Broken BellsSo I’m sitting here on Wednesday night with a headache and a pile of links and no particular idea what I’m going to do with them. Got some contests and the last of the SxSW stuff to dole out over the long weekend, but for today, it’s gonna be one of those housecleaning posts.

Starting with the announcement of Broken Bells’ first North American tour, which includes a June 2 date at the Queen Elizabeth Theatre in Toronto. The collaboration between workaholic producer Danger Mouse and Shins frontman James Mercer yielded a self-titled debut last month and while the little bit I heard of it at SxSW – from the street while they played in a parking garage – didn’t especially wow me, it’s been reasonably well-received and I feel like I should, as a Shins fan, at least give it a fair shake. The band’s set at the NPR showcase from SxSW is available to stream for anyone wondering how it translates live. Support on this tour will come from The Morning Benders, who themselves are presently on tour and will be in town at The Drake on April 14.

Video: Broken Bells – “The High Road”

Moving on to stuff coming through town over the next few months – Serena-Maneesh’s appearance tomorrow night has been moved from The Great Hall to the Drake Underground; appropriate since the Norwegians’ new record S-M 2: Abyss In B Minor was recorded in a cave. Cave? Underground? Get it? Bah.

Rolling Stone declares Swedes Love Is All to be “breaking” and talks to frontwoman Josephine Olausson. They bring their new record Two Thousand and Ten Injuries to the Horseshoe on Saturday night, April 3.

MP3: Love Is All – “Bigger, Bolder”

NOW, hour.ca and The Chicago Tribune interview The xx, in town at the Phoenix on April 4 and again at the Kool Haus on April 20.

In addition to two shows at Lee’s Palace next week – April 6 and 7 – the Drive-By Truckers will be doing an in-store across the street at Sonic Boom on the 7th at 5PM in what’s being billed as “Patterson Hood & Members of Drive By Truckers”. In other words, expect to see Hood with an acoustic guitar and a passel of songs, and maybe some of his bandmates will show up if they feel so inclined. I warn you though, Cooley, that if you try to stand on the monitors while taking a solo you WILL hit your head on the ceiling – you can have that one for free. Spinner has a chat with Hood about his Southern roots.

State and Owen Pallett, who plays the Queen Elizabeth Theatre on April 8.

Donewaiting interviews Fanfarlo frontman Simon Balthazar. They play Lee’s Palace on April 9.

Plants & Animals are celebrating the April 20 release of their second album La La Land with a free show at the Horseshoe that night. Beatroute has an interview.

The Province and The Montreal Gazette profile Dan Mangan, in town at the Horseshoe on April 22.

The Fly and MOG talk to Jonsi about his new solo record Go, which is due out next Tuesday. The whole album is currently streaming at NPR and he has two dates at the Sound Academy on April 30 and May 1.

Stream: Jonsi / Go

The Fly talks to Caribou main man Dan Snaith about his new record Swim. It’s out April 20 and he plays the Phoenix on May 3.

The Joy Formidable frontwoman Ritzy Bryan gives The Fly a sneak preview of their upcoming full-length follow-up to last year’s A Balloon Called Moaning; a record which is getting a North American release on May 4, the same day they play a free, sure to be awesome show at the Horseshoe. Strange Glue has the remainder of their North American tour dates.

Bad Veins have been added as support for Two Door Cinema Club’s show at Wrongbar on May 17. This will be their first time in Toronto, after their show with Now Now Every Children last Summer was snookered by a dead van. Spinner has an interview with the Cincinnati duo.

MP3: Bad Veins – “Gold & Warm”
MP3: Bad Veins – “Go Home”

The Sadies will celebrate the release of their new record Dark Circles with a show at Lee’s Palace on May 22; tickets $18 in advance. They’ll also be your Canada Day entertainment at Harbourfront Centre – July 1, yo.

Exclaim converses with John K Samson of The Weakerthans, who play the Queen Elizabeth Theatre on May 26.

Spin has a stream of a new song from the second Born Ruffians record Say It, due June 1, and they also note that there’ll be a show at the Horseshoe in Toronto on May 28.

