Posts Tagged ‘Thao’

Wednesday, November 4th, 2009

Know Better Learn Faster

Thao With The Get Down Stay Down and The Portland Cello Project at The El Mocambo in Toronto

Photo By Frank YangFrank YangIf I’d managed to get to the El Mocambo on Sunday night in time to catch first act David Schultz & The Skyline, I think I could legitimately lay claim to have seen the longest bill – in character count, at least – of all time. But it didn’t happen so I had to settle for just one of the longest in recent memory, thanks to Thao with The Get Down Stay Down and The Portland Cello Project.

As the more insightful might have discerned, The Portland Cello Project is indeed a cello-based musical project hailing from Rose City. Though infinitely scalable when at home, the touring edition of the PCP numbered four cellists who entertained a reasonably healthy-sized Sunday evening crowd with some great banter and mostly-instrumental covers of songs familiar and unfamiliar, including ones by Pantera and Elliott Smith. For one song they were joined by Justin Power for an original number taken from their latest record The Thao & Justin Power Sessions and closed with an audience participatory “Hey Ya!”, assisted by the Get Down Stay Down.

If nothing else, Thao and the Get Down Stay Down are taking home some great road stories from this tour. Both the Portland Cello Project and Thao seemed to be in a state of disbelief of the previous night’s Hallowe’en show in Detroit where they played next door to an Insane Clown Posse party and its attendant hordes of Juggalos, and while Toronto couldn’t compare with that degree of absurdity, the band – and particularly deathly allergic bassist Adam Thompson – was haunted by a phantom cat, who could be heard meowing throughout the between-song lulls, but was never found.

None of the above had anything to do with the show itself, but were still key facets of a terrific evening because Thao with The Get Down Stay Down were all about having and providing a good time through jokes, stories, banter, beatboxing and oh yeah, the music. Until this night, I’d missed Thao every time they’d come through town as well as a myriad of opportunities at the last two SxSW’s but now, finally, I can add my voice to the chorus of those who extol their live show – in short, it’s fantastic. Though both of their records, 2008’s We Brave Bee Stings And All and this year’s terrific Know Better Learn Faster, crackle with a giddy energy, seeing Thao Nguyen utterly dominate the fretboard of her giant hollowbody guitar while lurching around stage and hollering into the mic is something to behold. Similarly, the intense rhythmic aspect of the band doesn’t seem to be done justice by the albums because live, everything felt like a dance song or at least one that you wanted to dance to whether you had any moves or not. They put on an unrestrained, joyous show that was made me simultaneously glad I finally made it out to see them, angry that I had waited so long and determined that I wouldn’t miss them again. And also grateful that at no point did Adam Thompson go into anaphylactic shock. A night of win.

Blurt has a large feature and Metro a super-short one on Thao. And grab an MP3 of “When We Swam” at RCRDLBL.

Photos: Thao With The Get Down Stay Down, The Portland Cello Project @ The El Mocambo – November 1, 2009
MP3: Thao with The Get Down Stay Down – “Know Better Learn Faster”
MP3: Thao with The Get Down Stay Down – “Beat (Health, Life and Fire)”
MP3: Thao with The Get Down Stay Down – “Swimming Pools”
MP3: Thao with The Get Down Stay Down – “Bag Of Hammers”
MP3: The Portland Cello Project – “Travel”
MP3: The Portland Cello Project – “Tallymarks”
Video: Thao with The Get Down Stay Down – “When We Swam”
Video: Thao with The Get Down Stay Down – “Cool Yourself”
Video: Thao with The Get Down Stay Down – “Swimming Pools”
Video: Thao with The Get Down Stay Down – “Bag Of Hammers”
Video: The Portland Cello Project – “Tallymarks”
MySpace: Thao with The Get Down Stay Down
MySpace: The Portland Cello Project

The AV Club gets the whys behind recent changes with Nicole Atkins and her band.

Spinner talks to J Tillman, who brings his new album Year In The Kingdom to the Horseshoe on November 11.

Bishop Allen have premiered a new video from Grr… over at Stereogum. The Omaha World-Herald has a short interview with Justin Rice.

Video: Bishop Allen – “True Or False”

Antlers’ Peter Silbeman talks to The San Antonio Current and Orange County Weekly.

PopMatters has an interview with John Darnielle of The Mountain Goats.

John Vanderslice talks to State.

Daytrotter have got a session with White Rabbits available to download while LAist talks to frontman Stephen Patterson.

