muteEnglish singer-songwriter Polly Scattergood’s 2009 self-titled debut may have been an indulgent, precious, and overdramatic work that sounded very much like the diary entries of a 22-year old put to music, but it was also impressively assured for the same reason, assuredly declaring “this is who and what I am right now” and doing it by way of sophisticatedly melodic electro-pop and expressive vocal work. Even if it didn’t do it for you, it was hard to deny that it heralded the arrival of a new talent with much potential that merited attention as it grew and matured.

The follow-up will arrive sometime this Summer, but a couple samples have already been released to both remind listeners of what she’s about – four years is an eternity to be away these days – and show how far she’s come. Two tracks aren’t quite enough to judge the latter point, but they’re both solid tunes and as far as getting me to revisit the debut and remember to pay attention to when the album finally comes out? Mission accomplished.

MP3: Polly Scattergood – “Wanderlust”
Stream: Polly Scattergood – “Disco Damaged Kid”

MTV Hive interviews Foals about Holy Fire, out next Tuesday.

7Digital and The 405 chat with Veronica Falls about their new record Waiting For Something To Happen and DIY gets a track-by-track walkthrough of the new album It’s out next Tuesday and they play The Garrison on March 12.

Spinner talks to David Bowie guitarist Earl Slick about new album The Next Day, out March 12.

Scottish synth-pop trio CHVRCHES have announced a March 26 digital release for their first North American EP Recover, and are streaming the lead track from it. They play The Mod Club on March 20 as part of Canadian Musicfest.

Stream: CHVRCHES – “Recover”

The House Of Love have released the first single from She Paints Words In Red by way of video. Getting quiet excited for this record as well as the fact that international shipping on the limited-edition vinyl was four pence.

Video: The House Of Love – “A Baby Got Back On Its Feet”

The Line Of Best Fit debuts the new single from Little Green Cars by way of video session; they play The Drake on March 28.

DIY and The 405 interview Frightened Rabbit, who have put out a new video from the just-released Pedestrian Verse. They play The Phoenix on March 31.

Video: Frightened Rabbit – “Today’s Cross”

The Skinny and MusicOmh interview Ritzy Bryan of The Joy Formidable while Aritzia asks her which five songs she wished she’d written. The Joy Formidable are at The Phoenix on April 12.

Anyone wondering why it’s taken Mumford & Sons so long to bring 2012’s Babel to town can blame their decision to eschew conventional touring in favour of their Gentlemen Of The Road events. Southern Ontario finally gets our turn, though, as they’ve announced a “stopover” for the weekend of August 23 and 24 in Simcoe, Ontario on the shores of Lake Erie, a little under two hours outside of Toronto. There will be two days of music with Edward Sharpe & The Magnetic Zeros and Dan Mangan amongst those playing the Friday The Old Crow Medicine Show, Hey Rosetta!, and The Vaccines as well as Mumford themselves on Saturday with more acts to be announced. Two-day passes run $109.

Video: Mumford & Sons – “I Will Wait”
Video: Edward Sharpe & The Magnetic Zeros – “Home”

NPR has posted a video session with Bat For Lashes.

Neil Halstead drops in at Daytrotter.

The Phoenix interviews Peter Hook.

Cecil MathieuThere are few musicians out there with a more impressive alt.rock resume than Ken Stringfellow. Starting out as co-frontman of the criminally under-appreciated Bellingham power-pop outfit The Posies, he was part of the final incarnation of the legendary Big Star, he was an unofficial member of R.E.M. both on stage and in the studio for a number of years in the post-Berry era, is part of the massive rotating cast of The Minus 5, he fronts a Norwegian garage rock band called The Disciplines, and oh yeah when he’s not doing all of that, he puts out gorgeous solo records.