German electronica duo Mouse On Mars have a date at the Drake Underground on June 1, though their next record isn’t due out until next year. Sometimes you just have to get out of the house, I guess.

Video: Mouse On Mars – “Actionist Respoke”

His two nights at the Drake Underground on June 11 and 12 will be super-cozy, but Robyn Hitchcock takes intimate a step further in this Black Cab Session.

Tiger Weekly talks to Ted Leo, who brings his Pharmacists to Lee’s Palace on June 26.

And now to the stuff not coming through town in the next while – Black Mountain frontman Stephen McBean gives Exclaim a sneak preview of their next album, tentatively entitled Wilderness Heart and due out later in the Summer.

Soundproof and Spinner talk to Mark Hamilton of Woodpigeon, who has offered a tribute to Alex Chilton in the form of a cover of “Thirteen”.

MP3: Woodpigeon – “Thirteen”

Bad Panda Records Q&A’s Great Lake Swimmer Tony Dekker and offers up a free live track to download.

MP3: Great Lake Swimmers – “Gonna Make It Through This Year” (live)

Woodhands have released a new video for the best tune – in my humble opinion – from Remorsecapade.

Video: Woodhands – “Dissembler”

The Line Of Best Fit and Drowned In Sound talk to Joel Gibb of The Hidden Cameras.

Tokyo Police Club have set a June 8 release date for their second album Champ and are giving away the first MP3 from it on their website; The Brock Press talks to keyboardist Graham Wright about the new record.

An acoustic version of one of the tracks from Bettie Serveert’s new record Pharmacy Of Love is up for grabs.

MP3: Bettie Serveert – “Semaphore” (acoustic)

Yours Truly has a video session with Taken By Trees.

4AD reports that Camera Obscura and Richard Hawley will be releasing a split-7″ on May 17 wherein the former covers the latter’s “The Nights Are Cold” while the latter remixes the former’s “The Sweetest Thing”. Clearly, I must have this.

NME reports that Glasvegas drummer Caroline McKay has left the band.

The Line Of Best Fit and The Fly have interviews with Laura Marling, whose I Speak Because I Can is out next week in North America, though for now it doesn’t appear there’s any vinyl edition of said album on the horizon. Bah.

Editors bassist Russell Leetch talks to The Line Of Best Fit.

Frank YangAs of Monday night, it had been four and a half years since I saw Spoon live and just over four years since I’d been to The Sound Academy (nee The Docks) for a show. One of these streaks I was anxious to break; the other I was not. To be fair, I only missed one of their Toronto shows – a 2008 appearance at the Kool Haus in support of Ga Ga Ga Ga Ga – but apparently that was the one where they officially crossed over to “rock star” status. That last time at The Phoenix in November 2005, it felt like a show for Spoon fans – this time, at a room three times the size but just as full, it felt more like the show was simply the place to be that night. That’s not intended with any snarkiness, just an observation.

This tour saw the band bringing two others on tour with them – one who surely benefited from being shown off in front of such-sized audiences and another that probably could have packed a respectably-sized room all on their own. The former of these were The Strange Boys, who hailed from Austin, Texas and proudly carried on that city’s tradition of psychedelic-garage rock. Granted, they weren’t overly trippy, preferring focused pop structures over sprawling jams and weren’t above injecting some twang into their sound, but their roots and skill at said stylings were clear. A little more energy or stage presence wouldn’t have been unwelcome, but still a solid start to the evening from a band making their first visit to Canada.

Deerhunter, on the other hand, were probably responsible for drawing no small percentage of the audience, if not just for themselves then for tilting the decision of whether to see Spoon in one the city’s least-favoured venues into the “yea” column. Though their psychedelic/shoegazing/pop affinities would make them seem the sort of thing I’d really be into, I had not listened to Deerhunter much before and certainly hadn’t seen them live. And now I wish I had, because their set was pretty superb – musically, they were far more direct (read: less wall of noise) than I’d expected, but with enough bludgeoning volume and droning excursions to keep it sufficiently trippy and the show itself was livened up with Bradford Cox’s space cadet stage banter, an unexpected stage invasion from one of The Black Lips (or perhaps expected considering that before they began the song, Cox dedicated it to his fellow Atlantans) and another guest appearance from Spoon’s Britt Daniel, who took over on guitar from Cox while the gangly bandleader engaged in some on-stage shenanigans I couldn’t actually see from my angle – see the eye review for specifics. As far as their recorded works go, I’ve only really spent time with Microcastle – further recommendations are welcome.

