Magnus HärdnerSince offering up the first proof of its existence in July with a new stream, followed not long after by a video, I’ve been anxiously waiting on official information regarding the new album from Swedish electronic act I Break Horses. Pitchfork had previously reported an October release for the follow up to 2011’s Hearts, but as we’re into the final days of the month that seems pretty unlikely.

So in lieu of the new record, yesterday’s flurry of news about the new record will have to do. For starters, a second new song was premiered via beautifully shot video at Noisey, the title of the album – Chiaroscuro – was revealed, though to be fair if I’d seen this interview with Maria Lindén which ran on MTV Iggy at the start of September I’d have already known that, and with a little bit of sleuthing it would appear the general “early 2014” release window that Bella Union is offering will actually be January 20 in Europe and January 28 in North America. Obviously this is all subject to change, but I will take it for now. And the new song, too. Swoon.

Video: I Break Horses – “Faith”
Video: I Break Horses – “Denial”

It might seem a bit backwards, but Swedish glammers The Sounds have made their new record Weekend available to stream at Spin a few days before its release on October 29, but a full week after their North American tour brought them through town. In any case, We Love DC and The Bay Bridged also have interviews with the band.

Stream: The Sounds / Weekend

examiner.com talks to José González of Junip.

Drowned In Sound has some annotations from Efterklang on the two new – and final – videos they’ll be releasing from last year’s Piramida.

Video: Efterklang – “Between The Walls”
Video: Efterklang – “Black Summer”

The Wall Street Journal and San Francisco Examiner talk to Danish singer-songwriter Nanna Fabricius of Oh Land.

The Guardian has got video from one of the songs Sigur R&ocaute;s performed as part of a concert for the BBC at their Maida Vale Studios.

Le Blogothèque has a Still Room Session with Of Monsters & Men.

Redefine has an interview with composer Ólafur Arnalds and frequent collaborator and tourmate Nils Frahm; Bloomberg and The Daily Aztec talk to Arnalds on his own.

Australian electro-rockers Cut Copy have made a stream of their new record Free Your Mind available to stream before it comes out November 5; check it out via Pitchfork, and also the video for the title track if you like. They’re at The Danforth Music Hall on November 15, tickets $30 to $40 in advance.

Video: Cut Copy – “Free Your Mind”
Stream: Cut Copy / Free Your Mind

The Line Of Best Fit has details of Live From KCRW a new Nick Cave & The Bad Seeds live record recorded earlier this year at the Los Angeles radio station that is being released in time for Record Store Day on November 29 before getting a wide release on December 2.

Chris McAndrewThough I already celebrated the existence of Trans – all-caps is about as excited as I get online, I’ll have you know – I only recently got a hold of Red, the first in a series of EPs from Bernard Butler – ex of Suede and, in an informal poll of me, greatest guitarist of the past 20-plus years – and Jackie McKeown of Yummy Fur and more recently 1990s, whom Butler was producing when they met and began jamming together.

And jamming is the correct word, rather than writing, because the four tracks that comprise Red are certainly more about their improvised musical interplay than the considered composition that one would presume from Butler, given his track record of crafting ornate and elaborate pop music. As reluctant as I am to use the band’s own words to describe them, the Can-meets-Television descriptor is pretty apt, as the most defining aspects of the band so far are their steady, almost motorik rhythm section and free-form yet melodic guitarwork, at its most Verlaine-Lloyd-ish in the extended “Jubilee”. Lyrics are pretty throwaway, mostly nonsensical riffs on a phrase, but they both add a punky snottiness – Butler’s vocals a far cry from the ’70s singer-songwriter earnestness of his solo albums – and anchor the proceedings in a pop idiom.

There’s no question that Trans is of niche appeal, and if Butler were not involved I’m not honestly sure how much I’d have paid attention though now that I have, I can honestly say its an enjoyable listen on its own merits (and also fun to jam to on guitar), and I look forward to the follow-up releases. And while it’s probably too early to hope it leads to phone calls to David McAlmont or Brett Anderson – don’t worry Fat Richard, your job is safe – anything that gets Butler a little out of the producer’s chair and back towards making his own music is worth celebrating.

Uncut prepares for a feature interview with a short history of the project, while The Quietus has a chat with both Butler and McKeown.

