Frank YangA number of things I hadn’t done in a while: gone to a show; gone to a show at The Horseshoe; gone to a show whose bill was filled with bands I’d never seen before. Friday night, I kicked off Labour Day weekend by addressing all three of these things by seeing London’s Male Bonding, Austin’s Love Inks and locals Neon Windbreaker and Huddle. At the ‘Shoe. In case that wasn’t clear. This isn’t to say I had no backstory with the bands. I was in a band with one of Huddle’s guitarists for some years, years ago, and have a couple of friends in the Neon Windbreaker camp – the fact that I’d yet to see either of them play before, despite ample opportunity, kind of speaks volumes about how good a friend I am. But I digress.

I’d been sent a few tracks from Huddle’s Fault Lines EP some time ago and been impressed by how sophisticated it sounded for a band that hadn’t been around for very long, though it was comprised of some experienced players. Since they recorded that sampler, they’ve finished a very accomplished full-length in All These Fires – a debut that’s insidiously catchy at times – and were looking to bring some of that studio savvy onto the stage. And indeed, one of the first things I noticed was the sophistication and attention to detail in their arrangements – little flourishes in the percussion and keyboards that you might not consciously notice but definitely feel in the bigger picture. The electro-pop sheen that’s up front on the recordings was pleasantly roughed up a bit live and the band have got things covered in the polish and pop hooks departments; if there’s a shortcoming it’s in the overall presence – though plenty friendly, they didn’t offer a whole lot of personality up there. This isn’t to suggest that a contrived image would be a step up, but with the songs and musicianship well covered, that would be something to look at next.

And way over at the opposite end of spectrum with a surplus of personality dwells Neon Windbreaker. Originally conceived as a hardcore concept/novelty act, it’s grown – perhaps despite themselves – into a real(ish) band with actual songs and musical proficiency. Well, somewhat – everyone can clearly play even if it’s not called for in this outfit – it’s unclear if frontman Eric Warner can actually sing but he’s got the screaming thing down pretty well – and when they let the anarchic aesthetic drop and allow something genuinely tuneful to come through, it’s surprising and confusing. Again, this may be the point. In any case, they were entertaining and didn’t overstay their welcome, though I suspect their cover of Harvey Danger’s “Flagpole Sitta” was a bit sloppier than even they intended. Or not.

The stage presence yo-yo went back to its other extreme for the third act of the night, Texan trio Love Inks, and one can only presume their opening cover of David Essex’s “Rock On” was ironic as rocking on was rather the last thing they had in mind. Their sound as captured on debut album ESP is built on live bass and guitar over skeletal, sequenced beats and since Kevin Dehan and Adam Linnell prefer to tend to their duties while standing off the the stage sides, safely ensconced in shadow, the figurative and literal spotlight fell on singer/drum machine triggerer Sherry LaBlanc. Thankfully, her vocal approach is not icy and detached, as so many who ply simliar terrain are, but wide-eyed and emotive and imbuing their songs with some genuine feeling. That said, they were still very low-key in presentation and considering most were there for their decidedly punked-up tourmates, it was just as well their set ran a very efficient half-hour.

On any given day, I might say that Male Bonding are too lo-fi for my tastes, but with the increased sonic clarity and bigger pop hooks on their just-released second album Endless Now over their debut Nothing Hurts, they were very much what I was in the mood for this evening. But though they may have tidied things up in the studio a bit this time out, live they tilted very much back towards the punk side of their equation while retaining just the right amount of airiness in their harmonies and hooks. With the addition of a second guitarist, things were decidedly weightier and louder for both new material and old – the set was split about evenly between both – and propelled by the relentless drumming of Robin Christian. He wasn’t hugely fancy or varied back there, but was unquestionably huge as he laid down a monstrous groove for his bandmates to work in and the four-piece powered through a set of meaty, punk-pop with the unquestionable highlight being the irresistible “Bones”, which must have been exhausting for both the band on stage and dancers in the audience. How they managed to keep playing after that marathon is beyond me, but they did and closed out with a rare (according to them) encore. Then I imagine they went backstage and collapsed.