I don’t, however, need any help getting acquainted with the collected works of Spoon, having followed them attentively since 2001’s Girls Can Tell, and if there’s a downside to their consistently excellent output over this decade – hell, century – it’s that it can cause one to take them for granted a bit. Some have criticized this year’s Transference as being less focused than its pop-friendly predecessor Ga Ga Ga Ga Ga, I – for reasons I can’t quite articulate – prefer it. Both sides of the argument would have been perfectly happy with Monday night’s set list, then, as it opened with Transference’s sublime closer “Nobody Gets Me But You” and drew heavily from both records – seven tracks from each – while also hitting most of the essential notes from all the other Merge releases, even going as far back as 1997’s Soft Effects for the unexpected, “I Could See The Dude”.

In total, they ran through an impressive 25 songs over an hour and forty minutes, aptly showcasing the band’s unique sound and dynamic. Britt Daniel – he of the scratchy voice and stabby six-string – is front and centre, dancing around the stage in his herky-jerky manner as if pulled uncontrollably by his guitar but the contributions of his bandmates can’t be overstated, even if they seem perfectly happy to stay in the background. Eric Harvey’s keys provided the melodic underpinnings that allow Daniel’s guitar lines to wander while he impossibly tight and just funky enough rhythm section of Jim Eno and Rob Pope were omnipresent on this night – possibly because the Sound Academy’s acoustics leaned way towards the bassy. And don’t get me started on the sightlines – it’s a sad situation when you find yourself pining for the environs of the Kool Haus.

In my comments from that Phoenix show in 2005, I noted that ‘I will have to amend my one-line synopsis on Spoon live from “they put on a good show” to “they usually put on a good show, but sometimes they put on a GREAT show”. If Monday was a proper indication of how far they’ve progressed as a live act in the past half-decade, then their work on stage is almost on par with in the studio and I’ll have to update my notes to read, “they put on a great show” – no qualifiers.

Westword, NOW, CBC, The Quietus, The Toronto Star, The Chronicle Herald,NPR, The Toronto Sun and The San Francisco Chronicle have feature pieces on Spoon. Spin has excerpted this month’s feature piece that puts Britt Daniel in conversation with Ray Davies and New York Magazine talks to him about the art of the set list. Chart, The Globe & Mail and Exclaim have reviews of the show. The Fly profiles The Strange Boys.

Photos: Spoon, Deerhunter, The Strange Boys @ The Sound Academy – March 29, 2010
MP3: Spoon – “The Underdog”
MP3: Spoon – “I Turn My Camera On”
MP3: Spoon – “The Way We Get By”
MP3: Spoon – “This Book Is A Movie”
MP3: Spoon – “Mountain To Sound”
MP3: Spoon – “Chips & Dip”
MP3: Spoon – “Idiot Driver”
MP3: Deerhunter – “Wash Off”
MP3: Deerhunter – “Rainwater Cassette Exchange”
Video: Spoon – “Written In Reverse”
Video: Spoon – “The Underdog”
Video: Spoon – “Don’t You Evah”
Video: Spoon – “The Two Sides Of Monsieur Valentine”
Video: Spoon – “I Turn My Camera On”
Video: Spoon – “Sister Jack”
Video: Spoon – “Jonathan Fisk”
Video: Spoon – “Small Stakes”
Video: Spoon – “Everything Hits At Once”
Video: Deerhunter – “Agoraphobia”
Video: Deerhunter – “Strange Lights”
Video: The Strange Boys – “Be Brave”
Video: The Strange Boys – “Woe Is You And Me”

The Line Of Best Fit and Montreal Gazette have interviews with Jonathan Meiburg of Shearwater; The Gazette has also posted the full transcript of their interview. Shearwater play Lee’s Palace tomorrow night, April 1.

