last.fmAnd just like that, it was ours.

After the years – nay, decades – of rumours, promises, lies, delays, reverbs, reverse reverbs, bankruptcies, breakdowns, break-ups, reunions, side-projects, remasters, reissues, chinchillas, and endless myth-making, at the stroke of midnight GMT Saturday night, My Bloody Valentine released m b v, the long-awaited (to put it mildly) follow-up to 1991’s epochal Loveless.

Available immediately as digital downloads and in a few weeks as physical CDs and LPs, it’s a record that everyone believed existed – and has in some form since the previous century – but few thought would ever be heard, thanks to mastermind Kevin Shields’ perfectionism and unwillingness to exist in the same temporality as the rest of us. But here it is, all breathy vocals overtop churning, gliding guitars as if the past twenty years never happened. Some may wonder why Shields hasn’t seen fit to come up with new ideas in all that time – clearly it’s because he wasn’t done exploring these ones. m b v is very much the sequel to Loveless that a generation of shoegazers have longed for, a return to sonic territory that many have since tried to navigate but to which only Shields has the true map and compass. It’s hard to justify anything being worth a 20-year wait, this record makes a pretty good argument.

If you’re a My Bloody Valentine fan, your day has arrived. If not, give the album stream a listen and become one. Or don’t. That’s your business.

Stream: My Bloody Valentine / m b v

DIY reports that Primal Scream – who’ve counted both Shields and bassist Deb Googe as members over the past few years – have confirmed a May 6 release date for their new album More Light.

Suede are probably thinking they picked the absolute worst moment – late Saturday night – to unveil the first official video and single from their own comeback record Bloodsports, out March 18.

Video: Suede – “It Starts And Ends With You”

Spin and Clash have interviews with Johnny Marr, who has announced the itinerary for the North American tour in support of The Messenger, out February 26; look for him in Toronto at The Phoenix on April 27.

Video: Johnny Marr – “Upstarts”

Rolling Stone has another of those New Order/Joy Division dirt-digging/mud-slinging interviews with Peter Hook. It’s almost like he’s got a book to sell or something.

Matablog has confirmed a North American tour for Brighton’s Esben & The Witch behind their second album Wash The Sins Not Only The Face; they’re at The Drake Underground on March 25.

MP3: Esben & The Witch – “Deathwaltz”

Craig Finn of The Hold Steady offers praise for Frightened Rabbit in the pages of Clash, while over at DIY they’ve got both an interview and video session with the band, and The Daily Record also has a chat. Pedestrian Verse is out tomorrow and they’re at The Phoenix on March 31.

eMusic talks to indie-pop MBV-acolytes The History Of Apple Pie.

DIY has a feature interview with Veronica Falls, whose second album Waiting For Something To Happen is out February 12. They play The Garrison March 12.

And as a nice tie-together of many/most of the artists featured in today’s post – or their musical offspring – the whole of the 2010 documentary film Upside-Down: The Creation Records Story is available to watch on YouTube. It’s fascinating stuff, do take the time to give it a view.

Video: Upside-Down: The Creation Records Story

Christopher DadeyConsidering that touring North American is an expensive proposition for a British artist, it’s pretty commendable that for her first two albums – her 2007 debut Made Of Bricks and 2010’s My Best Friend Is You – Kate Nash managed to not only come through town twice, but first play a relatively intimate club show for her devoted fanbase before stepping up to a bigger room the second time around (Mod Club then Phoenix, both times).

Considering that she no longer has major label dollars backing her – she bought herself out of her record contract after finishing up with Friend in favour of crowdfunding and self-releasing future efforts – it might not be reasonable to expect the pattern to continue, but apparently it might. Hot on the heels of announcing the March 5 release of her third album Girl Talk, Nash has scheduled a North American tour that brings her to town on March 15 to play her smallest stage yet, The Horseshoe Tavern. Tickets for that show are $18.50, on sale this Friday, and interpreting the cozier room as an indication her fanbase is shrinking is probably a mistake – that Best Friend Mod Club show in April 2010 was jammed, and not by folks who seemed like an uneven sophomore effort would diminish their devotion.

