme of the evening, it was played with the rock turned up to 100 and though the ensuing din basically left O’Reagan inaudible, his dance moves and drumstick ninjutsu was basically a physical manifestation of the aural energy. Who, of Matters and PS I Love You, turned in the best performance of the evening? Both of them.

The Globe & Mail and The Wig have features on PS I Love You while The National Post and Exclaim were also at the show and have thoughts.

Photos: PS I Love You, Matters @ The Garrison – April 7, 2011
MP3: PS I Love You (with Diamond Rings) – “Leftovers”
MP3: PS I Love You – “Get Over”
MP3: PS I Love You – “2012”
MP3: PS I Love You – “Butterflies & Boners”
MP3: PS I Love You – “Facelove”
Video: PS I Love You – “Get Over”
Video: PS I Love You – “Butterflies & Boners”
Video: PS I Love You – “Facelove”
Video: Matters – “Get In Or Get Out”

The National Post, Spinner, NOW and Chart have features on Timber Timbre.

Sloan are offering video interview/annotations of all the songs on their forthcoming record The Double Cross, rolling out one every few days leading up the record’s May 10 release. I daresay this is their best record in some time – check the previews out on their YouTube channel.

Exclaim has details on the next release in Neil Young’s Archives series; A Treasure is a live document dating back to the country-styled Old Ways-era period of his tumultuous ’80s output and features recordings from various shows backed by the International Harvesters. It will be out on vinyl May 24 and on CD June 14.

Wayne Coyne of The Flaming Lips talks to Billboard and Spinner about the joys of having the creative freedom to do whatever the hell they want, which they’re taking full advantage of this year. Aside from the wacky-ass releases, they’re working on a Yoshimi musical stage production. Of course they are.

This interview from last month with Guided By Voices’ Bob Pollard at The Buddha Den certainly seems to hint that GBV will be coming back to Toronto for the first time in pretty much forever in June, but that NXNE rumour was pretty thoroughly debunked by one who’d know so… yeah. But at least there’s a five-part interview to pass the time and if you really need a GBV fix, they’re at Brooklyn’s Northside Festival that same weekend playing McCarren Park (which is another reason why I thought they might be making the trip up here).

Pixies meet the press in advance of their Canadian Doolittle tour; Joey Santiago talks to JAM, Metro and The Chronicle Herald score some time with Dave Lovering and The Chronicle Herald also gets Kim Deal on the phone. They’ve got two nights at Massey Hall next week, April 18 and 19.

Spinner chats with J Mascis for unplugging to go solo.

The Huffington Post and The Boston Globe have interviews with the members of Buffalo Tom.

Frank YangThis show was a week ago; I think this may actually be my longest delay between witness and writeup ever and, in fact, Jeff Tweedy’s solo tour is just about over. So if you were waiting on some kind of report from opening night at Toronto’s Queen Elizabeth Theatre to decide if it was worth picking up one of the few remaining tickets for a later date… I’m sorry. Sorry that you would allow anything I say or do to influence your decision-making – you know I’m drunk most of the time, right?

But if I had gotten this review up sooner, I could have exhorted everyone going to any of the shows to arrive early enough to catch Snowblink, as local duo had been tapped to open up every show on the tour – maybe those at Wilco HQ had seen my glowing review of their debut Long Live? Either way, even though it was a tremendous opportunity for them, as soon as the lights dimmed it was clear they weren’t just happy to be there. The pair of Daniela Gesundheit and Dan Goldman took the stage carrying lanterns and eventually set up in their own, white cloth-strewn side of the stage – they were going to put on their show. And what a show it was – Gesundheit’s voice was strong and clear and sounded divine in the theatre’s acoustics, and their simple two-guitar arrangements – including an oustanding cover of Springsteen’s “State Trooper” – were subtly embellished with loops, percussion and electronic flourishes. Gesundheit might be a California native, but Toronto now proudly claims her as our own.

Wilco might have last been here as recently as October 2009, but it’s been much, much longer since Jeff Tweedy has come to town with just his acoustic guitars and songbook – so long that Tweedy himself didn’t remember ever having done so. In fact, it had been almost a decade exactly since he played Trinity-St. Paul’s on March 1, 2001, and when reminded of that by the audience he wryly referred to those as “the bad old days”. And while that may have been true for him from both a personal and professional sense, it’s impossible to deny that those were also some of Wilco’s most creatively fertile years, but also an era not often revisited with the full band.

