Frank YangA local scribe much wiser than I recently pointed out that everyone – in Canada and Toronto specifically – has some baggage when it comes to Broken Social Scene, and you can take it from the fact that I’m quoting him that I wholly agree. This is the band that, for good and bad, came to be the musical ambassadors for Toronto to the world, would become pretty much inescapable both in the music world and the real world (swing a stick in Toronto, hit a BSS-er) and launched a thousand bands with far more members than they needed.

For my part, I was almost as taken with You Forgot It In People as everyone else in 2002 and 2003 – I say “almost” because some people love(d) this record A LOT – and was as excited as anyone to see the attention that it brought on a city that, to that point, didn’t seem to have a real face in the burgeoning indie rock world and for a while, they and their offshoots – anyone remember the show at Lee’s in June 2003 featuring BSS, Stars, Feist, Apostle Of Hustle, Jason Collett and Amy Millan? Seriously – theres photographic evidence – could do no wrong.

But that perfect, You Forgot It moment could only sustain for so long, and when the self-titled follow-up came out in 2005, the bloom was coming off the rose, at least from my point of view. Though it had some epic high points, Broken Social Scene felt overly long and meandering; there may have been a great record buried in there but it was in desperate need of an editor. These are points that only became clear to me later – the record still made my 2005 year-end list and 2006 Polaris Prize ballot – but that was more me wanting to like it more than I did at the time. By this point, the band seemed to have become even more ubiquitous than before – something I’d have not thought possible – and when they closed out the inaugural Virgin Festival Canada in 2006, I was grateful for both their amazing full-band performance and promise to take a break and go away for a little while.

They didn’t, of course. Rather than hibernate, they multiplied and both Broken bandleaders – Kevin Drew and Brendan Canning – released sorta-solo records that were essentially Broken albums, but without the weight of expectation that would accompany a proper BSS release. Neither really grabbed my attention, but to be fair my Broken Social burnout was still very much in effect and the records would have had to be pretty spectacular to get me past that… which they weren’t. And, of course, they continued toured as Broken Social Scene albeit with relatively pared-down lineups. Hiatus? Not so much.

And so seemingly without ever actually going away, they’ve returned with Forgiveness Rock Record and I, well I can’t say as that I’ve been hankering for a new Broken Social Scene record, but would like to think that I’m in a place where I can again regard them objectively. The decision to record with Tortoise’s John McEntire behind the boards rather than longtime sonic architect Dave Newfeld has an interesting effect on their sound, as McEntire’s more tidy and precise aesthetic is rather diametrically opposed to the “capture the chaos on tape” approach that’s defined their recordings thus far. Quantitatively speaking, Forgiveness is definitely cleaner than past efforts, with the sonic spaces more clearly defined and songs marginally more structured and compact, but just as you can’t catch water with a net, even a shiny new net, you can’t contain Broken Social Scene.

With the new record, there’s still a sense that the band are throwing things into the pot, creatively speaking, and seeing what kind of alchemy (if any) results. As such, it has the sort of maddening unevenness that’s practically a BSS signature, where really the most you can hope is that the highs are enough to offset the lows. Amongst the peaks on Forgiveness are the sprawling leadoff jam “World Sick”, punchy jangle anthem “Texico Bitches” and “All Is All”, a shimmering, almost completely un-BSS-like electro-pop jewel starring Reverie Sound Revue’s Lisa Lobsinger. And as for the valleys… well the record isn’t filler-free but it never gets as lost as Broken Social Scene did and all things considered, that’ll do. It doesn’t recreate the glorious sense of possibility and excitement that existed around the band circa 2002 and 2003 – which are completely unrealistic expectations, I will be the first to admit – but it does provide a solid argument that any reservations I have over all things Broken and Social may be my issues and not theirs.

