Frank YangWhat happens when The Pains Of Being Pure At Heart meet the pains of being busted up in shoulder? You take advantage of the fact that said band used an off day on their touring itinerary to play an in-store a day before their official show, so as to avoid having to stand around The Opera House for three hours, possibly/probably looped on meds. Which is basically what happened on Monday night at Sonic Boom.

Despite the fact that Pains’ self-titled debut was one of my favourites of 2009, I hadn’t seen the New York outfit since their local debut that February, when their buzz was just building and their packed Lee’s Palace show was one of their largest audiences to date. I missed their next two local shows that same year, but obviously the past two and a half years of steady touring through bigger and bigger stages has served the band well, honing them from a group of adorable wide-eyed kids at the start of a great adventure to a pretty damn tight rock band… who are still adorable. Their second album Belong captured this evolution pretty well, keeping the Sarah-referencing winsome pop core that made their debut so delicious but dressing it up in bigger, thicker production that added a little or a lot of roar to their guitar jangle.

It’s interesting to re-read my comments on the live Pains experience circa that Lee’s show and contrast them with the show they put on Monday night. That band was a shy four-piece, light on presence but charming nonetheless and had barely enough material to fill out 45 minutes including encore. This time out they numbered five, with second guitarist Christoph Hochheim along to fill out the sound, and played with the confidence of a band who’s no longer just happy to be there – they were there to play and play well and loud, even if it was just a freebie in the basement of a record store. And to that end, they played a full and sweaty 45-minute set – presumably the same one they delivered the day before to thousands at Osheaga – the the delight of those who opted to wind out their long weekend there instead of clutching a beer on some patio. I’m sure the hundreds who filled the Opera House last night got just as good if not better of a show, but for me this was an ideal opportunity to catch up with the band and still rest up the arm.

Chart and Paste have feature pieces on the band.

Photos: The Pains Of Being Pure At Heart @ Sonic Boom – August 1, 2011
MP3: The Pains Of Being Pure At Heart – “Young Adult Friction”
MP3: The Pains Of Being Pure At Heart – “Come Saturday”
MP3: The Pains Of Being Pure At Heart – “Everything With You”
Video: The Pains Of Being Pure At Heart – “The Body”
Video: The Pains Of Being Pure At Heart – “Say No To Love”
Video: The Pains Of Being Pure At Heart – “Heart In Your Heartbreak”
Video: The Pains Of Being Pure At Heart – “Higher Than The Stars”
Video: The Pains Of Being Pure At Heart – “Young Adult Friction”
Video: The Pains Of Being Pure At Heart – “Everything With You”

Pitchfork solicits a guest list from American ambient-pop artist John Maus, who has a date at The Drake Underground on September 30 in support of We Must Become The Pitiless Censors Of Ourselves. The Los Angeles Times also has a feature piece.

MP3: John Maus – “Believer”

I am going to assume that The Naked & Famous’ show at Lee’s Palace next week is well and proper sold out because otherwise, they wouldn’t have already announced a return engagement – October 6 at The Phoenix, tickets $20.

Video: The Naked & Famous – “Girls Like You”

Fans of all things rootsy and rocking will want to keep October 30 open, as that’s the day the double-header of Blitzen Trapper and Dawes hit the Opera House. Blitzen Trapper will be promoting their latest American Goldwing, out September 13, while Dawes released their second album Nothing Is Wrong back in June. And to whet your appetite, they’re giving away a six-track sampler EP in exchange for an email at either of their official websites. Playback, Illinois Entertainer and Boulder Weekly have interviews with Blitzen Trapper.

MP3: Blitzen Trapper – “American Goldwing”
MP3: Dawes – “Love Is All I Am”

Having played pretty much every major festival on the circuit, the Death From Above 1979 reunion finally comes home for a show at the Sound Academy on October 28, tickets $36 in advance.

Video: Death From Above 1979 – “Blood On Our Hands”
Video: Death From Above 1979 – “Romantic Rights”

Also in the finally department, those Feist tour dates announced last week have been enhanced with some Canadian dates, including a December 1 stop at Massey Hall. Exclaim has the complete itinerary as of right now, as well as the cover art and tracklisting for her new record Metals, out October 4 and a third vignette preview of the new record is up on her website.

