Frank YangOne perennial highlight – okay, for two years – of my SXSW adventures was throwing day parties where we could invite Japanese Action Comic Punk outfit Peelander-Z to wreak havoc. So it was nice to see that not only were the Peelanders in town for NXNE, but they had an all-ages afternoon show scheduled at Sneaky Dee’s on the Saturday.

I guess Toronto’s still getting used to the idea of having shows when it’s still daylight out, because the gig was only attended by a few dozen – including some kids in cute homemade Peelander t-shirts – but I suspect that even faced with an audience of one, Peelander-Z would give it their all (and make said individual very uncomfortable). The show was a little different from when they were here in September, with Peelander Pink a little more involved in the proceedings and a dance number at the end, but the chewy centre was classic Peelander with human bowling, band swapping and squid costume jump rope/limbo line amongst other shenanigans. Tonnes of fun, but I couldn’t help wondering how insane it would have been if they’d been put on at Yonge-Dundas Square, with its throngs of unsuspecting bystanders and eminently climbable stage. Maybe next time.

Spinner has a surprisingly coherent interview with Peelander Yellow.

Photos: Peelander-Z @ Sneaky Dee’s – June 18, 2011
MP3: Peelander-Z – “Tacos Tacos Tacos”
MP3: Peelander-Z – “E-I-E-I-O”
MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”
Video: Peelander-Z – “E-I-E-I-O”
Video: Peelander-Z – “Ninja High Schooool”
Video: Peelander-Z – “S.T.E.A.K.”
Video: Peelander-Z – “Mad Tiger”

Bridging the day and night programming at Yonge-Dundas Square was uber-buzz band of the hour, New York’s Cults. I’d seen them last Summer when their hype was still more of the underground variety and been somewhat underwhelmed, appreciating the style of what they were doing and some of their songs but overall felt that they were still too green to be touring the continent. Fast forward a year and their self-titled debut is garnering decent reviews and me? Still not overly impressed. Their onstage presence is better, but Madeline Follin still looks uncomfortable as a frontwoman, though maybe she was just unaccustomed to such a large stage in daylight. In any case the songs were more fully-realized and the audience was certainly responsive though anyone looking for electricity would be left wanting. Don’t get me wrong – they’re fine and all, but I find the raves they’re getting disproportionate to what they’re actually doing. And once again, I would like to point out that sadly departed Saturday Looks Good To Me did the Motown/retro-pop revival thing SO much better and more interestingly not that long ago. Every Night, people. Every. Night.

NOW, New York Magazine and NPR have feature pieces on Cults.

Photos: Cults @ Yonge-Dundas Square – June 18, 2011
MP3: Cults – “Go Outside”
MP3: Cults – “Most Wanted”
Video: Cults – “Abducted”
Video: Cults – “Oh My God”

I encouraged everyone to make Louise Burns’ Saturday gig a must-see on their schedule, and considering that between that post and the show her debut Mellow Drama was also long-listed for the Polaris, I assumed that it’d be standing-room only in Supermarket’s back room and while a decently-sized crowd showed up, sitting or even lying down was also an option. This is what you get for being scheduled against DEVO, I guess. Still, Burns and her band The Moonshiners – five players including backing vocalist – impressed those who were there with a solid set that proved that despite the innate twang of her voice, pigeonholing Burns as a retro/rootsy-type artist is really insufficient – in fact the combination of Burns’ deftly melodic basslines and the dual chiming Telecasters had me drawing Smiths comparisons; I’ll wager anything that she’s got a healthy collection of ’80s Anglo-indie at home. I’ll also wager that Burns’ star will continue to rise over the coming months – excess elbow room at her shows will not be a problem.

Photos: Louise Burns @ Supermarket – June 18, 2011
MP3: Louise Burns – “What Do You Wanna Do?”
MP3: Louise Burns – “Drop Names Not Bombs”
Video: Louise Burns – “What Do You Wanna Do?”

The final night of NXNE had no shortage of high-profile shows sure to draw big crowds and fill up early. Which is why I opted to avoid all of them and camp out in the cozy underground shelter of The Dakota Tavern to wind out the festival. Traffic woes – even on a bike – meant it took longer to get from A to B than it should have, but I still made it in time to catch most of the Smoke Fairies’ set. The London-based duo play English folk with American blues undertones built around haunting haunting harmonies and intertwined guitar lines; though quite young, they made a convincingly old sound. In between songs from their new record Through Low Light And Trees, they offered stories about being stoned on Nyquil, disturbing Ben Mulroney and visitng island petting zoos. Entertaining? Rather.

Photos: Smoke Fairies @ The Dakota Tavern – June 18, 2011
MP3: Smoke Fairies – “Strange Moon Rising”
Video: Smoke Fairies – “Living With Ghosts”
Video: Smoke Fairies – “Hotel Room”
Video: Smoke Fairies – “Strange Moon Rising”
Video: Smoke Fairies – “Frozen Heart”

I didn’t know much about the next act, Portland’s Horse Feathers, save for that they were on Kill Rock Stars and presumably decent. That would prove to be the understatement of the festival. The quartet, led by singer-songwriter Justin Ringle put on a jaw-droppingly beautful showcase of dramatically orchestrated country/folk music, the dexterity of which was remarkable for the delicacy of the arrangements. There was no way that something so intricate should have carried so much weight, and yet it did. A pity it wasn’t quite breathtaking enough to shut up some of the talkers who insisted on jabbering throughout the set, but even they couldn’t ruin the performance. Easily one of the discoveries of the festival and you can bet I now own a copy of last year’s Thistled Spring.