It will be interesting to see where Girl Talk takes Nash. Best Friend found her torn between the sassy-catchy piano-pop that she excels at, and the riot grrrl-inspired punk that she’s rather less good at but also clearly determined to stick to. Last Fall’s Death Proof EP had far more guitars than piano, but checked the abrasiveness for melody so the optimist might see this as evidence that a happy balance could still be found. A speculative track listing for Girl Talk doesn’t make it seem like her pen has gotten any less pointed, but hopefully there’ll be more singing that shrieking. The first single from the new record, made available to stream last week, is certainly promising.

Stream: Kate Nash – “3AM”
Video: Kate Nash – “Death Proof”
Video: Kate Nash – “Fri-End?”

Canadian Musicfest is usually all filled up with – wait for it – Canadian music, but the ever-expanding list of showcasing artists has got a pretty strong international flavour this year; certainly more than recent years… assuming that there isn’t a spate of last-minute cancellations like last year. There’s a solid Scandinavian bloc of acts that I’ll talk about at a later date, but also a couple of BBC Sound of 2013 finalists coming to town. Scottish electro-pop trio CHVRCHES – who came in fifth in the BBC polling – will headline The Mod Club on March 20, and post-punk stabby-guitar quintet Savages are at Lee’s Palace on March 23. Advance tickets will be available for both, and festival wristbands will also get you in. If they don’t sell out via tickets first. Clash and DIY have introductory features on CHVRCHES.

Video: CHVRCHES – “Lies”
Video: Savages – “I Am Here” (live)

If you were thinking that with The Joy Formidable’s new album Wolf’s Law due out next week that an advance stream should be showing up soon, then you would be correct, and Rolling Stone has it. Mancunian Matters has an interview with frontwoman Ritzy Bryan.

Stream: The Joy Formidable / Wolf’s Law

Pitchfork has got the whole of Esben & The Witch’s second album Wash The Sins Not Only The Face available to stream. It’s out January 22.

MP3: Esben & The Witch – “Deathwaltz”
Stream: Esben & The Witch / Wash The Sins Not Only The Face

Bloc Party have released a new video from last year’s Four. They’re at Fort York on June 8 as part of the Arts & Crafts Field Trip festival.

Video: Bloc Party – “Truth”

Under The Radar points to a stream of a new song from Still Corners, the b-side of their “Fireflies” 7″.

Stream: Still Corners – “Hearts Of Fools”

The Stool Pigeon has an interview with Veronica Falls, whose new album Waiting For Something To Happen is out February 12. They’re also releasing a limited-edition covers EP on or around the same day, and I warn you – of the 300 copies being made, at most only 299 remain. They’re at The Garrison on March 12.

Flavorpill has a video session with Bat For Lashes.

The Line Of Best Fit has all the specifics about the new Suede album Bloodsports, including artwork, tracklisting, and release date – March 18.

Drowned In Sound, news.com.au, and The Liverpool Echo interview Mr. Richard Hawley.

PopMatters has an interview with Tindersticks.

Amor de Días have released the first video from their new album The House at Sea, out January 29.

Video: Amor de Días – “Jean’s Waving”

Johnny Marr has released a new video from his forthcoming solo debut The Messenger, out February 26.

Video: Johnny Marr – “Upstarts”

Rolling Stone has got a stream of the new old New Order record Lost Sirens, comprised of unreleased material from their last studio album Waiting For The Sirens’ Call.

Stream: New Order / Lost Sirens

And if you like your Marr and Sumner together in one convenient package – perhaps with a side of Pet Shop Boys – then Slicing Up Eyeballs is pleased to report that the 1991 debut from Electronic will be getting a double-disc reissue on April 8, enhanced with bonus tracks.