Video: Trans – “Jubilee”
Video: Trans – “Rock Steady”
Video: Trans – “Building No. 8”

Speaking of musical heroes in new contexts, New York Times has got an advance stream of Stars Are Our Home, the debut from Neil Halstead’s new project Black Hearted Brother; the album is out October 22 and North American dates are going to happen. PopMatters, for their part, asks twenty questions of Mark Van Hoen, none of them specifically about the new album.

MP3: Black Hearted Brother – “This Is How It Feels”
Stream: Black Hearted Brother / Stars Are Our Home

With her new album Arrows finally set for release next week on October 22, Polly Scattergood has made it available to stream via her Tumblr.

MP3: Polly Scattergood – “Wanderlust”
Stream: Polly Scattergood / Arrows

DIY interviews Los Campesinos! about their new album No Blues, due out on October 29.

Drowned In Sound gets in-depth with Kate Nash, Noisey gets her to reflect on the moment “Foundations” broke her (in the good way), and she’s just released a new video for “Fri-End?” from Girl Talk and plays an acoustic version in a video session for The Telegraph. She’s in town at The Phoenix on November 5.

Video: Kate Nash – “Fri-End?”

Stereogum chats with Charli XCX, who finally makes her local headlining debut at Wrongbar on November 9.

Though it won’t appear on Cupid Deluxe when it comes out November 19, any new music from Blood Orange – including this Babyface and Toni Braxton cover with Samantha Urbani of Friends – is only a good thing.

Stream: Devonté Hynes & Samantha Urbani – “Hurt U”

Frank Turner isn’t kidding when he says he loves playing Canada. After doing two shows here for TURF back in July, he’s back for a gig at the Sound Academy on December 3; tickets are $23.50 general admission and $37.50 VIP balcony.

Video: Frank Turner – “Oh Brother”

London pysch-kraut outfit Toy have announced the December 9 release of their second album Join The Dots, a follow up to last year’s solid self-titled debut. DIY has details and the title track from the album has been made available to stream.

Stream: Toy – “Join The Dots”

Hot Minute gets to know The High Wire, who will release a new album early in the new year.

The new video from Travis‘ latest Where You Stand could double as an iPhone 5S commercial because it was shot entirely on the mobile phone. Drowned In Sound has the premiere and with it, details on how it was done.

Video: Travis – “Mother”

The Guardian has premiered a new video from Summer Camp’s just-released-in-North America self-titled effort.

Video: Summer Camp – “Two Chords”

British Sea Power have rolled out a new video from their latest album Machineries Of Joy. The Sunderland Echo looks into the inspiration for the song and clip.

Video: British Sea Power – “Monsters Of Sunderland”

Little Boots has premiered a new video from Nocturnes over at Nylon. CNet also asks Victoria Hesketh about her favourite smartphone apps.

Video: Little Boots – “Shake”

Boiler Room has a video session with CHVRCHES.

Under The Radar and FasterLouder talk to London Grammar.

Under The Radar (the New Zealand one) and Metro (the English one) have interviews with Anna Calvi.

Veronica Falls have decided to mark their upcoming Australasian tour with the release of a new song. Listen to said song now.

Stream: Veronica Falls – “Nobody There”

GQ declares Noel Gallagher one of its men of the year, presumably just to score an interview and get him to say batshit things. Mission accomplished.

For Folks Sake have an amiable little chat with Johnny Flynn.

Delirium On Helium talks to Nicky Wire of Manic Street Preachers.

Swedish electro-pop artist Elliphant has released a new video from what one assumes will be a full-length album someday.

Video: Elliphant – “Could It Be”

WNYC welcomes Icelandic composer Ólafur Arnalds for a session.

Wired talks music and technology with Björk.

Exclaim has details on the kidnapping drama that has prompted Spanish dance-pop band Delorean – who are fine now – to cancel their North American tour, including tonight’s date at The Horseshoe. The new date is February 20 at The Hoxton and the rest of the rescheduled tour dates can be had at Exclaim.

Phoenix’s episode of Austin City Limits is available to stream online for a limited time.

Tobias SutterThings that are true about live music rooms in Toronto: 1) Everyone hates the Sound Academy, for reasons that don’t really need to be expounded on; 2) a lot of people hate The Phoenix when it represents a tipping point for ascendant acts moving out of clubs and into bigger rooms; 3) a lot of people love The Phoenix when it offers a relatively intimate setting for who might normally play larger rooms but for whatever reason – choice or circumstance – are downsizing.

