Tobias SutterThings that are true about live music rooms in Toronto: 1) Everyone hates the Sound Academy, for reasons that don’t really need to be expounded on; 2) a lot of people hate The Phoenix when it represents a tipping point for ascendant acts moving out of clubs and into bigger rooms; 3) a lot of people love The Phoenix when it offers a relatively intimate setting for who might normally play larger rooms but for whatever reason – choice or circumstance – are downsizing.

It’s that third category that I was front of mind yesterday as a batch of concert announcements rolled in. Already scheduled for two dates at The Air Canada Centre supporting Pink on November 30 and December 2, Swedish garage rock heroes The Hives have decided days off are for chumps and have scheduled their own show at The Phoenix for December 1, tickets $29.50. Their last headlining show in support of last year’s Lex Hives was in July 2012 and at The Sound Academy, so their playing a room one-third the size is rather a boon for their fans, at least those who didn’t rush out to buy Pink tickets to see them. Which I would think would include all of them.

Video: The Hives – “Wait A Minute”

New Zealand electro-poppers The Naked & Famous, on the other hand, may be finding out that they’re neither sufficiently naked or famous to fill the Sound Academy as they’ve downgraded their October 14 show in support of their just-released second album In Rolling Waves from there to The Phoenix. Playing the room wasn’t overreaching as their last show in support of their hit debut Passive Me, Aggressive You was there and was their fourth local performance in a year, no less, but kids these days have short attention spans. Remaining tickets for the show are $28.50 in advance. BBC has an interview with the band as does Noisey, along with a stream of the new record.

Video: The Naked & Famous – “Hearts Like Ours”
Stream: The Naked & Famous / In Rolling Waves

When British soul singer Jessie Ware made her local debut at The Opera House in April, it seemed a foregone conclusion that her next visit would be in a much bigger room. And while I won’t suggest that her upwards trajectory has stalled – she and Devotion are just too good to be denied – I was surprised to see that her November 6 show at The Sound Academy had also been downsized to The Phoenix. On the plus side, I already know a few people for whom this show has gone from “ugh” to “ooh”, so it should still be a good and full house when she and The Invisible return to town. Whatever tickets remain for that one are $25 in advance. Interestingly, one of her New York shows on this tour was also downsized from a 3000+ room to a 1000 but a Brooklyn show was also added, so maybe this is as much about the experience as soft sales. Or not. Anyways, if you were on the fence then it’s time to get to a ticket outlet.

Video: Jessie Ware – “Wildest Moments”

The Rural Alberta Advantage have been fairly quiet of late, presumably working on a follow-up to 2011’s Departing – their last local show was last Fall with Dan Mangan at The Danforth Music Hall – but they’ll be taking the stage at the Adelaide Music Hall on October 18 as part of Indie Week, which is apparently a thing. You can get in with a festival wristband or paying $25 for an advance ticket.

MP3: The Rural Alberta Advantage – “Stamp”

Widowspeak fans dismayed that their only opportunity to see them this Fall was as support for Iron & Wine at The Sound Academy – that place again! – on September 28 will be pleased to know that they’ll be back soon enough in support of their new EP The Swamps, out October 29, for a show at The Silver Dollar on November 2 with Pure Bathing Culture and tickets running a very reasonable $12.50.

MP3: Widowspeak – “The Devil Knows”

Baltimore’s Future Islands haven’t announced anything about a follow-up to 2011’s On The Water, but they’re still hitting the road and will be at The Drake Underground on November 10, tickets $15.50.

MP3: Future Islands – “Before The Bridge”

At some point, the release of Illinois roots-pop artist Lissie’s second album got pushed back a few weeks, but they’ve now committed to both an October 8 street date for Back To Forever as well as a Fall tour to support it. Ms Maurus will be at the Adelaide Music Hall on November 21, tickets for the show $22.50 in advance.

