Angel CeballosI’ll say up front that I never got around to listening to Learning, the first album from Seattle’s Mike Hadreas who performs as Perfume Genius, when it came out in 2010. While his short set of voice and piano didn’t get drowned out in the lineup of guitar-heavy rock at Matador 21 but rather impressively managed to silence it, at least for the duration of his short set, it didn’t manage to do the same against all the stuff I had to listen to at that time. And so it slipped by.

His second album Put Your Back N 2 It, due out tomorrow, will not be so ignored. It grabs and holds your attention not through any kind of force, but by its starkly vulnerable beauty. There’s no cataloguing the range of emotions that seems to exist at the exact resonant frequency of Hadreas’ voice – though they all hum at the approximate pitch of the darker side of love – but it’s impossible not to feel them. It’s a fragile and intimate thing with a vibrato that echoes Antony Hegarty’s, but whereas Hegarty dresses up his vulnerability in the costume of the cabaret, Hadreas seems to prefer to bare his for all to see.

This is not to say that Put Your Back N 2 It is a stripped down affair or without affect. There’s some theatricality in Hadreas’ delivery, as well as cues lifted from modern R&B and gospel stylings, but the songs never become genre pieces. And though it’s quite exquisitely produced, incorporating electronics and ambience and extra instrumentation as needed to give it dynamics and weight, none of it distracts from Hadreas’ voice and words. I suspect that if you open your ears and your heart to what he’s offering, that’d be nigh on impossible. I think I just said that Back was exquisitely produced; I’d like to amend that and simply say that Put Your Back N 2 It is exquisite.

The Line Of Best Fit, The Guardian, Irish Times, Clash, Drowned In Sound, and Nowness have interviews with Hadreas while The Fader gets a look into his tote bag. No, that’s not a euphemism. Perfume Genius play The Drake Underground on April 8.

And I just noticed that I still have a copy of Learning on CD shrinkwrapped on my shelf; better late than never, yeah?

MP3: Perfume Genius – “Hood”
MP3: Perfume Genius – “All Waters”
Video: Perfume Genius – “Hood”
Stream: Perfume Genius / Put Your Back N 2 It

Brooklyn buzz duo Tanlines – who will release their debut album Mixed Emotions on March 20 and have people all abuzz over their just-released fancy 360-degree video – will be at Wrongbar on April 17. Tickets for that are $10.50 in advance.

MP3: Tanlines – “Brothers”
Video: Tanlines – “Brothers”

Southern rock’n’soul combo Alabama Shakes will follow up the April 10 release of their debut album Boys & Girls with a slate of touring that includes a date at Lee’s Palace on April 17; tickets for that are $16.50 in advance.

MP3: Alabama Shakes – “I Found You”

Though she’d originally promised a Fall return after her solo visit in July of last year, it’s taken a little longer for Eleanor Friedberger to come back to town in support of her solo debut Last Summer – but she’s coming back. She’ll be at The Garrison on May 4 and to help whet your appetite, there’s a pretty big Saki Session available to download at Epitonic. She also talks to The Boston Globe about why she’s a fan of Portlandia and is making appearances on their ongoing live tour.

MP3: Eleanor Friedberger – “My Mistakes”
MP3: Eleanor Friedberger – “I Won’t Fall Apart On You Tonight” (live at Saki Sessions)

Supporting Friedberger on this tour will be Brooklyn’s Hospitality – yes, this will be their third visit in five months, they’re at the Horseshoe on February 29 supporting Tennis – but their self-titled debut is so good, no one should be complaining. They do a complete reading of the record for their own Epitonic Saki Session; “Betty Wang” isn’t listed but it’s tacked onto “The Birthday”. There’s also an interview at The Pitch and frontwoman Amber Papini writes about her affection for New York at The Huffington Post.