It’s that third category that I was front of mind yesterday as a batch of concert announcements rolled in. Already scheduled for two dates at The Air Canada Centre supporting Pink on November 30 and December 2, Swedish garage rock heroes The Hives have decided days off are for chumps and have scheduled their own show at The Phoenix for December 1, tickets $29.50. Their last headlining show in support of last year’s Lex Hives was in July 2012 and at The Sound Academy, so their playing a room one-third the size is rather a boon for their fans, at least those who didn’t rush out to buy Pink tickets to see them. Which I would think would include all of them.

Video: The Hives – “Wait A Minute”

New Zealand electro-poppers The Naked & Famous, on the other hand, may be finding out that they’re neither sufficiently naked or famous to fill the Sound Academy as they’ve downgraded their October 14 show in support of their just-released second album In Rolling Waves from there to The Phoenix. Playing the room wasn’t overreaching as their last show in support of their hit debut Passive Me, Aggressive You was there and was their fourth local performance in a year, no less, but kids these days have short attention spans. Remaining tickets for the show are $28.50 in advance. BBC has an interview with the band as does Noisey, along with a stream of the new record.

Video: The Naked & Famous – “Hearts Like Ours”
Stream: The Naked & Famous / In Rolling Waves

When British soul singer Jessie Ware made her local debut at The Opera House in April, it seemed a foregone conclusion that her next visit would be in a much bigger room. And while I won’t suggest that her upwards trajectory has stalled – she and Devotion are just too good to be denied – I was surprised to see that her November 6 show at The Sound Academy had also been downsized to The Phoenix. On the plus side, I already know a few people for whom this show has gone from “ugh” to “ooh”, so it should still be a good and full house when she and The Invisible return to town. Whatever tickets remain for that one are $25 in advance. Interestingly, one of her New York shows on this tour was also downsized from a 3000+ room to a 1000 but a Brooklyn show was also added, so maybe this is as much about the experience as soft sales. Or not. Anyways, if you were on the fence then it’s time to get to a ticket outlet.

Video: Jessie Ware – “Wildest Moments”

The Rural Alberta Advantage have been fairly quiet of late, presumably working on a follow-up to 2011’s Departing – their last local show was last Fall with Dan Mangan at The Danforth Music Hall – but they’ll be taking the stage at the Adelaide Music Hall on October 18 as part of Indie Week, which is apparently a thing. You can get in with a festival wristband or paying $25 for an advance ticket.

MP3: The Rural Alberta Advantage – “Stamp”

Widowspeak fans dismayed that their only opportunity to see them this Fall was as support for Iron & Wine at The Sound Academy – that place again! – on September 28 will be pleased to know that they’ll be back soon enough in support of their new EP The Swamps, out October 29, for a show at The Silver Dollar on November 2 with Pure Bathing Culture and tickets running a very reasonable $12.50.

MP3: Widowspeak – “The Devil Knows”

Baltimore’s Future Islands haven’t announced anything about a follow-up to 2011’s On The Water, but they’re still hitting the road and will be at The Drake Underground on November 10, tickets $15.50.

MP3: Future Islands – “Before The Bridge”

At some point, the release of Illinois roots-pop artist Lissie’s second album got pushed back a few weeks, but they’ve now committed to both an October 8 street date for Back To Forever as well as a Fall tour to support it. Ms Maurus will be at the Adelaide Music Hall on November 21, tickets for the show $22.50 in advance.

Video: Lissie – “Further Away (Romance Police)”

They may not have been crowned Polaris champs on Monday night, but Young Galaxy can still announce themselves as 2013 shortlisters when they take the stage at The Hoxton on November 22. Not that they would or should; that’s kind of gauche. Tickets for that one are $18 in advance.

Video: Young Galaxy – “Pretty Boy”

If you missed fantastical Swedish synth-pop duo The Deer Tracks when they were here in March – and mathematically, most all of you did – then you can rectify that when they bring their opus The Archer Trilogy back to North America for a victory lap. They’ll be back at The Silver Dollar on November 28.

MP3: The Deer Tracks – “W”

His Toronto debut a couple weeks ago having completely sold out even after being upgraded from The Drake to Wrongbar, Archy Marshall – aka King Krule – will bring his album Six Feet Beneath The Moon back as part of a larger tour and will be at Lee’s Palace on December 9, tickets $20. The New York Times has a feature piece on the artist.

Video: King Krule – “Octopus”

Interview, MTV, and Rolling Stone have features on Swedish electro-pop sensations Icona Pop, whose North American debut This Is… Icona Pop is out this week.

