Posts Tagged ‘Yuck’

Monday, October 7th, 2013

Nightcall

London Grammar and Jaymes Young at The Great Hall in Toronto

Photo By Frank YangFrank YangAs noted in my review of their debut album If You Wait, London Grammar should be commended for countering any cynicism about their sound being a little too of-the-moment – add one part Florence and one part Daughter to two parts xx, bake for 45 minutes, serve smouldering – by applying it to solid, affecting songs that should resonate with the lovelorn for years to come while still leaving plenty of room to grow. It wasn’t quite enough to make them the Mercury Prize favourites that their champions expected – they didn’t even make the shortlist – but even without that accolade, their inaugural North American tour was doing quite well, thank you very much, with Friday night’s Toronto date quickly getting the upgrade from the originally booked BLK BOX to the more spacious and appropriately elegant Great Hall upstairs.

Support came from Seattle’s Jaymes Young, who for his well-crafted and performed songs, didn’t quite manage to transcend his reference points to the same degree. The vaguely yearning vocals over echoey guitar tones with electronic flourishes sounded like a distillation of 2013 indie, and as such remained largely anonymous. And using a slow, soulful cover of Haddaway’s “What Is Love” as an audience-rallying moment was an odd move, considering that most in attendance weren’t allowed to stay up until 11:30 when The Roxbury Guys were a thing on Saturday Night Live. But maybe that was to his advantage as undoubtedly some in the audience thought the song was his own and were impressed.

New bands get a bit of leeway with regards to their effectiveness as a live act, particularly when they’ve potentially gotten swept up in a wave of buzz that might short circuit their normal development curve as performers. Happily for all involved, London Grammar didn’t need to be cut this slack. I was pleasantly surprised they didn’t bring any additional players with them as the trio of guitarist Dan Rothman, vocalist Hannah Reid, and multi-instrumentalist Dot Major set up across the front of the stage and set to recreating the space and texture of their debut with just the tools at hand – guitar, keys, and loops while occasionally turning to bongos or a drum kit for extra dynamics. The de facto visual and aural focal point of the band, Reid would get a bit showier with her vocals in pushing the melodies around – somewhat surprising given how the album seemed to make an effort to keep things in check, but such excursions were relatively modest and didn’t detract from the proceedings; if anything, they demonstrated the impressive degree of confidence with which the band were operating.

And if they didn’t come to the stage with that confidence, the audience would have given it to them. In one of their many between-song asides to the crowd, they commented on their willingness to cheer at everything – an observation which was, of course, met with cheers. Their 45-minute set encompassed most of, but not all, of If You Stay, with the pairing of “Strong” and “Metal & Dust” as a powerful closing couplet, followed by a on-the-mark cover of Chris Isaak’s “Wicked Game” as an encore. A solid performance that decidedly increased my appreciation for the band.

Metro, The Sydney Morning Herald, and entertainment.ie have interviews with London Grammar.

Photos: London Grammar, Jaymes Young @ The Great Hall – October 4, 2013
Video: London Grammar – “Strong”
Video: London Grammar – “Wasting My Young Years”
ZIP: Jaymes Young / Dark Star

The Guardian and MusicOhm talk to Anna Calvi about her new album One Breath, which is out on Tuesday and from which she’s just put out a new video.

Video: Anna Calvi – “Sing To Me”

Drowned In Sound meets Peace, who have two local dates next week on October 14 at The Mod Club and October 15 at The Danforth Music Hall, both in support of Two Door Cinema Club.

The Quietus has a stream of Tindersticks’ forthcoming anniversary album Across Six Leap Years, coming out next week on October 14.

Stream: Tindersticks / Across Six Leap Years

It’s a touch late to actually act on the information, but Consequence Of Sound reports that Neil Halstead will be recording a couple of shows in London later this month on October 23 and 24 for release as a live record, and amongst the promised “special guests” will be Rachel Goswell, which means that both Slowdive and Mojave 3 move ever-so-slightly into the “active” column” but more importantly, that Goswell is healthy enough again to perform again – even if it is just for a few songs.

DIY goes behind the scenes of the new Los Campesinos! video, set to debut later this week. It’s taken from their new album No Blues, out October 29.