MP3: Hospitality – “Friends Of Friends”
MP3: Hospitality – “Sleepover” (live at Saki Sessions)

And as promised, The Beach Boys – with Brian Wilson and possibly John Stamos on board – are marking their 50th anniversary with a massive tour and it will include a stop at The Molson Amphitheatre on June 19. Tickets go on sale for that February 25 and yes, it will probably be expensive. They’re not doing this for love. Well, maybe Mike Love is doing it for Mike Love. Anyways, The New York Times talks to Brian Wilson and Mike Love about getting the band back together and the new album that’s come out of it.

Video: The Beach Boys – “Good Vibrations”

Drowned In Sound interviews Stephin Merritt of The Magnetic Fields. The new record Love At The Bottom Of The Sea comes out on March 6 and they play The Sound Academy March 30.

Exclaim The Shins talks to James Mercer of/who is The Shins about their/his comeback album Port Of Morrow, due out March 20, and Stereogum has a video of him performing one of the new songs acoustic-styles.

The AV Club tackles the unenviable task of providing a guide to the world of The Elephant 6; it’s a psych-pop rabbit hole of the best kind.

Raphaël OulletWho would have thought that the title of Canada’s queen of electro-pop would be such a contested one? Just last year, Toronto’s Katie Stelmanis-fronted Austra seemed to have the title locked down, having collected numerous accolades both at home and abroad for their debut album Feel It Break. And yet just a few months later, it’s Vancouver native and Montreal resident Claire Boucher who operates as Grimes that everyone is talking about, what with her new record Visions set for release next week.

Not that it’s a competition, of course, and beyond the superficial there’s not that much in common; Visions is Grimes’ fourth album (but her first for indie juggernaut label 4AD) so if it is indeed her breakout album – and the just-awarded “Best New Music” won’t hurt – it’s been a long time in coming. And her sunnier sound, defined by Boucher’s affection for both dream-pop and R&B and her infectious chirp of a voice, is rather a far cry from Austra’s darker, goth-indebted aesthetic and Stelmanis’ operatic vocals. So why draw parallels? Lazy writing, of course, and the fact that it’s nice to have someone at the ready to pick up the Canadian electronic flag and run with it while Austra lays low and recovers from a whirlwind year.

The Georgia Straight, The Washington Post, The Province, Exclaim, Pitchfork, Prefix, The Guardian, The National Post, and SF Station all have feature pieces on Grimes and NPR has Visions available to stream in its entirety. Grimes is at The Horseshoe on March 19 and you’re damn skippy it’s sold out.

MP3: Grimes – “Oblivion”
MP3: Grimes – “Genesis”
Stream: Grimes / Visions

It’s not a total dearth of Austra happenings, though – their recent jaunt to Australia has yielded this video of a radio session wherein they cover Robyn.

Video: Austra – “None Of Dem”

Southern Souls has an interview with The Elwins, who are celebrating the release of their debut And We Thank You this coming Tuesday with a new video premiered at aux.tv and an album stream at Exclaim. They play a record release show at the Burroghes Building on February 24 and will also look to chase your CMW hangover away with a set at Rancho Relaxo on March 25 at 11PM.

MP3: The Elwins – “Stuck In The Middle”
Video: The Elwins – “Stuck In The Middle”
Stream: The Elwins / And We Thank You

Contra gets to know Army Girls. Their next show is March 10 at the Bovine Sex Club opening up for Carole Pope and they’re waiting to be scheduled in for Canadian Musicfest at the end of the month.

Cold Specks has announced details of her debut album, to be called I Predict a Graceful Expulsion and due out on May 22 on Arts & Crafts at home and Mute worldwide. A video for the first single has just been released and she will be at The Music Gallery on March 22 as part of Canadian Musicfest – a much better setting for her than The Phoenix, I’d say. This show is in addition to the already-announced June 2 appearance at The Music Hall opening for Great Lake Swimmers.