I’ve talked before about the wonderful in-store culture that’s developed in Toronto, and on Sunday, Broken Social Scene helped push that along with an ambitious four-shows-in-one-day itinerary that saw them play sets in each of the city’s four major independent record stores, starting at Criminal Records and winding down Queen West to Rotate This, up to Little Italy’s Soundscapes and wrapping up in the Annex basement of Sonic Boom. With tickets given out to those who purchased copies of Forgiveness Rock Record, I’m not sure how anyone would manage to hit all four performances – short of buying four copies of the record – but I’m sure some found a way. I do find it remarkable that even though my relationship with BSS has waxed and waned over the years, so many remain utterly devoted to the band. And so it was that Criminal Records was packed front to back on Sunday afternoon as the band – numbering seven or eight, I think there was a horn player hidden behind one of the monitors – shook off the previous night’s drive back from New York to kick off their mini-tour.

They started off easy like Sunday morning (or early afternoon) with You Forgot It‘s “Lover’s Spit”, giving themselves the space to get tuned in for the marathon day to come before moving into the new material. Interestingly, Kevin Drew went guitar-less, instead working a bank of keyboards or just handling vocals. I hadn’t seen BSS live in almost four years so I didn’t know if this was a new development or something that had been in the works for a while. Either way, it wasn’t as though there was any sort of stringed instrument deficit up there – all of Brendan Canning, Andrew Whiteman, Charles Spearin and Sam Goldberg were armed with guitars or basses, but unlike past performances where it seemed that many guitars were just piled on top of one another, they seemed to be working with very precise arrangements. It wasn’t math-rock, but definitely not just jamming it out. All of the Forgiveness material – “Texico Bitches”, “Ungrateful Little Father” and “Forced To Love” sounded pretty solid if delivered a bit low-energy though Whiteman did more than his part to liven things up with some running man moves and jumping jacks. He also took the mic for the final song of the set, another return to Forgot It with “Looks Just Like The Sun” though it was preceded with some debate amongst the band as to exactly how the song went and what the lyrics were. Not that tidy, then, and I’m sure that they picked up some steam with each subsequent show as well as members as they woke up, but this was a pretty cool start to a very cool idea and a great hello and thanks from the band to their fans, their record stores and their city.

Broken Social Scene play a full and proper hometown show on June 19 at the Toronto Islands, and just announced a massive North American tour for the Fall. Dose, Beatroute, Torontoist, Pitchfork, Macleans, Blurt, The Aquarian, Interview and Chart have feature pieces on the band and their return.

Photos: Broken Social Scene @ Criminal Records – May 9, 2010
MP3: Broken Social Scene – “World Sick”
MP3: Broken Social Scene – “Fire Eye’d Boy”
MP3: Broken Social Scene – “Hotel”
Video: Broken Social Scene – “7/4 (Shoreline)”
Video: Broken Social Scene -“Fire Eye’d Boy”
Video: Broken Social Scene – “Ibi Dreams Of Pavement (A Better Day)”
Video: Broken Social Scene – “Her Disappearing Scene”
Video: Broken Social Scene – “Major Label Debut”
Video: Broken Social Scene – “Cause = Time”
Video: Broken Social Scene – “Almost Crimes”
Video: Broken Social Scene – “Anthems For A Seventeen Year-Old Girl”
Video: Broken Social Scene – “Lover’s Spit”
Video: Broken Social Scene – “I’m Still Your Fag”
MySpace: Broken Social Scene

Torq Campbell of Stars talks to Spinner about the power of Twitter. Their new record The Five Ghosts is out on June 22.

Damian Abraham of Fucked Up, who helped Mr Campbell understand said power of Twitter, tells Pffffft his favourite things about Toronto. Not listed is the Toronto Reference Library, but you can be sure that Abraham likes it enough to undress – respectfully – when Fucked Up play a free show there on May 28. Beatroute also has a chat with the FU frontman.

Resonancity, In Your Speakers and Spinner all talk to Holy Fuck on the occasion of today’s release of Latin. They’re at the Molson Amphitheatre on July 9 in support of Metric.

Chart and Beatroute have features on Caribou, whose show in Washington DC last night is now available to stream on NPR.

The Besnard Lakes have released a new video from The Besnard Lakes Are The Roaring Night. Beatroute and SF Station have interviews with the band, who are at the Mod Club on June 17.

Video: The Besnard Lakes – “Albatross”

Also with a new video are The New Pornographers, for the sort-of title track from Together. Beatroute, eMusic, Metro and The Quietus have interviews with Carl Newman, whose band will be at the Sound Academy on June 15.