Danzig In The Moonlight, out last Fall, is the latest of which and the first since 2004’s Soft Commands. And while that record was commendable for its stylistic ranginess, it lacked the coherence of the gorgeous, country-tinged Touched, which when all is said and done with Stringfellow’s impressive career may well stand as his masterpiece. Danzig does not even attempt to recapture that degree of aesthetic focus, but its forays into jangle-rock, prog, country, and R&B – to name but a few of the flavours that surface – don’t so much strive for authenticity than a reasonably convincing, “in the style of”. This allows Stringfellow’s sweet tenor and melodic gifts to tie it all together, which combined with the rich arrangements let Danzig sometimes feel more like the score to some ambitious musical production than a conventional album. In less deft hands, juggling this many ideas may have resulted in a grandly ambitious failure, but Stringfellow not only knows what he’s doing, he makes it look easy.

MyNorthwest.com and The Santa Barbara Independent have interviews with Stringfellow, who makes a rare Toronto appearance at The Drake Underground on February 19. Tickets are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away to the show. To enter, email me at contests@chromewaves.net with “I want to see Ken Stringfellow” in the subject line and your full name in the body, and have that to me by midnight, February 14.

MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”
Video: Ken Stringfellow – “Superwise”

Because the ’90s are back and you know you love it, The Breeders have expanded their reunion tour in support of the 20th anniversary of Last Splash and will be playing the whole of the album at the Danforth Music Hall on May 11, tickets $22.50 for balconies and $25 for floors.

Video: The Breeders – “Divine Hammer”

Bon Appetit has an interview with Yo La Tengo’s Ira Kaplan, which is fitting considering the culinary theme of the new video from Fade. They’re at The Phoenix this Saturday, February 9.

Video: Yo La Tengo – “I’ll Be Around”

Ra Ra Riot have released a video for the title track of Beta Love and Jambands has an interview with violinist Rebecca Zeller. They’re at Lee’s Palace on March 6 and are back again for the Arts & Crafts Field Trip fest at Fort York on June 8.

Video: Ra Ra Riot – “Beta Love”

The Strokes have confirmed a March 26 release date for their fifth album, Comedown Machine. Advance word is that despite everyone complaining it sounds nothing like The Strokes, it will indeed sound like The Strokes.

DIY and Interview talk to Thao Nguyen, who leads The Get Down Stay Down into Lee’s Palace on March 27.

Rilo Kiley have come clean on their forthcoming rarities compilation, cleverly entitled RKives and due out on April 2. Further information on that release can be found at TwentyFourBit.

Pitchfork talks to Steve Drozdt about The Flaming Lips’ forthcoming full-length The Terror – out April 2 – while Exclaim uncovers evidence that the real terror may be the fact that the band are endeavouring to record their own version of The Stone Roses’ first album, which it goes without saying would be a TERRIBLE IDEA.

Steve Earle has announced a new album entitled The Low Highway for release on April 16, and it’ll be the first one since 1990’s The Hard Way to be credited to him and The Dukes, though this one also credits The Duchesses, albeit in parentheses. All of which is to say this ain’t no solo record.

Pitchfork has details on the new record from Iron & Wine, entitled Ghost On Ghost and out April 16. You can stream a new song from it below.

Stream: Iron & Wine – “Lovers Revolution”

The Thermals have also settled on April 16 as the release date for their first record for Saddle Creek, Desperate Ground. Pitchfork has specifics.

Consequence Of Sound, Pitchfork, The Fader, and The Quietus all talk to Jim James about going solo. He’s in town at The Phoenix on April 24.

Spinner talks about hair with Widowspeak, who’ve made another track from their latest Almanac available to download.

MP3: Widowspeak – “Sore Eyes”

Beach House have released their long-promised short film Forever Still, featuring a number of live performances of tracks off Bloom.

Video: Beach House: Forever Still

Trespassers William have released a video from one of the songs off their farewell rarities compilation, Cast.

Video: Trespassers William – “Believe Me”

Interview talks to School Of Seven Bells.

The Alternate Side has posted a video session with Wild Nothing.

Le Blogotheque has posted a Take-Away Show with Titus Andronicus, and PopMatters an interview.

Paul ScalaReplicating success found overseas in North America has never been a sure thing, but for British electro-soul songstress Jessie Ware, it certainly seems more a case of “when” than “if”. The acclaim at home for her debut Devotion couldn’t help but get the buzz started in 2012 – I adored it enough to include it as one of my favourites of the year – but it’s only in 2013 that the campaign to conquer, or at the very least befriend, America has begun.