Photos: Horse Feathers @ The Dakota Tavern – June 18, 2011
MP3: Horse Feathers – “Thistled Spring”
MP3: Horse Feathers – “Curs In The Weeds”
MP3: Horse Feathers – “Belly Of June”
MP3: Horse Feathers – “Drain You”
Video: Horse Feathers – “Belly Of June”
Video: Horse Feathers – “Curs In The Weeds”

North Dakota’s Secret Cities were the main band that I had wanted to come to The Dakota to see, but by this point I’d rather forgotten that. Their set, showcasing their new record Strange Hearts, did a good job of reminding me of that fact. The recorded versions of their songs happily exist in a fuzzy, mid-fi state, reminiscent of the heyday of the Elephant 6, but live things have a more necessary clarity and considerably more volume, thanks to clattering double drums, layered vocals, and hooks a-plenty. A melange of almost every pop styling imaginable, they ably offset proggier inclinations with a genial goofiness and general all-around charm.

Photos: Secret Cities @ The Dakota Tavern – June 18, 2011
MP3: Secret Cities – “The Park”
MP3: Secret Cities – “Boyfriends”
MP3: Secret Cities – “Luv Crime”
MP3: Secret Cities – “On Holiday”
MP3: Secret Cities – “Bright Teeth”
MP3: Secret Cities – “PG Pt 1”
MP3: Secret Cities – “Pink City”
Video: Secret Cities – “Always Friends”
Video: Secret Cities – “Pink City”

And closing the festival out were locals New Country Rehab who, as their name might imply, were a pretty much down-home country band who didn’t need a festival as an excuse to play a honky-tonk like The Dakota. Opening with a cover of Springsteen’s “State Trooper”, they took an obvious respect for traditional country, infused with some fresh energy to say nothing of ridiculous musicianship and stopped just short of entering alt.country/country-rock territory. Just enough to get the people dancing, which they most surely did. I stuck around long enough to enjoy their take on Creedence’s “Effigy” and then called it a day/night/festival. THAT’S IT.

Spinner has an interview with the band.

Photos: New Country Rehab @ The Dakota Tavern – June 18, 2011
MP3: New Country Rehab – “Angel Of Death”

As I wrap up this year’s NXNE coverage, a few pre-festival interviews that I missed earlier, all courtesy of Torontoist – this one with The Balconies, this one with Olenka & The Autumn Lovers and this one with Snowblink.

Details on the first official Memoryhouse release from SubPop have been revealed, and it’s not going to be their debut album. Instead, their debut EP The Years has been rerecorded, remixed and remastered and had a couple extra tracks added on; it will be given wide release on September 13, presumably pushing their proper debut album back until 2012.

MP3: Memoryhouse – “Modern, Normal”

Ohbijou have announced details of their third album, entitled Metal Meets and due out on September 27. Exclaim has details and a teaser video.

NPR welcomes The Rural Alberta Advantage to their studios for a World Cafe session while Metro offers up an interview.

Chart talks to Jay Ferguson of Sloan.

There doesn’t look like there’ll be any Olympic Island concerts this year, but a just-announced free show from Sarah Harmer, Serena Ryder and Skydiggers on July 16 on Centre Island is nothing to shake a stick at. It’s part of Parks Day, presented by Parks Canada, and is – as mentioned – free. Your tax dollars at work!

Video: Sarah Harmer – “Captive”
Video: Serena Ryder – “Little Bit Of Red”
Video: Skydiggers – “I Will Give You Everything”

The Boot talks to Neil Young about his just-released archival release A Treasure.

Frank YangOne crucial way that NXNE has become more like its bigger, cooler acronym-a-like cousin SXSW is the increase of day shows to go along with the official evening showcases. Of course, I didn’t actually go to any of these new daytime events – the only afternoon party I hit up was one that had been happening for the last few years, the Kelp Records BBQ at the Global Village hostel, this year co-presented by the Brits at The Line Of Best Fit. After all – they had free food, cheap drinks and a solid lineup of bands. What else does a body need?

And as a bonus, I was able to catch a couple bands that otherwise would have required more hopping around in the night time. First up were The Elwins, an almost distressingly young outfit from the suburban wilds north of Toronto. Distressing because for all their fresh-faced earnestness, they possessed a polished and sophisticated pop sensibility that artists many years their elder would be envious of (and they just generally made me feel old). Hearing the amount of detail and ingenuity that had gone into their songs, you’d be tempted to think there was some pop genius sven gali behind them but I suspect that it’s all them and that’s remarkable. Their debut album And I Thank You is finished but, I believe, looking for a home. It deserves one.

BlogTO chatted with the band pre-fest. They play the Silver Dollar on July 21.