Video: Lissie – “Further Away (Romance Police)”

They may not have been crowned Polaris champs on Monday night, but Young Galaxy can still announce themselves as 2013 shortlisters when they take the stage at The Hoxton on November 22. Not that they would or should; that’s kind of gauche. Tickets for that one are $18 in advance.

Video: Young Galaxy – “Pretty Boy”

If you missed fantastical Swedish synth-pop duo The Deer Tracks when they were here in March – and mathematically, most all of you did – then you can rectify that when they bring their opus The Archer Trilogy back to North America for a victory lap. They’ll be back at The Silver Dollar on November 28.

MP3: The Deer Tracks – “W”

His Toronto debut a couple weeks ago having completely sold out even after being upgraded from The Drake to Wrongbar, Archy Marshall – aka King Krule – will bring his album Six Feet Beneath The Moon back as part of a larger tour and will be at Lee’s Palace on December 9, tickets $20. The New York Times has a feature piece on the artist.

Video: King Krule – “Octopus”

Interview, MTV, and Rolling Stone have features on Swedish electro-pop sensations Icona Pop, whose North American debut This Is… Icona Pop is out this week.

MTV Hive, Elle, and Interview chat with Nanna Øland Fabricius of Oh Land, whose new album Wish Bone is also out this week and is available to stream courtesy of The Line Of Best Fit. Esquire also has a video session with the artist, who plays The Great Hall on September 30.

Stream: Oh Land / Wish Bone

Indians have rolled out a new video from their/his debut Somewhere Else.

Video: Indians – “La Femme”

The New Strait Times, South China Morning Post, and Electronic Musician have interviews with Icelandic composer Ólafur Arnalds.

Le Blogotheque serves up an Empty Spaces session with Sigur Rós filmed in the catacombs of Paris.

A Heart Is A Spade interviews Kate Boy.

Roger DeckkerI’d like to say that I’ve been on tenterhooks waiting for new music from Anna Calvi, but the truth is that her 2011 self-titled debut – one of that year’s favourites – is still in fairly heavy rotation, the combination of her sensual vocals and searing guitarwork still eliciting swoons more than two and a half years on. But that’s not to say that the news of her second record isn’t tremendously welcome.

Said record – entitled One Breath – will be out on October 7, and Calvi tells NME that it’s a more personal album, the lyrics strongly informed by her battles with depression. This doesn’t mean that it’s going to be a downcast affair – the first official single, which has been made available to stream, is as energized as anything she’s done, and the sample that soundtrack the album trailer might be more melancholic, but it still soars. One Breath may document a battle, but it certainly sounds like one that Calvi is triumphing over.

There’s only three North American dates currently on her Fall itinerary, but you know more are to come. Or they damn well better be – I’ve still yet to see a full show.

Stream: Anna Calvi – “Eliza”
Trailer: Anna Calvi / One Breath

The Vaccines have released a new video for the title track of their just-released Melody Calling EP and also stopped in at USA Today for a video session. They open up for Mumford & Sons at the Molson Amphitheatre next week on August 26.

Video: The Vaccines – “Melody Calling”

The Guardian and Exclaim talk to Franz Ferdinand as they gear up for the August 27 release of their new record Right Thoughts, Right Words, Right Action, a record which has just been made available to stream in advance at NPR. Franz Ferdinand play The Kool Haus on October 24.

Stream: Franz Ferdinand / Right Thoughts, Right Words, Right Action

Fellow Scots Glasvegas are hoping their third album Later… When The TV Turns To Static, out September 3, is the one that turns their fortunes back towards the buzz that greeted their debut and not the shrugs that met the follow-up. Rolling Stone is offering a download of the title track for you to decide for yourself. Clash also has an interview.

MP3: Glasvegas – “Later… When The TV Turns To Static”

Lanterns Of The Lake are streaming – and offering to download in exchange for an email – an alternate take of a track from their new record Until The Colours Run, coming out September 9.