Also on the bill for that show are Wye Oak, who played a Tiny Desk Concert for NPR.

Daytrotter is featuring a session with Richard Buckner.

Paste reports that Tift Merritt will release a new record entitled See You On The Moon on June 1. The Fayetteville Observer has an interview with Merritt.

Pitchfork has details on Blitzen Trapper’s new album Destroyer Of The Void, due out June 8.

MP3: Blitzen Trapper – “Heaven & Earth”

Jeff Tweedy of Wilco is interviewed by The Miami Herald, Palm Beach Pulse and The Weekender while Le Blogotheque has a Take-Away Show with the band.

The Fly talks to The National frontman Matt Berninger about their new album High Violet, out May 11. They play Massey Hall on June 8 and 9.

LAist and The Dallas Observer chat with Ted Leo, who’s released a new video from The Brutalist Bricks. A Toronto show has also finally been announced – Ted and the Pharmacists will be at Lee’s Palace on June 26, tickets $15.

Video: Ted Leo & The Pharmacists – “The Mighty Sparrow”

Spinner, Prefix and Blurt have features on the Drive-By Truckers, who bring their new album The Big To-Do to Lee’s Palace for two nights next week, April 6 and 7.

Their respective members have moved on to new projects for the time being, but that hasn’t stopped Monsters Of Folk from releasing a new video from their self-titled album.

Video: Monsters Of Folk – “Dear God”

Crawdaddy profiles John Vanderslice.

NPR is streaming the entirety of Joanna Newsom’s concert in Washington DC last week.

Under The Radar talks to School Of Seven Bells’ Alejandra Deheza about their new album Disconnect From Desire. She says it will be out this Spring; it now being Spring, I am less confident than her about this point – it will be out this year, though.

Phantogram have released a new video from Eyelid Movies. If you’ve been having trouble finding in stores in Canada, there’s a reason – apparently it’s not out here until April 6, their deal with Barsuk not counting north of the 49th? Don’t know, but it’s worth seeking out wherever you have to go to do it. Playtonic Dialogues has an interview.

Video: Phantogram – “Mouthful Of Diamonds”

Portland atmospheric electronicist Eluvium will be at the Drake on May 22 in support of his new album Similes; tickets $12 in advance.

MP3: Eluvium – “The Motion Makes Me Last”

tUnE-yArDs brings her much-feted (but not really understood by me) debut BiRd-BrAiNs to the Horseshoe on June 13 – tickets $12 in advance. I tried, really I did.

MP3: tUnE-yArDs – “Sunlight”
Video: tUnE-yArDs – “Real Live Flesh”

Blurt, Pitchfork and Paul Westerberg – via The New York Times – eulogize Alex Chilton of Big Star.

Frank YangI don’t know exactly when I became a Joanna Newsom fan. Though I’d certainly heard people talk about her, my first exposure to her music wasn’t through either of her first two records but by seeing her live on her first visit to Toronto in October 2006 – a breathtaking performance that had me picking up The Milk-Eyed Mender almost immediately thereafter and the follow-up Ys when it came out later that year, but even then I didn’t listen to them all that much. They were my go-to records for when I was in the mood for ornate and expansive, harp-led folk music, sure, but for some reason that wasn’t that often.

Even so, I was still amongst those who picked up her new triple-album Have One On Me on the day of release, and while you’d think that two hours of Joanna Newsom for anyone less than a fanatic would be overwhelming, I instead found it surprisingly immersive and immediate. It’s less quirky than Mender and less epic than Ys, but to my ears, more fully realized. Whereas the talking points for her earlier records focused on her unusual voice or the elaborate orchestrations that adorned her compositions, the only thing worth talking about on Have One On Me is the songs themselves. It’s as though she’s developed enough confidence in her craft to no longer hide behind an affected singing style or lush orchestrations, and though on paper it makes her more conventional, the sheer quality of the work makes that complaint null and void. If I wasn’t a huge Joanna Newsom fan before hearing Have One On Me, I certainly was by the time side 6 hit the runout groove.

