Danielle St. LaurentI suspect that I will be one of the only people in any way related to the Toronto music scene not on hand at Garrison Common tomorrow for Field Trip, the day-long festival marking the 10th anniversary of the Arts & Crafts label, headlined by the “reunited” (having only been inactive for less than two years, they get the air quotes) Broken Social Scene playing in full their watershed 2002 album You Forgot It In People.

It’s not that I wasn’t tempted. This blog was in existence barely a month before People was released, and there’s no denying that it – and the emergence of Toronto and Canada on the indie rock world stage in its wake – made the 416 beat an infinitely more interesting place to cover. But you know, you see a band as many times as I did in those early years and you can get a bit burnt out – their headlining slot to close out the first Virgin Fest in 2006 was pretty much the last time I would make any kind of effort to see the band, and with Amy, Emily, and Leslie all singing “Anthems For A Seventeen-Year-Old Girl” together, it was really the right note to go out on. Not that our paths wouldn’t cross again – there was one stop of their 2010 in-store tour and then again that December – mainly to see Superchunk, but also to affirm that hey, we had some good times but I think we’re done. There’s just not enough nostalgia in my tank to spend a day seeing a lineup of bands I’ve seen a million times already. So everyone else in the city, have a great time tomorrow, happy anniversary Arts & Crafts, have a great show Broken Social Scene. I’ll be at home installing some blinds.

But if you’re in the spirit of the occasion, do read this piece in Rolling Stone about the BSS “reunion” and A&C anniversary, another in Huffington Post, as well as this one in Interview with Brendan Canning about those same topics as well as what he’s up to at the moment. And also this week’s cover story in The Grid about the evolution of the independent music scene in Toronto over the past decades – not just post-BSS – and the companion piece by author Michael Barclay at his own Radio Free Canuckistan. And you can watch last night’s “reunion” warm-up performances of “Almost Crimes” and “7/4 Shoreline” on Jimmy Fallon at Pitchfork. Update: A full transcript of the interview with Kevin Drew that went into the Rolling Stone piece is up courtesy of the author.

MP3: Broken Social Scene – “Deathcock”
MP3: Broken Social Scene – “World Sick”

The Music Nerd Chronicles and The Independent talk to Hayden, who’s also playing Field Trip and got in touch with his crafty side in a video feature for Etsy.

Pitchfork are streaming the new Braids EP “In Kind//Amends”, out June 11. They play The Comfort Zone for NXNE on June 15 and the new full-length Flourish//Perish is out August 20.

Stream: Braids / In Kind//Amends

DIY gets to know Diana; they’re at The Horseshoe on June 13 for NXNE, opening for Tegan & Sara and fun. at Downsview Park on July 6, and will release their debut full-length Perpetual Surrender on August 20.

Exclaim gets a bit of context to that Halifax-heavy showcase happening at The Great Hall on the Friday night of NXNE, June 14; it’s to mark the 21st anniversary of Murderrecords, and will feature Sloan performing their debut Peppermint EP in its entirety (plus some other songs because the EP is only like 23 minutes long), and will also have the first-ever vinyl pressing of The Super Friendz’s debut Mock Up, Scale Down available for sale – I may prevail upon someone to grab me a copy since I probably won’t make it to the show – and the release of a commemorative book about the label. For those not rocking NXNE wristbands, advance tickets are $23 and available now.

Nylon has a feature piece on Majical Cloudz, doing the NXNE thing on June 15 at BLK BOX.

Lightning Dust are streaming another new song from their forthcoming Fantasy, out June 25.

Stream: Lightning Dust – “Loaded Gun”

Exclaim is streaming another new song from Louise Burns’ forthcoming solo record The Midnight Mass, out July 9.

Stream: Louise Burns – “Jasper”

The Grid and Huffington Post check in with Tokyo Police Club about the status of their next album, possibly/probably due out in the Fall.

Muso’s Guide interviews Hooded Fang.

Sara Amroussi-GilissenWhen Toronto’s Hooded Fang first surfaced in early 2009, despite being over a year away from releasing their debut full-length Album, they seemed inescapable on the club circuit – I saw them thrice that year without trying at all. And because of that concentrated dose, and even though they were clearly still in the early stages of finding themselves, I assumed that sugary, ramshackle twee-pop would remain the bedrock of what they were about. Which was fine and fun, but not enough to hold my attention.