Video: Feist – “Mushaboom”

And for those who’ve gone to put the above two dates in their calendars only to find prior commitments pencilled in, I offer these options – rather than try to choose between DFA1979’s sweaty shirtlessness at the Sound Academy and Dan Mangan’s bearded sensitivity at the Queen Elizabeth Theatre, catch Dan either the night before in Hamilton or the night after in Guelph. And as for choosing between Feist and Austra’s homecoming gig at The Phoenix that same night, note that the December 2 slot on her itinerary is currently vacant and the last times she played Massey back in 2007 and 2008, she did two nights and in ’08, there was also that Air Canada Centre nightcap. You do the math.

PopMatters has an interview with Austra’s Katie Stelmanis.

Daytrotter has got a session with Zeus, who’re playing a free show at Yonge-Dundas Square on September 9.

NOW talks to Owen Pallett about getting the band back together, in this case Les Mouches. Pallett and company are at the Phoenix tomorrow night warming things up for Beirut.

The Huffington Post talks to Torq Campbell and Amy Millan of Stars about their ten-year anniversary as a band.

Handsome Furs talk the touring life with The National Post and Georgia Straight.

Frank YangOne crucial way that NXNE has become more like its bigger, cooler acronym-a-like cousin SXSW is the increase of day shows to go along with the official evening showcases. Of course, I didn’t actually go to any of these new daytime events – the only afternoon party I hit up was one that had been happening for the last few years, the Kelp Records BBQ at the Global Village hostel, this year co-presented by the Brits at The Line Of Best Fit. After all – they had free food, cheap drinks and a solid lineup of bands. What else does a body need?

And as a bonus, I was able to catch a couple bands that otherwise would have required more hopping around in the night time. First up were The Elwins, an almost distressingly young outfit from the suburban wilds north of Toronto. Distressing because for all their fresh-faced earnestness, they possessed a polished and sophisticated pop sensibility that artists many years their elder would be envious of (and they just generally made me feel old). Hearing the amount of detail and ingenuity that had gone into their songs, you’d be tempted to think there was some pop genius sven gali behind them but I suspect that it’s all them and that’s remarkable. Their debut album And I Thank You is finished but, I believe, looking for a home. It deserves one.

BlogTO chatted with the band pre-fest. They play the Silver Dollar on July 21.

Photos: The Elwins @ Global Village – June 17, 2011
MP3: The Elwins – “Time To Kill Time”

I’d seen Saskatchewan’s Slow Down, Molasses and heard their debut I’m An Old Believer back in Fall 2009 and filed them into the ever-growing “has great potential, not there yet” file in my mind. With the release of their second album Walk Into The Sea, I was happy to move them up into the far more spacious “definitely getting there” section of my grey matter. It’s still unquestionably roots rock at its core but the band are able to take it into less-travelled territory, getting noisier where necessary but remaining heartfelt and melodic. And when you’re able to go from twang to a My Bloody Valentine cover and do it well, as this six-piece did whilst crammed into the tiny stage area set up on the hostel’s patio, then you’re onto something.

Photos: Slow Down, Molasses @ Global Village – June 17, 2011
MP3: Slow Down, Molasses – “Late Night Radio”
MP3: Slow Down, Molasses – “I’m An Old Believer”

From the laid back patio shows, things went to the mainstage at Yonge-Dundas for what became a sort of Polaris Prize sampler, with all three acts having been named to the long list the day before. Leading off was Diamond Rings, whom in my mind I’d seen a million times but in fact had not since SXSW 2010 – well over a year. And while there’s only so many changes a solo act can make to their stage show, there were a few notable changes. While it was still just John O’Regan, his keyboard and his guitar, the unicorn tapestry which used to grace his front of the former had been traded in for a more professional “Diamond Rings” banner and oh yeah, he was playing in front of thousands of people. The relentless touring and becoming BFFs with Robyn has clearly paid off because the response that Diamond Rings was getting from the decidedly younger-skewing audience was entering teen idol territory. And unsurprisingly, the show was more polished than I’d ever seen it, incorporating bigger beats, some sweet dance sequences and just generally more crowd-pleasing. I’d always thought there was a limit to how much O’Regan could do with the Diamond Rings persona, but maybe I was wrong.

Diamond Rings has just announced a tour with Twin Shadow, that includes a date at The Mod Club on October 3, tickets $15 in advance.