Exclaim also has a writeup of the show and The Liverpool Echo has an interview with Love Inks.

Photos: Male Bonding, Love Inks, Neon Windbreaker, Huddle @ The Horseshoe – September 2, 2011
MP3: Male Bonding – “Tame The Sun”
MP3: Male Bonding – “Bones”
MP3: Male Bonding – “Franklin”
MP3: Male Bonding – “Year’s Not Long”
MP3: Love Inks – “Blackeye”
MP3: Neon Windbreaker – “Furniture”
MP3: Huddle – “Islands”
Video: Male Bonding – “All Things This Way”
Video: Male Bonding – “Pirate Key”
Video: Male Bonding – “Weird Feelings”
Video: Male Bonding – “Year’s Not Long”
Video: Love Inks – “Blackeye”
Video: Love Inks – “Leather Glove”

With next week being one of the big new release days of the Fall, there’s plenty of much-anticipated records available to preview by way of streams. First, there’s St. Vincent’s latest Strange Mercy, which is up over at NPR. Pitchfork also has a feature interview.

Stream: St. Vincent / Strange Mercy

The New York Times has paired their feature piece on Laura Marling with a stream of her latest A Creature I Don’t Know. She is at The Great Hall on September 23.

Stream: Laura Marling / A Creature I Don’t Know

If you were at all intrigued by my writeup of Slow Club’s new record Paradise from last week, it’s up for listening over at NME.

Stream: Slow Club / Paradise

The second single from Noel Gallagher’s High Flying Birds is now available to stream at NME. It’s on the strength of this and the rest of the self-titled debut, out November 8, that Gallagher will be playing two shows at Massey Hall on November 7 and 8.

Stream: Noel Gallagher’s High Flying Birds – “AKA… What A Life!”

Not technically an album stream and certainly not a new release, but video of Bettie Serveert’s recital of their debut Palomine at the Into The Great Wide Open festival in The Netherlands this past weekend is available to watch online. Oh ’90s.

Baeble Music is streaming a video interview and session with Ellie Goulding.

Here we are, another September 2, another year, another “oh my god am I still doing this” post. As far at themes go, I was torn between the good ol’ Eveready cat logo or some of Gustave Doré’s illustrations from the ninth circle of Dante’s Inferno – but I’ve gotten some grief lately over being a bit of a gloomy gus so I went with the cartoon kitty. And the “nine lives” bit? Maybe, but I’m certainly not on number one.

So yes, still here, doing what I’m doing while noting that the landscape of things continues to change around me and the traditional-form blog, such as this one here, are becoming increasingly archaic. That’s cool with me; I can appreciate the vintage vibe, yo. And as I can feel a pointless ramble coming on, I will check myself and simply say that I have now been doing this for a quarter of my life and can’t remember not doing it… so for reading and validating that effort, I thank you. That’s about all I’ve got to say for this annual state-of-the-whatever post. Kind of weak, but don’t worry – I’ve already got next year’s decade post a-brewing. It’ll be a doozie.

Did you know the traditional ninth anniversary gift is pottery and the modern ninth anniversary gift is leather? Me neither. So what else we got?

The Independent has an interview with Emma-Lee Moss of Emmy The Great.

NOW previews tonight’s Male Bonding show at The Horseshoe by talking with the band about their just-released second album Endless Now. The Boston Globe and I Like Music also have interviews.

The Guardian has a feature profile on Laura Marling, whose third album A Creature I Don’t Know is out on September 13. She is at The Great Hall on September 23.

Spin has posted up a video session with Annie Clark of St. Vincent, whose latest Strange Mercy arrives September 13.

Aquarium Drunkard interviews the members of Olivia Tremor Control, whose reunion tour hits Lee’s Palace on September 16.

Veronica Falls have released a new video from their self-titled debut, due out September 20. They’re at The Mod Club opening up for The Drums on October 1. And speaking of The Drums, they’ve released the second video in their Visiomento series promoting Portamento, out September 13.