MTV Hive, Elle, and Interview chat with Nanna Øland Fabricius of Oh Land, whose new album Wish Bone is also out this week and is available to stream courtesy of The Line Of Best Fit. Esquire also has a video session with the artist, who plays The Great Hall on September 30.

Stream: Oh Land / Wish Bone

Indians have rolled out a new video from their/his debut Somewhere Else.

Video: Indians – “La Femme”

The New Strait Times, South China Morning Post, and Electronic Musician have interviews with Icelandic composer Ólafur Arnalds.

Le Blogotheque serves up an Empty Spaces session with Sigur Rós filmed in the catacombs of Paris.

A Heart Is A Spade interviews Kate Boy.

Lucia GracaWhile no one would argue that Björk has always done exactly what she wanted from an artistic point of view, the broader audience that met her first three solo releases and made her one of the unlikeliest stars of the Alternative Nation in the ’90s – as well as probably the most famous Icelander in the world – has waned somewhat in the 21st century. But regardless of the muted response to 2011’s Biophilia, she still counts her fans by the thousands and they were out in force at Echo Beach on Tuesday night for her first local show in almost six years, since headlining the first night of V Fest 2007.

That show – also on the water, albeit across the harbour from this one on Olympic Island – was a confetti-and-laser-and-brass-powered extravaganza fitting the tone of her previous album Volta, but given the relatively inward-looking tone of Biophilia – the first tours in support of it were performed in intimate theatres in the round – it’s not surprising that the stage setup was rather more austere. Or so it seemed, at first. As far as players went, Björk was traveling with only a percussionist and keyboardist/programmer, but the fourteen members of female Icelandic choir Graduale Nobili would prove to be more than the equal to a conventional band.

It’s hard to take the spotlight off of Björk, especially in an electric blue sparkly dress and huge orange Biophilia wig, but Graduale Nobili were the perfect backdrop/accompaniment for her, both aurally and visually as the stage setup was more akin to a theatre space than a concert stage and they were called on to perform as dancers as well as singers. Their parts meticulously and brilliantly arranged, they were by turns mysteriously foreboding or giddily celebratory and offered their matriarchal leader support or cover as the show demanded, their presence energized the show and especially gave extra life to the Biophilia material, with the presentation of “Crystalline” in particular coming across as revelatory compared to the recorded version.

But as improved as the newer material sounded live, it was still the older songs that proved the show-stoppers, and not just because they were the most familiar. “One Day” – the only nod to Debut despite marking its 20th anniversary this month – was stripped down to a gorgeous and haunting vocal and steel hand drum, and if Graduale Nobili had been brought along only to provide the call-and-response chorus to “Pagan Poetry”, it’d have been worth the price of the airfare. If there’s a moment everyone will remember, however, it’d be “Army Of Me” wherein a pair of Tesla coils in a cage descended from the stage ceiling, their electrical arcs synched to the synths while over a dozen girls danced like mad on the stage. Simply amazing. And ranked right alongside as show highlights would be “Hyperballad” transforming midway into a strobe-powered rave up cover of LFO’s “Freak” (so I’m told, I wouldn’t know an LFO song if I heard one) and the massive walls of flame and sparks that backlit set closer “Náttúra”. After that breathtaking peak, the banging one-song, Trayvon Martin-dedicated encore of “Declare Independence” seemed almost unnecessary – the preceding highs were not to be topped – but considering how rarely Björk finds her way here and how spectacular her shows are, if you’re doing anything less than savouring every minute of it, you’re quite simply doing it wrong.

The Toronto Star, Exclaim, BlogTO, The National Post, The Huffington Post, and NOW also have reviews of the show. Noisey reflects on Björk’s 20-year solo career in terms of both music and visual style.