Photos: The Elwins @ Global Village – June 17, 2011
MP3: The Elwins – “Time To Kill Time”

I’d seen Saskatchewan’s Slow Down, Molasses and heard their debut I’m An Old Believer back in Fall 2009 and filed them into the ever-growing “has great potential, not there yet” file in my mind. With the release of their second album Walk Into The Sea, I was happy to move them up into the far more spacious “definitely getting there” section of my grey matter. It’s still unquestionably roots rock at its core but the band are able to take it into less-travelled territory, getting noisier where necessary but remaining heartfelt and melodic. And when you’re able to go from twang to a My Bloody Valentine cover and do it well, as this six-piece did whilst crammed into the tiny stage area set up on the hostel’s patio, then you’re onto something.

Photos: Slow Down, Molasses @ Global Village – June 17, 2011
MP3: Slow Down, Molasses – “Late Night Radio”
MP3: Slow Down, Molasses – “I’m An Old Believer”

From the laid back patio shows, things went to the mainstage at Yonge-Dundas for what became a sort of Polaris Prize sampler, with all three acts having been named to the long list the day before. Leading off was Diamond Rings, whom in my mind I’d seen a million times but in fact had not since SXSW 2010 – well over a year. And while there’s only so many changes a solo act can make to their stage show, there were a few notable changes. While it was still just John O’Regan, his keyboard and his guitar, the unicorn tapestry which used to grace his front of the former had been traded in for a more professional “Diamond Rings” banner and oh yeah, he was playing in front of thousands of people. The relentless touring and becoming BFFs with Robyn has clearly paid off because the response that Diamond Rings was getting from the decidedly younger-skewing audience was entering teen idol territory. And unsurprisingly, the show was more polished than I’d ever seen it, incorporating bigger beats, some sweet dance sequences and just generally more crowd-pleasing. I’d always thought there was a limit to how much O’Regan could do with the Diamond Rings persona, but maybe I was wrong.

Diamond Rings has just announced a tour with Twin Shadow, that includes a date at The Mod Club on October 3, tickets $15 in advance.

Photos: Diamond Rings @ Yonge-Dundas Square – June 17, 2011
MP3: Diamond Rings – “Something Else”
MP3: Diamond Rings – “Wait And See”
MP3: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “Something Else”
Video: Diamond Rings – “Show Me Your Stuff”
Video: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “Wait & See”

Land Of Talk and I got our start at this very festival five years ago and while it’s only two and a half kilometers or so from The Boat in Kensington to Yonge-Dundas Square, the figurative distance covered by the band in that time is far greater. Long-gone is the scrappy power trio that wowed me so long ago, replaced by a five-piece band – six if you count Gentleman Reg in his Light Fires guise of “Regina Gentlelady” on backing vox for a few songs – and including Snailhouse’s Mike Feuerstack on guitar; certainly not the same players as last September at Lee’s. In fact, I would be hard-pressed to remember the last time I saw Land Of Talk with the same lineup twice in a row – the only constant being frontwoman Liz Powell. In any case, this was easily the largest setting I’d seen the band in and it was satisfying to see just how well their tense and yearning songs were able to scale up in presentation, helped no doubt by the three-guitar attack. It wasn’t their tightest show, but even so there was plenty of impact to be felt.

Photos: Land Of Talk @ Yonge-Dundas Square – June 17, 2011
MP3: Land Of Talk – “Quarry Hymns”
MP3: Land Of Talk – “Swift Coin”
MP3: Land Of Talk – “May You Never”
MP3: Land Of Talk – “Some Are Lakes”
MP3: Land Of Talk – “Corner Phone”
Video: Land Of Talk – “Quarry Hymns”
Video: Land Of Talk – “It’s Okay”
Video: Land Of Talk – “Troubled”
Video: Land Of Talk – “The Man Who Breaks Things (Dark Shuffle)”
Video: Land Of Talk – “Some Are Lakes”
Video: Land Of Talk – “Speak To Me Bones”

Stars had graduated to playing this size of show for a while now, so it wasn’t surprising that their show was tight and polished, not unlike their music itself. Stars have hit on a winning formula in crafting their romantic, synth-tinged pop and while it can get a bit samey over the big picture, on a song by song basis, it’s hard to argue with their effectiveness – songs like “Ageless Beauty”, “Your Ex-Lover Is Dead” and “Reunion” are pretty much post-millenial Can-rock classics, and for good reason. The thousands packing the square were certainly happy to eat it all up as well, from the tossing of roses into the crowd to Torquil Campbell playing up the Montreal-based band’s Toronto roots. For a free fan- and family-friendly show on a warm Summer’s evening, you couldn’t really ask for anything more.

Spinner has an interview with Torq Campbell.