And for about 90 minutes, alone on stage save for a circle of five acoustics and occasional visits from his guitar tech Steve (who was celebrating a birthday), Tweedy would revisit all eras of his career as well as some of his side-projects to air out some songs which would likely never otherwise be heard in these parts. Such as the original, non-Krautrock arrangement of “Spiders (Kidsmoke)”, Yankee Hotel Foxtrot b-side “Magazine Called Sunset” or Loose Fur selections “The Ruling Class” and “Chinese Apple”. And of course there were the couple of rare forays into the Uncle Tupelo canon – I know “Gun” would have been too much to hope for, but “Wait Up” was a most certainly welcome and the encore-closing, unamplified “Acuff-Rose” was for the ages. And from Wilco proper, there was a “Poor Places” which I thought turned out better than he seemed to, a rousing “Shot In The Arm” and a new song which has been unofficially dubbed “Open Up Your Mind”.

Considering who the Wilco dynamic has changed with the addition of virtuoso players like Nels Cline and Glenn Kotche, it was good to be reminded that without Tweedy’s songs at the core, beautiful and resonant even stripped down to their essences, it’d all be for naught. Tweedy on his own was also a different sort of performer, more inclined to engage and banter with the audience (and not berate us for not standing up this time), debate grammar, vocabulary and requests and crack more than few jokes, his best being that which accompanied the photographic evidence of his visit to local Wilco-themed sandwich shop Sky Blue Sky, and to which he added they “seemed a little safe – why not try some mulch, tinsel or fibreglass?”.

With a new Wilco album likely due out in the Summer, it’s a pretty safe bet that Tweedy will be back with his cohorts in tow for another couple nights at Massey Hall. And it’ll be expansive and filled with amazing musicianship, no doubt, but that just makes simple shows like this one all the more special.

The Toronto Sun, The National Post, The Globe & Mail and Chart were all in attendance; three out of four dentists agreed it was a great show.

Photos: Jeff Tweedy, Snowblink @ The Queen Elizabeth Theatre – March 22, 2011
MP3: Wilco – “What Light”
MP3: Wilco – “Spiders” (live)
MP3: Snowblink – “Ambergris”
MP3: Snowblink – “The Tired Bees”
Video: Wilco – “What Light”
Video: Wilco – “Outtasite (Outta Mind)”
Video: Wilco – “Box Full Of Letters”
Video: Wilco – “I Must Be High”
Video: Snowblink – “Ambergris”
Video: Snowblink – “The Haunt”

From the ashes of The Broken West and to The Drake Underground comes Pasadena’s Apex Manor; Ross Flournoy’s new band will be opening up for Jonny on June 3 and 4. Their debut The Year Of Magical Drinking is out now.

MP3: Apex Manor – “Under The Gun”

With the May 10 release date of their new record Burst Apart not really all that far off, The Antlers have put together a North American tour that includes a June 14 stop at The Mod Club with Little Scream supporting. She had to bail on the last few dates of her tour with Sharon Van Etten, including the April 12 date at The Drake, to go to Europe with Junip so this will be her next local date. Not that you needed the extra incentive to go see The Antlers, of course. The band performed the whole of the new record live at SxSW and NPR has the stream.

MP3: The Antlers – “Two”

There were here no less than four times last year, and they’re totally coming back for more – that’s Phantogram, and they’ll be at 69 Bathurst on July 28 in the company of The Glitch Mob.

MP3: Phantogram – “When I’m Small”

The Village Voice talks to Amy Klein of Titus Andronicus, who are in town for a show at The Horseshoe on April 1 and again on June 10 at The Phoenix supporting Okkervil River.

Exclaim, Billboard, The Baltimore Sun, The Washington Post and Mother Jones all have features on The Mountain Goats. Their new record All Eternals Deck is out now and they’re at The Opera House on April 3.

MP3: The Mountain Goats – “The Age Of Kings”

Blurt, The Huffington Post, Fogged Clarity, Los Angeles Times and The Von Pip Musical Express have profiles of Wye Oak, in town at The El Mocambo on April 9.

Sharon Van Etten is featured in The Phoenix New Times, Spin and Georgia Straight while NPR is streaming one of her SxSW performances. She’s at The Drake Underground on April 12, and yes that’s her doing backing vocals on The National’s contribution to the soundtrack for the film Win Win, which is now available to download.