Stream: Lanterns On The Lake – “The Buffalo Days” (alternate)

Tone Deaf, LeftLion, and Gigwise have interviews with newcomers London Grammar, whose debut If You Wait is out on September 10 and who are in town to play BLK BOX on October 4.

The Quietus talks to Elvis Costello, whose new collaborative album with The Roots – Wise Up Ghost – is out September 17.

The Line Of Best Fit has details on the second Yuck record, their first without former frontman Daniel Blumberg. Glow & Behold will be out on September 30 and a second sample track from it is available to stream.

Stream: Yuck – “Middle Sea”

NPR has a World Cafe session, and Refinery29 and Stylecaster interviews with Jessie Ware; she is back in town to play The Sound Academy on November 6.

Laura Groves, whom some of you may remember from her lovely 2009 record Blue Roses whilst still performing under the alias of Blue Roses, finally has a new release – an EP – ready and will be releasing it this Fall under her own name. There’s a video for the first release from it and yup, still lovely whatever the name is.

Video: Laura Groves – “Inky Sea”

I was all excited about the prospect of hearing new Blood Orange material but as Pitchfork reports it, this is just a Drake cover. But it’s still better than Drake.

Stream: Blood Orange – “Hold On, We’re Going Home”

Dazed Digital have premiered the new video from Spiritualized’s Sweet Heart Sweet Light.

Video: Spiritualized – “I Am What I Am”

Camera Obscura have released a new vide from Desire Lines and are also featured in a World Cafe session at NPR. Further, Under The Radar has posted their feature from the current issue which puts Tracyanne Campbell in interview with Lloyd Cole – yes, that Lloyd – complete with appendices.

Video: Camera Obscura – “Break It To You Gently”

Denver Westword interviews Kevin Shields of My Bloody Valentine.

Belle & SebastianMy Belle & Sebastian record collection is pretty thorough, but one omission from their official discography is the 2005 compilation Push Barman To Open Old Wounds, on account of the fact that I zealously collected the seven Jeepster EPs whose tracks make up the set when they were initially released between 1997 and 2001. Indeed, if you’re at all a fan of the Scottish popsters and haven’t heard some or – gasp – all of these songs, none of which appeared on their proper studio albums – then attend to that posthaste. Some of the very best songs the band has ever recorded can be found in these grooves.

I can’t claim the same sort of thoroughness with the singles that accompanied their last three albums, though, since the economics of being so comprehensive took a real hit after they started coming with just one or two new songs as b-sides instead of four. And so it’s excellent news that ostensibly to coincide with their upcoming North American tour dates, which include a TURF-closing show at Garrison Common this coming Sunday night, they’re putting out another double-sized b-sides compilation in The Third Eye Centre on August 27. Matablog has details and the tracklisting, which happily includes a number of songs I know I haven’t heard, as well as some remixes that I’m pretty sure I’d be just as happy never hearing but what can you do. One of those remixes has been made available as the first advance sample of the record.

Stream: Belle & Sebastian – “Your Cover’s Blown” (Miaoux Miaoux remix)

The 405 and DIY talk to Editors about their new album The Weight Of Your Love, which came out this week.

Magnet interviews Camera Obscura ahead of making them guest editors of their website this week, while NPR welcomes them to the Morning Becomes Eclectic studios for a session and Chicago Magazine also has a chat. They play the Toronto Urban Roots Fest at Garrison Common tonight, July 4.

New Order’s new live album Live At Bestival 2012 is now available to stream ahead of its release next week on July 8, courtesy of The Guardian

Stream: New Order / Live At Bestival 2012

A couple worthwhile complete sets from this past weekend’s Glastobury fest are available to watch online; there’s Savages, who’re at The Mod Club on July 16, and Daughter, who play The Phoenix on September 29.

Video: Savages @ Glastonbury 2013
Video: Daughter @ Glastonbury 2013

White Lies have released a video for that last new song from their forthcoming Big TV, out August 21. They play The Opera House on October 1.