Video: Veronica Falls – “Bad Feeling”

Spinner and The Irish Independent talk to Yuck, who will be at The Horseshoe on September 24.

Slicing Up Eyeballs reports that the principals of New Order have put aside their seething hatred of one another enough to agree to release some outtakes from their last studio album, 2005’s Waiting For The Sirens’ Call though they’re still debating the exact format of the release. Live4Ever has an interview with Peter Hook, who brings his new outfit The Light playing material from his old outfit Joy Division to town for a show at The Phoenix on September 24.

Video: New Order – “Jetstream”

Rolling Stone declares Dum Dum Girls a “band to watch”, just in time for the September 27 release of Only In Dreams. They’re at Lee’s Palace on October 16 and if you missed it earlier this week – I added it to a post a little late – a second superb MP3 from the album has been made available to download.

MP3: Dum Dum Girls – “Bedroom Eyes”

It won’t be here in time for his September 30 show at The Phoenix, but James Blake has announced the release of a new six-track EP entitled Enough Thunder for October 10; details at The Independent.

Blurt has a feature interview with Explosions In The Sky, in town at The Sound Academy on October 7.

Pitchfork reports that the release date for Bjork’s new album Biophilia has been pushed back from September 27 to October 11.

San Francisco psych-rockers Thee Oh Sees have made a date at The Horseshoe for October 21 in support of this Summer’s Castlemania, though Prefix reports they’ve already got another album ready to go in Carrion Crawler/The Dream, due out November 15.

MP3: Thee Oh Sees – “I Need Seed”

I talked last week about how much I was looking forward to Welcome To Condale, the debut album from Summer Camp; well to go along with a brand-new website, the duo have confirmed that the album will have a North American release one week after the UK release on November 8.

The Line Of Best Fit reports that Los Campesinos! will release their fourth album, entitled Hello Sadness, on November 15. And while that’s good news for fans, there’s also some bad news as it was announced via blog that violinist Harriet Campesinos! would be following in keyboardist Aleksandra’s two-year old footsteps and leave the band in favour of university and re-assuming her old surname. Perhaps that’s the sadness the album’s title is referring to?

NPR has a World Cafe session with Anna Calvi. It’s amazing how small her speaking voice is, compared to how massive her singing voice is. Whew. She will be at Lee’s Palace on December 8.

TV On The Radio have a new video from Nine Types Of Light

Video: TV On The Radio – “Second Song”

Also with a new clip are White Lies, from Ritual.

Video: White Lies – “The Power & The Glory”

American Songwriter rounds up some of the releases that will commemorate the 100th anniversary of Woody Guthrie’s birth next year, including but certainly not limited to a Wilco/Billy Bragg Mermaid Avenue box set.

Frank YangThe last time Philadelphia’s The War On Drugs were in town was as support for Destroyer, and by drafting on the interest in the “Best New Music”-ed Kaputt, played to a sold-out Lee’s Palace. This time out, they were headlining the smaller digs at the Drake Underground but were again buoyed by some Pitchfork love with the same seal of approval being awarded to their just-released second full-length, Slave Ambient.

As noted in my writeup of the Destroyer show, despite relying on the intersection of somewhat disparate styles The War On Drugs cultivate a very specific sound. Take an overtly ’70s-era Dylan approach to singing and lyricism, blend with some Springsteen/Petty-ish classic Americana stylings and a Velvet Underground-level appreciation for the art of the drone and serve doused in a psychedelic shimmer and you’re about there. It’s a vibe that’s immediate and engaging, but I find it gets a bit samey over the course of a long-player. For the span of an in-store length set such as the one the band played on Wednesday night at Soundscapes however, it was just about right.

Stopping in for the performance before even heading to the Drake to set up and soundcheck, they were able to set up as a fully plugged-in four-piece. And it’s just as well because it’s hard to imagine their songs without Adam Granduciel’s electric guitar in all it’s phased and tremoloed glory, seeing as how his expeditionary solos sometimes make up half the song. They played for about half an hour, both new material and old and while they were openly appreciative to everyone who showed up for the set, they seemed especially pleased to have requests for older material called out. It’s surely great to have a new audience take an interest in your work, but that also makes those who’ve been there all along that much more special. It’s hard to imagine they didn’t head down to the Drake afterwards feeling pretty good about that.