Video: The New Pornographers – “(Your Hands) Together”

Clash talks to Mark Hamilton of Woodpigeon.

Beatroute has a feature piece on Hannah Georgas.

Previews of The Acorn’s forthcoming No Ghost just keep coming; the record is out June 1 and they play Lee’s Palace on June 11.

MP3: The Acorn – “Restoration”

Shad’s excellent new record TSOL is streaming at Exclaim this week, leading up to its release in two Tuesdays – May 25. He plays the Opera House on June 12.

Stream: Shad / TSOL

The Wilderness Of Manitoba has scheduled a record release show for their full-length debut When You Left The Fire, due out June 22 – they’ll be at the Music Gallery on June 25 with Evening Hymns as support. Before that, they’ll support Matthew Barber at the Mod Club on May 12 and Basia Bulat at the Phoenix on June 4.

MP3: The Wilderness Of Manitoba – “Hermit”

The lineup for this year’s Wolfe Island Music Festival has been announced and as always, it’s a great sampling of some of the best in Canadian music set in about as laid-back and chilled-out environs as you’ll find anywhere. Taking place in the Thousand Islands just offshore from Kingston, Ontario on the weekend of August 6 and 7, the Friday night will feature performances in the town of Marysville from The Sadies and Cuff The Duke, amongst others, and the Saturday lineup will feature The Weakerthans, Shad, Think About Life, Bahamas, The Acorn, Diamond Rings, Memoryhouse and Jim Bryson. I attended the 2007 edition of this festival, and it was a marvelous time – highly recommended.

FacebookThere was welcome and unexpected news in the inbox yesterday morning with the announcement that Sarah Harmer was back. It didn’t seem like she’d been away that long, but now that I think about it, the last time I saw her in any context was at Wolfe Island in 2007 with the reunited Weeping Tile, and it’s been almost five years since the release of her last album I’m A Mountain. So June 22, when her latest effort Oh Little Fire arrives, can’t come soon enough.

Harmer has been a musical constant in my life for what seems like ever, right back to 1995’s Weeping Tile debut Eepee – her voice and songwriting are like the ultimate comfort food or like a warm blanket under a clear, starry Canadian night sky though, to my knowledge, I have never lain in a warm blanket under a clear, starry Canadian night. Advance word has it that this record is more aggressive and direct than the bluegrass-y I’m A Mountain, and the first single “Captive”, streaming on her homepage, certainly seems to bear this out – clearly she’s not forgotten how to plug in and (folk-)rock.

Live dates for the Summer are forthcoming, but she’s already been announced as one of the performers at this year’s Osheaga festival in Montreal, which I suppose should have tipped me off that she had something new in the works. There’s an audio interview with Harmer available over at Canadian Living.

MySpace: Sarah Harmer

Another former Polaris shortlister who’s been out of sight a little while but is planning a big 2010 is Kathleen Edwards. Though not away for as long as Harmer, it has been a while – Edwards’ last record Asking For Flowers came out over two years ago. A recent blog post proves she’s not been idle, though – amongst other things, she’s been working with John Roderick of The Long Winters on a project (detailed by Roderick last December in Paste) and is also gearing up to record album number four. To that end, she’s setting up residence at the Drake Underground in Toronto for three weeks to (sort of) road test the new material; she’ll be there for three nights over three weeks – April 20, April 27 and May 4 – and tickets for the intimate shows are $20 and available for sale at Maple Music.

MP3: Kathleen Edwards – “In State”
MP3: Kathleen Edwards – “Back To Me”

Pitchfork talks to Wolf Parade about their third album, now entitled Expo 86 and out June 29. Here and The Coast also talk to the band, who are at the Phoenix tonight, April 7.

Yours Truly has got a terrific video session with Land Of Talk, recorded last Fall on their US tour. They’re at Lee’s Palace on Thursday night.

Filter Q&As Plants & Animals. Their new record La La Land is out April 20 and they play a free show at the Horseshoe that evening.

Caribou’s new record Swim is now streaming in its entiretly at aux.tv, two weeks in advance of its April 20 release date. Caribou play the Phoenix on May 3.

Stream: Caribou / Swim

Head over to Stereogum to download the first MP3 from Stars’ forthcoming The Five Ghosts, due out June 22. They play The Mod Club on May 5, to which I still have passes to give away. And yes, your odds are pretty bad right now (relative to my usual contests), but someone’s gotta win!