Paste reports that the release of Neil Young’s Harvest Moon-era live record Dreamin’ Man has been pushed back until December 8.

You Ain’t No Picasso has an interview with Joel Gibb of The Hidden Cameras. They play the Opera House on December 5.

Two Hours Traffic – who were just here last month, yes – have made another Toronto date for November 21 at The Garrison, but the difference is this one is an all-ages gig. Tickets are $10 in advance.

MP3: Two Hours Traffic – “Territory”

Final Fantasy will mark the January 12 release of Heartland with a hometown show that evening at the Mod Club.

Seattle duo The Dutchess & The Duke have a new album out in Sunset/Sunrise and are touring it through the Winter including a just-announced date at Sneaky Dee’s on January 12.

MP3: The Dutchess & The Duke – “Living This Life”
MP3: The Dutchess & The Duke – “Hands”

It’s a double-shot of Dave Lowery when Cracker and Camper Van Beethoven hit the road together this Winter and stop in at Lee’s Palace on January 16. Cracker also have a new video out featuring one Patterson Hood.

Video: Cracker – “Friends”

Wednesday, October 28th, 2009

Dreamcatchers

An introduction to The Wilderness Of Manitoba

TWOMPhoto via MySpaceMySpaceOpening up with the sound of bird noises might be a bit of an over-sell, but forgiveness comes easily when the multi-layered harmonies of Toronto’s The Wilderness Of Manitoba arrive and usher in their debut EP, Hymns Of Love And Spirits. Sharing members with Provincial Parks and Key Witness, The Wilderness of Manitoba come with a very clear and direct mandate – to craft gentle, intricate folk songs of the sort that no one seems to make anymore. Of course, that’s a mandate that many have taken on in recent years and so, ironically, there’s a good number of artists presently making those sorts of songs.

The Wilderness Of Manitoba still manage to stand tall amongst their peers, however, and stand out. Obviously drawing inspiration from both the English and American folk revivals of the 1960s, they place an emphasis on choral vocals that give the mini-album a certain dreamy quality that splits the difference between spiritual and ghostly. The musical arrangements are similarly kept ethereal, all gentle acoustic guitar, spare percussion with an occasional guest appearance from a banjo, cello or keys and carried aloft on a plush cloud of reverb. It’s a record that drifts by prettily, seemingly untethered from earthly concerns yet tangible enough to still carry a very real emotional heft. It haunts, like a fond but faded memory.

The Wilderness Of Manitoba are playing The Garrison tomorrow night with Olenka & The Autumn Lovers and Slow Down Molasses. BlogTO interviewed the band at the end of the Summer while The Line Of Best Fit had a more recent conversation.

MP3: The Wilderness Of Manitoba – “Bluebirds”

Timber Timbre has made his self-titled debut available as a free download through the end of Saturday, October 31. He plays a free show at the North York Central Library on November 7. It’s all about the free.

MP3: Timber Timbre – “Demon Host”
Video: Timber Timbre – “Demon Host”
Video: Timber Timbre – “We’ll Find Out”
ZIP: Timber Timbre / Timber Timbre

Examiner.com talks to Liz Powell of Land Of Talk.

Blurt reports that Midlake will finally release their new record The Courage of Others on February 2.

Fazer has got an interview with Logan Kroeber of The Dodos.

Tiny Mix Tapes talks to Thao. Aaah, that’s some good alliteration right there. Thao plays the El Mocambo on November 1.

The Quietus asks Alison Mosshart what’s up with each of her bands, The Kills and The Dead Weather – new records from both in 2010. There you go.

PitchforkTV has added a video interview segment with Yo La Tengo to go with their Don’t Look Down session performances. The Skinny, San Diego News Network, The San Francisco Examiner and Vail Daily also have interviews.

Magnet picks their five most overrated and underrated Galaxie 500 songs. Is it really possible for a band that’s chronically underrated to have overrated songs?

Sweden’s Shout Out Louds have completed their new album and named it Work – look for it February 23 of next year.

Mid to late December is usually a real dead zone for tours coming through town, so what are the odds that two shows I’d want to see would arrive on the same night? Apparently pretty good. There’s no way I’m not going to be seeing Fanfarlo at the El Mocambo that night, but am sad that it means missing seeing Blue Roses – aka English singer-songwriter Laura Groves who released a lovely self-titled debut back in the Spring – at the Drake Underground, opening up for Marcus Foster, whom I don’t know at all. There’s no reason I can think of not to be at Fanfarlo, but if you can come up with one it better be because you’re at this show instead.