Death & Taxes, The Chicago Tribune and Philly.com have profile pieces on the band.

Photos: The War On Drugs @ Soundscapes – August 24, 2011
MP3: The War On Drugs – “Come To The City”
MP3: The War On Drugs – “Baby Missiles”
MP3: The War On Drugs – “Taking The Farm”
MP3: The War On Drugs – “Comin’ Through”
MP3: The War On Drugs – “The History Of Plastic”
Video: The War On Drugs – “Come To The City”
Video: The War On Drugs – “Baby Missiles”
Video: The War On Drugs – “Needle In Your Eye #16”

NOW and The Grid have pieces on Colin Stetson, who is playing the Drake Underground tonight.

Kathleen Edwards will be playing a special low-key show at the Dakota Tavern on Sunday night, August 28, with tickets only available at the door – they’ll run you $20. And if you’re wondering if the mister might make a guest appearance… well, Bon Iver isn’t on the road right now. So.

MP3: Kathleen Edwards – “Asking For Flowers”

The mark the release of The Rip Tide this coming Tuesday, Exclaim has made it four American cover artists in a row by putting Beirut’s Zach Condon front and centre for the September issue. Not that you can blame them – he’s so cute. The Irish Independent and Wall Street Journal also have feature pieces.

Head over to NPR to stream another new track from Girls’ forthcoming Father, Son, Holy Ghost. It’s out September 13 and they play The Mod Club on September 27.

Stream: Girls – “Honey Bunny”

NME, DIY and State talk to The Drums, releasing Portamento on September 13 and playing The Mod Club on October 1. They’ve also started a video performance series to tease the new record – here’s the first instalment.

Video: The Drums – “What You Were” (Visiomento)

St. Vincent has premiered the first video from Strange Mercy over at The Huffington Post. The record is out September 13.

Video: St. Vincent – “Cruel”

It’s hard to say what’s an official video these days, so for the sake of argument we’ll say that this in-studio clip Wilco released of their b-side cover of Nick Lowe is an official video. It’s great, either way. Both Wilco and Lowe are at Massey Hall on September 17 and 18 and Wilco’s new album The Whole Love is out September 27.

Video: Wilco – “I Love My Label”

Pitchfork, Drowned In Sound and The Quietus all have chats with one Stephen Malkmus. He and The Jicks are at The Phoenix on September 21 and you can watch a complete video of their recent Amoeba Records in-store set at Rolling Stone.

The Georgia Straight has a cover story on Dan Mangan. His new record Oh Fortune arrives September 27 and he plays The Queen Elizabeth Theatre on October 26.

Apparently Chairlift are still around. The released a new 7″ single in “Amanaemonesia” earlier this Summer and will apparently have a new full-length out before the year is over. And oh yeah, they’re opening for James Blake at The Phoenix on September 30.

Stream: Chairlift – “Amanaemonesia”
Video: Chairlift – “Bruises”

The first MP3 from Breaks In The Armor, the new Crooked Fingers record out October 11, is now available to download. They’re at The Drake Underground on November 8.

MP3: Crooked Fingers – “Typhoon”

Purveyors of one of the Summer tunes of 2011, Lousiana’s GIVERS are coming back to town with Los Angeles’ Lord Huron in tow for a show at Wrongbar on October 26, tickets $13 in advance.

MP3: Givers – “Up Up Up”
MP3: Lord Huron – “Mighty”

The Fly gets Chad VanGaalen to perform an acoustic session for them while The Prague Post and The List have interviews. He’s at The Mod Club on October 28.

Rhode Island’s Deer Tick haven’t released a new full-length since last year’s Black Dirt Sessions, but the release of a new single and a Fall tour that brings them to Lee’s Palace on November 16 implies that something more is coming. Or they just felt like releasing a single and hitting the road. Update: New album it is. Exclaim reports Divine Providence is out October 25 – thanks Phil.