Video: Cold Specks – “Holland”

John K Samson talks to Exclaim about what’s in store for the next Weakerthans album, which he’ll get started on when he’s done being a solo act. Samson does the solo thing at The Great Hall on March 22.

Beat and Nine To Five help introduce Dan Mangan to Australia. He plays The Indie Awards at The Royal York on March 24.

Spencer Krug’s Moonface has announced the April 17 release of With Sinai: Heartbreaking Bravery, a collaboration with the Finnish band Sinai. The first MP3 sounds like this.

MP3: Moonface – “Teary Eyes And Bloody Lips”

The new Miracle Fortress video from Was I The Wave? has premiered at IFC; a must-see for anyone who’s ever wanted to set Graham Van Pelt on fire.

Video: Miracle Fortress – “Raw Spectacle”

Bry Webb gets into the end of the Constantines with Spinner.

Southern Souls chit-chats with Olenka Krakus of Olenka & The Autumn Lovers.

NPR has posted a World Cafe session with Kathleen Edwards.

It’s not the specifics of the new album Spectral Dusk that I’ve been patiently waiting for, but this unexpected Evening Hymns cover of a Trembling Blue Stars tune is pretty nice as well. Spectral Dusk is due out sometime in the Spring.

Stream: Evening Hymns – “If I Handle You With Care”

Torotonist, The AV Club, and NOW (in two parts) salute Toronto music showcase Wavelength on the occasion of its twelfth anniversary; the party goes all weekend.

Shawn BrackbillHow to follow up a career-defining record is hard enough question for most bands fortunate enough to find themselves in the position of having to do so. For Austin’s Shearwater, it’s triply difficult as they released not one but three interlinked albums over a span of four years – the so-called “Island Trilogy” of Palo Santo, Rook and The Golden Archipelago – which transformed them from Okkervil River sidebar into one of America’s finest, if still underappreciated, art-rock bands.

Not that continuing on in the same vein wouldn’t have been a viable option – after all, the marriage of ambitious prog-folk arrangements, nature-centric lyrics and Jonathan Meiburg’s otherworldy vocals had resulted in three superb albums; there’s no reason to think that it couldn’t yield more. But then we wouldn’t have gotten Animal Joy, the band’s just-released seventh album and that would have been an enormous shame.

On one level, Animal Joy isn’t that far removed from its predecessors but on another, it’s a polar opposite. Meiburg’s vocals are as dramatic and bracing as ever and as an ornithologist and scientist, his songwriting will naturally (pun intended) gravitate to certain themes; in that sense, Animal Joy is immediately recognizable as Shearwater. Where it breaks from the band’s catalog is in how it, to put it simply, rocks hard. Each of the preceding albums had its swells of intensity, it’s gloriously jagged moments that grabbed you and shook, but they were balanced by gentle, ethereal moments that settled over the proceedings like a mysterious fog. Animal Joy rarely sits still long enough for that to happen, taking advantage of the leaner arrangements – most everything on the record is the work of the core trio of Meiburg, Kim Burke and Thor Harris – to move quickly and determinedly. It eschews the elegant hollow bones of the trilogy for something more of sinew and blood, and crackles with life.

It’s those with the longest histories with the band who will be most surprised by Animal Joy offers, but also the most rewarded as its raw energy and sense of excitement – even danger – reveals a heretofore unexplored aspect of what Shearwater is. It’d have been understandable if the band had chosen to take some time off or creatively reinvent themselves following a project as massive as “The Island Trilogy”, but coming right back with such an invigorated follow up that may well be one of their very best? That’s better.

77 Square, DCist, PopMatters, Austin 360, and The Other Paper have interviews with Meiburg about the new record and Rolling Stone talks to him about the just-released first video from Animal Life. Shearwater are at Lee’s Palace on February 21 opening for Sharon Van Etten.