Video: Electronic – “Getting Away With It”

Finally, because there’s no shortage of interesting David Bowie surfacing every day, there’s interviews with producer Tony Visconti and guitarist Earl Slick about the recording sessions for The Next Day at The Guardian and Rolling Stone. Bowie himself may not be interested in talking about the new album, out March 12, but his collaborators certainly are. And additionally, The Quietus challenges the myth that Bowie had turned into a recluse over the past 10 years while The Line Of Best Fit has helpfully compiled clips of Bowie’s best musical moments over the past 20 years – because despite conventional wisdom, there were more than a few.

Jimmy KingIn the wake of David Bowie’s sudden and unexpected return to public life on Monday night, there’s understandably been a lot of Bowie talk in the past few days. Linking to them all would be futile, but here’s some of the pieces I’ve particularly liked. The Quietus does a great job of summing up why his return matters, why it’s different from all the other reunions and career resurrections that we’ve seen, as well as what we might expect from The Next Day when it drops on March 12.

Both The Guardian and The Quietus analyze the odd and polarizing artwork that will grace the new album – I honestly thought it was a joke when I first saw it – and if you missed my addendum on Tuesday, there’s an interview with the designer of the cover at Virus Fonts. Rolling Stone sums up an interview with producer Tony Visconti about the making of the record, which has been two years in the making, and what the rest of the album feels like – hint: not like the lead single – and over at Ultimate Classic Rock, guitarist Earl Slick talks about his own contributions to the record and the challenges of not saying a damn word about it until now. Update: In a forthcoming NME interview, Visconti re-emphasizes Bowie’s intentions to not perform live for this record. So there’s that. Update 2: Billboard also has an interview with Visconti.

For my part, despite being one of the many who probably hasn’t given any of Bowie’s late-era works the consideration at least some of it surely deserves, I’m quite excited about the new record. I really like the new song, and I especially like the fact that this is an album that exists not because Bowie felt he was obliged to make one – most everyone had accepted that he was retired and no longer owed anyone anything; he had successfully transitioned into myth – but because after an unprecedentedly long layoff, once again has something to say musically. I look forward to hearing what that is.

And in the meantime, check out these 34 portraits of Bowie by famous cartoonists over at Buzzfeed, have another look at the piece in The Daily Mail from last year that seemed to confirm his domestic bliss and try to read the, “yeah sure it looks like I’m just out to do some shopping but I’m really making a new record that you have no idea about” in his smile. Oh, and here’s that new single/video again.

Video: David Bowie – “Where Are We Now?”

The Bowie news, of course, blew the news of Suede’s own new single right off the front pages of certain music news sites, but to remind us that also was a thing, the band have released a rehearsal space video for the song. Their new album Bloodsports is out in March, though hopefully not on the 12th lest they want to be overshadowed by Bowie yet again.

Video: Suede – “Barricade” (Rehearsal Room video)

Pitchfork has debuted the new video from Esben & The Witch’s second album Wash The Sins Not Only The Face, out in a couple weeks on January 22.

Video: Esben & The Witch – “Despair”

DIY has got a stream of the new single from British buzz band Palma Violets, in town at The Horseshoe on January 24 and dropping their debut 180 on February 25.

Stream: Palma Violets – “Step Up For The Cool Cats”

The Guardian has a wide-ranging interview with Johnny Marr, covering everything from The Smiths to his solo debut The Messenger due out February 26. Another new track from the album is streaming at KROQ.

Stream: Johnny Marr – “Upstarts”

The Walking Dead is back on TV come February 10 but those who like their Zombies a little less shambling and a little more classic baroque pop will want to catch the Colin Blunstone and Rod Argent-led 2013 lineup at The Sound Academy on March 3.

Video: The Zombies – “She’s Not There”

NME reports thatKate Nash will release her third album Girl Talk on March 4; stream the first single below.

Stream: Kate Nash – “3AM”

Le Blogotheque has a Takeaway Show session with Django Django. They play The Opera House on March 12.

The 405 has details on If You Leave, the debut album from Daughter which will be out on March 18 in Europe and the UK but not until April 30 in North America.