MP3: Deer Tick – “Miss K”

Baeble Music has a Guest Apartment video session with EMA.

Pitchfork gets Will Sheff of Okkervil River to document his musical development through the years.

Writers On Process, The Riverfront Times and Louisville Courier-Journal talk to The Hold Steady frontman Craig Finn.

The Flaming Lips have released a video for one of their collaborations with Lightning Bolt.

Video: The Flaming Lips & Lightning Bolt – “I’m Working at NASA on Acid”

Rolling Stone checks in on the possiblity of a Replacements reunion with Paul Westerberg and Tommy Stinson.

Frank YangIf we’re being completely honest, there’s a not-insubstantial part of me that wishes that this past weekend’s shows by Neutral Milk Hotel bandleader Jeff Mangum at Trinity-St. Paul’s had never happened. There was just something poetic about the disappearing act he pulled following In The Aeroplane Over The Sea, as though the album-closing sounds of the guitar being set down, chair being pushed back and footsteps into the distance was of him leaving this plane and taking his rightful place in some cosmic musical pantheon, having created one of the more perfect records of recent memory.

Of course, I suspect it’s over-romanticized shit like that that’s exactly why Mangum has finally emerged from seclusion. In the thirteen years since he disbanded Neutral Milk Hotel, his story has taken on mythic proportions as a new generation of the indie-inclined discover his masterpiece but can find no trace of its auteur – just field recordings of Bulgarian folk music, sound collages, very occasional guest appearances on the records of his Elephant 6 compatriots and rumours. So many rumours. Even if Mangum wanted to make a return to recording, releasing and performing music, surely the weight of expectation that would surround whatever came next would be unbearable.

So may as well just get it over with. Mangum sightings haven’t been unheard of in recent years, but a surprise Brooklyn loft show last December had the scent of something more than just a one-off; it felt more like carefully laying the groundwork for something bigger and within months, a relatively full-scale comeback was in place – both playing and curating some ATP Festival shows in the UK and US and headlining a number of east coast dates from the late Summer through the Fall. When the Toronto shows were announced, I theorized that this was Mangum’s effort to deconstruct the mythology around himself, to remind people that he was just a guy with a guitar and some songs and maybe, just maybe, not all that big a deal.

If that was the intent, mind you, maybe booking two nights in a church wasn’t the best way to make the point. For the Friday night show, the lineups began just after noon and by the time doors opened, stretched around more than a couple city blocks. And after all were admitted and dutifully took their places in the pews, it would still be an extended wait in the sweltering chapel before the show got underway. For support, Mangum brought along some old friends performing as Scott, Andrew & Laura – as in Scott Spillane of The Gerbils and Andrew Reiger and Laura Carter of Elf Power; certainly not household names but well-appreciated by those who knew them. Their set saw them trading off instruments and playing selections from their respective repertoires, striking a typically Elephant 6 balance of musical proficiency and primitivism but it was impossible to not be impressed by their final song, a Gerbils composition which had Spillane bellowing mournfully while Carter played trumpet unamplified into the church ceiling.

Just how reclusive has Jeff Mangum been? So much so that between sets, when a lanky figure in a light checked shirt and long brown hair tucked under a pageboy cap strode out on stage to check the four guitars set up around a chair, hardly anyone noticed that this was the man that they’d been waiting for months to years to forever in breathless anticipation to see live. They noticed when he came out the second time though – the dimmed lights must have helped – and he was welcomed back to Toronto, to the stage, with huge applause. And with the first strummed chords of “Oh Comely”, it began.

Jeff Mangum is often held up as the archetype for nasally-voiced indie-folk singers, but my first impression of hearing him in person was just how refined and powerful that voice was; Neutral Milk may have favoured a lo-fi, ramshackle aesthetic for their recordings but it certainly wasn’t to cover up the vocals. Of course, with this being a Mangum solo show and not a Neutral Milk reunion, that aesthetic was shelved anyways as the only flourishes on the voice and acoustic guitar configuration came courtesy of Spillane and Carter, who stepped up to add some crucial horn and clarinet parts to songs like “In The Aeroplane Over The Sea” and “Ghost”. But for the most part, it was just Mangum and the rapt silence of his audience – a silence that burst into huge ovations when each and every song ended, as though they’d just witnessed the greatest thing ever and really, who’s to say they hadn’t?