As such, I fit right in with the rest of sold-out crowd packed into the Phoenix on Saturday night, breathlessly awaiting her first appearance in Toronto in three and a half years. And waiting. It was at least 20 minutes past her scheduled start time before the curtains were drawn back and her band’s setup revealed. Whereas her last visit was just her solo, this time she brought a five-piece backing band – drums, horn, strings and guitar – to help recreate the arrangements on the record and she herself would start things off not at her signature harp, but the grand piano. Leading off with “Easy”, Newsom managed the impressive feat of utterly silencing 1000 people as she played, all of whom were hanging on every note she played, every word she sang.

After a trio of songs on the piano – and after the allotted time for photography was over, hence the piano-only gallery – Newsom moved to the harp for “In California” and remained there for the remainder of the set. For all the elegance of the music, the first part of the set was marked by some endearingly grounded interaction from Newsom and her band. She forgot the words to “The Book Of Right-On” and then took an extended break to tune her harp, leaving drummer Neal Morgan to chat with the crowd, answer questions and generally buy time. Time which would turn out to be at a premium, as the Phoenix’s looming curfew would put a hard cap on the proceedings. Getting back down to business, they played “No Provenance” and the title track from the new record before closing with the sole Ys cut, “Emily”. Everything was uniformly gorgeous-sounding, the Phoenix never sounding better. The only source of disappointment on the evening was that it ended at 9PM, though after some (myself included) had left – the house lights and music were on! – the stalwarts managed to call Newsom and her band back for an encore. I’m sorry I missed that reading of “Baby Birch”, but it in no way diminishes the hour of music I did get to take in. Just as I said after her last show…. Amazing.

The National Post, The Globe & Mail, Exclaim and Chart all have reviews of the show and share the complaint that the set was too short. I agree, but would point out that Newsom’s Mod Club show wasn’t more than an hour long and while I’ve never played a harp, I imagine it’s pretty fatiguing – especially for 10-minute stretches whilst singing. She was toweling herself off after the more sprawling numbers. I don’t know if she does especially long shows, curfew or not? Maybe we’ll find out when her show in Washington DC on March 23 is webcast live on NPR.

Photos: Joanna Newsom @ The Phoenix – March 13, 2010
Video: Joanna Newsom – “The Sprout & The Bean”

Gibson Guitars talks to Patterson Hood of Drive-By Truckers about his guitars (natch) and just-released new album The Big To-Do, currently streaming at Spinner – who also have an interview. They’re at Lee’s Palace on April 6 and 7 and were, curiously, the pre-show music over the PA at the Joanna Newsom show. Maybe they were late taking the stage because she was playing air guitar to Southern Rock Opera.

Stream: Drive-By Truckers / The Big To-Do

New York drone merchants Cold Cave have a date at Wrongbar on June 19.

MP3: Cold Cave – “Theme From Tomorrowland”
MP3: Cold Cave – “Laurels Of Erotomania”
MP3: Cold Cave – “Life Magazine”
Video: Cold Cave – “Life Magazine”

Pitchfork has a feature interview with Matt Ward and Zooey Deschanel of She & Him, whose new album Volume Two is streaming in its entirety over at NPR, a week before its March 23 release. They play The Phoenix on June 9.

Stream: She & Him / Volume Two

Wye Oak will be releasing a new EP entitled My Neighbor / My Creator on June 8, and are sharing a first MP3 from said release. They’re hitting the road with Shearwater this Spring and will be at Lee’s Palace with them on April 1.

MP3: Wye Oak – “I Hope You Die”

Billboard talks to Spoon drummer Jim Eno. They play The Sound Academy on March 29.

4AD has details of what’s sure to be one of the coolest Record Store Day specials this year – a live concert DVD from The Mountain Goats wherein John Darnielle performs The Life Of The World To Come in its entirety.

NPR has a World Cafe session with Ted Leo.

Magnet kicks off a week of handing the editorial reins to Miles Kurosky, whose solo debut The Desert Of Shallow Effects is out now.

Check out the new video from Retribution Gospel Choir.