The Alt-J show on March 27 originally set for The Phoenix has been moved to The Sound Academy and is now all-ages. The extra 2000 or so tickets go on sale today and are still $17.50. NPR has a video session as well as a Tiny Desk Concert with the band and Clash gets them to reflect on their rather successful 2012. Under The Radar also has an interview.

MP3: Alt-J – “Tessalate”

The 405 has a quick update on the new Primal Scream album, which if their producer’s Facebook is to be believed, will be called More Light and be out in May.

Rolling Stone talks to Neil Halstead about the just-released new video from his latest Palindrome Hunches.

Video: Neil Halstead – “Digging Shelters”

Charli XCX has released a new gunplay-happy video that’s drawing some ire from those who are a bit sensitive on the topic of guns right now. Which is understandable to a degree, but I hope they’re saving some of their vitriol for the people/organizations actually responsible for the excess of real-life gun violence rather than a British pop singer latching onto a ubiquitous aspect of western pop culture.

Video: Charli XCX – “You (Ha Ha Ha)”

DIY talks to Summer Camp about how things are coming with album number two while The Line Of Best Fit learns about the documentary the band are also making about late ’90s/early ’00s teen movies entitled Beyond Clueless.

Time OutHappy New Year, everyone; hope 2013 has been good to you so far and if not, geez. It’s only been 36 hours or so. What the hell.

We’ll kick off the new year with some old faces under a new name; The New Mendicants. So new they don’t even have a website or Facebook page, but if you need some background maybe look up Pernice Brothers, Teenage Fanclub, and The Sadies, and cross-reference with my writeup of last June’s wonderful Joe Pernice/Norman Blake show at the Dakota Tavern. Because what began that night as a possibly one-off pop summit has become a proper international supergroup with the addition of current Sadies and former Pernice Brothers drummer Mike Belitsky to the fold, providing some genuine Toronto content to American Pernice and Scot Blake, both immigrants to the southern Ontario region.

This year will see the first formal activity from the band, starting with a brace of Australian tour dates later this month featuring just Blake and Pernice and the release of their first EP. It’s a six-songer featuring three new songs, one of each of Pernice and Blake’s compositions from their other bands, and an INXS cover – stream it below – and while it’s a limited edition intended for sale down under, it’s available to preorder for North American fans for an approximate February 1 release.

A full-length with the working title of The Book Of Norman is also in the works, and while there’s no extensive touring in the cards, it’s hard to imagine that they won’t play at least an (adopted) hometown show whenever that happens. And presumably the new Pernice Brothers album will come out eventually and we’re about due a new Fanclub record, but until those become somewhat less than myth, we have this to look forward to.

Stream: The New Mendicants – “This Time”

And in a nice little bit of synchronicity, NYC Taper just posted a recording of Norman Blake’s set opening up the final Yo La Tengo Hannukah show at Maxwell’s in Hoboken last month.

DIY gets to know Palma Violets, one of the presumed “next big things” of 2013. Their debut 180 is out February 25 and they play The Horseshoe on January 24.

Stereogum interviews Johnny Marr; his solo debut The Messenger is out February 26.

PopMatters profiles Django Django, back in town at the Opera House on March 12.

A Music Blog, Yea? chats with Rose Elinor Dougall, whose second album has been a while in coming but should be out this year.

Black Book talks to Dev Hynes of Blood Orange about everything he got up to in 2012 and what might be yet to come.

Pop Justice talks to Jessie Ware about what’s transpired since her debut was released back in June.

Efterklang have released a new video from Piramida. They’re at The Mod Club on March 21 as part of Canadian MusicFest.

Video: Efterklang – “Sedna”

Pitchfork rounds up what’s known about a new release from Rilo Kiley, almost certainly an already-promised b-sides and rarities collection.

Beach House have a new video from Bloom, the timing of which is kind of obvious.

Video: Beach House – “New Year”

Murray Lightburn talks to Spinner about what The Dears have planned for 2013, recording a new record being one of those things.

Put That Shit On The List interviews Alaska B of Yamantaka//Sonic Titan. They play The Garrison on January 18.