The Guardian has an extensive interview with Kevin Shields of My Bloody Valentine, who return for a show at The Kool Haus on November 5.

Stornoway will release a companion EP to this year’s Tales From Terra Firma – from which they’ve just released a new video – with the five-song You Don’t Know Anything, out November 12.

Video: Stornoway – “Farewell Appalachia”

DIY has confirmed details of Working Out, the debut album from London’s Arthur Beatrice. It’s out February 3 and they’ve released a first official video from the long-player.

Video: Arthur Beatrice – “Grand Union”

David Gedge has dusted off the Cinerama monicker under which he traded for several years between Wedding Present incarnations for occasional recent live shows, but has just issued the project’s first new release since 2002’s Torino with a tour-only 7″ with a new song and a live Disco Volante track recorded in 2012 – you can stream it and order the single below.

Stream: Cinerama – “I Wake Up Screaming”
Stream: Cinerama – “Unzip” (live)

Noisey talks to Yuck’s new frontman Max Bloom about having to become Yuck’s new frontman. DIY also has a feature interview.

Johnny Flynn lists off some of the influences that went into the making of his new album Country Mile for The Line Of Best Fit.

Billboard has an interview and video session with CHVRCHES.

Rolling Stone has premiered the new video from Palma Violets’ debut 180.

Video: Palma Violets – “Rattlesnake Highway”

Clash chats with Kele Okerke of Bloc Party.

The Skinny talks to Elena Tonra of Daughter.

Paste has an interview with Alex Turner of Arctic Monkeys.

The Quietus talks about the history and state of pop music with Bob Stanley of Saint Etienne, who incidentally has a new book on the topic in Yeah Yeah Yeah: The Story Of Modern Pop.

Friday, September 27th, 2013

Electric

Pet Shop Boys at The Sony Centre in Toronto

Photo By Frank YangFrank YangI can pinpoint the exact date, time, and place that I became a Pet Shop Boys fan – 8PM on August 30, 2009 at the Molson Amphitheatre. That was when they took the stage – the penultimate act of the final V Fest in Toronto and part of the “Pandemonium” tour in support of that year’s Yes – to the sampled voices of “Heart” and kicked off one of the most ridiculously entertaining hours of live music I can remember. I’d known the songs, of course – everyone knows many of those songs even if they don’t – but the marriage of their perfect pop and over-the-top, technicoloured building block visuals was impossible to resist, and since that too-short festival-length performance, I’ve been waiting for them to come back for their own full-length show.

It didn’t happen for last year’s Elysium, but for its strengths – maybe I liked it more than most because it was the first new PSB record to come out with me as a card-carrying member of their fanbase – its relatively low-key presentation may not have been the strongest foot to launch a world tour from. So thank goodness for this year’s unexpectedly fast follow-up Electric, a far more danceable and banging companion album that would get the Boys back on the road with the festival circuit in the Summer, and North America this Fall, stopping in at The Sony Centre in Toronto on Wednesday night.

With no opening act, the sold-out house waited and chattered patiently until the house lights dropped and screaming (the good kind) commenced. With projections of geometric abstractions and speeding tunnels on the giant scrim covering front of the stage, Messrs Tennant and Lowe took the stage behind giant glowing silhouettes, and ping-ponged from present to past with Electric opener “Axis”, Actually‘s “One More Chance”, and Elysium – all obscured behind trippy visuals – before dropping the scrim for “Opportunities” and bidding the crowd a proper “hello” with the first of many, many shouts of, “Toronto!”.

Even though the visuals of this tour were completely different from the Pandemonium tour – the Lego-esque aesthetic put aside for lasers, strobes, and the aforementioned giant projections, all tied together by a printed circuit board aesthetic – the structure was quite similar. Visually, you had Chris Lowe expressionless at his keyboard station handling the music, Neil Tennant roaming the stage in excellent voice, sometimes accompanied by a pair of dancers, and all in a dazzling and nonsensical array of costumes involving but certainly not limited to giant antlered animal masks, finely-tailored suits, disco ball helmets, and tinsel bodysuits on pogo sticks.