Photos: Diamond Rings @ Yonge-Dundas Square – June 17, 2011
MP3: Diamond Rings – “Something Else”
MP3: Diamond Rings – “Wait And See”
MP3: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “Something Else”
Video: Diamond Rings – “Show Me Your Stuff”
Video: Diamond Rings – “All Yr Songs”
Video: Diamond Rings – “Wait & See”

Land Of Talk and I got our start at this very festival five years ago and while it’s only two and a half kilometers or so from The Boat in Kensington to Yonge-Dundas Square, the figurative distance covered by the band in that time is far greater. Long-gone is the scrappy power trio that wowed me so long ago, replaced by a five-piece band – six if you count Gentleman Reg in his Light Fires guise of “Regina Gentlelady” on backing vox for a few songs – and including Snailhouse’s Mike Feuerstack on guitar; certainly not the same players as last September at Lee’s. In fact, I would be hard-pressed to remember the last time I saw Land Of Talk with the same lineup twice in a row – the only constant being frontwoman Liz Powell. In any case, this was easily the largest setting I’d seen the band in and it was satisfying to see just how well their tense and yearning songs were able to scale up in presentation, helped no doubt by the three-guitar attack. It wasn’t their tightest show, but even so there was plenty of impact to be felt.

Photos: Land Of Talk @ Yonge-Dundas Square – June 17, 2011
MP3: Land Of Talk – “Quarry Hymns”
MP3: Land Of Talk – “Swift Coin”
MP3: Land Of Talk – “May You Never”
MP3: Land Of Talk – “Some Are Lakes”
MP3: Land Of Talk – “Corner Phone”
Video: Land Of Talk – “Quarry Hymns”
Video: Land Of Talk – “It’s Okay”
Video: Land Of Talk – “Troubled”
Video: Land Of Talk – “The Man Who Breaks Things (Dark Shuffle)”
Video: Land Of Talk – “Some Are Lakes”
Video: Land Of Talk – “Speak To Me Bones”

Stars had graduated to playing this size of show for a while now, so it wasn’t surprising that their show was tight and polished, not unlike their music itself. Stars have hit on a winning formula in crafting their romantic, synth-tinged pop and while it can get a bit samey over the big picture, on a song by song basis, it’s hard to argue with their effectiveness – songs like “Ageless Beauty”, “Your Ex-Lover Is Dead” and “Reunion” are pretty much post-millenial Can-rock classics, and for good reason. The thousands packing the square were certainly happy to eat it all up as well, from the tossing of roses into the crowd to Torquil Campbell playing up the Montreal-based band’s Toronto roots. For a free fan- and family-friendly show on a warm Summer’s evening, you couldn’t really ask for anything more.

Spinner has an interview with Torq Campbell.

Photos: Stars @ Yonge-Dundas Square – June 17, 2011
MP3: Stars – “Going, Going, Gone”
MP3: Stars – “Fixed”
MP3: Stars – “We Don’t Want Your Body”
MP3: Stars – “The Night Starts Here”
MP3: Stars – “Ageless Beauty”
MP3: Stars – “On Peak Hill”
Video: Stars – “We Don’t Want Your Body”
Video: Stars – “Fixed”
Video: Stars – “The Night Starts Here”
Video: Stars – “Take Me To The Riot”
Video: Stars – “Reunion”
Video: Stars – “Ageless Beauty”
Video: Stars – “Your Ex-Lover Is Dead”
Video: Stars – “Elevator Love Letter”

Done with the big stage for the evening, it was off to hit the clubs starting with Rancho Relaxo. There it was Volcano Playground, who impressed with their potential at the Wintergaze show back in December; I was quite interested to see how much further they’d come in the past six months. The answer: some ways. There was a lot of instrument swapping but the transitions were smoother than last time and didn’t disrupt the flow of hte show. Opening with a moody drone, they played a shortish set of spacey pop that didn’t sound distracted, kept moving by a heavy rhythmic element. At their best, they sounded reminiscent of Slowdive if they’d mixed the ideas of Pygmalion and Souvlaki and gotten a lot heavier, and when not at their best the potential of what they might do was still evident. I’m happy to keep them on my, “keep a solid eye on” list.

Their next show is July 10 at The Garrison.

Photos: Volcano Playground @ Rancho Relaxo – June 17, 2011
MP3: Volcano Playground – “Waiting”
MP3: Volcano Playground – “Anywhere”

At this point, my original plan had been to call it an early night for lack of anything I particularly wanted to see in the immediate area I was in. But when the Twitters brought word that one of the secret guest slots which peppered the schedule was going to be filled by the Dum Dum Girls, whom I’d resigned myself to missing, and that said show was happening across the street from where I was – albeit two hours hence – I had to stick it out. And sit through Rusty. OK, I suppose I could have just sat outside on the curb for a couple hours, read a magazine, but instead I opted to take in a ’90s Can-rock reunion that god knows I never asked for. If it’s not clear, I’d never been a fan of the band when they were MuchMusic/CFNY staples but clearly many others were, because the ElMo was packed with thirtysomething bro-types who were stoked – the only word to describe it – for their heroes’ return. And to be fair, they sounded pretty good considering that none of them (I think) carried on in music in any meaningful way after their dissolution over a decade ago. Though shorn of his signature dreadlocks, Ken MacNeil was still in pretty good voice (or as good as his raspy style required) and they collectively were pretty tight – a benefit, I suppose, of not having especially complex material to relearn. But they showed a good sense of humour about their age and the reunion and seemed genuinely grateful that their fans were still there.