Spinner and Chart chat with Weakerthans guitarist Stephen Carroll. They play the Queen Elizabeth Theatre on May 26.

Aquarium Drunkard catches up with Born Ruffians at SxSW. Their new record Say It is out June 1; they play the Horseshoe on May 28.

Crystal Castles are headlining something called the HARD Summer Tour, and will be causing mayhem at the Kool Haus on August 14. Their second album should be out this Summer.

MP3: Crystal Castles – “Untrust Us”

NME gets on board the Diamond Rings bandwagon, offering up an MP3 of his second single for download.

MP3: Diamond Rings – “Wait And See”

FFWD and JAM get to know Think About Life.

Q-Town talks to Mark Hamilton of Woodpigeon.

The Wilderness Of Manitoba have announced some details of their debut full-length album – it’s entitled When You Left the Fire and should be out this Summer.

The New Yorker puts Neil Young and Jonathan Demme together in a room to discuss the Neil Young Trunk Show live film.

The Line Of Best Fit has posted up their ninth “Oh! Canada” downloadable mix.

Frank YangConsidering that snow and slush are far more typical environmental hazards for Canadian Musicfest’s timing, complaining about rain that accompanied the unseasonable warmth the last couple days seems ungrateful. And yet, standing in line to get into Lee’s Palace in the freezing drizzle Friday night, I could only take solace in the fact that this would be my one and only stop for the evening. But I would certainly be having words with this “chromwaves” fellow whom festival literature said was presenting the show along with the Billions booking agency. I bet he’s a tool.

The short gap between doors and the first act meant that Montreal’s Winter Gloves were on stage before my shoes had dried, and if anyone had been hoping to be eased gently into the evening’s entertainment… not going to happen. Winter Gloves came out hard, fast and loud with synth-rock from their debut About A Girl and while the album had only rated an “alright” to my ears, the live experience was much more engaging and enjoyable and, consequently, has prompted me to revisit the record. And encourage SxSW-ers to swing by the Paper Bag Records showcase I’m co-presenting this week to check them out. March 17 at Speakeasy, they’re on at midnight. End plug.

Photos: Winter Gloves @ Lee’s Palace – March 12, 2010
MP3: Winter Gloves – “Let Me Drive”
MP3: Winter Gloves – “Someone Great”
MP3: Winter Gloves – “All Red”
Video: Winter Gloves – “Let Me Drive”
Video: Winter Gloves – “Piano 4 Hands”

If Winter Gloves took their synths to the rock end of the spectrum, sole Toronto act on the bill Russian Futurists steered theirs towards the pop. And while their stage presence paled in comparison to the act they followed – Matthew Adam Hart subscribes to the “stand there as still as possible” school of frontmanship – the band were clearly pleased to be able to bust out new material from their forthcoming album The Weight’s On The Wheels and their indelibly melodic tunes carried the set. A little more on-stage activity wouldn’t have been unappreciated, but what can you do.

Photos: The Russian Futurists @ Lee’s Palace – March 12, 2010
MP3: The Russian Futurists – “Paul Simon”
Video: The Russian Futurists – “Paul Simon”
MySpace: The Russian Futurists

Any of the next three bands could easily have been tapped as headliner for the night, but The Acorn arguably took the stage with the most anticipation, at least from me. I hadn’t seen them play since late 2008 and in the interim, they’d gone into hiding to write and record their new record No Ghost, which should be out around June. So while the occasion of their return was a happy one, it also became bittersweet when midway through their set, frontman Rolf Klausner announced that guitarist/multi-instrumentalist Howie Tsui would be leaving the band after their show in Kingston the next night to concentrate on his visual arts career. Anyone who’s seen the Acorn live knows how essential Tsui’s contributions are to their sound, so whomever they get to take his place has some mighty big shoes to fill; a fact reinforced with this show as the band showed off some of their new material while busting out old favourites as well. The new songs sound as though they’ve taken the sounds and lessons learned from the Central American-inflected Glory Hope Mountain and brought them back to the northern hemisphere, including the second drummer added for touring said record – those who came to the band via their early EPs would be (pleasantly) surprised at how potent a rhythmic machine The Acorn are today. And Klausener’s between-song banter has also gotten a lot better. Thankfully.