Musically, they tied songs together into suites with corresponding choreography, and as per the opening numbers, they focused mainly on their last two albums and their platinum-selling early records, although Behaviour was curiously left out completely. Also curious was the omission of two of Electric‘s highlights – new single “Love Is a Bourgeois Construct” and Springsteen cover “The Last To Die”. But you can’t have everything, I suppose, so wishing that some more of their ’90s singles had also made the cut in lieu of the early ’00s tracks is really besides the point. Even with a near two-hour show, a band with a catalog of classic songs as deep as Pet Shop Boys as well as very worthy current records to promote is going to leave someone’s favourites out. Probably best to focus on the fact that even so, no one was having anything but a great time and even though the Sony Centre’s seats weren’t the most conducive to dancing, we did what we could.

The show’s finale was heralded by a string of the biggest tunes – “It’s A Sin”, “Domino Dancing”, “Always On My Mind”, and “Go West” are the very definition of show stoppers – but the final number was Electric closing number “Vocal”; not a classic like the others – at least not yet – but certainly a banger and if you wanted to send a giddy crowd into the night understanding that even after more than a quarter century, you’re still writing and releasing great, great songs to go with your great, great shows, you could do far worse.

Global News, Panic Manual, and Live In Limbo also have reviews of the show, and Philly.com and The New Statesman interviews.

Photos: Pet Shop Boys @ The Sony Centre For The Performing Arts – September 25, 2013
Video: Pet Shop Boys – “Vocal”
Video: Pet Shop Boys – “Axis”
Video: Pet Shop Boys – “Leaving”
Video: Pet Shop Boys – “Winner”
Video: Pet Shop Boys – “Invisible”
Video: Pet Shop Boys – “Together”
Video: Pet Shop Boys – “All Over The World”
Video: Pet Shop Boys – “Did You See Me Coming?”
Video: Pet Shop Boys – “Love Etc.”
Video: Pet Shop Boys – “Numb”
Video: Pet Shop Boys – “Minimal”
Video: Pet Shop Boys – “I’m With Stupid”
Video: Pet Shop Boys – “Flamboyant”
Video: Pet Shop Boys – “Miracles”
Video: Pet Shop Boys – “London”
Video: Pet Shop Boys – “I Get Along”
Video: Pet Shop Boys – “Home and Dry”
Video: Pet Shop Boys – “You Only Tell Me You Love Me When You’re Drunk”
Video: Pet Shop Boys – “New York City Boy”
Video: Pet Shop Boys – “I Don’t Know What You Want But I Can’t Give It Anymore”
Video: Pet Shop Boys – “Somewhere”
Video: Pet Shop Boys – “A Red Letter Day”
Video: Pet Shop Boys – “Single-Bilingual”
Video: Pet Shop Boys – “Se a vida ´ (That’s the Way Life Is)”
Video: Pet Shop Boys – “Before”
Video: Pet Shop Boys – “Paninaro 95”
Video: Pet Shop Boys – “Yesterday, When I Was Mad”
Video: Pet Shop Boys – “Liberation”
Video: Pet Shop Boys – “I Wouldn’t Normally Do This Kind of Thing”
Video: Pet Shop Boys – “Go West”
Video: Pet Shop Boys – “Can You Forgive Her?”
Video: Pet Shop Boys – “DJ Culture”
Video: Pet Shop Boys – “Jealousy”
Video: Pet Shop Boys – “Where the Streets Have No Name (I Can’t Take My Eyes off You)”
Video: Pet Shop Boys – “How Can You Expect To Be Taken Seriously?”
Video: Pet Shop Boys – “Being Boring”
Video: Pet Shop Boys – “So Hard”
Video: Pet Shop Boys – “It’s Alright”
Video: Pet Shop Boys – “Left To My Own Devices”
Video: Pet Shop Boys – “Domino Dancing”
Video: Pet Shop Boys – “Heart”
Video: Pet Shop Boys – “Always On My Mind”
Video: Pet Shop Boys – “Rent”
Video: Pet Shop Boys – “What Have I Done To Deserve This?”
Video: Pet Shop Boys – “It’s A Sin”
Video: Pet Shop Boys – “Paninaro”
Video: Pet Shop Boys – “Suburbia”
Video: Pet Shop Boys – “Love Comes Quickly”
Video: Pet Shop Boys – “Opportunities (Let’s Make Lots of Money)” (version 2)
Video: Pet Shop Boys – “Opportunities (Let’s Make Lots of Money)” (version 1)
Video: Pet Shop Boys – “West End Girls”

The New York Times has the advance stream of Yuck’s second album Glow & Behold, being released September 30.