Photos: Rusty @ The El Mocambo – June 17, 2011
Video: Rusty – “Empty Cell”

“Are you ready for us?” Dee-Dee Penny of Dum Dum Girls was talking to the sound guy, but could easily have been addressing the couple hundred or so who’d stayed up till 2AM to see them play a second set of the night, following their sold-out appearance at Lee’s Palace earlier on. Cramming a busload of tunes into a half hour set, Dum Dum Girls proved why they were a cut above the other bands currently riding the girl-group/garage-pop wave – besides the most impeccable stage outfits, impressive musicianship and an innate coolness that just can’t be faked, they’ve got terrific songs that would be standouts in any production aesthetic. And they’ve got great friends, as proven when Crocodiles, fronted by Dee-Dee’s husband Brandon Welchez, popped by following their own set at the Silver Dollar across the street and offered both a 40 of whiskey and their services as backing dancers for their last song. Totally worth staying up for.

Photos: Dum Dum Girls @ The El Mocambo – June 17, 2011
MP3: Dum Dum Girls – “He Gets Me High”
MP3: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
MP3: Dum Dum Girls – “D.A.L.”
MP3: Dum Dum Girls – “Jail La La”
Video: Dum Dum Girls – “He Gets Me High”
Video: Dum Dum Girls – “Bhang Bhang I’m A Burnout”
Video: Dum Dum Girls – “Jail La La”

Spinner talks to Nicole Atkins about her latest video, which they’re also conveniently premiering. Brightest Young Things also has an interview while The Herald-Citizen talks to her about her Bonnaroo experience.

Video: Nicole Atkins – “My Baby Don’t Lie”

Similarly, Spinner has the new video from and a conversation with Alela Diane, who will be at Massey Hall on July 14 opening for Fleet Foxes.

Video: Alela Diane – “Desire”

NPR coaxes The Decemberists behind a Tiny Desk and gets them to put on a show. They’re persuasive like that.

The National Post, The Globe & Mail and NPR have interviews with Justin Vernon of Bon Iver, in town at the Sound Academy on August 8.

Each Note Secure talks to Daniel Kessler of Interpol. They’re at the Rogers Centre opening for U2 on July 11.

Rolling Stone finds out what’s next for The Strokes from Nikolai Fraiture and Albert Hammond Jr; a new record and probably some North American dates in the Fall once the European festival season is done.

PopMatters talks to Erika Anderson of EMA, in town at The Garrison on July 23.

Those suffering from Grizzly Bear withdrawal will be pleased to know that bassist Chris Taylor has struck out on his own under the guise of CANT and will not only be releasing his debut album Dreams Come True on September 13 – details at Exclaim – and be taking it on the road. Full dates still to come but Toronto gets a taste on October 21 at The Garrison, tickets $14.

Anton CorbijnIt only took about six minutes via Twitter to announce the forty albums long-listed for the sixth edition of the Polaris Music Prize, we’ll have the next three weeks to argue over their relative merits and come July 6, when the ten record-strong short list is announced, another couple months to hash those out before the September 19 gala in Toronto when a yet-to-be-determined grand jury declares their pick for the best Canadian album of the past year. And there’s more at stake this year than in the past, literally-speaking – the grand prize purse has been increased from $20000 to $30000 and for the first time, the other short listed artists will go home with more than a poster and an understanding of how Shad feels; they’ll all take home $2000 prizes.

I’ve no doubt that much of the aforementioned debate will center around a certain record from a certain Montreal outfit that’s cleaned up at major awards worldwide. It almost seems like a foregone conclusion that they’ll do the same here, but if there’s one thing that past Polaris winners have shown, it’s that the jury likes the underdog and the more successful you are, the less likely you are to add this particular statuette to your mantle. If there was a statuette, that is. Having served my grand juror duty back in 2008, I’m happy that I won’t have to be part of the decision-making process on this one, but I would love to be a fly on the wall of the creepy jury room in the Masonic Temple that Monday evening in September, you bet your sweet bippy.