Photos: The Acorn @ Lee’s Palace – March 12, 2010
MP3: The Acorn – “The Flood, Pt 1”
MP3: The Acorn – “Crooked Legs” (live on XM)
MP3: The Acorn – “Blankets”
MP3: The Acorn – “Plates & Saucers”
MP3: The Acorn – “Darcy”
Video: The Acorn – “The Flood, Pt 1”
Video: The Acorn – “Crooked Legs”

The thing about having your name attached to a show is that it tends to imply an endorsement of every act on the bill. I had tried to get into Montreal’s Plants & Animals with their debut Parc Avenue, which so many people I know and respect seemed to love, but just couldn’t do it. There was a hippie/jam band vibe about it that I just couldn’t get behind, so that their performance on this evening quite nearly tore my face off was just a bit of a surprise. Their musical prowess has never been in doubt, but funneled through an immensely loud and sweaty 40-minute set of classic rock-styled, arena-sized jams… well, you would have to hate rock to not be impressed. And I do not hate rock. I can’t say that I’ll like their second record La La Land more than the first when it comes out on April 20 – what wows me on stage doesn’t necessarily mean that it’ll be as interesting coming from my speakers – but I’ll certainly be giving it more of a chance than I would have prior to Friday night. Can’t ask for much more than that.

Photos: Plants & Animals @ Lee’s Palace – March 12, 2010
MP3: Plants & Animals – “Tom Cruz”
Video: Plants & Animals – “The Mama Papa”
Video: Plants & Animals – “Feedback In The Field”

Post-Plants & Animals, the room – which had been at capacity for the last few hours – began to clear out a bit. Reasonable, since many had probably been there since doors at 8:30 and subways were going to stop running before long. Reasonable, but unfortunate since leaving Lee’s then would have meant missing Think About Life, another band whom I’d done an almost 180 on since first hearing them. I had dismissed their self-titled debut as being too messy for my tastes, but after seeing them and the glorious dance-party explosion that is their live show in Summer 2008, I was more than happy to elevate them to “at least they’re buckets of fun live” status. Then last year’s Family proved that they were an outfit capable of capturing much of that live energy on record while further honing their songwriting into a more focused yet no less rocking disco-soul monster. In short, they appeared to have become the band that their fans had been insisting they were from the get-go.

After some technical delays, they took the stage looking a bit different from when I saw them last – guitarist/electronics-wrangler Graham Van Pelt and manic frontman Martin Cesar were still there, but drummer Matt Shane had been replaced and they had a new bassist in Caila Thompson-Hannant, whom I recognized from her stints in Miracle Fortress and Shapes & Sizes. Adopting a more conventional live band configuration would prove to be a wise move, though, as they sounded even better and more vital than they did the last time I saw them, Thompson-Hannat’s vocals in particular adding a welcome dimension to their sound. Energy-wise, they were as tremendous as before though the larger environs of Lee’s didn’t allow for quite the audience mosh action that Sneaky Dee’s did. Cesar did leap into the crowd towards the end of the set to spread some sweat around but at no point in the show did I fear for my life. Which should probably be considered a good thing, but I was still a bit disappointed – not in the show, the show was great, just in that I never felt compelled to run for cover.

Photos: Think About Life @ Lee’s Palace – March 12, 2010
MP3: Think About Life – “Nueva Nueva”
MP3: Think About Life – “Sweet Sixteen”
Video: Think About Life – “Havin’ My Baby”
Video: Think About Life – “Sweet Sixteen”
Video: Think About Life – “Paul Cries”

Apologies to The Uglysuit for not sticking around for their show-closing set. By 2AM, I was out of fumes to run on and had to hightail it for home. I promise that every effort will be made to see you this week in Austin.

Spinner interviews The Coast.

The Wooden Sky talks to Torontoist.

CBC has an interview with The Rural Alberta Advantage, who won the Galaxie Rising Star award at the Indies on Saturday night. Yeah, I’m not sure what that means either. But congratulations.

Emily Haines of Metric eulogizes Mark Linkous of Sparklehorse at eye.