MP3: Blue Roses – “Doubtful Comforts”
MP3: Blue Roses – “I Am Leaving”

It’s not new album news, per se, but NME’s reporting that Lightspeed Champion will have a new single out entitled “Marlene” on January 25 is certainly a good omen that record number two is coming.

Exclaim talks to The xx. They’re at the Phoenix on December 2.

Tuesday, October 27th, 2009

Dimmer

Review of Bishop Allen’s Grr… and giveaway

Photo By Sebastian MlynarskiSebastian MlynarskiLet it never be said I’m beholden to the traditional press cycle when it comes to reviews. At least not when it comes to Brooklyn’s Bishop Allen. I only got around to writing up their second album, The Broken String last December, almost a year and a half after it was released, and here I am now just getting to their latest Grr… though in this case, the delay is a mere seven months. Almost eight. At least I got the review of their show here in January up within days.

With regards to the lag times, for The Broken String the defense was that, well, I didn’t really know the band but had hung onto the CD for just that long because I had a hunch I’d like it. Why I didn’t just spin the thing sooner and find out is an excellent question. I have a team of experts researching that right now. But for Grr…, it was simply a matter of waiting for the record to win me over the way its predecessor did. And waiting. And waiting. See, what I appreciated about The Broken String was the collegiate cleverness, tempered with open-hearted earnestness and mated with terrific singalong melodies.

And while you can still sing along with Grr…, the band seems to have regressed to a simpler state as far as songwriting goes. This doesn’t seem to be an accident, but a deliberate stylistic shift – the lyrical density and detailed storytelling has given way to more impressionistic wordplay and sometimes nonsensical rhymes. The production is much drier and leaner, often emphasizing just Justin Rice’s voice and Christian Rudder’s guitar, and even the album title and art is primary school basic and playful. And maybe that’s the point of this record, to step back from The Broken String, strip things down to and get back to basics for a spell. If so, job well done. Grr… is a study in simplicity, doing more with less and seeing just how far you can go powered just by melody. It was personally a bit frustrating to have a band I’d just gotten into shelve from those characteristics that drew me to them in the first place, but Grr… is still a pop treat by more objective standards.

The band is currently on tour and will be at the El Mocambo in Toronto on Friday night, October 30. Tickets are $15 in advance but courtesy of REMG, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to go Grrr” in the subject line and your full name in the body. Contest closes at midnight, October 28.

MP3: Bishop Allen – “Dimmer”
MP3: Bishop Allen – “The Ancient Commonsense Of Things”
Video: Bishop Allen – “Shanghaied”
Video: Bishop Allen – “Dimmer”
MySpace: Bishop Allen

Pitchfork and Offbeat have interviews with Wayne Coyne of The Flaming Lips.

PopMatters and The AV Club chat with Thao Nguyen, namesake of Thao with The Get Down Stay Down. They’re at the El Mocambo this Sunday, November 1, and passes and CDs are still up for grabs.

Daytrotter has got a massive session with The Magnolia Electric Co available to download.

Stereogum points out that a the CBC’s QTV has been compiling a series of video guitar lessons from musical guests passing through their studios, including The National and Vampire Weekend. Did I just stop writing to dust of the guitar and learn to play, “Fake Empire”? Maybe I did. Maybe I did. Also discovered I lost my capo. No “Slow Show” for me.

Neither of these are officially confirmed, but February 9 may see a new record from Shearwater entitled The Golden Archipelago appear in stores. Jonathan Meiburg provided some details on the record this Summer to Michael Hoinski and chimed in on the band’s message boards to discuss some of the possible forms the album would be appearing in – namely different tracklistings and running orders for the CD and LP editions, with the LP coming out as a longer entity than the CD.

PitchforkTV coaxes Yo La Tengo onto a rooftop to play some songs. Or else.

The California Literary Review has an extensive feature on Nicole Atkins, currently on the road with her band The Black Sea road-testing material for album number two, set to be recorded this Winter and released next year.

NPR has a World Cafe session with New York’s Freelance Whales, who will be touring with Fanfarlo this Fall including their December 9 date at the El Mocambo so if you’re planning on being at that show – which you obviously should – make their acquaintance now. Stereogum also declared them a band to watch back in September.

Check out the third new video appearing on the Land Of Talk EP Fun & Laughter, out today. It’s stunning.