Photos: Stars @ Yonge-Dundas Square – June 17, 2011
MP3: Stars – “Going, Going, Gone”
MP3: Stars – “Fixed”
MP3: Stars – “We Don’t Want Your Body”
MP3: Stars – “The Night Starts Here”
MP3: Stars – “Ageless Beauty”
MP3: Stars – “On Peak Hill”
Video: Stars – “We Don’t Want Your Body”
Video: Stars – “Fixed”
Video: Stars – “The Night Starts Here”
Video: Stars – “Take Me To The Riot”
Video: Stars – “Reunion”
Video: Stars – “Ageless Beauty”
Video: Stars – “Your Ex-Lover Is Dead”
Video: Stars – “Elevator Love Letter”

Done with the big stage for the evening, it was off to hit the clubs starting with Rancho Relaxo. There it was Volcano Playground, who impressed with their potential at the Wintergaze show back in December; I was quite interested to see how much further they’d come in the past six months. The answer: some ways. There was a lot of instrument swapping but the transitions were smoother than last time and didn’t disrupt the flow of hte show. Opening with a moody drone, they played a shortish set of spacey pop that didn’t sound distracted, kept moving by a heavy rhythmic element. At their best, they sounded reminiscent of Slowdive if they’d mixed the ideas of Pygmalion and Souvlaki and gotten a lot heavier, and when not at their best the potential of what they might do was still evident. I’m happy to keep them on my, “keep a solid eye on” list.

Their next show is July 10 at The Garrison.

Photos: Volcano Playground @ Rancho Relaxo – June 17, 2011
MP3: Volcano Playground – “Waiting”
MP3: Volcano Playground – “Anywhere”

At this point, my original plan had been to call it an early night for lack of anything I particularly wanted to see in the immediate area I was in. But when the Twitters brought word that one of the secret guest slots which peppered the schedule was going to be filled by the Dum Dum Girls, whom I’d resigned myself to missing, and that said show was happening across the street from where I was – albeit two hours hence – I had to stick it out. And sit through Rusty. OK, I suppose I could have just sat outside on the curb for a couple hours, read a magazine, but instead I opted to take in a ’90s Can-rock reunion that god knows I never asked for. If it’s not clear, I’d never been a fan of the band when they were MuchMusic/CFNY staples but clearly many others were, because the ElMo was packed with thirtysomething bro-types who were stoked – the only word to describe it – for their heroes’ return. And to be fair, they sounded pretty good considering that none of them (I think) carried on in music in any meaningful way after their dissolution over a decade ago. Though shorn of his signature dreadlocks, Ken MacNeil was still in pretty good voice (or as good as his raspy style required) and they collectively were pretty tight – a benefit, I suppose, of not having especially complex material to relearn. But they showed a good sense of humour about their age and the reunion and seemed genuinely grateful that their fans were still there.

Photos: Rusty @ The El Mocambo – June 17, 2011
Video: Rusty – “Empty Cell”

“Are you ready for us?” Dee-Dee Penny of Dum Dum Girls was talking to the sound guy, but could easily have been addressing the couple hundred or so who’d stayed up till 2AM to see them play a second set of the night, following their sold-out appearance at Lee’s Palace earlier on. Cramming a busload of tunes into a half hour set, Dum Dum Girls proved why they were a cut above the other bands currently riding the girl-group/garage-pop wave – besides the most impeccable stage outfits, impressive musicianship and an innate coolness that just can’t be faked, they’ve got terrific songs that would be standouts in any production aesthetic. And they’ve got great friends, as proven when Crocodiles, fronted by Dee-Dee’s husband Brandon Welchez, popped by following their own set at the Silver Dollar across the street and offered both a 40 of whiskey and their services as backing dancers for their last song. Totally worth staying up for.

Photos: Dum Dum Girls @ The El Mocambo – June 17, 2011
MP3: Dum Dum Girls – “He Gets Me High”
MP3: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
MP3: Dum Dum Girls – “D.A.L.”
MP3: Dum Dum Girls – “Jail La La”
Video: Dum Dum Girls – “He Gets Me High”
Video: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
Video: Dum Dum Girls – “Jail La La”

Spinner talks to Nicole Atkins about her latest video, which they’re also conveniently premiering. Brightest Young Things also has an interview while The Herald-Citizen talks to her about her Bonnaroo experience.

Video: Nicole Atkins – “My Baby Don’t Lie”

Similarly, Spinner has the new video from and a conversation with Alela Diane, who will be at Massey Hall on July 14 opening for Fleet Foxes.

Video: Alela Diane – “Desire”

NPR coaxes The Decemberists behind a Tiny Desk and gets them to put on a show. They’re persuasive like that.

The National Post, The Globe & Mail and NPR have interviews with Justin Vernon of Bon Iver, in town at the Sound Academy on August 8.

Each Note Secure talks to Daniel Kessler of Interpol. They’re at the Rogers Centre opening for U2 on July 11.

Rolling Stone finds out what’s next for The Strokes from Nikolai Fraiture and Albert Hammond Jr; a new record and probably some North American dates in the Fall once the European festival season is done.

PopMatters talks to Erika Anderson of EMA, in town at The Garrison on July 23.

Those suffering from Grizzly Bear withdrawal will be pleased to know that bassist Chris Taylor has struck out on his own under the guise of CANT and will not only be releasing his debut album Dreams Come True on September 13 – details at Exclaim – and be taking it on the road. Full dates still to come but Toronto gets a taste on October 21 at The Garrison, tickets $14.