Frank YangWednesday night’s in-store at Criminal Records had something for everyone. For The Besnard Lakes, it was an opportunity to refine the translation of their just-released new record The Besnard Lakes Are The Roaring Night into live performance before setting out on a world tour that would take them and their much-anticipated new album across Europe and North America. For those in attendance, it was a chance to be amongst the first anywhere to hear the new songs live and in an intimate – and free – setting, without having to endure the crowds that would surely be jamming the Horseshoe last night at their official Canadian Musicfest last night. Win-win.

That said, the brightly-lit retail outlet was an unusual setting for a band as much about atmosphere as the Besnards. Partway through the set, bassist Olga Goreas mentioned how much she was missing their signature smoke machine and a little bit of that probably would have better set the mood for the show, through which the audience sat almost too-respectfully silent on the floor of the store. Instead, all the mood would have to come from the music – epic in scope and massive in weight and probably requiring more hands to reproduce live, not less. Yet the departure of keyboardist Nicole Lizee after the touring cycle for The Besnard Lakes Are The Dark Horse was done left the band as a four-piece and as such, frontman Jace Lasek had to augment his guitar-playing and pedal-stomping with laptop and keyboard duties. And while they probably could have gotten away with simply playing louder, the extra care taken to reproduce the fullness of the Roaring Night material was appreciated.

The set was made up mostly of new material which, with the record having been officially available for less than 48 hours, was probably unfamiliar to much of the audience but they did throw the fans a bone with a single number off of Dark Horse before going even further back – I assume from their debut Volume 1 – for a closing number that sounded almost completely unlike their present-day material. It wasn’t the most engaging Besnard Lakes show I’d ever seen – as befit a dress rehearsal of sorts, they were concentrating more on the playing than the performing – but I’m sure that by the time they return to town, with The Roaring Night fully road-tested, it’ll be something to behold. And there’ll be the smoke-machine.

Spinner, Chart, The Montreal Gazette, hour.ca, The List, The Montreal Mirror, CBC and NOW all have feature pieces on the Besnard Lakes.

Photos: The Besnard Lakes @ Criminal Records – March 10, 2010
MP3: The Besnard Lakes – “Albatross”
MP3: The Besnard Lakes – “And You Lied To Me”
MP3: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “Devastation”
Stream: The Besnard Lakes / The Besnard Lakes Are The Roaring Night
MySpace: The Besnard Lakes

Spinner talks to Think About Life, who play Lee’s Palace tonight at 1AM.

John O’Regan of Diamond Rings graces the cover of this week’s eye, who also talk to his bandmate in The D’Urbervilles, Tim Bruton. Diamond Rings the Silver Dollar tonight at midnight, while The D’Urbs are up at 10PM at the Garrison.

Torontoist questions Dan Mangan, who plays the Courthouse tonight at 11PM, Criminal Records tomorrow at 6PM and the Horseshoe on April 22.

eye takes a look inside the apartment of Rural Alberta Advantage frontman Nils Edenloff. It’s okay, they were invited. Spinner settles for a chat.

The Toronto Star, Lucid Forge and Torontoist talk to Woodhands, who have just announced they’ll be playing tonight (!) at Wrongbar as a last-minute CMF addition – tickets are $12.50, on sale now.

Chart interviews The Balconies, whom they’re rightly declared a hot act. Witness the hotness at the Horseshoe Saturday night at 9:20PM

The Sadies will release their new album, entitled Darker Circles, on May 18. Live dates are sure to follow, but I’m going to go out on a limb right now and say they’ll be at the Horseshoe on December 31.

The National Post Q&A’s Great Lake Swimmers.

The Weakerthans will celebrate the release of their live CD/DVD set Live At The Burton Cummings Theatre on March 23 with an in-store performance at Sonic Boom on March 24 at 5PM. Maybe they can play in front of the Burton Cummings vinyl section. They’ve also got a date at the Queen Elizabeth Theatre on May 26.

MP3: The Weakerthans – “Plea From A Cat Named Virtue”
Video: The Weakerthans – “Tournament Of Hearts” (live)

Popolio has a quick interview with Ume. They’re playing Eastbound & Down during SxSW at 2:05PM.