Video: Land Of Talk – “It’s Okay”

Basia Bulat will lead up to the January 26 release of her new record Heart Of My Own with her biggest and fanciest Toronto show yet, playing Trinity-St. Paul’s on January 16. Tickets are $20 in advance, on sale Thursday.

MP3: Basia Bulat – “Gold Rush”

The Line Of Best Fit has details on the next Los Campesinos record Romance Is Boring, due out January 26.

Interview has a short chat with The xx. They’re at the Phoenix on December 2.

Elbow’s Guy Garvey gives Drowned In Sound a track-by-track blow-by-blow of the deluxe edition reissue of their debut Asleep In The Back, due out on November 10.

As much as I want to put stock in this typically sensationalistic NME piece on a possible Pulp reunion for Glastonbury next year, I’m far more inclined to side with Idolator’s take on it. Jarvis is much too canny to let something as huge as that slip in that manner. And on second thought, I hope it’s false because I don’t want to have to really face the question of just how far (distance, expense, camping in mud) would I be willing to go to see Pulp live. I suspect the answer is not as far as would be necessary.

Friday, October 23rd, 2009

Cool Yourself

Review of Thao With The Get Down Stay Down’s Know Better Learn Faster and giveaway

Photo By Tarina WestlundTarina WestlundWhen I wrote up Thao with The Get Down Stay Down’s last album We Brave Bee Stings And All back in August of last year, I gave it a net stamp of approval, with Thao Nguyen’s exuberant delivery and energy making up for my concerns about the tendency oof her voice to wander from pitch – certainly, that woozy enthusiasm was part of her charm, but I’m a bit of a stickler on that.

So I’m pleased to be able to report that the follow-up Know Better Learn Faster somehow manages to not set off those klaxons while not losing any of her distinctive character. No, it’s not that she’s discovered the joys of autotune but simply that the melodies on Know Better are less given to wander, the songs tighter and more focused and the album simply better. And amazingly, she’s done it while expanding the band’s sonic palette and without dialing down the enthusiasm. “Cool Yourself” is an upbeat, horn-driven pop gem while “When We Swam” is a coy and even slinky bit of doo-wop, and that only touches on the range of styles covered on the record, all delivered with the right balance of biting wit and sensitive underbelly. It’s be easy to miss out on the musical sophistication at work due to the raw and live production aesthetic and Nguyen’s strong presence up front, but repeated listens do bring those extra details and touches to the fore and enrich what’s already a thoroughly enjoyable listen.

Thao with The Get Down Stay Down are at the El Mocambo on November 1 and I’m excited that after a year and a half of near misses both here and at SxSW, I’ll finally be able to catch their much-praised live show for myself. Tickets are $12 in advance, but courtesy of Kill Rock Stars, REMG and Toolshed, I have three pairs of passes to give away to the show and for those who can’t go, two autographed copies of Know Better Learn Faster on CD up for grabs. To enter, email me at contests AT chromewaves.net with “I want to Get Down Stay Down” in the subject line and full name in the body. And note whether you’re gunning for the passes or the CD – the former are available to anyone who can get to the El Mocambo next Sunday night, the CD to residents of North America. Contest closes at midnight, October 28.

Paste and The Oregonian have interviews with Thao Nguyen.

MP3: Thao with The Get Down Stay Down – “Know Better Learn Faster”
Video: Thao with The Get Down Stay Down – “When We Swam”
Video: Thao with The Get Down Stay Down – “Cool Yourself”
MySpace: Thao with The Get Down Stay Down

Pitchfork has details on the forthcoming third album from Beach House. Teen Dream, the duo’s first for SubPop, will be out on January 26 and come with a DVD featuring a video for each song on the record.

The Line Of Best Fit interviews The Anters while BrooklynVegan gets Peter Silberman of The Antlers and Sharon Van Etten of Sharon Van Etten to interview each other.

Boise Weekly chats themselves up some Dodos.

Death & Taxes discusses matters of cosmic and civic importance with Sufjan Stevens.

Paste catches up with Nels Cline of Wilco.

Philadelphia Weekly talks to St Vincent’s Annie Clark, who has diligently been adding to her tour videos collection on her blog.

NPR has a World Cafe session with Patterson Hood available to stream.

Grant Hart, ex of Husker Du, will be at the Horseshoe on December 14 in support of his new solo record Hot Wax, tickets $10.50.