Frank YangHands down, the best thing to happen to NXNE in recent years is the designation of Yonge-Dundas Square as the festival’s main stage and making the shows staged there – usually featuring the lineup’s biggest names – free for everyone. And what’s better is that despite being located in pretty much the most central and public place in the city, there’s been no signs that they festival has been concerned about diluting the quality of the performances to be a little more family-friendly; witness last year’s near-carnage of Iggy & The Stooges or the mid-day ass-shaking sissy bounce clinic put on by Big Freedia. Passers-by were offended by the latter – and to be honest I don’t blame them – but that it happened was great.

And it was just as great that Thursday evening’s programme featured an early evening slot from a band whose credentials were impeccable; a Polaris Prize-winning local act with mounds of international critical acclaim and fronted by a national television personality. Who just happened to be called Fucked Up. And the best part? No one cared. Actually, check that – it didn’t even matter that no one cared because it implies that there were concerns about people being offended. The best part was that the show was fantastic. I don’t think I’d have believed you if you told me a couple years ago that I’d become a Fucked Up fan – I figured that respect was as far as I’d get, but fact is I think their latest David Comes To Life is terrific and I can’t think of anyone I like more as Toronto’s musical and cultural ambassadors right now than them.

After being introduced by the festival emcee – a role that Damian Abraham played last year – the band tore into “Queen Of Hearts” from the new album and Abraham tore into the crowd, body surfing into the masses and largely disappearing into the circle pit and general tumult while somehow continuing to sing. The punk rock revelling continued through the first portion of the set as Abraham’s bandmates dutifully cranked out arena-sized rock from the safe confines of the stage, with Abraham eventually climbing out to bellow out the rest of the set from the edge of the barricade while the fans carried on moshing, surfing and generally carrying on. And through it all, the spirit was amazing and celebratory, quite a far cry from the dark vibe of last year’s Stooges show, though to the casual onlooker the mayhem might have appeared similar. For Fucked Up, it was a sort of warm-up to their more familiar club-sized show at Wrongbar later that night, but for everyone else, it was a pretty high bar set for the rest of the night.

Time Out New York has an interview with Damian Abraham and the brand-new video for “Queen Of Hearts” is linked below.

Photos: Fucked Up @ Yonge-Dundas Square – June 16, 2011
MP3: Fucked Up – “The Other Shoe”
MP3: Fucked Up – “Ship Of Fools”
MP3: Fucked Up – “A Little Death”
MP3: Fucked Up – “Queen Of Hearts”
MP3: Fucked Up – “Neat Parts”
Video: Fucked Up – “Queen Of Hearts”
Video: Fucked Up – “Black Albino Bones”
Video: Fucked Up – “Crooked Head”

I was pretty proud of myself for getting from Yonge to Ossington on bike in less than 8 minutes, even if it meant being a sweaty mess for the Modern Superstitions set at The Garrison. I’ve liked to check in on the local quartet from time to time, happily seeing the potential obscured by awkwardness at V Fest 2009 be more fully-realized in a much more confident Halifax Pop Explosion set last Fall. And the upward trend continued on Thursday as the band sounded louder and punchier than ever before, with new material that sounded less immediate but more impressive in its ambitions. While they could have done pretty well simply being “The Strokes fronted by a cute girl”, they’re obviously looking to do something more and that they’re arriving at these conclusions before their debut full-length is released can only be taken as a good thing. The next time I see them, I expect they’ll be ready to take on the world.

Photos: Modern Superstitions @ The Garrison – June 16, 2011
MP3: Modern Superstitions – “Visions Of You”
Video: Modern Superstitions – “Mercy Line”
Video: Modern Superstitions – “Visions Of You”

Leaving The Garrison, my tour of the worst venues in the city to take photographs in continued at The Velvet Underground where The Two Koreas were set to perform. I’d seen them way back in 2007 and was impressed enough at the time, but not enough to keep up with what the quartet in the years since. A recommendation to give their latest Science Island a spin confirmed that they were still at it and their facility for combining big guitar riffs with shouty yet melodic vocals was even sharper than before. And live, with frontman Stuart Berman’s dance moves thrown in, it was a good way to spend a half hour or so. And then it was back out into the night.

Spinner gets Berman to write about the duality of being in a band and writing about bands for a living.

Photos: The Two Koreas @ The Velvet Underground – June 16, 2011
MP3: The Two Koreas – “Midnight Brown”
Video: The Two Koreas – “Midnight Brown”

Getting to The Silver Dollar for 11 was strictly a logistical move to make sure I got in but it turned out to be one of the most fortuitous of the weekend, as it allowed me to see Chains of Love. The Vancouver outfit don’t do anything new whatsoever, but that’s rather the point. They take the spirit of ’50s and ’60s girl-group pop and writing new – GOOD – songs in that style and deliver them with genuine rock energy and plenty of sass and style, thanks to the charisma of frontwoman Nathalia Pizarro. A couple of gear issues threatened to stall their momentum early on but when they got going, there was no stopping them. An unknown quantity with only a 7″ and handful of MP3s entering the fest, they left as one of the bands everyone was talking about.