Video: White Lies – “There Goes Our Love”

Franz Ferdinand have made a couple tracks from their new album Right Thoughts, Right Words, Right Action available to stream. It’s out August 27 and they play The Kool Haus October 24.

Stream: Franz Ferdinand – “Right Action”
Stream: Franz Ferdinand – “Love Illumination”

The previously announced but not yet booked Tricky date now has a venue; he’s at The Mod Club on October 6, tickets $29.50 in advance. He’s touring behind his latest album False Idols. The Guardian recently hosted and posted a video session with the artist.

MP3: Tricky – “Anti-Matter”

Tindersticks turn 20 as a band this year, and they’re marking the occasion with the release of a new album of old songs. Across Six Leap Years, the band’s tenth album, will feature ten re-recorded songs from the breadth of the catalogue; it’s out October 14 and there’s a short film/trailer on the recording sessions available now.

Trailer: Tindersticks / Across Six Leap Years

The Guardian grabbed an interview with Jessie Ware whilst at Glastonbury; she plays The Sound Academy on November 6.

Noah & The Whale have released a new video from their latest, Heart Of Nowhere.

Video: Noah & The Whale – “Lifetime”

Le Blogotheque has a video session with Slow Club.

Johnny Marr gives The Guardian a musical tour of the key points of his life; he’s also interviewed by The Telegraph.

Marley KateI don’t know if anyone has pointed this out to Bloc Party, but four years isn’t really an abnormally long time for a veteran rock band to go between albums. So the dramatics that played out in the media between 2008’s Intimacy and last year’s Four – Kele’s gone solo! Kele’s been fired! Kele’s back in the band! – really weren’t necessary; they could have just quietly gone about their individual business and regrouped when they felt like it and no one really would have batted an eye or wagged a tongue. But that’s not their style, I guess, so it’s not a big surprise that they announced earlier this month that when this Summer’s festival circuit draws to a close, they’d be going back on a hiatus. Kind of like most bands do when their promotional commitments are done.

But however long this break lasts, at least they’re leaving parting gifts. A few weeks after their last scheduled gig in mid-July – August 13, to be precise – they’ll release a new five-song EP in The Nextwave Sessions, which gives some of the new songs they’d been performing throughout the Four tours a properly-recorded incarnation. Pitchfork has specifics, and you can watch the trippy first video from it below. If this is indeed their swan song – I don’t believe it, personally, but why not indulge their dramatics – then it’s a pretty strong note to go out on.

Video: Bloc Party – “Ratchet”

Camera Obscura talks to Filter, The Colorado Springs Independent, Denver Post, and Georgia Straight about their new album Desire Lines. They play The Toronto Urban Roots Fest at Garrison Common on July 4.

M.I.A. has followed up the first stream from her new album Matangi with a new video. The album is out sometime this year, but more definitely she plays The Danforth Music Hall on July 18.

Video: M.I.A. – “Bring The Noize”

The Lab talks to Natasha Khan of Bat For Lashes; she’s here at The Molson Amphitheatre on September 1 opening for Depeche Mode.

Glasvegas have given their latest effort Later…When The TV Turns To Static a North American release date of September 3, with tour dates to follow. You can stream a track from the new album below and read an interview with the band at The Glaswegian.

Stream: Glasvegas – “If”

German cheery pop duo BOY have slated their third show in Toronto – four if you count both their CMF appearances – in seven months behind their debut Mutual Friend with a show at The Mod Club on October 11.

Video: BOY – “Little Numbers”

The Line Of Best Fit helpfully points to video of an acoustic Jessie Ware show from atop The Gherkin in London. She’s in town at The Sound Academy on November 6.

Swedish duo jj have released some details on their next album V – mainly that it exists and will be out later this year – but are also giving the first track from it away to download, and there’s a trailer for the new record if you’re into that sort of thing.