Temporary ResidenceNot many record producers manage to achieve the sort of household name status as the artists they work with, but Nigel Godrich has done as well as anyone in the recent memory. Partly because of his work on high-profile records from the likes of Beck, Pavement, and Paul McCartney, but mainly because he’s the unofficial sixth member of Radiohead, having been behind the boards for every one of their records from OK Computer onwards.

He’s been getting out of the studio and onto the stage of late, though. He’s one third of Ultraista, along with Joey Waronker – best known as R.E.M.’s first post-Bill Berry drummer circa Up and Reveal, and singer/artist Laura Bettinson. They released their self-titled debut in October, and while it’s obviously its own thing separate from what Godrich has worked on in the past, his signature is clearly evident in the beats and electronic textures contained therein. A full North American tour itinerary has yet to be revealed, they will definitely be at Lee’s Palace in Toronto on January 26, tickets $15.

Rolling Stone talks to Godrich about the project while The Dumbing Of America chats with Bettinson.

MP3: Ultraista – “Small Talk”
Video: Ultraista – “Bad Insect”
Video: Ultraista – “Gold Dayzz”
Video: Ultraista – “Our Song”
Video: Ultraista – “Static Light”
Video: Ultraista – “Small Talk”

Godrich and Waronker are both also part of Radiohead frontman Thom Yorke’s sideproject Atoms For Peace – along with Flea of Red Hot Chili Peppers and percussionist Mauro Refosco – and they just announced the February 25 release of their debut full-length, Amok. Consequence Of Sound has specifics on the record and Yorke talked to Rolling Stone about how the band evolved out of his 2006 solo record The Eraser. They’ve just given away a b-side as download on their website and released a video for a lead single earlier this year. At least some touring is presumed to be planned for 2013 so everyone waiting for that make-up Toronto Radiohead date? Don’t.

MP3: Atoms For Peace – “What The Eyeballs Did”
Video: Atoms For Peace – “Default”

So what does winning the Mercury Prize get you, in concrete terms? For Alt-J, a venue upgrade from Wrongbar – where they made their local debut in September – to The Phoenix, where they’ll headline on March 27. Tickets are $17.50 and the full North American itinerary can be seen at Exclaim.

MP3: Alt-J – “Tessalate”

Chickfactor has premiered the first sample of the new Amor de Días album The House at Sea, due out January 29.

MP3: Amor de Días – “Jean’s Waving”

The National Student interviews Frightened Rabbit. Their new album Pedestrian Verse us out February 5.

DIY and The Guardian sit down with Jessie Ware to discuss her whirlwind 2012.

Deb Googe of My Bloody Valentine talks to Drowned In Sound about joining Primal Scream this Summer and the return of MBV.

Pitchfork reports that Lost Sirens, that compilation of New Order outtakes circa Waiting For The Sirens’ Call that absolutely no one has been clamouring for, will be released on January 22.

Rolling Stone has another live clip taken from the Blur live set Parklive, and naturally it’s the song that North American audiences would know best. And speaking of North America, Blur have confirmed their first live appearance on the continent in who knows how long for next Spring – but it’s not where you’d expect.

Video: Blur – “Song 2” (live at Hyde Park)

The Line Of Best Fit reports that Suede have slated a live show for London next Spring, expected to coincide with the release of a new album. Which, in a perfect world, would be produced by Bernard Butler who would secretly replace all of Richard Oakes’ guitar parts with his own.

Rolling Stone is streaming another song from Johnny Marr’s solo debut The Messenger, out February 26.

Stream: Johnny Marr – “The Right Thing Right”

Slicing Up Eyeballs reports that The House Of Love – who have only barely been active enough to qualify as not dead since their 2005 reunion album Days Run Away – have in fact finished a new record and will presumably actually be releasing it.

The Quietus talks to all three members of Saint Etienne while Artvinyl talks to the design shop who put together the wonderful album art for their latest, Words & Music By Saint Etienne.

Charles Watson of Slow Club gets political with Under The Radar.

Loud & Quiet and This Is Cornwall have interviews with Patrick Wolf.