As for my part in this process, it’s just about done – four of my five picks made the long list, which means that I have to revisit my ballot and pick a longlisted record to replace the one that failed to garner quite enough journo love country-wide. And without going back over past ballot posts to see if this is redundant or not, I’ll quickly outline my personal criteria for my picks. Beyond the obvious, “do I like it a lot?”, I ask myself if the record is or feels “important”, whether for music, Canadian music or just the artist’s own narrative. If that sounds nebulous, that’s because it is. I know some people agonize over these sorts of lists, but honestly I find them pretty simple – I don’t pick the records I think are worthy, they tell me if they are. And so, without further ado, here was my Polaris long list ballot for 2011 with some explanations.

1. Arcade Fire / The Suburbs
Even though this wasn’t even amongst my favourite albums of 2010, taking into the Polaris mandate of rewarding the album with the greatest artistic merit I accepted that this had to be at the top of my list. It’s an album with thematic and musical ambitions that you simply don’t see much of or often enough. And while its reach does exceed its grasp at a few points, said grasp is still higher than most would even consider aspiring to, and the end result strikes a universal chord you can’t deny.
Video: Arcade Fire – “We Used To Wait”

2. Destroyer / Kaputt
Destroyer has always made excellent records, so that the most un-Destroyer record yet would also be maybe the best one is something not many saw coming. But by going lounge and trading (some) guitars for smooth synths and saxes, Dan Bejar has created an immersive sonic world that’s sleek, sad and sexy.
MP3: Destroyer – “Chinatown”

3. Miracle Fortress / Was I The Wave?
By the time I heard this record in early March, the Polaris-judging part of my brain was just about full and most of my ballot complete – or so I thought. Graham Van Pelt’s retro-futuristic sophomore effort refused release my attention though, holding it like some irresistibly shiny object dancing hypnotically in front of my eyes/ears. Which it essentially is.
MP3: Miracle Fortress – “Raw Spectacle”

4. Olenka & The Autumn Lovers / And Now We Sing
About as small and local a release as you’re likely to find discussed in Polaris circles, I didn’t really expect this one to make the long list, but certainly not because it’s not as good or better than the albums that did. Time has proven that my last-minute, gut-instinct inclusion of Sing on my 2010 year-end list was justified; it’s a special record, more people simply need to hear it.
MP3: Olenka & The Autumn Lovers – “Odessa”

5. Sloan / The Double Cross
If the Polaris was awarded to the the best first three songs on a record, then everyone else could just go home – Sloan would take it in a cake walk. The pop veterans celebrated their twentieth anniversary by making their strongest record in a decade and reminding anyone who’s taken them for granted – which is to say everyone – just how good they could be.
MP3: Sloan – “The Answer Was You”

I have a little while to rejig my ballot to replace the Olenka record with something else off the long list. I have a few options I’m weighing. Maybe I’ll fill you in when a decision is made. Maybe.

Spin has got a 30-minute Arcade Fire video feature from MuchMusic’s The Wedge, wherein the band are interviewed by Damian Abraham, frontman for 2009 Polaris champs Fucked Up. Fucked Up are also featured in Blare, Spin, NOW and Spinner. Their two NXNE appearances now done, their next local show will be on August 9 at the Air Canada Centre opening up for Foo Fighters.

While on the topic of former Polaris recipients, since they’ll be in town to hand over the title of “reigning Polaris Music Prize winner” on the 19th of September, Karkwa have scheduled a Canadian tour that includes show at Lee’s Palace for September 17, tickets $12.

MP3: Karkwa – “Dors Dans Mon Sang”

Though they’ve got two NXNE showcases this week – tonight at The Garrison, tomorrow at The Great Hall, long-listers Braids have scheduled another as part of a Fall tour – they’ll be at The Horseshoe on October 14. Spinner has an interview.

MP3: Braids – “Lemonade”

The Quietus and Sydney Morning Herald interview Dan Bejar of Destroyer.

NOW talks NXNE with PS I Love You, whose debut Meet Me At The Muster Station made the long list cut.

All three acts playing the free show at Yonge-Dundas Square tonight made the 2011 long list; The National Post talks to Stars, Spinner and The National Post chat with Land Of Talk’s Liz Powell and The Grid profiles John O’Reagan of Diamond Rings. The Diamond Rings remix rainbow project has also just released a reimagining of a NOW Handsome Furs tune. Stars have a new video.