Video: Retribution Gospel Choir – “Workin’ Hard”

NPR has a Tiny Desk Concert with The Antlers. They’re opening up for The National at Massey Hall on June 8 and 9.

And speaking of The National, Pitchfork has details on their new one High Violet, due out May 11 including cover art and tracklisting.

New Hot Chip video! They’re at the Kool Haus on April 20.

Video: Hot Chip – “I Feel Better”

The Quietus talks to Bernard Sumner of Bad Lieutenant.

Spinner talks to Swedish duo First Aid Kit. They’re at the Rivoli on June 12.

Serena-Maneesh, whose new record S-M 2: Abyss In B Minor comes out March 23, talk to Spinner. They play the Great Hall on April 2.

Exclaim talks to John K Samson of The Weakerthans, whose Live At The Burton Cummings Theatre is out next week and streaming right now at Exclaim. They play an in-store at Sonic Boom on March 25 and a proper show at the Queen Elizabeth Theatre on May 26.

Stream: The Weakerthans / Live At The Burton Cummings Theatre

The Toronto date for Lilith Fair has been announced – it’s happening July 24 at the Molson Amphitheatre. I had been saying that if we got the right combination of acts from the pool of talent already announced to be participating, it could be good. Well so far, we have not.

And y’all will excuse me as I immerse myself in South By South Nonsense for the next few days – trip down was completely uneventful, which was all I hoped for, and though it’s a touch cooler here in ATX than I’d like (or have packed for), it’s gonna be a good time.

Frank YangWednesday night’s in-store at Criminal Records had something for everyone. For The Besnard Lakes, it was an opportunity to refine the translation of their just-released new record The Besnard Lakes Are The Roaring Night into live performance before setting out on a world tour that would take them and their much-anticipated new album across Europe and North America. For those in attendance, it was a chance to be amongst the first anywhere to hear the new songs live and in an intimate – and free – setting, without having to endure the crowds that would surely be jamming the Horseshoe last night at their official Canadian Musicfest last night. Win-win.

That said, the brightly-lit retail outlet was an unusual setting for a band as much about atmosphere as the Besnards. Partway through the set, bassist Olga Goreas mentioned how much she was missing their signature smoke machine and a little bit of that probably would have better set the mood for the show, through which the audience sat almost too-respectfully silent on the floor of the store. Instead, all the mood would have to come from the music – epic in scope and massive in weight and probably requiring more hands to reproduce live, not less. Yet the departure of keyboardist Nicole Lizee after the touring cycle for The Besnard Lakes Are The Dark Horse was done left the band as a four-piece and as such, frontman Jace Lasek had to augment his guitar-playing and pedal-stomping with laptop and keyboard duties. And while they probably could have gotten away with simply playing louder, the extra care taken to reproduce the fullness of the Roaring Night material was appreciated.

The set was made up mostly of new material which, with the record having been officially available for less than 48 hours, was probably unfamiliar to much of the audience but they did throw the fans a bone with a single number off of Dark Horse before going even further back – I assume from their debut Volume 1 – for a closing number that sounded almost completely unlike their present-day material. It wasn’t the most engaging Besnard Lakes show I’d ever seen – as befit a dress rehearsal of sorts, they were concentrating more on the playing than the performing – but I’m sure that by the time they return to town, with The Roaring Night fully road-tested, it’ll be something to behold. And there’ll be the smoke-machine.

Spinner, Chart, The Montreal Gazette, hour.ca, The List, The Montreal Mirror, CBC and NOW all have feature pieces on the Besnard Lakes.

Photos: The Besnard Lakes @ Criminal Records – March 10, 2010
MP3: The Besnard Lakes – “Albatross”
MP3: The Besnard Lakes – “And You Lied To Me”
MP3: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “Devastation”
Stream: The Besnard Lakes / The Besnard Lakes Are The Roaring Night
MySpace: The Besnard Lakes

Spinner talks to Think About Life, who play Lee’s Palace tonight at 1AM.

John O’Regan of Diamond Rings graces the cover of this week’s eye, who also talk to his bandmate in The D’Urbervilles, Tim Bruton. Diamond Rings the Silver Dollar tonight at midnight, while The D’Urbs are up at 10PM at the Garrison.