MP3: The National – “Think You Can Wait”

Spinner, Pedestrian TV and Vanity Fair have interviews with The Kills, whose new record Blood Pressures is out next week. NPR is streaming one of their SxSW performances so you know what to expect when they hit The Sound Academy on May 1. The new album is also streaming in whole at their website.

Stream: The Kills / Blood Pressures

Low have made available a new MP3 from their forthcoming C’Mon, which is out April 12. They’re at The Mod Club on May 2 with Memoryhouse supporting.

MP3: Low – “Especially Me”

CNN has an interview with Shonna Tucker of Drive-By Truckers, who have a date at The Phoenix on June 15.

PopMatters and Blurt have interviews with The Dodos, who’ve put out a new video from No Color. They’re at The Phoenix on June 16 for NXNE.

Video: The Dodos – “Black Night”

Exclaim reports that My Morning Jacket have assigned a May 31 release date for their new record Circuital. They will be at The Kool Haus on July 11 to support.

Metro Pulse talks high fidelity with Asobi Seksu.

Paste and Blurt have interviews with J Masics, who has released a new Chad Van Gaalen-directied video from Several Shades Of Why

Video: J Mascis – “Not Enough”

MTV Hive has an interview with Conor Oberst of Bright Eyes while NPR is streaming their show from Auditorium Shores at SxSW.

NOW interviewed those involved with the Elephant 6 Holiday Surprise Tour that rolled through town a few weeks back, while NYC Taper has a recording of one of the New York shows.

eye and The Georgia Straight check in with Warpaint.

The Los Angeles Times, Spinner, The Boot, The Telegraph and Publishers Weekly all talk to Steve Earle about I’ll Never Get Out Of This World Alive, which is both the name of his new record, out April 26, and first novel, out May 12.

Rolling Stone chats with Justin Vernon of Bon Iver, who has set a June target for their second record.

Spinner, The Phoenix and The Fly have interviews with Buffalo Tom.

The Pains Of Being Pure At Heart discuss their new record Belong with The Line Of Best Fit, The University Observer, Jambands and Exclaim. And oh hey new video.

Video: The Pains Of Being Pure At Heart – “Heart In Your Heartbreak”

Pitchfork pays tribute to the hanging-it-up LCD Soundsystem with an exhaustive analysis of the band’s catalog. Seriously, it’s exhausting.

Austinist and The Huffington Post interview Liz Phair.

NYC Taper has posted a recording of Yo La Tengo’s show at Maxwell’s in New Jersey last week.

NPR doubles up on The Head & The Heart, streaming both one of their SxSW sets and a World Cafe session. The Big Takeover has an interview with the band, whose self-titled debut gets a reissue on April 16.

Anton CorbijnR.E.M.’s new album Collapse Into Now is finally out today, and the talking points around it say that it’s their best record since Bill Berry left the band, their best in a decade and a half, their best in five efforts (not counting live records), whatever. All of which, incidentally, was said about their last record Accelerate, and all of which was true in that case and is true in this case.

But while Accelerate probably tried a bit too hard to reestablish the band’s rock credentials, Collapse feels much more natural and relaxed and has a real vintage R.E.M. air about it. Sporting a good balance of rockers, ballads and more experimental compositions, it feels like they’re pushing out creatively because they’re curious and want to, and not because they feel like they should, and it just so happens that the results sound pretty familiar. While song for song, there probably aren’t any future classics in here, it’s as lively, melodic and interesting a record as they’ve made in ages and confirms that not only are they still creatively vital, but they’re legitimately into a new fertile period. And that, I will happily take.

Matthew Fluxblog ranked R.E.M.’s entire catalog from best to worst for Nerve. The Guardian and Dazed have interviews with Michael Stipe, while The Wall Street Journal talks to Mike Mills and Beatweek to Peter Buck. The New York Times also talks to Stipe about the Collapse Into Now Film Project, wherein a different director will create a video for each of the twelve tracks from the album. Three of them are already out:

Video: R.E.M. – “Mine Smell Like Honey”
Video: R.E.M. – “Überin”
Video: R.E.M. – “It Happened Today”

Pitchfork has the latest edition of “What Kind Of Whacked Out Shit Are The Flaming Lips Up To Now” – and in this month’s edition, edible life-sized gummy heads with three new songs embedded inside.

Magnet has a Q&A with Buffalo Tom, which can only mean that the Bostonians are taking over the editorial chair for the next week. The Boston Herald and Writers On Process also have interviews with the band, whose new record Skins is out today.