MP3: Diamond Rings – “What About Us” (Diamond Rings remix)
Video: Stars – “We Don’t Want Your Body”

The Grid has an interview with the aforementioned NOW Handsome Furs, who are at The Garrison on Saturday night and The Horseshoe on August 1.

All three acts who played The Music Gallery last night also got some NXNE media attention; NOW profiled Snowblink, Blare got Evening Hymns’ Jonas Bonetta to give Tom Petty’s Wildflowers some love and The National Post and Post-City talked to Forest City Lovers’ Kat Burns.

Spinner talks to No Joy.

Spinner and NOW have interviews with Chad VanGaalen, who is playing The Great Hall on Saturday night.

Friday nights at Yonge-Dundas Square have been declared as “Indie Friday” and will host a weekly series of free shows to earn the title; particularly notable are shows from The Sadies on July 22 and the double-bill of Zeus and Jason Collett on September 9. All shows are free free free.

MP3: The Sadies – “Another Year Again”
MP3: Jason Collett – “Bitter Beauty”
MP3: Zeus – “Marching Through Your Head”

On July 28, The Tranzac will host the pretty terrific double-bill of Gentleman Reg and Rae Spoon; tickets for the show just $10.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Death By Elektro”

And just in time for Summer/Polaris/NXNE/whatever June 17 means to you, The Line Of Best Fit have released their seventeenth (!!!) Oh! Canada downloadable mix.

youarestars.comThe promo and touring cycle for Stars’ last record The Five Ghosts – released just about a year ago – largely wrapped last Fall, just in time to take a break and allow Amy Millan to have her first child. The Montreal quintet are ready to get back into action, though, and are doing so not with a release of new material but of old. Specifically their previous-to-last album, 2007’s In Our Bedroom After The War, or more specifically the demos for said record. That’s what has just been released as The Bedroom Demos, available digitally in compressed or lossless forms. It’s also available to stream in its entirety right now.

No doubt some of these songs will be aired out in their finished forms when the band makes their appearance at Yonge-Dundas Square next Friday night, June 17, as part of NXNE’s centrepiece free shows. And they’ll almost certainly be on the set list when the band plays a secret show at a to-be-announced location in Toronto the following night, June 18. Uncovering the location of the show is a scavenger hunt of sorts with locations of QR codes with clues being teased out via Twitter. And if you don’t figure it out to make it onto the guest list, the show will also be livestreamed on aux.tv that evening, though access to the stream also requires some sleuthing for trivia answers. Hey, no one ever said life was going to be easy.

The Take interviews Torquil Campbell in advance of their NXNE appearance next week.

MP3: Stars – “The Night Starts Here”
Stream: Stars / The Bedroom Demos

Broken Social Scene have released a new, uber-violent video from last year’s Forgiveness Rock Record. They play Downsview Park on Canada Day, July 1.

Video: Broken Social Scene – “The Sweetest Kill”

NOW interviews No Joy, who’re at The Horseshoe on June 16 at 1AM as part of NXNE.

Paste has a series of video performances from The Wilderness Of Manitoba.

The Quietus talks to Fucked Up bassist Sandy Miranda. The band have two NXNE showcases – 8PM on June 16 at Yonge-Dundas Square and 1AM later that night at Wrongbar.

Hero Hill talks to Joel Plaskett about his EMERGENCYs, false alarms, shipwrecks, castaways, fragile creatures, special features, demons and demonstrations rarities comp, out Tuesday. Plaskett plays a free show at Metro Hall tonight at 8PM.

Rock Feedback interviews Dan Bejar of Destroyer.

Interview sends Win Butler of Arcade Fire to interview Alexander Skarsgard of HBO’s True Blood. Because why not, right?

CBC, NOW, Chart and The Montreal Gazette interview the authors of Have Not Been The Same, the Canadian indie rock document which celebrates its return to in-print status with a Weeping Tile show at Lee’s Palace tonight.

With her new record The Harrow & The Harvest set for a June 28 release, Paste reports that Gillian Welch has scheduled an extensive North American tour that includes a July 25 stop at The Phoenix in Toronto. The Press Democrat has an interview with Welch.

Quite pleased to see that Memory Tapes is taking the occasion of the July 5 release of Player Piano to finally tour up to Toronto, having scheduled an August 13 date at Wrongbar. The band which is essentially one Dayve Hawk is a far more engaging live act than you might expect, as I learned at SXSW 2010. There’s both an MP3 and video from the new record kicking around.