As it turns out, they were on an accelerated evolutionary track, with their second album Tosta Mista coming out barely a year after their first and pointing to a more focused and compact aesthetic that traded the “twee” modifier for “garage” and “surf”. Their third album Gravez, out tomorrow, brings even more changes as the band lineup has been whittled down from its original seven-piece collective to a lean quartet and in the process, getting louder, harder, and steering their sound towards more time-warped, psychedelic destinations. If you handed me this record four years ago and told me that this is what that instrument-swapping, glockenspiel-tapping, shambolically giddy outfit would become, I wouldn’t have believed you. And yet, here we are.

Exclaim and Cut From Steel have interviews and The Grid a video session with the band, who’ve just released a new video from Gravez. They play a hometown release show for the new record at The Horseshoe this Friday night, May 31.

Stream: Hooded Fang / Gravez
Video: Hooded Fang – “Ode To Subterrania”

Artrocker has an interview with Young Galaxy, who make their first post-Ultramarine Toronto appearance at Lee’s Palace on May 31.

The Coast interviews Hayden, who is participating in the Arts & Crafts Field Trip festival at Garrison Commons on June 8.

Also playing that fest as well as NXNE at BLK BOX on June 14 are Vancouver’s Gold & Youth; VUE and The Province have feature pieces on the band.

Though not out until August 20, Diana’s debut album won’t be self-titled after all, but carry the title of Perpetual Surrender, the change intended to head of potential legal issues. Exclaim explains why. Diana are doing NXNE at The Horseshoe on June 13, and then opening for Tegan & Sara and fun. at Downsview Park on July 6.

CBC Music, Exclaim, Montreal Gazette, and Dummy have feature pieces on Majical Cloudz, whose NXNE showcase comes June 15 at BLK BOX.

The Fly interviews Katie Stelmanis of Austra, whose new album Olympia comes out June 18.

Vancouver’s Lightning Dust have released a video and download for the first song from their new album Fantasy, out June 25.

MP3: Lightning Dust – “Diamond”
Video: Lightning Dust – “Diamond”

Diamond Rings gives Exclaim some hints as to the direction of album number three, due out sooner than you might think. They open up for OMD at The Danforth Music Hall on July 11 and 19.

Beatroute chats with The Belle Game, coming to town for the Soundclash Festival at Harbourfront Centre on July 13.

The Line Of Best Fit asks some questions of Sarah Neufeld, whose solo debut Hero Brother comes out August 20.

Suuns have released a new video from their latest, Images du Futur; The Province also has an interview.

Video: Suuns – “Sunspot”

Doldrums also have a new video from their debut album Lesser Evil.

Video: Doldrums – “Holographic Sandcastle”

Exclaim talks to Jim Guthrie about his excellent new solo record Takes Time.

Daytrotter has posted a session with Grimes.

Rachel PickThose with their ears to the ground with respect to Canadian independent music might have been hearing good things about Vancouver’s Belle Game for a few years now; they might have even heard their debut album was done and supposed to be out as long ago as last October. So they’d probably be wonder why, with it now being April, they hadn’t actually heard it yet. The whys and wherefores of the delay are really known only to the band and their label(s), but what’s important is that Ritual Tradition Habit is finally coming out next week on April 16.

I don’t fully buy the “dark noise pop” self-description – to ears accustomed to things both dark and noisy, it’s not that much of either – but it is very much the sound of a band who knows who they are and what they want to do. The sonic parameters drawn around Ritual are fairly rigid – I guess if you find a reverb setting you like, why not stick to it? – but within those lines the band have crafted a well-realized world centered around Andrea Lo’s yearning vocals and Adam Nanji’s roughly echoed guitars, tastefully bolstered by orchestral flourishes and all in support of some terrific songs of the sophistication you’d expect from a much more veteran outfit. It’s a record that may have taken longer than it should have to come out, but still manages to have been worth the wait.

The album is currently streaming in whole along with an interview at CBC Music and there’s another feature on the band at Ladywood.

MP3: The Belle Game – “River”
Stream: The Belle Game / Ritual Tradition Habit

Noisey interviews Moon King, whose are streaming a couple tracks from their new Obsession II EP, which is out on Tuesday. They played their hometown release show for it at the Drake last night, but will be back in June for NXNE.

Stream: Moon King – “Icarus”
Stream: Moon King – “Dreamtrap”

CBC Music also has a stream of the new Odonis Odonis EP Better ahead of its release April 16.