Photos: Chains Of Love @ The Silver Dollar – June 16, 2011
MP3: Chains Of Love – “You Got It”
MP3: Chains Of Love – “All The Time”

San Diego’s Crocodiles, on the other hand, came into NXNE with all the hype and lots to prove – not many bands get a three-night residency at a major festival for their Canadian debut. If they thought for a minute that they didn’t deserve the attention, however, you couldn’t tell from behind frontman Brandon Welchez’s Ray-Bans. Drenched in nothing but red light, they came off as cool as you could imagine and and as loud as you’d expect. On last year’s Sleep Forever, they found a good balance between the lo-fi psychedelic garage aesthetic of their scene and their fondness for big pop hooks but live, it was all about the drone and the volume. As such, guitarist Charles Rowell became the real star of the show as the amount of racket he was able to conjure out of his axe was most impressive, layering noise upon fuzz upon more noise, all delivered in riff form. Welchez gets points for simply being audible overtop of all that, but you couldn’t really hear anything more specific than that. Still, even so, a pretty bracing – and deafening – debut.

Spinner has an interview with Rowell, who post-gig also told them why they’ve never played in Canada before (hint: it’s what you think).

Photos: Crocodiles @ The Silver Dollar – June 16, 2011
MP3: Crocodiles – “Sleep Forever”
Video: Crocodiles – “Hearts Of Love”
Video: Crocodiles – “Sleep Forever”

I would have been happy to call it a night at that point but the fact that I was there, and Vancouver’s Dirty Beaches – whose debut Badlands was long-listed for this year’s Polaris Prize earlier that day – was up next was a pretty good argument for sticking around. And with regards to what Alex Zhang Hungtai – he who is Dirty Beaches – is about, all I can say is I don’t get it. I mean, I kind of do; his one-man, no-fi bedroom Elvis act certainly has a unique style to it and works on record in creating an atmosphere. But live, with Hungtai either shrieking or muttering into a plastic condensor mic or coaxing squalls of noise out of his guitar over simple looped beats, it was just kind of perplexing. The people around me went nuts, I went home. Dirty Beaches return on September 24 at the Phoenix as support for Peter Hook.

Photos: Dirty Beaches @ The Silver Dollar – June 16, 2011
MP3: Dirty Beaches – “Lord Knows Best”
Video: Dirty Beaches – “Shangri-La”

On a day where I would be seeing an Andy Bell and was writing up a band called Chains Of Love, how weird is it that an Erasure tour – including a September 11 date at the Sound Academy – be announced? Pretty weird. The show is in support of their new record Tomorrow’s World, due out this Fall, and tickets are $40.

Video: Erasure – “Chains Of Love”

As one festival ends, another begins. Or at least is announced. I speak of Summerworks, the annual convergence of theatre and music, and their 2011 music programme which was announced yesterday. Things kick off on August 4 with an all-day opening party and wrap on the 14th with same – details on performers for each are still forthcoming – but the evenings in between will shake out as follows, with all shows being held at the Lower Ossington Theatre with advance tickets $10 a night.

Friday, August 5 – Hooded Fang, Steven McKay
Saturday August 6 – Bonjay, Lioness
Wednesday August 10 – Great Bloomers, House League (featuring members of Forest City Lovers, Matters, Evening Hymns and more)
Thursday August 11 – Bruce Peninsula, Jennifer Castle
Friday August 12 – Miracle Fortress, Ruby Coast
Saturday August 13 – Green Go, Powers

The National Post talks to Shad, who will be playing a free show at Metro Square on July 1.

The Boston Globe has a visit with Chad VanGaalen.

The new Handsome Furs record Sound Kapital is streaming in whole over at Exclaim in advance of its release next week; Spin has an interview and a stream as well. They play The Horseshoe on August 1.

Stream: Handsome Furs / Sound Kapital

DIY has a pre-Glasto chat with Dan Mangan. His new record Oh, Fortune should be out in September.

Southern Souls has posted a video session with Little Scream.

Frank YangWhy yes, it was NXNE this past weekend in our fair city of Toronto. And yes, I was out partaking in the festivities, even going so far as to participate in some Wednesday night programming in camping out at The Garrison, which was hosting a nicely random bill of acts.

Opening things up was Pat Jordache, previously known for his associations with tUnE-yArDs and Sister Suvi but now looking to establish his own (pseudo)name with his debut album Future Songs. Those coming to them from the aforementioned connections weren’t lost, however, as there were echoes of Merril Garbus’ breakout project in some of their Afro-beat rhythms and Pat Gregoire’s affected baritone vocals but to my ears, Jordache and company sounded more comfortable in a more conventional, New Wave rock mode. And while it’s getting a bit common, it’s hard to argue with the impact that double drummers have on a live performance – when they’re as lockstep as Jordache’s were, it’s immensely powerful.