Filter and Michigan Live talk to Ted Leo. The Filter piece is a two-parter.

Patterson Hood of Drive-By Truckers talks to Spinner about their next-next record, which will follow next week’s release of The Big To-Do with Go-Go Boots before the year is out. The Truckers are doubling up their next visit to Toronto with two nights at Lee’s Palace, April 6 and 7.

Spinner talks to Centro-Matic.

My Morning Jacket drummer Patrick Hallahan tells Spinner he’s glad the band took a break.

The Scotsman interviews Spoon, who are at the Sound Academy on March 29.

Spin checks in with The Thermals, who are in the studio working on their next album Personal Life, due out September 7.

Rolling Stone has words with Midlake. They play The Mod Club on May 25.

Sharon Van Etten talks to Spinner. She is at the Horseshoe on April 5.

hour.ca interviews Joanna Newsom, who plays a sold-out show at The Phoenix on Saturday night.

She & Him are the subject of features at Spinner and Billboard. Volume 2 is out March 23 and they play The Phoenix on June 9.

Soiree de poche has a video session with Beach House, who have a sold-out show at The Opera House on March 30 and are also playing the Toronto Islands Concert on June 19.

Blurt and Spinner have features on Wye Oak, here opening up for Shearwater on April 1.

Spinner talks to Phantogram, who will be at Supermarket tonight at 1AM.

Spin has debuted the video for the title track of Black Rebel Motorcycle Club’s new album Beat The Devil’s Tattoo. They are at The Phoenix on April 1 and again on April 11.

Video: Black Rebel Motorcycle Club – “Beat The Devil’s Tattoo”

Echo & The Bunnymen are sharing another track from their latest record The Fountain. They are at The Phoenix on April 23.

MP3: Echo & The Bunnymen – “Proxy”

Serena-Maneesh will release their new album S-M 2: Abyss In B Minor on March 23 and are not only streaming the whole thing, but they’ve debuted a new video over at Stereogum. They will be at the Great Hall on April 2.

Video: Serena-Maneesh – “I Just Want To See Your Face”
Stream: Serena-Maneesh / S-M 2: Abyss In B Minor

Swedish folk sister act First Aid Kit have set a North American tour for June and will be at the Rivoli in Toronto on June 12. Their debut Drunken Trees came out last year.

MP3: First Aid Kit – “I Met Up With The King”
MP3: First Aid Kit – “You’re Not Coming Home Tonight”

Shout Out Louds have released a new mini-documentary about the making of their latest record, the just-released Work. They play the Mod Club on May 8.

Video: Shout Out Louds “At Work”

Drowned In Sound has posted the first of a multi-part interview with Jonsi. Go is out March 23 and he plays the Sound Academy on April 30 and May 1.

Under The Radar interviews The Mary Onettes.

Yannick GrandmontIt’s a bit eerie, but with the exception of an in-store in a couple weeks, details noted further down, I’ve got nothing going on in the way of live music for more two weeks until Canadian Musicfest starts on March 11. And that’s really just fine with me, because the double-shot of CMW/CMF and SxSW was exhausting when I was a younger man – these days, I am going to need the downtime to rest up in order to survive that gauntlet of concert-going, airport-hopping and breakfast taco-eating.

And to help minimize the impact of club-hopping during CMF, I’m pleased to announce that I’ll be co-presenting the Billions showcase at Canadian Musicfest, taking place March 12 at Lee’s Palace, meaning that not only will I be able to associate myself with a super-solid lineup of Canadian acts (and one foreign one), I’ll be able to plant my ass in one place all night. Made of win.

The decidedly Montreal/synthpop-heavy lineup kicks off at 9PM with electro-poppers Winter Gloves, still riding the wave of their 2009 debut About A Girl, then Toronto’s Russian Futurists will preview their new album The Weight’s On The Wheels, out this Summer, at 10PM. At 11PM, The Acorn, having been squirreled away for the last while working on their new record No Ghost, will come of hiding to show off what to expect when the album arrives in or around May. Plants and Animals, whose new record La La Land arrives April 20, will take the stage at the stroke of midnight and then come 1AM, Think About Life will have you thinking about both having a disco-punk dance party and how not to get killed by getting caught in the middle of a disco-punk dance party soundtracked by last year’s Family. And, if you’re still standing after all that, Oklahoma ‘s The Uglysuit will usher in last call with the beautiful orch-pop of their 2008 self-titled debut. That is, unless Lee’s has also got 4AM extended drinking hours during Canadian Music Week. You’d think I’d know this but odds are I’ll have dragged myself home well before whether or not the taps are still flowing are an issue.