Stream: Odonis Odonis / Better

Spinner has made available to download Broken Social Scene’s contribution to the Arts & Crafts: 2003-2013 anniversary compilation due out April 16; a new recording of their very first song they recorded way back who knows when. Maybe they’ll play it when they headline the Field Trip festival at Garrison Common on June 8.

MP3: Broken Social Scene – “Deathcock”

Exclaim talks to Born Ruffians about their new album Birthmarks, out April 16, which they helpfully also have an advance stream of.

Stream: Born Ruffians / Birthmarks

The Irish Times and Irish Independent talk to Rachel Zeffira. She plays The Drake Underground on May 2

Paste have premiered a stream of a new Jim Guthrie song, taken from his new record Takes Time, out May 7.

Stream: Jim Guthrie – “What A Difference A Day Makes”

Local Krautrocking instrumentalists Fresh Snow have released a new video for the title (and only) track of their “Saturation Complete” single. They’ll play the May edition of Feast In The East at Polyhaus on May 10.

Video: Fresh Snow – “Saturation Complete”

The Fader has premeired a new video from Doldrums, taken from Lesser Evil. He plays The Horseshoe on May 11.

Video: Doldrums – “Lost In Everyone”

Exclaim has details on Gravez, the new album Hooded Fang. It’s due out May 28, a song from it is available to stream right now and they’ll play songs from it at The Horseshoe on May 31.

Stream: Hooded Fang – “Graves”

Exclaim has the results of the Red Bull Hometown Tour concert series, which I didn’t tell you about but which will be bringing Tokyo Police Club to Sugar Beach – that’s Sugar, on the east end, not Echo at Ontario Place – for a free show on June 2. RSVP for admission.

MP3: Tokyo Police Club – “All My Friends”

Black Mountain spinoff Lightning Dust have announced a June 25 release for their new album Fantasy and are streaming a song from it.

Stream: Lightning Dust – “Diamond”

Trevor WaurechenI love it when the alliteration takes care of itself.

Last month went into the history books as being the first time on record that Toronto received no snow in November. No such luck for December, as the first major storm of the year is bearing down on us today… so I guess it’s time to bust out the winter coat and boots, start thinking about buying gifts for people and accept that for the next three weeks or so, it’s going to be Christmas music anywhere and everywhere I go.

Generally this is taken as a thing of awfulness, but one set of holiday tunes that most people can abide, if not actually enjoy, is the Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas, with its jazzy take on some holiday standards as well as a few original compositions which have become classics in their own right. It’s kind of the Christmas album that even people who hate Christmas albums can appreciate.

And it’s the basis for a new charitable compilation assembled by the folks at Canadian digital retailers Zunior. A Peanuts Christmas: The 2009 Zunior Holiday Album is a tribute album that features a wide cross-section of Canadian artists re-interpreting the Guaraldi record, including The Awkward Stage, Jill Barber and The Violet Archers. More important than the names involved, however, is the fact that the album is a fresh yet familiar take on the original record, preserving its intrinsic coolness without copying its moves. And more important than that is the fact that all proceeds from this digital collection will go to the Daily Bread Food Bank.

The album is selling for a very reasonable $8.88 Canadian, exclusively at Zunior.

MP3: The Awkward Stage – “Christmas Time Is Here”
MP3: Jill Barber – “The Christmas Song”

Also getting in the spirit of the season with another charitable musical effort is Toronto hardcore act Fucked Up. Even before they officially won the Polaris Prize in September, they were committed to putting the funds to charitable use and they’ve made good on that promise. Matablog reports that their take on Band-Aid’s “Do They Know It’s Christmas” is about to be released with all proceeds from the single going to three organizations committed to the cause of missing or murdered Aboriginal women in Canada – Montreal’s Justice for Missing and Murdered Indigenous Women, Vancouver’s DTES Power of Women Group and Ottawa’s Sisters in Spirit. But don’t think that their cover is all just Damian Abraham bellowing out the song – they’ve enlisted a pretty impressive and eclectic lineup of guests to lend their voices to a worthy cause. The track also features the vocal talents of Yo La Tengo, GZA, Vampire Weekend’s Ezra Koenig, Bob Mould, Tegan & Sara, Andrew W.K., TV On The Radio’s Kyp Malone, Broken Social Scene’s Kevin Drew and everyone’s favourite analrapist, David Cross. The single became available on iTunes last night and will come out as a 7″ single in February of next year.

Owen Pallett of Final Fantasy gives Filter a list of his top ten records of 2009. He releases Heartland on January 12 and plays a show at the Mod Club that same evening.