Photos: Pat Jordache @ The Garrison – June 15, 2011
MP3: Pat Jordache – “Phantom Limb”
Video: Pat Jordache – “Phantom Limb”

The fact that Baltimore’s Lower Dens was going to be playing was one of the main motivating factors in getting out of the house; I’d seen them at SXSW but that was a particularly short set and my affection for their debut Twin Hand Movement had only grown in the interim. So that they were disappointing was, well, disappointing. It was partly their fault and partly not, the latter because the mix was so loud and bass-heavy that the mind-bending, fuzz-laden intricacies of their on-record arrangements, which represented so much of their appeal, were frustratingly obscured and the former because, well, the PA didn’t force them to just meander through their material and look disinterested in the process. There were moments of clarity where they either pulled it together or the sonic murk cleared up or both and then, the results were impressive, but when someone asked later if they should see Lower Dens’ show at Lee’s the next night, all I could honestly answer was, “no, but do pick up the record”.

Photos: Lower Dens @ The Garrison – June 15, 2011
MP3: Lower Dens – “Tea Lights”
MP3: Lower Dens – “Hospice Gates”

If you’d seen my face upon learning that The Postelles’ just-released self-titled debut was produced by Albert Hammond Jr of The Strokes, you may well have been impressed by the complete lack of surprise in my expression. Because if you were to describe The Postelles’ sound in one word, it’d be “Strokes”. If you were allowed a whole sentence, it’d be along the lines of “The Strokes in the ’50s”. Reductive, sure, but also true. The New York quartet has that same dry, too cool aesthetic but rather than poach the ’70s punk scene for their influences, they seek to invoke the era of Elvis and Buddy, though made louder and slicker for modern audiences. And by and large it worked, as their set was fun and high energy but by bringing little new to the table, they also felt disposable even after hearing their material just once. Spinner has an interview with the band.

Photos: The Postelles @ The Garrison – June 15, 2011
MP3: The Postelles – “123 Stop”
MP3: The Postelles – “Hold On”
Video: The Postelles – “Sleep On The Dance Floor”
Video: The Postelles – “White Night”

Montreal’s Suuns weren’t the last band on the bill but they were the final act of my evening’s programme, and a wholly satisfying one at that. I’ve been keeping tabs on the outfit since they went by Zeroes and checked in last Fall, just before the release of their debut Zeroes QC and if possible, they’ve increased the amount of tension and intensity quotient of their distinctive electro-post-punk sound. Frontman Ben Shemi still looks like he’s in some kind of intestinal distress whenever he steps up to the mic and his tightly-wound vocals back that diagnosis up, but overtop his band’s throbbing, insistent analog pulse it’s a brooding yet heady stew of sounds.

Photos: Suuns @ The Garrison – June 15, 2011
MP3: Suuns – “Up Past The Nursery”
MP3: Suuns – “Arena”
Video: Suuns – “Pie IX”
Video: Suuns – “Up Past The Nursery”

Finally some good news on the Wild Flag front; two bits, actually. In addition to announcing a September 13 release date for their self-titled debut, a Merge release announced a Fall tour that included an October 11 date at Lee’s Palace. I had the pleasure of catching them at SXSW and you better believe that the rock will be brought.

MP3: Wild Flag – “Glass Tambourine”

Uptown profiles Blonde Redhead.

The Antlers have released a new video from Burst Apart.

Video: The Antlers – “Every Night My Teeth Are Falling Out”

Aquarium Drunkard talks to The Rosebuds, in town at the Sound Academy on August 9 opening up for Bon Iver. They’ve also got a new video from Loud Planes Fly Low.

Video: The Rosebuds – “Woods”

Clash talks to Justin Vernon of Bon Iver, whose new jam Bon Iver, Bon Iver is officially out tomorrow.

NPR and Daytrotter have sessions with The Head & The Heart.

MTV reports that Janelle Monae is ready to get to work on her second full-length album.

The Guardian profiles Brassland Records, co-founded by the Dessner twins of The National, on the occasion of its 10th anniversary.

John Darnielle of The Mountain Goats walks The Atlantic through an early draft of the song, “Dance Music”.

Frank YangA week straight of show-going is a pretty foreboding thing when you’re generally more inclined to stay home and watch television, but if the first night of said run – which began Tuesday at The Mod Club with The Antlers and Little Scream – is a bellwether of the next seven (or ten) nights out, then I say bring it on.

Though both acts were familiar, their performances were still new to me in crucial ways, in particular with Little Scream whom I’d last seen two years ago in a pair of solo performances that were both enigmatic and intriguing. Contrast that with this evening, where Laurel Sprengelmeyer was fronting a six-piece band and promoting her debut album The Golden Record; an album that’s been well-received but interestingly not done much to clarify the mystery of who Little Scream is, offering highlights in the individual songs but not really feeling particularly cohesive as it ranges from style to style, held together only by Sprengelmeyer’s impressive vocals. The live incarnation remedied this somewhat, unifying things by being both heavier and proggier throughout and offering itself up as a variant of rock built on folk instead of blues. Sprengelmeyer jokingly compared them to Iron Maiden, on account of the three-guitar configuration but just as she did a couple years ago, I was most reminded of The Who, despite the lack of any obvious nods. Why, I can’t explain, just as I still can’t fully put my finger on what makes Little Scream what they are – but I’ll keep trying.