Between songs, Mangum certainly didn’t come off like a recluse or eccentric, coming off chatty and friendly; at one point he asked, “Are you guys happy?” to an overwhelmingly positive response before having that question returned to him (he said he was). Also in the far-from-precious department, his requests – nay, demands – that the house sing along with him – further proof that he didn’t want our reverence, he wanted us to celebrate with him. There may not have been as much sincerity behind a full house singing “I love you Jesus Christ” as there would be when Trinity was actually serving as a conventional house of worship, but there was no denying that there was some genuine transfiguration occurring – or more accurately, a reverse-transfiguration with a musical demigod happily becoming just a man.

Though he apparently confirmed on Saturday night that he had been writing, no new songs were introduced. The hour-long set including one-song “Engine” encore encompassed selections from both Neutral Milk albums – though curiously no “Two-Headed Boy, Part One” on either night – and a cover of Daniel Johnston’s “True Love Will Find You In The End” wrought so lovely that I almost believed it could be true. But considering I’d just see Jeff Mangum perform live, I think one wish fulfilled on the evening was plenty.

NOW, Spin and The National Post was also on hand Friday while The Grid, The Globe & Mail and Exclaim have writeups of the very-similar Saturday night show; Southern Souls has also some audio from Saturday. And oh, there was no photography permitted at the show hence my sketch of the artist gracing the top of this post; it’s been a long time since I’ve drawn, and in that time I clearly forgot that a) I need light to draw, b) an eraser can be a handy tool and c) I was never very good at drawing. But anyways.

MP3: Neutral Milk Hotel – “Holland 1945”

Paste is streaming the Stephin Merritt rarities collection Obscurities a week before its August 23 release. This release marks the return of Merritt to Merge Records and the next Magnetic Fields record will be out on the same label next year.

MP3: Stephin Merritt – “Forever And A Day”
Stream: Stephin Merritt / Obscurities

DIY has a feature interview with Stephen Malkmus on the occasion of the release of Mirror Traffic next week. The album is up to stream in its entirety over at NPR; Malkmus and The Jicks play The Phoenix on September 23.

MP3: Stephen Malkmus & The Jicks – “Tigers”
MP3: Stephen Malkmus & The Jicks – “Senator”
Stream: Stephen Malkmus & The Jicks / Mirror Traffic

Tuscaloosa News and Birmingham Box talk to Justin Townes Earle, in town at The Horseshoe on August 26.

KDHX talks to Laruen Larson of Ume; their new record Phantoms is out August 30.

Spin has posted online their cover story on St. Vincent for next month’s “Style Issue” – and if you think that means lots of snazzy pictures of Annie Clark to go with the interview, you’d be right. Her new record Strange Mercy arrives September 13.

Wilco have released a video teaser for the song “Almost” off their new album The Whole Love, which shows if nothing else that this album proves they’ve found the “Beautifully ugly” setting on Nels Cline. The album is out September 27 and they play Massey Hall on September 16 and 17.

Rolling Stone talks to Matthew Sweet about his new album Modern Art, due out September 27.

MP3: Matthew Sweet – “She Walks The Night”

Making good on his promise in July to return when the new record was out, Eric Bachmann will bring Crooked Fingers back to town for a show at the Drake Underground on November 8 in support of Breaks In The Armor, out October 11. Merge has the full tour itinerary, for which Strand Of Oaks will be supporting.

MP3: Crooked Fingers – “Phony Revolutions”
MP3: Strand Of Oaks – “Bonfire”

Portland’s Blind Pilot will follow up the September 13 release of We Are The Tide with a tour that brings them to Lee’s Palace on November 10, tickets $15.50 in advance.