A short string of dates in January – which included a visit to Jimmy Fallon for a performance backed by The Roots – acted as a warm-up, with the markets left out expecting that a more thorough tour would accompany the April 2 domestic release date. And that tour has been announced, but it again is quite compact, getting her from the east coast to Coachella just in six stops. Happily though, Toronto is one of those stops – we will host Ms. Ware at The Opera House on April 6 unless it gets moved to a bigger room, and I don’t think anyone would be surprised if it did.

Tickets are $20 and go on sale this Friday at 10AM, but courtesy of LiveNation, I’ve got one pair of passes to give away for the show. To enter, email me at contests@chromewaves.net with “I want to see Jessie Ware” in the subject line and your full name in the body, and have that to me by midnight, February 7 – the winner will be notified before the on-sale happens so you can sit back and watch everyone else scramble for tickets. I mean that metaphorically, of course, because you can’t actually see people on their computers trying to buy tickets unless you’re a world-class creeper and world-class creepers are ineligible for the contest. House league creepers are welcome.

Vice has a typically Vice-y interview with Jessie Ware.

Video: Jessie Ware – “Sweet Talk”
Video: Jessie Ware – “Night Light”
Video: Jessie Ware – “Wildest Moments”
Video: Jessie Ware – “110%”
Video: Jessie Ware – “Running”

A bunch more concert announcements from yesterday, big and small – London (Ontario) folk-pop outit Olenka & The Autumn Lovers – themselves no strangers to my year-end list – will be welcoming lovers of all shapes, sizes, and seasons to Lee’s Palace on February 14; admission $10 at the door with couples getting in 2-for-1.

MP3: Olenka & The Autumn Lovers – “Odessa”

Last year’s Garbage reunion continues with a show at The Sound Academy on March 28, tickets $35. And if you were wondering, I can attest that they put on a great show and aren’t shy about trotting out the hits.

Video: Garbage – “Vow”

eMusic and Interview have features on Local Natives, whose sold-out March 28 show at the Opera House has been moved to The Phoenix and is thus no longer sold out, but probably will be again before too long. So get on that if you missed out – $21.50 in advance. And if you don’t want to wait, there’s a complete live performance streaming in HD for a limited time only – like the rest of today.

MP3: Local Natives – “Heavy Feet”
Video: Local Natives, Live From Brooklyn

Mysterious but aesthetically-pleasing LA-based soul-pop duo Rhye have put together a North American tour in support of their debut Woman, and will be in town at The Great Hall on April 13, tickets $15 in advance.

Video: Rhye – “Open”
Video: Rhye – “The Fall”

Up-and-coming Seattle-based indie rockers Pickwick will have their full-length debut Can’t Talk Medicine available for sale on March 12 and will be on the road all over the place in support, including The Horseshoe on April 21 – tickets $12.50 in advance.

Stream: Pickwick – “Lady Luck” (with Sharon Van Etten)

Californian garage-rocking sister act Bleached will be at The Silver Dollar on April 25 in support of their new record Ride Your Heart, out April 2. Exclaim has album details and tour dates, and you can stream the first single from it below.

Stream: Bleached – “Next Stop”

Though they didn’t win over quite everyone on their debut North American tour, British buzz band Palma Violets are leveraging the February 25 release of their debut 180 and a Coachella appearance for some more dates on this side of the pond, including a May 3 date at Lee’s Palace. Tickets for that are $15.50 in advance.

Video: Palma Violets – “Best Of Friends”

Unfortunate news as Vampire Weekend confirmed their continued existence yesterday by announcing the May 7 release of their third album – Modern Vampires Of The City – and subsequent tour dates, including a May 16 date at The Sony Centre. Tickets for that range from $33.50 to $44.50.

MP3: Vampire Weekend – “Horchata”

Toronto’s own METZ have announced an absurdly extensive world tour in support of their self-titled debut and have managed to squeeze in a hometown show at Lee’s Palace for May 17, tickets $15. Maybe this is why they took so long to release their album – because they knew when they did, they’d never, ever sleep in their own beds again.