NPR expresses their acronym solidarity by streaming the whole of R.E.M.’s new live record Live At The Olympia in advance of its release this coming Tuesday, October 27.

Stream: R.E.M. / Live At The Olympia

Uptown has a cover feature on Dan Mangan.

Pitchfork reports that The Week That Was and School Of Language have officially been backburnered as the Brewis brothers have reunited as Field Music, and will release a double-album entitled Measure on February 16.

MP3: Field Music – “Measure”

And to help maintain the cosmic balance of British bands in active duty, The Rakes have announced they’re calling it quits effective immediately, thus scuppering their North American tour which was due to stop at the Mod Club in Toronto on November 9. It might have sounded a little like this.

MP3: The Rakes – “That’s The Reason”

The Scotsman interviews Glen Hansard and Marketa Irglova of The Swell Season. They are at Massey Hall on November 2.

The Hollywood Reporter says that The Hold Steady’s Craig Finn is working on the film adaptation of Chuck Klosterman’s first novel, Fargo Rock City. It’s a pairing so perfect that when I first read it, I barely reacted – it was like, “well of course he is”.

Friday, October 16th, 2009

1, 2, 3, Partyy!

Mission Of Burma keep the party going

Photo By Kelly DavidsonKelly DavidsonWhile another hugely influential ’80s Boston-bred band that many thought would never return to active duty may get more attention, Mission Of Burma have been much more productive in their second tour of duty, managing to tend to their legacy with proper reissues of Vs and Signals, Calls & Marches while adding to it with three impeccable albums in the past five years, the latest being The Sound, The Speed, The Light, released last week.

Like their other 21st-century releases ONoffON and The Obliterati, Sound is a collection of bludgeoning post-punk, all strangled vocals and razor-sharp guitar riffs on top of tunes that are just melodic enough to keep the pop-attuned such as myself interested, but angular enough to keep the listener off-balance and a bit uncomfortable. It’s really remarkable that after all this time, Mission Of Burma are still crafting records that can not only stand tall alongside those 25-year old classics but still sound utterly fresh and unlike anything else out there.

Blurt has an interview with basssit Clint Conley and Matablog notes that the city of Boston officially declared last Sunday “Mission Of Burma Day”. There was a proclamation and everything.

And because sometimes people forget they send me stuff and send it again, courtesy of Matador, I have an extra copy of The Sound, The Speed, The Light on CD to give away. If you want it, email me at contests AT chromewaves.net with “I want Mission Of Burma” in the subject line and your full mailing address in the body. Contest is open to anyone, anywhere, and closes in a week at midnight, October 23.

MP3: Mission Of Burma – “1, 2, 3, Partyy!”
Video: Mission Of Burma – “1, 2, 3, Partyy!”

Le Blogotheque has a Take-Away Show with White Rabbits, who have a date at the Horseshoe next Saturday night, October 24.

Spinner and The Santa Barbara Independent chat with Thao about her new record Know Better Learn Faster, from which a new video has just been premiered at Stereogum. Thao is currently on tour in support of the record and will be at the El Mocambo in Toronto on November 1. If you’re at any of the tour dates, and you should be, you’ll likely see a table from Oxfam there – Thao explains why.

Video: Thao with the Get Down Stay Down – “When We Swam”

Paste gets to know Volcano Choir, whose principal Justin Vernon just put his last project Bon Iver on hiatus. But you can stream or download their last show for the foreseeable future at Radio Milwaukee.

NPR is streaming a session with Wye Oak.

The Georgia Straight and Examiner.com talk to A Place To Bury Strangers’ Oliver Ackerman. Their new album Exploding Head is out now and they’re at the Mod Club on October 27.

BlogTO, The AV Club, Vue and Uptown have interviews with Amy Millan.

NOW has a feature piece on Two Hours Traffic, who play an in-store at Soundscapes tonight at 5PM in advance of their proper show at Lee’s Palace.

aux.tv has debuted the new video from The Dears, but settle in – it’s a long one.

Video: The Dears – “Saviour (Then Disclaimer)”

They Shoot Music has posted a video session with Pink Mountaintops.

Holy Fuck have been added as support for Phoenix at the Sound Academy on December 5. Is that enough to persuade y’all to go down to the Sound Academy? Didn’t think so.

Paste‘s list of the 15 best TV shows canceled before their time basically reads like a litany of my favourite shows of the past decade or so. It’s official, I am the television kiss of death. Look out, Bored To Death – you’re on notice.