3VOOR12 has a video session with Basia Bulat recorded atop an Utrecht rooftop in the Netherlands. Her new album Heart Of My Own is out January 26 and she plays Trinity-St. Paul’s on January 16.

The Line Of Best Fit interviews Beatrice Martin of Coeur de Pirate.

The Rural Alberta Advantage has released a new video from Hometowns, which features the trio playing McNulty and getting up on the wire. Or something.

Video: The Rural Alberta Advantage – “Drain The Blood”

Sweaty synth-rockers Woodhands, with whom The RAA share drummer Paul Banwatt, have set a January 26 release date for their second album Remorsecapade. Details at Chart, MP3 below.

MP3: Woodhands – “Pockets”

Lightning Dust plays a Tiny Desk Concert for NPR.

Michael Cera talks to MTV about the Scott Pilgrim film, of which a complete cut now exists. I spent this past weekend re-reading all five volumes and am just a little bit tingly with anticipation for this film. And volume six. I want it. I want it now now now nownownownownowNOW.

Frank YangFor the last few years, Harbourfront Centre has been the go-to spot for Canada Day celebrations in Toronto. Each year, they put on a free show on the lake with some of the top domestic acts of the moment, but on a year-to-year basis they’ve also been doing a pretty great job of representing all the facets of what we’d call Canadian indie rock. Back in 2007 (I missed the 2006 show featuring The Dears), they showcased the more avant garde end of the spectrum with Final Fantasy and Do Make Say Think, and last year put the spotlight on the female and folky with Martha Wainwright and Basia Bulat. For 2009, they traded the estrogen for some testosterone, bringing in hometown heroes Constantines and Calgary’s Chad Van Gaalen.

Van Gaalen I’ve honestly done my best to get into his records in the past – after all, with the sheer amount of love he gets from all quarters, he must have something going for him – but have never really managed to do it. There’s just something about his particular DIY sonic aesthetic that doesn’t do it for me. And so it’s ironic that I’d find someone who’s generally regarded as a home studio auteur to be so much more enjoyable in a live setting. He started the evening in interesting form, first coming out with a broom and sweeping the stage clean, then saluting the national anthem by way of dropping his pants, and then finally making funny but probably family-inappropriate gestures with his finger and his fly. Yeah. Musically, he led his band through selections from all three of his albums and damn if they don’t just sound much fuller and more realized than they do in their studio incarnations? Maybe it’s the extra oomph of the live rhythm section (helped by the fact that I had planted my ass right in front of the PA bass bin) or the fact that his voice sounds less reedy and the guitars fatter, but it was just so much more satisfying an experience and allowed me to see and hear the artist that others do – I just prefer his more direct and less idiosyncratic side. Odds are I won’t care so much for his next studio record but if he puts out a live album, I may pay more attention.

Constantines, on the other hand, I’m fully guilty of not having paid enough attention to since day one. That was resolved somewhat last year, when I got my first Cons record in Kensington Heights and saw them live twice – the first time at a super-intimate club show and the second at the somewhat less-intimate but still awe-inspiring V Fest. Both shows, though quite different, certainly confirmed their long-standing reputation as an incredible and intense live act. I expected nothing less from them this time out.

My education hasn’t reached too far into their back catalog, however, so aside from the Kensington material their set was only familiar from past live experiences and so rather than comment on what was played, I’ll focus on how it was played – in a word, exceptionally. The Cons have been at it a long time and as such, are about as tight a rock machine as you’ll find anywhere. Their songs are lean, but not thin – within each hard-charging piece are myriad little songwriting and arrangement details that give their sound extra complexity. But really, live, what you’ll hear – or more correctly FEEL – is the swirl of the guitar and keyboard riffs, the unrelenting thump of the rhythm section and most importantly Bry Webb’s big, raw rasp, occasionally augmented by guest Jennifer Castle’s gentler backing vocals. It’s just rock, yeah, but it’s rock done right.

And while they started things out dressed up for the occasion – Webb’s white suit over tropical shirt ensemble was particularly inspired – the intensity of the performance and sweat generated quickly got them looking less natty and, consequently, more appropriate. Clean and proper just doesn’t suit them. And the greatness of their show was pretty much encapsulated by a moment in “Shine A Light”, towards the end of their set, where one by one the Cons pointed out across Lake Ontario and the audience clued in and turned around, just in time to see fireworks going off. A magical moment. If you’re looking for ambassadors for Canadian rock or, as it turns out, a soundtrack to Canada Day, you can’t do much better than Constantines.