Stream: Yuck / Glow & Behold

Also out next week is Johnny Flynn’s new long-player Country Mile, which is available to preview at For Folks Sake. And if that’s not enough, there’s the sampler A Recapitulation Of Johnny Flynn EP which is available to download for free (or a donation).

Stream: Johnny Flynn / Country Mile

Clash, MIPro, and New Statesman talk to Anna Calvi about her new album One Breath, which is out October 7 and from which a new song is available to stream.

Stream: Anna Calvi – “Suddenly”

The History Of Apple Pie are streaming the a-side of a new 7″-single, out October 14 to coincide with their hop across the Atlantic to play CMJ.

Stream: The History Of Apple Pie – “Don’t You Wanna Be Mine”

Clash premiered a stream of the first new Fanfarlo music in a while; it comes from their new EP The Sea, which will be released on October 14.

Stream: Fanfarlo – “A Distance”

Daytrotter has a session with Kate Nash, who plays The Phoenix on November 5.

Though her debut album True Romance is still only a few months old, Charli XCX has released a video for a new song from her next album, which she obviously hopes will be out sooner rather than later. She plays Wrongbar on November 9.

Video: Charli XCX – “Superlove”

The Guardian examines the new wave of psych-rock bands coming out of the UK including Temples, who are at The Horseshoe on November 20 ahead of releasing their full-length debut next year.

Foals have a new clip from their latest, Holy Fire.

Video: Foals – “Out Of The Woods”

Savages have released a new video from Silence Yourself.

Video: Savages – “Husbands”

Sky Larkin share their favourite mottos with Clash, while ZME Music settles for a regular old interview.

NPR has a video session and Exclaim an interview with CHVRCHES.

Spin talks to Elvis Costello and Questlove of The Roots about their collaborative record Wise Up Ghost.

Wild Honey Pie have posted a video session with Camera Obscura.

As part of their ongoing 4AD week – marking the release of Facing The Other Way, a new book about the legendary label, Drowned In Sound talks to Vaughan Oliver, the graphic artist responsible for the 4AD’s signature visual style.

Monday, September 23rd, 2013

You Caught The Light

Review of CHVRCHES’ The Bones Of What You Believe

Photo By Eliot Lee HazelEliot Lee HazelIf hype were actual currency, you could trade in copies of Scottish trio CHVRCHES’ debut album The Bones Of What You Believe for bars of gold, their buzz-versus-time graph having steadily grown over the last year, successfully buoying them through three North American tours of increasing stature and scale before their first full-length was in stores.

These heightened expectations might seem to demand a big record, but those who were in attendance at the band’s first Toronto show in March – hardly a powerhouse live show with two-thirds of the band anchored to their keyboard stations and frontwoman Lauren Mayberry personable but not exactly owning the stage with her presence – can attest that it’s the small aspects of the band that give them their charm, an opinion borne out by Bones.

The karaoke versions of these songs might easily be mistaken for M83 numbers, with their big synth textures and singalong melodies reaching unashamedly skywards, Mayberry’s sweet voice and the melancholic-to-miserable sentiments it delivers keeps things grounded and resonant at a human scale. It’s understandable if the lyrics aren’t the first things that the listener notices – the big gleaming hooks around them, both instrumental and vocal, do tend to grab one’s attention – but they do offer welcome substance to the proceedings and add an extra dimension that helps them exceed expectations. To be clear: even if Mayberry was singing nonsensical verses about squirrels and tapioca these songs would be earworms of the highest order, but that there’s heart and intelligence here as well makes Bones a record that will merit plays well after the hype machine has moved onto the next big thing.