Crawdaddy offers a beginner’s guide to The Mountain Goats. Their new record All Eternals Deck is out March 29, they play The Opera House on April 3.

Dismemberment Plan frontman Travis Morrison discusses reissues and reunions with Glide while guitarist Eric Axelson chats with This Is Fake DIY.

Spinner interviews Conor Oberst of Bright Eyes. They play The Sound Academy this coming Sunday, March 13.

The Quietus talks to Doug Martsch of Built To Spill.

Spinner talks to John Vanderslice, who will be at the Drake Underground on May 10.

The National Post, Georgia Straight and American Songwriter have feature pieces on DeVotchKa, who play The Mod Club on March 30.

Pitchfork interviews The Strokes. Their new record Angles is out March 22.

NPR is streaming a World Cafe session with Iron & Wine.

Spinner has an interview with Asobi Seksu’s James Hanna.

The first MP3 from Alela Diane’s new record Alela Diane & Wild Divine is now available to download. The record comes out April 5.

MP3: Alela Diane – “To Begin”

The Pains Of Being Pure At Heart’s Kip Berman talks to Spinner about their new record Belong, due out March 29.

The Head & The Heart have released a video from their self-titled debut, coming out in physical form on April 16.

Video: The Head & The Heart – “Lost In My Mind”

Los Angeles’ Foster The People have made a date at Lee’s Palace on April 3, accompanied by Grouplove. Spinner interviews the band, whose album Torches will be released May 24.

MP3: Foster The People – “Pumped Up Kicks”
Video: Grouplove – “Colors”

And if you missed the morning updates to yesterday’s Brit-centric post, there were a couple of major show announcements to start the day. First, Arctic Monkeys will be at the Kool Haus on May 21 and secondly, Beady Eye will make their Canadian debut at the Sound Academy on June 20. Exclaim and Billboard also just posted interviews with the latter’s Liam Gallagher and The AV Club one with Gallagher and Gem Archer.

MP3: Beady Eye – “The Roller”
Video: Arctic Monkeys – “Brick By Brick”

NPR is streaming the whole of The Joy Formidable’s debut The Big Roar in advance of next week’s release. They play The Horseshoe on April 2.

Stream: The Joy Formidable / The Big Roar

Spinner has an interview with Yuck. They are at The Phoenix on May 1.

Drowned In Sound talks to Reuben Wu of Ladytron. Their Best of Ladytron: 00-10 is out March 29.

American SongwriterWhen Jeff Mangum, prodigal godhead of that which is largely called indie, gave a rare performance in a Brooklyn loft last December, people freaked out. And reasonably so – the Neutral Milk Hotel-ier had been basically been retired and out of sight for nigh on twelve years, his band having dissolved post-In The Aeroplane Over The Sea and in the intervening years, his legend only grew. So the idea of him suddenly surfacing to play a show probably seemed like a once in a lifetime occurrence.

Except that it wasn’t. My theory at the time was that this was far from a one-off but the start of a return to music for Mangum, who was probably tired of the mythology that had grown around him and wanted to begin the process of deconstructing it, of saying “hey – I’m a guy with a guitar who wrote some songs” and maybe pave the way to being able to write, release and perform some more. And so it really wasn’t a surprise that 2011 started with a trickle of additional live show announcements – first as a special guest at the Portishead-curated I’ll Be Your Mirror at Asbury Park, New Jersey in September, then as curator of the All Tomorrow’s Parties in Somerset, UK in December, and now additional non-festival dates have begun trickling out, and at the moment they begin in Toronto.

Though The Horseshoe played host to a legendary, almost-never-was Neutral Milk Hotel in 1998, Mangum’s return will be in the suitably reverent environs of Trinity-St. Paul’s on August 12 and 13. Tickets are $32.50 and will go on sale as follows: a limited pre-sale of paperless tickets will begin at 10AM on Friday, February 25 with the presale password being made public at the Collective Concerts website on Wednesday, February 23 at 3PM. Presale customers will be allowed to purchase four tickets per order, per customer, per show. Public on sale begins on Saturday, February 26 at noon via usual outlets – Ticketmaster, The Horseshoe, Rotate this and Soundscapes – and purchases will be limited to two per customer.