Torontoist questions Dan Mangan, who plays the Courthouse tonight at 11PM, Criminal Records tomorrow at 6PM and the Horseshoe on April 22.

eye takes a look inside the apartment of Rural Alberta Advantage frontman Nils Edenloff. It’s okay, they were invited. Spinner settles for a chat.

The Toronto Star, Lucid Forge and Torontoist talk to Woodhands, who have just announced they’ll be playing tonight (!) at Wrongbar as a last-minute CMF addition – tickets are $12.50, on sale now.

Chart interviews The Balconies, whom they’re rightly declared a hot act. Witness the hotness at the Horseshoe Saturday night at 9:20PM

The Sadies will release their new album, entitled Darker Circles, on May 18. Live dates are sure to follow, but I’m going to go out on a limb right now and say they’ll be at the Horseshoe on December 31.

The National Post Q&A’s Great Lake Swimmers.

The Weakerthans will celebrate the release of their live CD/DVD set Live At The Burton Cummings Theatre on March 23 with an in-store performance at Sonic Boom on March 24 at 5PM. Maybe they can play in front of the Burton Cummings vinyl section. They’ve also got a date at the Queen Elizabeth Theatre on May 26.

MP3: The Weakerthans – “Plea From A Cat Named Virtue”
Video: The Weakerthans – “Tournament Of Hearts” (live)

Popolio has a quick interview with Ume. They’re playing Eastbound & Down during SxSW at 2:05PM.

Filter and Michigan Live talk to Ted Leo. The Filter piece is a two-parter.

Patterson Hood of Drive-By Truckers talks to Spinner about their next-next record, which will follow next week’s release of The Big To-Do with Go-Go Boots before the year is out. The Truckers are doubling up their next visit to Toronto with two nights at Lee’s Palace, April 6 and 7.

Spinner talks to Centro-Matic.

My Morning Jacket drummer Patrick Hallahan tells Spinner he’s glad the band took a break.

The Scotsman interviews Spoon, who are at the Sound Academy on March 29.

Spin checks in with The Thermals, who are in the studio working on their next album Personal Life, due out September 7.

Rolling Stone has words with Midlake. They play The Mod Club on May 25.

Sharon Van Etten talks to Spinner. She is at the Horseshoe on April 5.

hour.ca interviews Joanna Newsom, who plays a sold-out show at The Phoenix on Saturday night.

She & Him are the subject of features at Spinner and Billboard. Volume 2 is out March 23 and they play The Phoenix on June 9.

Soiree de poche has a video session with Beach House, who have a sold-out show at The Opera House on March 30 and are also playing the Toronto Islands Concert on June 19.

Blurt and Spinner have features on Wye Oak, here opening up for Shearwater on April 1.

Spinner talks to Phantogram, who will be at Supermarket tonight at 1AM.

Spin has debuted the video for the title track of Black Rebel Motorcycle Club’s new album Beat The Devil’s Tattoo. They are at The Phoenix on April 1 and again on April 11.

Video: Black Rebel Motorcycle Club – “Beat The Devil’s Tattoo”

Echo & The Bunnymen are sharing another track from their latest record The Fountain. They are at The Phoenix on April 23.

MP3: Echo & The Bunnymen – “Proxy”

Serena-Maneesh will release their new album S-M 2: Abyss In B Minor on March 23 and are not only streaming the whole thing, but they’ve debuted a new video over at Stereogum. They will be at the Great Hall on April 2.

Video: Serena-Maneesh – “I Just Want To See Your Face”
Stream: Serena-Maneesh / S-M 2: Abyss In B Minor

Swedish folk sister act First Aid Kit have set a North American tour for June and will be at the Rivoli in Toronto on June 12. Their debut Drunken Trees came out last year.

MP3: First Aid Kit – “I Met Up With The King”
MP3: First Aid Kit – “You’re Not Coming Home Tonight”

Shout Out Louds have released a new mini-documentary about the making of their latest record, the just-released Work. They play the Mod Club on May 8.