MP3: Blind Pilot – “Keep You Right”

Warpaint dish to NME about their plans for album number two.

NPR has got a World Cafe session with TV On The Radio.

Keith KlenowskiWhile 2010 was unquestionably the year of The National with the release of their breakout record High Violet, the band haven’t been entirely quiet this year, continuing to tour and also releasing a couple of new tracks for soundtracks to various things. One of them was for Portal 2, which I’m led to understand is a video game; I’m still working on finishing Super Mario Bros so I’ll have to take your word for it.

But rather than just put the song out there, the band and game producers made a proper single of it and enlisted fans to create and submit videos for the slow-burning, piano-led song and out of the 320 entries, chose two they found to be standouts – one featuring a sad lip-synching sock puppet and another animated in theme with the game – and awarded them first and 1.00000000001th place, with prizes awarded to both. The second place entry and other notable clips are available to view at the Portal 2 website.

MP3: The National – “Exile Vilify”
Video: The National – “Exile Vilify” (1st Place)
Video: The National – “Exile Vilify” (1.00000000001th Place)

Girls have released a video for the first single from their forthcoming album Father, Son, Holy Ghost. It’s out September 13 and they play The Mod Club on the 27th of the month.

Video: Girls – “Vomit”

Warpaint are re-releasing their 2010 debut The Fool in an inevitable deluxe edition come September 19, in the UK at least. The bonus incentives include the entirety of their 2009 EP Exquisite Corpse – which is absolutely worth hearing, even if it features actress Shannyn Sossamon on drums rather than current powerhouse Stella Mozgawa and also a re-recorded version of Billie Holiday, which is available to stream at Wears The Trousers. The Galway Advertiser has a feature piece on the band.

Paste has put tUnE-yArDs on the cover of their latest electronic edition of their magazine. She plays Lee’s Palace on September 24.

The London Evening Standard profiles Annie Clark of St. Vincent. Her latest Strange Mercy is out September 13.

Cowbell has an interview with Stephen Malkmus, whose new album with The Jicks Mirror Traffic is out August 23. They play The Phoenix on September 21.

One-time Guided By Voices member and rock journalist James Greer has posted recollections of the time GBV were being courted by Warner Bros to his blog.

MTV talks to Hold Steady frontman Craig Finn about the decision to make a solo record, as he is for release in early 2012.

Into The Woods has a video session with Okkervil River wherein they perform the B-side to their “Rider” single; the A-side of their new single is now available to download – the 7″ of which comes with another new song as the B-side – stream that one at Pitchfork.

MP3: Okkervil River – “Your Past Life As A Blast”

NPR has a World Cafe session with Jason Isbell while The Corner News and The Emory Wheel.

A new MP3 from Blitzen Trapper’s forthcoming American Goldwing is now available to download. The album is out September 13 and they play The Opera House on October 30.

MP3: Blitzen Trapper – “Love The Way You Walk Away”

Ryan Adams has confirmed an October 11 release date for his new solo record Ashes & Fire; Spin has details on the album and some of the guests who’ll make appearances.

Blurt reports that Calexico are assembling a vinyl box set of their many, many (eight in total) tour-only releases. Entitled Road Atlas, the collection is being targeted for a Fall release.

NOW talks to Dayve Hawk of Memory Tapes, taking the stage at Wrongbar tomorrow night around midnight.

Singer-songwriter Sean Rowe returns to town for a show at The Rivoli on September 9, tickets $11.50 in advance.

MP3: Sean Rowe – “Jonathan”

Spinner talks to Marissa Nadler, who has announced a Fall tour that brings her back to town for a show at the El Mocambo on September 13 with Irish singer-songwriter Vincent James McMorrow. She’s promoting her self-titled album, released earlier this Summer and has just put out a new video.

MP3: Marissa Nadler – “Baby I Will Leave You In The Morning”
Video: Marissa Nadler – “Alabaster Queen”

With their second album Dracula set for a September 20 release, Portland’s Nurses have made a date at The Drake Undergroudn for October 19.

MP3: Nurses – “Fever Dreams”