MP3: jj – “Fågelsången”
Trailer: jj / V

Swede dance-pop star Robyn isn’t quite ready to announce details of her follow-up to 2010’s Body Talk, but this new single at least confirms that something is coming. And Snoop Dogg is part of it. Update: old song, new video. Apologies for my Robyn ignorance.

Video: Robyn – “U Should Know Better”

DIY, The Scotsman, and Spin talk to Empire Of The Sun about their just-released second album Ice On The Dune; they play some of the new songs in a video session for Yahoo Music. And oh, the band will also apparently be scoring Dumb & Dumber 2, because of course they are.

The Von Pip Musical Express talks to Ladytron’s Helen Marnie – aka Marnie – about her solo record Crystal World, which is officially out digitally and in the process of being manufactured in physical media.

Paste and Time talk to Sigur Rós about their new record Kveikur.

Sigur Rós collaborators Amiina discuss their new record The Lighthouse Project with The Line Of Best Fit.

Tone Deaf chats with Iceland’s Of Monsters & Men.

The Line Of Best Fit has premiered the new and characteristically fantastical video from Swedish duo The Deer Tracks, taken from their latest The Archer Trilogy, Pt. 3.

Video: The Deer Tracks – “W”

DIY has premiered the new video from British Sea Power’s latest effort Machineries Of Joy.

Video: British Sea Power – “Loving Animals”

Tone Deaf interviews Beady Eye drummer Chris Sharrock.

The Alternate Side has an interview and session with Still Corners.

Caught In The Carousel talks to Carol Van Dyk of Bettie Serveert.

Labrador Records is celebrating the onset of Summer with a current label sampler which you can stream below or download for keeping.

Stream: Labrador Records Summer Sampler 2013

Zackery MichaelWhen Arctic Monkeys went off and unveiled the video for a new single last week, it was just a matter of time until the specifics around the follow-up to their 2011 album Suck It And See would come to light. And now they have. The Line Of Best Fit has details about the new record, which will be simply titled AM – whether it’s in reference to the band or the half of the day is anyone’s guess – and will be out in North America on September 10.

And to further get their legions of Monkeys fans on this side of the Atlantic excited, following the European festival season -which includes a headlining slot at Glastonbury this weekend – they’ll be commencing a North American tour which kicks off in Toronto on September 15 at The Kool Haus. Tickets for the all-ages gig are $33.50 and go on sale this Friday.

The London Evening Standard has some words from frontman Alex Turner about the new record.

Video: Arctic Monkeys – “Do I Wanna Know?”

Though original frontman Stuart Adamson passed away back in 2001, ’80s Scottish guitars-that-sound-like-bagpipes maestros Big Country have been reunited since 2010 with period-correct new frontman Mike Peters of The Alarm, and with the release of The Journey, their first new album in 14 years, are doing some North American tour dates – they’re in Toronto at Lee’s Palace on August 4, tickets $22.50.

Video: Big Country – “In A Big Country”

Despite being an avowed classic shoegazing fan – or maybe because I am – I don’t cotton to a lot of the current crop of purveyors of the style. Oakland’s Whirr, however, seem to do it right from the onomatopoeic monosyllabic handle through their sometimes hazy, sometimes pummelling, but always melodic sound. They’re heading out on tour in support of their latest album Pipe Dreams, and will be at the Silver Dollar on August 17, tickets just $8.50. I daresay you won’t find anything better to do that evening at that price.

Stream: Whirr – “Swoon”
Stream: Whirr / Pipe Dreams

Toronto-based Mumford & Sons fans who bought tickets to their Gentlemen Of The Road mini-fest in Simcoe, Ontario on August 23 and 24 expecting it would be their only local show might be a bit miffed to learn that the band have announced an August 26 show at The Molson Amphitheatre. Mind you, only The Vaccines and Bear’s Den are also joining them at this show, so if you were just as keen on seeing any of the other bands playing or just camping out in south-central Ontario, you’re still good. Or look at it as an opportunity to see them twice in a week. Or don’t, I dunno, I’ve lost interest. The band are doing some invite/presale thing to manage demand.