So while there’s options a-plenty for CMW/CMF – the schedule has really filled out the last few days and I’ll be doing a further preview closer to the festival’s start – I humbly submit that if you’re looking for a one-stop smorgasbord of tunes for Friday night, that Lee’s will be the place to be. And to help make up your mind, I’ve got a pair of passes to give away for the show – to enter, email me at contests AT chromewaves.net with “I want to Think About Canadian Music Week” in the subject line and your full name in the body. Contest closes midnight, March 5.

MP3: Winter Gloves – “Let Me Drive”
MP3: Russian Futurists – “Paul Simon”
MP3: The Acorn – “The Flood, Pt 1”
MP3: Plants & Animals – “Tom Cruz”
MP3: Think About Life – “Nueva Nueva”
MP3: The Uglysuit – “Chicago”

Ca Va Cool and Chart talk to Jace Lasek of The Besnard Lakes about their new album The Besnard Lakes Are The Roaring Night, out March 9. They headline the Thursday night of the Chart showcases at the Horseshoe for Canadian Musicfest on March 11, taking the stage at 12:10AM. As is always the case with the ‘Shoe during CMW/CMF/whatever, early arrival is recommended/mandatory.

Same goes for Two Hours Traffic, who are on at the same time on the Saturday night, March 13. But if you don’t get in and need a dose of maritime power-pop, note that they’ll be back on April 3 for a show at Lee’s Palace, tickets $13.50. They’ve also released a new video from their Territory record.

Video: Two Hours Traffic – “Noisemaker”

Chart talks to Paul Banwatt of The Rural Alberta Advantage and Woodhands about how he manages to balance drum duties in two bands, simultaneously blowing up right now. Woodhands are playing the Opera House on March 11 and the RAA at the Indie Awards at the Royal York on March 13. Vue has a feature piece on Woodhands and The RAA have been keeping a tour blog of their journey out west for the Olympics at Exclaim.

The Indie Awards will also feature a performance from Constantines, whose Daytrotter session went up for grabs last week and taught QTV how to play “Young Lions” on guitar.

Also offering a QTV a guitar lesson is Woodpigeon’s Mark Hamilton, who teaches them – and the whole internet – to play “Knock Knock”. The Concordian and Ottawa Citizen also have interviews with Hamilton.

The Montreal Gazette talks to Stars, whose presently untitled new album is apparently set for release in the first half of 2010.

Broken Social Scene have revealed the final details about their forthcoming album – Forgiveness Rock Record, their first proper album in almost half a decade, will be out on May 4 and you can get the first MP3 from the album, a 7-minute sprawler called “World Sick”, in exchange for your email at their website. Broken Social Scene plays the Toronto Islands on June 19.

The other big May 4 release from a Canadian supergroup is, of course, Together from The New Pornographers. The first MP3 from the album has been made available and is the almost-title track from the album.

MP3: The New Pornographers – “Your Hands (Together)”

Chart talks to Zeus, whose Say Us gets a release this week and is streaming until March 1 over at Exclaim. They’ve also scheduled an in-store at Soundscapes for 6PM on March 6 and will play Lee’s Palace on March 10.

MP3: Zeus – “Marching Through Your Head”
Stream: Zeus / Say Us

Canadian Interviews talk to Basia Bulat.

Thick Specs interviews Julie Doiron. Her current project Daniel, Fred & Julie, featuring Doiron, Attack In Black’s Daniel Romano and former Shotgun & Jaybird-er Fred Squire will bring their self-titled debut to the Horseshoe on April 15.

MP3: Daniel, Fred & Julie – “The Gambler And His Bride”

Anyone wondering about the set list for Fucked Up’s show at the Opera House this Friday need look no further than the back cover of The Chemistry Of Common Life – the band will be playing their breakout record in its entirety. And probably some more stuff on top of that.