MP3: Memory Tapes – “Today Is Our Life”
Video: Memory Tapes – “Yes I Know”

The Sea & Cake will be in town at Lee’s Palace on November 5 in support of their latest effort The Moonlight Butterfly. The Chicago Tribune talks to Sam Prekop.

MP3: The Sea & Cake – “Up On The North Shore”

The Guardian interviews Justin Vernon of Bon Iver, whose new self-titled album is available to stream a couple weeks before its June 21 release. Bon Iver play The Sound Academy on August 9.

Stream: Bon Iver / Bon Iver

Under The Radar talks to Kelly Crisp of The Rosebuds about her comedy career. She and her band open up for Bon Iver at the aforementioned August 9 Sound Academy show.

Pitchfork talks to the director of TV On The Radio’s latest video from Nine Types Of Light.

Video: TV On The Radio – “You”

Mates Of State will release a new album of original material on September 13 and it will be entitled Mountaintops. Adorableness guaranteed.

Shortlist profiles Interpol.

Shortlist has a feature piece on The Strokes, who curiously still have not announced any significant tour dates for this year. I thought they’d be all over the Summer concert circuit.

Creative Loafing and The Tampa Tribune have interviews with Sleepy Vikings.

Warner Bros.Or at least we are the first batch of acts officially announced on Tuesday for this year’s NXNE festival, running June 16 through 19 around Toronto. It’s certainly not all of them, but there’s some moderate to big names in there and perhaps most key, the headliners for the free shows at Yonge-Dundas Square that have become the centrepiece of the fest have been revealed.

While there’s no one quite of the stature of last year’s Saturday night marquee of Iggy & The Stooges, New Wave legends Devo have certainly got the pedigree to act as a worthy centrepiece for this year’s event. They and their energy domes and jumpsuits will be headlining the YDS Stage on the Saturday night, closing off what will likely be a full day’s slate of acts. They were here in Fall 2009 offering full-album performances of Q: Are We Not Men and Freedom Of Choice, but have since released their first new album in forever with last year’s Something For Everybody. Which, I’m sure, the masses will want to hear lots of material from at this show. Mm hmm.

And while there’s enough tapped for the free stage that you could have a fine weekend just camped out in front of the Eaton Centre, NXNE is still a club-level fest and there’ll be hundreds more artists from near and far vying for your attention. The schedule won’t be out for a while yet but I’ve managed to cobble together a very early list of who will be playing where and when – obviously all subject to change – and while some of this was previously announced, a lot of it is new:

Thursday, June 16, 2011
The Descendents, OFF!, Rusty, Metz @ Yonge-Dundas Square
Evan Dando & Juliana Hatfield, The Luyas @ Lee’s Palace
Snowblink, Forest City Lovers, Evening Hymns @ The Music Gallery
The Dodos, Deerhoof, Gauntlet Hair @ The Phoenix
Ty Segall, The Dig @ The Garrison
Woodsman @ The El Mocambo

Friday, June 17, 2011
Stars, Land Of Talk, Diamond Rings @ Yonge-Dundas Square
Suuns, No Joy, PS I Love You @ The Horseshoe
Bouncing Souls, Anti-Flag, The Flatliners @ The Phoenix
Art Brut @ The Mod Club
Braids @ The Garrison
Dum Dum Girls, Cults, Superhumanoids, Writer @ Lee’s Palace
Ty Segall, Julianna Barwick, Daniel Pujol, Secret Cities @ Wrongbar

Saturday, June 18, 2011
Devo, Men Without Hats, Cults, Writer @ Yonge-Dundas Square
Twin Shadow, Wild Nothing @ Lee’s Palace
Foster The People @ The Mod Club
Hot Water Music, A Wilhelm Scream, Mockingbird Wish Me Luck, Sharks @ The Opera House
Talk Normal, Prince Rama, AIDS Wolf, Grimes, Doldrums @ 918 Bathurst
Chad Van Gaalen, Braids, Jennifer Castle, Duzheknew, Grimes @ The Great Hall
The Balconies @ Sneaky Dee’s

Sunday, June 19, 2011
Wild Nothing @ The Garrison
The Pharcyde, Digable Planets @ Yonge-Dundas Square

And some of the acts who don’t have any more specific information available besides “they’ll be there” are Crocodiles and Lower Dens. Yeah, I think I can find enough to occupy myself for four evenings or so.