The Bones Of What You Believe is out this week on September 24 and NPR has a stream of the album. Consequence Of Sound, Billboard, The Wall Street Journal, and The Scotsman have features on the band and their ascent and CBC Music has a video session.

MP3: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “Gun”
Video: CHVRCHES – “Recover”
Stream: CHVRCHES / The Bones Of What You Believe

The Independent gets to know Daughter, in town for a show at The Phoenix on September 29.

MusicOmh talks to Johnny Flynn, who is streaming a new song from his forthcoming album Country Mile, hitting stores September 30.

Stream: Johnny Flynn – “Fol-De-Rol”

Yuck have released a new video from their forthcoming second record Glow & Behold, out September 30.

Video: Yuck – “Middle Sea”

Rolling Stone has made another song from the Neil Hasltead-fronted Black Hearted Brother available to download; their debut Stars Are Our Home comes out October 22.

MP3: Black Hearted Brother – “This Is How It Feels”

Under The Radar has posted the excerpts of the interview with Charli XCX that went into last issue’s cover story. She plays Wrongbar on November 9.

The Fader is streaming a new song from London’s Arthur Beatrice – introduced back in July – taken from their full-length debut, due out early next year.

Stream: Arthur Beatrice – “Grand Union”

Katie Harkin of Sky Larkin talks to DIY and The Yorkshire Evening Post about their new album Motto.

The Guardian, Exclaim, The National Post, and Stereogum talk to Elvis Costello and The Roots about their just-released collaborative album Wise Up Ghost.

Summer Camp takes The Quietus on a track-by-track tour of their new record Summer Camp.

JAM and Pitchfork have feature interviews with Arctic Monkeys.

The Wall Street Journal has a video session with Laura Marling, who has just released a new video from her latest album Once I Was An Eagle.

Video: Laura Marling – “Devil’s Resting Place”

Noisey, The Georgia Straight, and City Pages interview Savages.

PopMatters talks to Tracyanne Campbell of Camera Obscura, who just gave birth to her first child. Congratulations!

Metro finds out what Johnny Marr thinks of Queen.

The Toronto Star caught up with Peter Hook before his visit to town last week.

Berlin Beat talks to David Lewis Gedge of The Wedding Present.

Tuesday, September 10th, 2013

Metal & Dust

Review of London Grammar’s If You Wait

Photo By Paolo ZerbiniPaolo ZerbiniI’m sure it’s purely coincidence, but it’s a hell of one that the title of If You Wait, the 2013 debut from London Grammar, is but one word apart from If You Leave, the 2013 debut Daughter. After all, both are London-based, female-fronted three-pieces with atmospheric aesthetics, singular vocal signatures, and who plumb the depths of the heart’s frailties for lyrical inspiration.

But while they occupy a similar space, London Grammar stake out their own territory. A ways away from Elena Tonra’s wistful sigh of a voice, Hannah Reid’s rich, husky alto is clearly a powerful instrument akin to Florence Welch’s but rather than use it to blow the doors off, she keeps it set on a deep and steady soul-infused smoulder that expresses her wounded sentiments in rich tones. The musical accompaniment, built largely around guitar and piano, is sparse by default but more than able to swell for effect and works well in adding to the twilight ambience. One does wish that Dan Rothman’s lines and style – palm-muted and echoed – was a little less xx-marks-the-spot, but there’s no arguing its effectiveness in this context.

If there’s a complaint to be made about If You Wait, it’s in that the London Grammar aesthetic is a little too defined and consistently applied and over the course of the record starts feeling a bit monochromatic. It feels like a photograph of something beautiful, viewable from a single angle, than a living, breathing thing – more than acceptable for now, but a limitation they’ll have to transcend sooner rather than later.

NME reports that If You Wait is presently the odds-on favourite to win the Mercury Prize, the shortlist of which will be announced tomorrow and whose winner will be announced October 30. The West Australian and The Guardian have feature pieces on London Grammar and The Line Of Best Fit has a video of their covering La Roux for BBC’s Live Lounge. If You Wait is out today, September 10, and their inaugural North American tour brings them to Toronto for a show at The Great Hall on October 4.