Exciting news, to be sure, though one wonders what this does to the chances of Mangum showing up with the upcoming Elephant 6 Holiday Surprise Tour which hits The Horseshoe on March 18 – it had been a pretty safe bet that Mangum would show up on at least some of those dates, and he might still. But if you’re not the gambling sort and the guarantee of a night of great tunes from his Elephant 6 compatriots isn’t enough to convince you, then these Trinity shows should be just the ticket. Not that you had much choice since the Holiday Surprise show is sold out anyways.

The Wall Street Journal welcomes Jeff Mangum back from the wilderness with a timeline of his “lost years”.

MP3: Neutral Milk Hotel – “Holland 1945”

From lost legends to exciting newcomers, Australia’s Tame Impala and London’s Yuck are teaming up for a North American tour that includes a stop at The Phoenix in Toronto on May 1, tickets $20. I’m not that familiar with Tame Impala but Yuck, whose wonderfully grungy ’90s power-pop-laden self-titled debut just came out this week and has been on heavy rotation in my ears. Spin thinks Tame Impala will be the next big thing while Spinner has an interview with Yuck.

MP3: Yuck – “Rubber”
MP3: Tame Impala – “Runaway, Houses, City, Clouds”

John Vanderslice will take his orchestrally-powered latest White Wilderness on the road this Spring, though it’s unlikely he’ll have an actual orchestra with him – you couldn’t fit one in the Drake Underground, where he’ll be on May 10. You will, however, be able to fit his tourmate Damien Jurado, and Jurado isn’t a small guy.

MP3: John Vanderslice – “The Piano Lesson”
MP3: Damien Jurado – “Gillian Was A Horse”

The Independent talks to Dean Wareham.

Pixies drummer Dave Lovering tells Billboard that the band are contemplating what to do after their run of Doolittle shows – including April 18 and 19 at Massey Hall – are done. Either do the full-album show treatment for another of the records or – horror of horrors – write and record new material.

Buffalo Tom is streaming the whole of their just-released new record Skins, out March 8.

Stream: Buffalo Tom / Skins

I haven’t been keeping track of whether The Flaming Lips have made good on their song-a-month promise, but they have uploaded a 12-part simul-song to YouTube, so that sort of counts I guess.

NPR has got a World Cafe session with Liz Phair.

Also stopping in at NPR’s World Cafe for a coffee and session are Superchunk.

Spinner talks to The Strokes’ Albert Hammond Jr about their new record Angles, out March 22.

The Montreal Gazette and Toronto Star have feature pieces on Interpol.

Pitchfork reports that the new Death Cab For Cutie album Codes & Keys will be released on May 31.

NPR has a World Cafe session and Pitchfork and Crave interview features with The Decemberists.

The Independent Weekly, Paste, Blurt, Prefix, The Wall Street Journal, NBC and Spinner profile Drive-By Truckers, whose new record Go-Go Boots is out next week but streaming now in whole at Spinner.

Stream: Drive-By Truckers – “Go Go Boots”

The Alternate Side has a video session and interview with Iron & Wine.

Will Sheff of Okkervil River blogs about his experience at the Grammy Awards (he was nominated for best liner notes) for Billboard. Their new record I Am Very Far is out May 10. A video of one of the new songs, recorded last month when they played Late Night With Jimmy Fallon, has just been posted online – check it out at Prefix.

Bright Eyes have released a new video from their new record The People’s Key. The Quietus also has an interview with Conor Oberst, who plays The Sound Academy (with his band) on March 13.

Video: Bright Eyes – “Shell Games”

The new DeVotchKa record 100 Lovers is up to stream at NPR in advance of its March 1 release.

Stream: DeVotchKa / 100 Lovers

The San Francisco Examiner and Spinner have interviews with and NYC Taper a live recording from last week of Nicole Atkins; she’s at The Horseshoe on February 26.

Asobi Seksu released their lastest Fluorescence this week and released a new video from it. They also have a chat with Spinner and will be at The Horseshoe on February 27.

Video: Asobi Seksu – “Trails”

NYC Taper has a live recording and Spinner an interview with Wye Oak, whose Civilian is out March 8 and who play The El Mocambo on April 9.

Paste and So Much Silence chat with Michael Benjamin Lerner of Telekinesis. They play The Horseshoe on March 6 and have an in-store at Sonic Boom earlier that afternoon.

Stereogum checks in with Fleet Foxes on the status of their new record Helplessness Blues, out May 3.

Rolling Stone is holding a competition to choose who will grace an upcoming cover – vote Ume.