MP3: Art Brut – “Lost Weekend”
MP3: Julianna Barwick – “The Magic Place”
MP3: Braids – “Lemonade”
MP3: Jennifer Castle – “Neverride”
MP3: Cults – “Go Outside”
MP3: Deerhoof – “The Merry Barracks”
MP3: Diamond Rings – “Something Else”
MP3: The Dodos – “Don’t Stop”
MP3: Evening Hymns – “Broken Rifle”
MP3: Forest City Lovers – “Light You Up”
MP3: Foster The People – “Pumped Up Kicks”
MP3: Grimes – “Vanessa”
MP3: Land Of Talk – “Quarry Hymns”
MP3: The Luyas – “Tiny Head”
MP3: No Joy – “Hawaii”
MP3: OFF! – “I Don’t Belong”
MP3: Prince Rama – “Lightening Fossil”
MP3: PS I Love You (featuring Diamond Rings) – “Leftovers”
MP3: Ty Segall – “Girlfriend”
MP3: Snowblink – “Ambergris”
MP3: Stars – “We Don’t Want Your Body”
MP3: Suuns – “Up Past The Nursery”
MP3: Talk Normal – “In A Strangeland”
MP3: Chad Van Gaalen – “Sara”
MP3: Twin Shadow – “Castles In The Snow”
MP3: Woodsman – “Insects”
Video: Devo – “What We Do”
Video: The Descendents – “I’m The One”
Video: Digable Planets – “Rebirth Of Slick”
Video: Men Without Hats – “Safety Dance”
Video: The Pharcyde – “Drop”

If you prefer your festivals a little more rustically-set, Exclaim has the lineup announcement for this year’s Hillside Festival, happening in Guelph from July 22 to 24. The roster reads like a who’s who of up-and-coming Canadian talent, including The Rural Alberta Advantage, Dan Mangan, Karkwa, Little Scream and really too many more to list. Tickets go on sale May 7 at 10AM at $110 for a weekend pass and these sell out quickly every year so don’t dither too long if at all.

And while talking Canadian fests, it’s worth noting that Montreal’s Osheaga added a bunch more acts including Janelle Monae and Broken Social Scene among them, and broken things down day by day.

In other live music news, Steve Earle will be at the HMV at 333 Yonge for a signing and in-store on April 28 at 6PM – you’ll just have to buy a copy of I’ll Never Get Out Of This World Alive when it comes out next Tuesday for tickets. Or wait for his show opening up for Blue Rodeo at the Amphitheatre on August 20.

San Diego’s The Donkeys are in town at a venue to be determined Sneaky Dee’s on May 21 in support of their new record Born With Stripes, out on Tuesday.

MP3: The Donkeys – “Don’t Know Who We Are”

The Baseball Project – aka Scott McCaughey, Steve Wynn, Peter Buck and Linda Pitmon celebrating America’s pastime in song – will bring their second album Volume 2: High & Inside to Lee’s Palace on June 1. And yeah, the Jays are at home that evening against Cleveland. Oregon Live has a feature on the band.

MP3: The Baseball Project – “1976”

Louisiana’s Givers, just here supporting Wye Oak a couple weeks ago, will return for their own show at The Garrison on June 21. Their album In Light is out June 7.

MP3: Givers – “Up Up Up”

With their new record D due out May 24, White Denim have announced a date at The El Mocambo for June 28.

MP3: White Denim – “Anvil Everything”

Antony & The Johnsons have released a new video from last year’s Swanlights

Video: Antony & The Johnsons – “Swanlights”

Spinner reports that one of The National’s next projects will be curating a Grateful Dead tribute album for charity. I can only hope that everyone involved covers “Touch Of Grey” because that’s about the only Dead song I know.

Exclaim talks to Explosions In The Sky guitarist Munaf Rayani about their new record Take Care, Take Care, Take Care, out on Tuesday.

My Morning Jacket frontman Jim James goes over some of his influences for Spin. Their new record Circuital comes out May 31 and they play The Kool Haus on July 11.

Titus Andronicus discusses his love of Fucked Up and plans for following up The Monitor with Spinner.

NPR has a World Cafe session with Iron & Wine while The Washington Post and Boston Herald have interviews with Sam Beam.

Spectrum Culture and Spin interview Michael Benjamin Lerner of Telekinesis. They’re at Lee’s Palace on May 27.

Bon Iver has declared their intention to make the Summer solstice a little more wintry by releasing their new self-titled album on June 21. Details at Pitchfork.

And finally, sympathies to family, friends and fans of TV On The Radio bassist Gerard Smith, who lost his battle with lung cancer yesterday morning. Fuck you, cancer. Just fuck you.