MP3: METZ – “Wet Blanket”

last.fmAnd just like that, it was ours.

After the years – nay, decades – of rumours, promises, lies, delays, reverbs, reverse reverbs, bankruptcies, breakdowns, break-ups, reunions, side-projects, remasters, reissues, chinchillas, and endless myth-making, at the stroke of midnight GMT Saturday night, My Bloody Valentine released m b v, the long-awaited (to put it mildly) follow-up to 1991’s epochal Loveless.

Available immediately as digital downloads and in a few weeks as physical CDs and LPs, it’s a record that everyone believed existed – and has in some form since the previous century – but few thought would ever be heard, thanks to mastermind Kevin Shields’ perfectionism and unwillingness to exist in the same temporality as the rest of us. But here it is, all breathy vocals overtop churning, gliding guitars as if the past twenty years never happened. Some may wonder why Shields hasn’t seen fit to come up with new ideas in all that time – clearly it’s because he wasn’t done exploring these ones. m b v is very much the sequel to Loveless that a generation of shoegazers have longed for, a return to sonic territory that many have since tried to navigate but to which only Shields has the true map and compass. It’s hard to justify anything being worth a 20-year wait, this record makes a pretty good argument.

If you’re a My Bloody Valentine fan, your day has arrived. If not, give the album stream a listen and become one. Or don’t. That’s your business.

Stream: My Bloody Valentine / m b v

DIY reports that Primal Scream – who’ve counted both Shields and bassist Deb Googe as members over the past few years – have confirmed a May 6 release date for their new album More Light.

Suede are probably thinking they picked the absolute worst moment – late Saturday night – to unveil the first official video and single from their own comeback record Bloodsports, out March 18.

Video: Suede – “It Starts And Ends With You”

Spin and Clash have interviews with Johnny Marr, who has announced the itinerary for the North American tour in support of The Messenger, out February 26; look for him in Toronto at The Phoenix on April 27.

Video: Johnny Marr – “Upstarts”

Rolling Stone has another of those New Order/Joy Division dirt-digging/mud-slinging interviews with Peter Hook. It’s almost like he’s got a book to sell or something.

Matablog has confirmed a North American tour for Brighton’s Esben & The Witch behind their second album Wash The Sins Not Only The Face; they’re at The Drake Underground on March 25.

MP3: Esben & The Witch – “Deathwaltz”

Craig Finn of The Hold Steady offers praise for Frightened Rabbit in the pages of Clash, while over at DIY they’ve got both an interview and video session with the band, and The Daily Record also has a chat. Pedestrian Verse is out tomorrow and they’re at The Phoenix on March 31.

eMusic talks to indie-pop MBV-acolytes The History Of Apple Pie.

DIY has a feature interview with Veronica Falls, whose second album Waiting For Something To Happen is out February 12. They play The Garrison March 12.

And as a nice tie-together of many/most of the artists featured in today’s post – or their musical offspring – the whole of the 2010 documentary film Upside-Down: The Creation Records Story is available to watch on YouTube. It’s fascinating stuff, do take the time to give it a view.

Video: Upside-Down: The Creation Records Story

Shawn BrackbillWho: TEEN
What: Three-sister (and one sister-from-another-mother) art-pop band from Brooklyn whose frontwoman, Teeny Lieberson, formerly served as keyboardist for Here We Go Magic and who may or may not realize that the all-caps spelling of their name doesn’t help them in Google searches one iota.
Why: They continue to tour in support of last year’s debut album In Limbo, produced and mixed by Spacemen 3’s Sonic Boom.
When: Friday, February 15, 2013
Where: The Drake Underground in Toronto (19+)
Who else: Locals The Lost Babies support
How: Tickets for the show are $11 in advance but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see TEEN” in the subject line and your full name in the body, and have that to me by midnight, February 11.
What else: Stereogum has an interview with Lieberson and Noisey has a couple of performance videos from the band, the full session audio of which is streamable on Soundcloud.

MP3: TEEN – “Ambient”
MP3: TEEN – “Electric”
MP3: TEEN – “Better”
Video: TEEN – “Electric”
Video: TEEN – “Better”