Video: London Grammar – “Strong”
Video: London Grammar – “Wasting My Young Years”

The Guardian has a stream of Summer Camp’s second self-titled album, out now, while The Fly has a feature piece on the duo and Noisey gets them to go through and comment on their old photo albums.

Stream: Summer Camp / Summer Camp

Interview, Spin, The Telegraph, Tone Deaf, and The Fly mark today’s release of Arctic Monkeys’ AM with feature interviews; they play The Kool Haus on September 15.

DIY and vita.mn talk to CHVRCHES as the September 24 release date of their debut The Bones Of What You Believe draws near; but first they play The Danforth Music Hall on September 15.

NPR is streaming the new Elvis Costello/Roots collaboration Wise Up Ghost ahead of its September 17 release date.

Stream: Elvis Costello with The Roots / Wise Up Ghost

Peter Hook updates The Hollywood Reporter on the attempts to take possession of those Joy Division/New Order master tapes rescued from the trash recently. And as you can assume from the word “attempts”, they’re not going well. Hook plays The Hoxton on September 18.

Pitchfork has got a stream of another new track from Laura Groves, nee Blue Roses, taken from her new EP Thinking About Thinking, due out September 30.

Stream: Laura Groves – “Pale Shadows”

Yuck has released an in-studio video of them getting their New Order on; their second album Glow & Behold comes out September 30.

Video: Yuck – “Age Of Consent”

Frightened Rabbit play a video session for The Line Of Best Fit from a pirate ship at the End Of The Road festival; they are at The Kool Haus on October 21.

The 405 talks to Polly Scattergood, who has released a new video from her second album Arrows, originally set for a June release but now locked in to an October 21 street date.

Video: Polly Scattergood – “Cocoon”

MTV Hive has an interview and NPR a World Cafe session with Franz Ferdinand, who’ve just put out a new video from Right Thoughts, Right Words, Right Action; they play The Kool Haus October 24.

Video: Franz Ferdinand – “Evil Eye”

Though still coy about details of a new album, The High Wire have made another new song available to download.

MP3: The High Wire – “The Thames & The Tide”

The xx tell NME they’re already at work on album number three.

Little Boots has released a new video from Nocturnes.

Video: Little Boots – “Satellite”

NME and Billboard talk to Billy Bragg about being recognized for his “outstanding contribution to music” by the UK’s Association of Independent Music.

The Guardian talks to James Allan of Glasvegas.

God Is In The TV has an interview with Chris Olley of Six By Seven.

The Wedding Present are streaming a new single which will be available for sale as a 7″ on their upcoming UK tour.

Stream: The Wedding Present – “Two Bridges”

NPR marks the 20th anniversary of Britpop with a playlist of the scene’s best.

Wednesday, September 4th, 2013

The Universe Expanded

While I was out… featuring Franz Ferdinand and things of a British nature

Photo By Andrew KnowlesAndrew KnowlesThe biggest releases of last week both happened to be Scottish in nationality. There was Franz Ferdinand’s fourth long-player Right Thoughts, Right Words, Right Action, which was the topic of conversation with Alex Kaparnos at NPR, Billboard, Canada.com, and DIY, while Kapranos and Bob Hardy both chat with Stereogum and Paul Thomson answers the phone when CBC calls. Further, Pitchfork has video of that acoustic Grimes cover the band played for French radio that everyone was linking to last week. They play The Kool Haus come October 24.

Meanwhile, with their new b-sides comp The Third Eye Centre finally out, Belle & Sebastian have released a new video featuring Hannah Murray from Skins and Game Of Thrones. Under The Radar has compiled their multi-part interview with the band into a single piece, PopMatters has a chat with Richard Colburn, and over at The Quietus, Stuart Murdoch opts to talk about other peoples’ records rather than his own.

Video: Belle & Sebastian – “Your Cover’s Blown” (Miaoux Miaoux remix)

James Allan talks to The Quietus, MusicRadar, and Yahoo! about Glasvegas’ new album Later… When The TV Turns To Static. It wasn’t alluded to in the lede, despite being Scottish, because a) it came out this week and not last week, and b) not many people care anymore.