MP3: Shearwater – “You As You Were”
MP3: Shearwater – “Breaking The Yearlings”
Video: Shearwater – “Breaking The Yearlings”
Stream: Shearwater / Animal Joy

Speaking of Sharon Van Etten, the press cycle around Tramp shows no signs of abating. There’s interviews at The Stool Pigeon, Paste, Chicago Tribune, The Daily Tar Heel, and Black Book and NPR is streaming a World Cafe session and Le Blogotheque has a Take-Away Show.

Paste gets to know Hospitality, in town at The Horseshoe on February 29.

Spin points at the new video from The Head & The Heart, released just in time for their Winter tour which brings them to The Opera House on March 13.

Video: The Head & The Heart – “Down In The Valley”

Also in town on March 13 – at The Garrison – is EMA, who has released a new video for an anti-bullying benefit single; details at Pitchfork.

Video: EMA – “Take One Two”

Paste talks to Texas pop family Eisley, whose new EP Lights Out was just released and is available to stream. They’re at The Drake Underground on March 22.

Stream: Eisley / Lights Out

The New York Times is the place to go if you want to hear the whole of the new Sleigh Bells record Reign Of Terror before it’s out February 21. The duo are at The Phoenix on March 26 and also The Air Canada Centre on April 27 and 28 supporting Red Hot Chili Peppers.

MP3: Sleigh Bells – “Comeback Kid”
Stream: Sleigh Bells / Reign Of Terror

Daytrotter has a session with Chairlift, who are at The Horseshoe on March 28.

Spinner talks to Stephin Merritt of The Magnetic Fields. Love At The Bottom Of The Sea is out March 6 and they’re at The Sound Academy on March 30.

Put Your Back N 2 It, the new album from Perfume Genius, is available to stream in whole at Spin ahead of its February 21 release and the official bio has track by track annotations from Mike Hadreas. He plays The Drake Underground on April 8 and offers The Quietus and DIY interviews.

MP3: Perfume Genius – “Hood”
MP3: Perfume Genius – “All Waters”
Video: Perfume Genius – “Hood”
Stream: Perfume Genius / Put Your Back N 2 It

DIY checks in with School Of Seven Bells, whose Ghostory arrives February 28. They’re at The Hoxton on May 2.

When Joshua Tillman announced he was abdicating his throne as drummer for Fleet Foxes, it was assumed that he was doing so to concentrate on his solo career as J. Tillman. In fact, he was doing so to start a new solo career as Father John Misty and will be releasing his debut album in that guise, Fear Fun, on May 1. He will be taking said record on the road shortly thereafter and be at the Horseshoe on May 14, tickets $11.50 in advance.

MP3: Father John Misty – “Hollywood Forever Cemetery Sings”
Video: Father John Misty – “Hollywood Forever Cemetery Sings”

The Avett Brothers haven’t formally announced the follow-up to 2009’s I And Love And You, but the fact that they’ve booked two nights at The Music Hall for May 15 and 16 certainly implies something will be out by then. Or maybe they just want to visit.

MP3: The Avett Brothers – “I And Love And You”

Lambchop have released a video from Mr. M; it’s out next Tuesday, February 21.

Video: Lambchop – “Gone Tomorrow”

Spin chats with Justin Vernon of Bon Iver post-Grammy win.

Alison Mosshart of The Kills reminisces about the band’s first gig to NME as they celebrate its tenth anniversary.

Black Arts PRGraham Coxon has come up with a pretty clever way to get the word out about his forthcoming eighth solo record A+E, which is due out on April 2. Sure, the giving away a free MP3 from the album via a mailing list at DIY is pretty standard these days, but still effective. Soliciting dance auditions from fans to get a chance to star in the first video is also a fun strategy. And the three video trailers he’s released so far? Also effective if you’ve got some cachet and people are interested enough to watch – I think Coxon qualifies.