Video: Shout Out Louds “At Work”

Drowned In Sound has posted the first of a multi-part interview with Jonsi. Go is out March 23 and he plays the Sound Academy on April 30 and May 1.

Under The Radar interviews The Mary Onettes.

Matias CorralIt gives me great comfort to live in a world where Ted Leo & The Pharmacists continue to put out records. When it comes to marrying punk fury with pop hooks and striking the right balance of lyrical cynicism and optimism, all served with a good dose of humour and via a relentless work ethic, there’s few better or more consistent. With the release of his newest record The Brutalist Bricks tomorrow, he cements that opinion even further into fact.

Like pretty much everything Leo has ever put out, Bricks is loud, punchy and pogo-friendly with a couple moments of acoustic thoughtfulness to punctuate proceedings, but within the frame of reference of his discography, it stands apart for a couple reasons. His last effort, 2007’s Living With The Living, was a sprawling effort both in length and stylistic forays and while you hate to suggest that ambition or experimentation are bad things, it didn’t have the impact or staying power as his prior works. And whether the follow-up is a reaction to that or not, Bricks is both tighter-sounding and more focused and possibly Leo’s most outright rocking effort since 2003’s Hearts Of Oak. It’s a comparison which makes it worth noting that Bricks is the first record to be recorded as a four-piece since Hearts, though once-and-again Pharmacist James Canty’s guitar is a decidedly more in-your-face presence on the new album than Dorien Garry’s keys ever were.

Stepping back to regain perspective, Bricks nestles quite comfortably alongside its fellows – if you were to randomly grab a Ted Leo record to spin and came up with this one, you wouldn’t be at all disappointed. It also won’t likely be anyone’s long-term go-to Pharmacists record – all in all, Hearts Of Oak and The Tyranny Of Distance remain his finest moments – but as a reminder that the world is a better place with Ted Leo in it and making music, it does quite nicely.

The Brutalist Bricks is streaming in its entirety over at Ted Leo’s MySpace and Spinner just posted an Interface video session with the band.

MP3: Ted Leo & The Pharmacists – “The Mighty Sparrow”
MP3: Ted Leo & The Pharmacists – “Even Heroes Have To Die”
Stream: Ted Leo & The Pharmacists / The Brutalist Bricks
MySpace: Ted Leo & The Pharmacists

Annie Clark of St. Vincent tells Spinner about her contributions to Together, the new New Pornographers record, due out May 4.

Eater talks about the joys of being full of stomach with The Pains Of Being Pure At Heart.

Headlights have released a new video from Wilderness

Video: Headlights – “Secrets”

Black Book talks to Zooey Deschanel and Matt Ward of She & Him, who will release Volume 2 on March 23.

The Independent profiles Joanna Newsom, in town at the Phoenix this coming Saturday night, March 13.

Spinner talks to Ume about gearing up for this year’s SxSW.

If you, like me, are going to miss all three of Dan Mangan’s upcoming shows at Canadian Musicfest this week – Thursday night at The Great Hall, Friday night at The Courthouse and Saturday’s in-store at Criminal Records – take heart: he’s already scheduled a return engagement for April 22 at the Horseshoe, tickets $12.

MP3: Dan Mangan – “Road Regrets”

Aussies An Horse are looking to make my first post of the year even more correct, having scheduled another Toronto show for April 26 at The Garrison. They’ll release Beds Rearranged, a remix EP of last year’s Rearrange Beds, on March 23.

MP3: An Horse – “Postcards”

Caribou have announced a massive world tour to go along with the April 20 release of Swim. Toronto can catch them on May 3 at The Phoenix.

Video: Caribou – “Odessa”

Vancouver disco duo Fan Death will bring their debut EP A Coin For The Well to Wrongbar on May 21.

MP3: Fan Death – “Cannibal”

PopMatters pays tribute to the late Mark Linkous of Sparklehorse while Blurt reprints an interview with him regarding the Dark Night Of The Soul project, which will finally see an official release this Summer. Hopefully the almost-completed last Sparklehorse record will eventually see the light of day as well. So immensely saddened by Linkous’ untimely passing.