The Antlers broke out via the unlikeliest of records in Hospice, a beautifully grim and harrowing meditation on mortality. I saw them three times in the cycle for that record, twice as openers and once at an in-store, and each time their performances seemed to be exercises in exorcising the darkness of that material by taking the songs and stretching them out into something new. The catharsis would appear complete with the band’s new record Burst Apart, which feels like fresh growth on a former blast site; sensual and sinewy, it practically glistens with life.

The sense of rebirth also carried over live, where the three-piece had added a fourth player on bass and guitar and frontman Peter Silberman, formerly content to set up off the side and hide somewhat behind keyboards, was up front and centre. As mentioned, this was my first time seeing The Antlers headlining their own show, but considering that even in a support setting they weren’t given to brevity – when opening for Editors, they stretched out five songs over 40 minutes – I expected epic-scale things from the Brooklynites and was not disappointed. With the extra four- or six-strings on hand, The Antlers were able to jam out the Burst-heavy set and allow Silberman to roam and even dance around the stage when not stealing the spotlight with his haunting falsetto. The few Hospice songs that did make an appearance were recognizable but decidedly incongruous from their original versions, the transformations applied over the two years of touring having taken hold permanently without diminishing their emotional power or beauty.

For many in the sold-out house, I’m sure the Hospice tracks were the highlights but given my difficult personal relationship with the record (it may have been written as a metaphor but for me was all too literal) it was the Burst Apart material that really shone. Free of the thematic and narrative constraints of its predecessor, the new record isn’t necessarily happy but it does have an optimism threaded throughout that’s genuinely uplifting, rather than simply trying to overcome its own weight. That the band were able to not only recreate this feeling live but amplify it was nothing short of remarkable.

DIY and The New Haven Advocate have features on The Antlers while Pitchfork solicits a list of Silberman’s formative musical influences. The National Post and BlogTO also have reviews of the show.

Photos: The Antlers, Little Scream @ The Mod Club – June 14, 2011
MP3: The Antlers – “Parentheses”
MP3: The Antlers – “I Don’t Want Love”
MP3: The Antlers – “Every Night My Teeth Are Falling Out”
MP3: The Antlers – “Two”
MP3: The Antlers – “Sylvia”
MP3: The Antlers – “Bear”
MP3: Little Scream – “Cannons”
MP3: Little Scream – “The Heron & The Fox”
Video: The Antlers – “Bear”
Video: The Antlers – “Two”
Video: Little Scream – “Red Hunting Jacket”
Video: Little Scream – “The Lamb”

Her show at The Rivoli safely behind us, Alela Diane has been announced as support for Fleet Foxes at Massey Hall on July 14. Spin declares her to be an artist “breaking out”.

MP3: Alela Diane – “To Begin”

Following in her brother’s footsteps and getting to work outside the context of The Fiery Furnaces, Eleanor Friedberger has set a July 12 release date for her solo debut Last Summer, and scheduled a Summer tour that includes a free show at The Horseshoe on July 19. The first single from the album is available to hear and watch.

MP3: Eleanor Friedberger – “My Mistakes”
Video: Eleanor Friedberger – “My Mistakes”

You get exactly zero points if you can guess what Portland synth-poppers STRFKR used to be called. Or maybe are still called, depending on who you ask and what company you’re in. You can be in their company at Lee’s Palace on September 20, where they’ll be showing off their new record Reptilians. Full dates at Exclaim.

MP3: STRFKR – “Bury Us Alive”

Stephen Malkmus has put together a Fall tour in support of his new album Mirror Traffic, due out on August 23. He’ll be at The Phoenix with The Jicks on September 21, tickets $22.50 in advance.

MP3: Stephen Malkmus & The Jicks – “Senator”

The National Post, Spinner and NOW preview Art Brut’s show at The Mod Club tomorrow night.

The Daily Swarm has gone through Bob Mould’s just-released new memoirs See A Little Light and posted their picks for some of the more intriguing passages contained therein and NPR have excerpted the first chapter. The Pioneer Press and The Bellingham Herald talk to Mould about looking back on his life for the book.

The Mountain Goats are giving away a new MP3 from their latest All Eternals Deck. Just because.

MP3: The Mountain Goats – “High Hawk Season”

NPR is streaming a World Cafe session with The Kills. The band have also released a set of acoustic performance videos over on their YouTube.

Spinner has a pre-NXNE interview with Dum Dum Girls; their showcase is Friday night at Lee’s Palace, 11PM.

Writers On Process talks to The Rosebuds’ Ivan Howard about his writing process. The Rosebuds are at The Sound Academy on August 9 opening up for Bon Iver.

That’s the same Bon Iver whose Justin Vernon is all dapper and shit as the cover story of the new Spin. There’s also interviews at Exclaim and The Vancouver Sun and the first video from Bon Iver, Bon Iver is now out – presumably not financed by the Alberta Tourism board.

Video: Bon Iver – “Calgary”

Aquarium Drunkard interviews Will Johnson of Centro-Matic about their new record Candidate Waltz, out next week.

Buffalo Tom have released a first video from their latest record Skins.

Video: Buffalo Tom – “Guilty Girls”

JAM and Echo interview Patterson Hood of Drive-By Truckers.

Acoustic Guitar and JAM chat with Steve Earle, in at the Molson Amphitheatre on August 20.