But the best way to get the words “Graham” and “Coxon” on peoples’ lips is to give an interview to The Daily Record wherein you basically guarantee in as many words that there will be a new Blur record while discussing your new record and your band’s upcoming appearance at the Brit awards. This carries a bit more weight than if, say, Alex James were saying it because Coxon is the one who basically ended Blur back in back in 2002 when he walked out on the recording of Think Tank. The other three carried on with that album and tour, but for many – myself included – it wasn’t Blur without Coxon, thus making his return to the fold in 2009 and the ensuing triumphant reunion tour that much sweeter.

If there’s any caveat about getting too excited about this pronouncement, it’s that Coxon was also the one who wanted aforementioned reunion tour to continue on – presumably with a return to North America – but Damon Albarn’s commitments to his zillion other projects put the nix on that. But one remains hopeful that where there’s smoke, there’s fire and eventually a new Blur album – with loads of tasty Coxon Telecaster and no world music beats – will emerge. And they will tour again.

Update: Pitchfork gets Damon Albarn on the horn and he’s cagier about what’s going on with Blur.

Well-timed, Filter has dug up a Think Tank-era cover story on the band as part of their tenth anniversary archive dig and DIY looks at the band’s 1997 self-titled effort – fifteen years old this week – helped kill Britpop.

Trailer: Graham Coxon / A+E Part 1
Trailer: Graham Coxon / A+E Part 2
Trailer: Graham Coxon / A+E Part 3

Noel Gallagher has released a new video from Noel Gallagher’s High Flying Birds.

Video: Noel Gallagher’s High Flying Birds – “Dream On”

Drowned In Sound, The Stool Pigeon, The Line Of Best Fit, and Clash all mark the release of Field Music’s new album Plumb with interviews.

Daytrotter welcomes Blood Orange to their studios for an interview.

Having just made an MP3 from the album available to download last week, Tindersticks have gone all in and their new record The Something Rain is available to stream ahead of its release next Tuesday, February 21.

MP3: Tindersticks – “Frozen”
Stream: Tindersticks / The Something Rain

The Guardian are streaming the new Slow Club single, taken from last year’s Paradise. Hear it live at The Rivoli this Sunday, February 19. The West Australian has an interview with the duo and the non-couple, amongst others, offers some Valentine’s Day reminisces for DIY.

Stream: Slow Club – “The Dog”

Drowned In Sound and Stereoboard chat with The Twilight Sad.

Los Campesinos! have a new video from Hello Sadness. There may be pole dancing.

Video: Los Campesinos! – “Songs About Your Girlfriend”

As a salute to the team of Russian scientists who’ve dug into an Antarctic lake that has been sealed in ice for 15 million years or more and not unleashed prehistoric monsters to devastate the modern world (I hope), Fanfarlo are streaming a new song that appears only as a bonus track on deluxe editions of Rooms Filled With Light. Also, a second live session video intended to get people excited for the record has just been posted. It’s out February 28 and they play The Mod Club on March 24.

Stream: Fanfalro – “Vostok, You Are Waiting”
Video: Fanfarlo – “Tightrope” (live session)

Head over to Clash to see a couple of live session videos from Trailer Trash Tracys.

There used to be a time where “European version” meant that there was at least some frontal nudity. Loney Dear must not have gotten the memo, as the European version of the new video from Hall Music trades the footage of the forlorn, masked skateboarder of the Nort American version released just last month for a pair of attractive people embracing at the seaside. Okay, then.

Video: Loney Dear – “Loney Blues” (European version)
Video: Loney Dear – “Loney Blues” (North American version)

The Independent gets Niki & The Dove to unplug for a video session while Digital Spy declares the pair “ones to watch” with a short interview.

DIY gets to know the people behind Sweden’s lovely Labrador Records.

Derek Branscombe’70s-styled radio rock – the sort marked by tight multi-part harmonies, guitars that go from chunky rhythms to smooth leads like the peanut butter aisle, and a laid back sort of pop songcraft that’s inviting like a pitcher of beer on a hot Summer’s day – has been back in style lately, and no one’s done a better job of repping it locally than Zeus. Their 2010 debut Say Us won them plenty of fans both across Canada and abroad.