Arctic Monkeys are streaming a new b-side which doesn’t appear on AM, due out September 10. And if you only care about the songs which do appear on the album, you’re in luck – the whole thing is now streaming at iTunes. Arctic Monkeys are at The Kool Haus on September 15.

Stream: Arctic Monkeys – “Stop The World I Want To Get Off With You”
Stream: Arctic Monkeys / AM

Drowned In Sound talks to London Grammar, who are offering a full stream of their debut album If You Wait via their own website with just a few hoops to jump through. The record is out September 10 and they play The Great Hall on October 4.

Stream: London Grammar / If You Wait

In a video session for Gigwise, Frightened Rabbit offer up a cover of Jessie Ware’s “Wildest Moments” and another track from the Late March, Death March EP, out September 10, is available to stream via Stereogum. They play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Candlelit”

Savages have premiered a new performance video from Silence Yourself at Pitchfork; they play The Opera House on September 12.

Video: Savages – “I Am Here”

Gigwise and MusicRadar check in with CHVRCHES, whose debut The Bones Of What You Believe is almost finally out on September 24 but not before they headline the Danforth Music Hall on September 15.

James Dean Bradfield of Manic Street Preachers talks to Wales Online about their new album Rewind The Film, while Nicky Wire takes The Quietus through the new record track by track. And NME has posted the whole of their recent Wire-led Twitter Q&A. Rewind The Film is out September 16.

The Quietus looks at the many, many collaborations Elvis Costello has undertaken in his career, the latest of which is Wise Up Ghost with The Roots, due out September 17. Costello talks to The Brisbane Times about the new record.

Peter Hook talks about matters past, present, future, and legal with Billboard, Pitchfork, The Huffington Post, Exclaim, and The Dumbing Of America. He leads his new band The Light through old material at The Hoxton on September 18.

Daughter are streaming a new b-side; they play The Phoenix on September 29.

Stream: Daughter – “Smoke”

Yuck talks to Rolling Stone about carrying on without their original frontman, as documented on their new album Glow & Behold, out September 30.

Two Door Cinema Club have released a video for the title track of their new Changing Of The Seasons EP, due out September 30; NME has details. They play The Danforth Music Hall on October 15.

Video: Two Door Cinema Club – “Changing Of The Seasons”

Anna Calvi has released the first video from her forthcoming One Breath, out October 7.

Video: Anna Calvi – “Eliza”

Lanterns On The Lake have released a video for the title track of their new album Until The Colours Run, which is due out on October 7 in the UK and will get a North American release early next year on January 14.

Video: Lanterns On The Lake – “Until The Colours Run”

The Line Of Best Fit reports Suede will finally reissue their entire catalog on vinyl on October 21, but the catch is you have to buy them all in one super-expensive box set, it’s only available in the UK, and you have to take A New Morning with the rest. And oh, they released a new video from Bloodsports.

Video: Suede – “For The Strangers”

Los Campesinos! have confirmed an October 29 release date for their new record No Blues, and have made the first track from it available to stream.

Stream: Los Campesinos! – “What Death Leaves Behind”

M.I.A. is streaming another new track from her forthcoming Matangi, out November 5.

Stream: M.I.A. – “Come Walk With Me”

The Charli XCX show originally scheduled for September 16 at The Hoxton has been rescheduled to Saturday, November 9, and will now take place at Wrongbar. All previous tickets will be honoured and all the new dates can be seen at Exclaim.

MP3: Charli XCX – “Valentine”

Drowned In Sound checks in with Josh Hayward of The Horrors on the status of their next album, due out in early 2014.

Drowned In Sound chats with David Gedge of The Wedding Present, who will be undertaking an exhaustive reissue series of their back catalog in the near future; FACT has details on that.

Tessa Murray talks to Vogue about the new Still Corners video from Strange Pleasures.

Video: Still Corners – “Fireflies”

Under The Radar and Pitchfork talk to Bobby Gillespie of Primal Scream.

With the assistance of Hefner’s Darren Hayman, Allo Darlin’ frontwoman Elizabeth Morris has put together a solo EP entitled Optimism, available for digital purchase now.

eMusic has an interview with Billy Bragg.