MP3: Björk – “Verandi”
MP3: Björk – “It’s In Our Hands”
MP3: Björk – “Cosmogony”
Video: Björk – “Hollow”
Video: Björk – “Mutual Core”
Video: Björk – “Moon”
Video: Björk – “Crystalline”
Video: Björk – “Innocence”
Video: Björk – “Declare Independence”
Video: Björk – “Wanderlust”
Video: Björk – “Dull Flame Of Desire”
Video: Björk – “Earth Intruders”
Video: Björk – “Where Is The Line”
Video: Björk – “Triumph Of A Heart”
Video: Björk – “Who Is It”
Video: Björk – “Oceania”
Video: Björk – “Hidden Place”
Video: Björk – “Cocoon”
Video: Björk – “Pagan Poetry”
Video: Björk – “Joga”
Video: Björk – “Bachelorette”
Video: Björk – “Hunter”
Video: Björk – “Alarm Call”
Video: Björk – “All Is Full Of Love”
Video: Björk – “Isobel”
Video: Björk – “Possibly Maybe”
Video: Björk – “I Miss You”
Video: Björk – “Army Of Me”
Video: Björk – “Hyperballad”
Video: Björk – “It’s Oh So Quiet”
Video: Björk – “Human Behaviour”
Video: Björk – “Venus As A Boy”
Video: Björk – “Big Time Sensuality”
Video: Björk – “Violently Happy”
Video: Björk – “Play Dead”

The Village Voice has an interview with Icelandic composer Ólafur Arnalds and Altsounds asks him what kind of gear he’s brought along for his current US tour.

Exclaim reports that Icelandic pop singer Emiliana Torrini has set a September 9 release for her new record Tookah, and the first single from it is available to stream now.

Stream: Emiliana Torrini – “Speed Of Dark”

Norwegian singer/producer/pop star Annie tells Noisey that the break that followed 2009’s Don’t Stop is over and to prove it, a song from her new release The A&R EP, out August 5, is available to stream.

Stream: Annie – “Hold On”

Indians have rolled out a new video from their/his debut Somewhere Else.

Video: Indians – “Magic Kids”

The Independent talks to Jose González of Junip.

Fredrik EtoallIf nothing else, Swedish electro-pop duo Icona Pop deserve some sort of prize for getting as far as they have without having to release their debut album. Okay, not technically true, since their self-titled debut came out in Sweden last Fall, but it remains resolutely unavailable outside of their native country and probably will remain so – in a new interview with EQ Music, Aino Jawo makes it sound as that their first international release will be an all-new record, leaving the disc that spawned their first mega-hit “I Love It” unheard by many of their fans.

Not that that seems to be eliciting many complaints from said followers. Their ubiquitous Charli XCX-penned single “I Love It” just topped the UK charts, despite hardly being a new track; it was already out there when the duo first landed on my radar last May, but thanks to placements in ads, video games, and Girls, has remained in the public consciousness and has now proven itself a pretty great Summer soundtrack as well, at least for those who do, indeed, love it – to wit, it just topped the UK singles charts and is certified gold or platinum all over the place. Not bad for a song that’s basically a slice of mindless fun.

Their appearance at The Grove Fest at Garrison Common on August 3 won’t be their Toronto debut – they opened for Marina & The Diamonds at the Kool Haus in December – but will be their first visit since they became some degree of international stars, so that will be interesting. And one can’t help look at their Fall North American tour and note the three days off between Cleveland and Boston, and figure that their first headlining date won’t be announced shortly after The Grove wraps up.

Noisey gets lessons in being poor from the duo, BBC has an introductory interview, NME talks to Charli XCX about having no regrets about giving them the song rather than keeping it for herself and The Daily Star gets Icona Pop’s angle on the collaboration, and using their success as a jumping-off point, The Line Of Best Fit has compiled a list of the next wave of female Scandinavian artists they expect to make a wide impact.

Video: Icona Pop – “I Love It” (featuring Charli XCX)

The Skinny talks to Thomas Mars of Phoenix, who have released a second video from their latest, Bankrupt!. You can also stream the whole of their Glastonbury 2013 set, which offers a taste of what they’ll do when they headline The Grove Fest at Garrison Common on August 3.

Video: Phoenix – “Trying To Be Cool”
Video: Phoenix @ Glastonbury 2013

Swedish post-punk outfit Holograms have made a track from their forthcoming album Forever, out September 3, available to stream.

Stream: Holograms – “Meditations”

Idolator talks with Swedish electro-pop artist Elliphant.

Despite having just gotten back on peoples’ radars with a new video, Robyn tells The Guardian that her new record is far from being finished.

The 405 is streaming a new track from Efterklang.

Stream: Efterklang – “Look Up”

Ólafur Arnalds has released a new video from his latest effort, For Now I Am Winter.

Video: Ólafur Arnalds – “This Place Was A Shelter”

Sigur Rós have made their recent 360° concert webstream from Dresden, Germany available to watch on demand.

The Knife have turned to their reportedly batshit live show for the newest video from Shaking The Habitual.

Video: The Knife – “Raging Lung” (live)