Somehow amidst all the touring the band did for their debut, they managed to write and record a new batch of songs and they’ve been collected as Busting Visions, which has been given a street date of March 27. To build anticipation, a couple of new songs have been released into the wild – a first MP3 is downloadable at Rolling Stone and another is streaming over at NPR.

If you want to hear the new songs – and probably some old ones – previewed live in front of a hometown crowd, Zeus have been announced as the headliner at the Horseshoe on the Friday night of Canadian Musicfest. That’s March 23 and they’re slated to go on at 1AM, but be prepared to be there at doors if you’re planning to see them because the ‘Shoe always fills up during CMW regardless of who’s playing and this will surely not be any different. Advance tickets will guarantee you entry and cost $15, otherwise you can try your luck with a festival wristband.

And I’m not saying that they’re related at all, but it’s interesting that Say Us came out just a couple months before Clash Of The Titans and now Busting Visions hits days before Wrath Of The Titans. At least I think so.

MP3: Zeus – “Anything You Want Dear”
Stream: Zeus – “Are You Gonna Waste My Time?”

The Darcys – another Toronto band with a pronounced affection for the “me” decade – have released a video from their Steely Dan cover record Aja. It’s premiered over at aux.tv and drummer Wes Marskell talks about it with Interview. The band are at The Phoenix on March 1 opening for Bombay Bicycle Club and are on the bill of Edgefest at Downsview Park on July 12.

Video: The Darcys – “Josie”

PunkNews has an interview with Damian Abraham of Fucked Up, whose new Chinese zodiac single “Year Of The Tiger” is now available to stream – all fifteen minutes of it. They’re at Steam Whistle Brewing on February 17 as part of Wavelength 12.

Stream: Fucked Up – “Year Of The Tiger”

Also part of the Wavelength anniversary fest, though two nights later on February 19 at The Garrison, are PS I Love You. They’ve finally completed their second album and on May 8, will be wishing Death Dreams on everyone. How kind. Chart has more info on the record.

Exclaim has got the new Islands record A Sleep & A Forgetting available to stream ahead of its physical release next Tuesday. They’re at The Music Gallery on February 28 and Nick Thorburn discusses the new record with New York Magazine and hour.ca.

MP3: Islands – “This Is Not A Song”
Stream: Islands / A Sleep & A Forgetting

Spin has made a new MP3 from Plants & Animals’ forthcoming The End Of That available to download. It’s out February 28 and the Montrealers are at Lee’s Palace on April 21.

MP3: Plants & Animals – “Song For Love”

Spinner has premiered a new video from Little Scream’s 2010 debut The Golden Record. She’s at The Great Hall on March 1 opening for The Barr Brothers.

Video: Little Scream – “Boatman”

Vancouver retro-soul outfit Chains Of Love have finally announced details of their full-length debut, to be entitled Strange Grey Days and due out on March 13. Specifics and a first taste is available to stream over at Exclaim, and the band have a couple of local dates coming up – a March 24 date at The Horseshoe as part of Canadian Musicfest (they’re on at 9:20) and then one on April 13 at The Great Hall opening up for Said The Whale.

Stream: Chains Of Love – “He’s Leaving (With Me)”

Beatroute has an interview and Exclaim a video session in two parts with John K Samson, in town at The Great Hall on March 22 for Canadian Musicfest.

NPR has posted video of a KEXP radio session and The New Zealand Herald an interview with Austra.

Stereogum has posted streams of a few selections from the Leonard Cohen covers CD currently gracing – which is to say glued to – the cover of Mojo. Hear Cohen redos by the likes of Cass McCombs, Field Music and Bill Callahan.

The Line Of Best Fit has unleashed their 20th Oh Canada compilation. Have at it.