Photos: Constantines, Chad Van Gaalen @ Harbourfront Centre – July 1, 2009
MP3: Constantines – “Hard Feelings”
MP3: Constantines – “Nighttime Anytime It’s Alright”
MP3: Constantines – “On To You”
MP3: Constantines – “Love In Fear”
MP3: Constantines – “Soon Enough”
MP3: Constantines – “Arizona”
MP3: Chad Van Gaalen – “Willow Tree”
MP3: Chad Van Gaalen – “City Of Electric Light”
MP3: Chad Van Gaalen – “Graveyard”
MP3: Chad Van Gaalen – “Clinically Dead”
MP3: Chad Van Gaalen – “Somewhere I Know There’s Nothing”
MP3: Chad Van Gaalen – “Flower Gardens”
MP3: Chad Van Gaalen – “Echo Train”
Video: Constantines – “Credit River”
Video: Constantines – “Our Age”
Video: Constantines – “Hard Feelings”
Video: Constantines – “Working Full-Time”
Video: Chad Van Gaalen – “Flower Gardens”
Video: Chad Van Gaalen – “Clinically Dead”
Video: Chad Van Gaalen – “Red Hot Drops”
Video: Chad Van Gaalen – “Molten Light”
MySpace: Constantines
MySpace: Chad Van Gaalen

Summerworks has released the lineup to the music component of their annual theatre/performing arts festival, and with acts like Miracle Fortress, Think About Life, The D’Urbervilles and Forest City Lovers amongst the artists performing, you really should plan on spending much of the week from August 6 to the 15th at The Theatre Centre at The Great Hall.

dose.ca interviews Matt Cully and Vue talks to Neil Haverty, both of Bruce Peninsula, who are embarking on a western Canadian tour this week.

Arts & Crafts has released some official information on the next Hidden Cameras record – Origin:Orphan will be released on September 22 and they’re offering a free download of “Walk On” in exchange for your email.

Emily Haines of Metric tells The National Post about some of her favourite things about Toronto in the Summertime. Curiously, navigating piles of uncollected garbage on the city streets because of the city worker strike does not make the cut.

MBV Music has the second installment in the Reverie Sound Revue blog tour – a bit later than expected, but maybe they got held up at the border or something. This video is a stripped-down studio rendering of “Off Rooftops” from their just-released self-titled debut.

The results of those TARA Secret Sessions which have been taking place at The Audio Recording Academy – perhaps you’ve seen the ads somewhere online – are being made available online to download and enjoy, including some by Oh No Forest Fires and Great Bloomers. The sessions continue through the month of July and admission to all is free. Oh No Forest Fires have blogged a bit about their session.

Spinner.ca – née AOL Music Canada – has posted the first of a multi-part feature on the history, present and future of independent music in Canada, featuring conversations with journalist types and members of Sloan and The Stills.

Congratulations go out to Eric’s Trip and Rheostatics, the inaugural inductees to the Zunior Canadian Independent Music Hall of Fame, whose aim is to select and salute two trailblazing Canadian independent artists each year and for which I was honoured to be a juror for the 2009 edition.

If you missed or enjoyed Amazing Baby opening up for Phoenix last month, you will be pleased to know they have their own show scheduled for August 4 at the Drake Underground in support of their new album Rewild – tickets $13.

MP3: Amazing Baby – “Bayonets”

Modest Mouse have added as second Toronto date to their Summer tour – they’ll be at the Sound Academy on August 22 in addition to the 21. Tickets $30.

The Cave Singers and Lightning Dust have a date at the Horseshoe on September 14, tickets $12. Both have new albums coming soon – the former with Welcome Joy, out August 18, and the latter with Infinite Light, out August 4.

MP3: The Cave Singers – “Beach House”
MP3: Lightning Dust – “I Knew”
MP3: Lightning Dust – “Never Seen”

The Hold Steady are also rolling into town a little earlier than planned – there’s a second Lee’s Palace show set for September 26 to go with the September 27 one, so if you’d rather rock yourself into oblivion on a Saturday night, you’re all set. Tickets $21.50.

Icelandic electro-dream-poppers (is that still an accurate, if broad description?) Mum return with a new album due out on August 24 entitled Sing Along To Songs You Don’t Know and will follow that up with a Fall North American tour that includes an October 27 date at The Phoenix in Toronto, tickets $20.