And for Vaccines fans, NME is streaming a new song from the band so have at it.

MP3: The Vaccines – “Norgaard”
Video: Mumford & Sons – “I Will Wait”
Stream: The Vaccines – “Melody Calling”

You won’t find a better legend-to-intimacy ratio than this – as he did back in 2010, Robyn Hitchcock will be camped out at the Drake Underground on the evenings of September 3 and 4, telling tales and playing songs from his latest album Love From London and probably a few more. Tickets for each show are $21.50.

Video: Robyn Hitchcock – “Be Still” (rehearsal video)

It’s not being billed as anything as reductive as a Constellation Records roadshow, but fans of the Montreal label would be ill-advised to be anywhere but The Great Hall on September 5; that’s when Esmerine, Colin Stetson, Sandro Perri and Craig Dunsmuir, who despite working together before as Glissandro 70 are billing themselves as Dudasa 80, and Jerusalem In My Heart. Tickets for that are $15.

MP3: Colin Stetson – “High Above A Grey Green Sea”
MP3: Esmerine – “A Dog River”
MP3: Jerusalem In My Heart – “Yudaghdegh Al-Ra3ey Aala Al-Ghanam”

I may have been wrong about Charleston roots-rock duo Shovels & Rope being added to the TURF lineup – they’re touring with Dawes, after all – but they are still coming to town. They’ll be at The Horseshoe on September 7 for their first-ever headlining show in support of O’ Be Joyful, tickets $16.50. Relix has a feature on the band.

Video: Shovels & Rope – “Birmingham”

New York synth-pop duo MS MR have to be pretty happy with their career trajectory, as represented by their touring history in Toronto – from supporting Jessie Ware at The Opera House in early April through a small club show of their own at Wrongbar in late May, and now a headlining date at The Phoenix on September 16, all behind their debut album Secondhand Rapture; tickets are $16.50, Danish singer MØ opens. Full tour routing can be found at Exclaim and an interview with the duo at Glamour.

Video: MS MR – “Hurricane”

Portland instrumentalists Grails have set a date at The Drake Underground for September 18, tickets $12.50. Their last release was 2012’s vinyl-only Black Tar Prophecies Volume 5 split-12″ with Pharaoh Overlord.

MP3: Grails – “Almost Grew My Hair”

London-based Bastille, who topped the UK charts back in March with the release of their debut Bad Blood, will be looking to repeat some of that success stateside as they hit North America this Fall, including The Opera House in Toronto on September, tickets $16. Tone Deaf has an interview with frontman Dan Smith.

Video: Bastille – “Pompeii”

Australians Atlas Genius have already announced a return date for the Danforth Music Hall on October 4, tickets $22.50, even though their local debut at the Opera House just wrapped the other night. I guess their debut When It Was Now is doing pretty well. Support for that show will be Detroit duo Dale Earnhardt Jr. Jr.

MP3: Dale Earnhardt Jr. Jr. – “Skeletons”
Video: Atlas Genius – “Trojans”

Speaking of return engagements, British soulstress Jessie Ware has finally announced her follow-up to her local debut at The Opera House in April, and of course it’s at the much bigger and more reviled Sound Academy. She’s there November 6, tickets $25.

Video: Jessie Ware – “Wildest Moments”

Given that his star was already on the rise when I saw him at SXSW 2012, I’m surprised it’s taken Austin’s Gary Clark, Jr. this long to make it up here in support of his debut Blak And Blu, but when you’re as bona fide a singer-guitarist-songwriter as this guy – those “next Hendrix” compliments aren’t hot air – you’re in demand. In any case, he’s at The Danforth Music Hall on November 18, tickets $29.50.

Video: Gary Clark, Jr. – “Numb”

And from the upstart to the legend, Mavis Staples will be in town at Koerner Hall on February 7 behind her new album One True Vine, out this week and streamable in whole below, which sees the gospel singer tackle songs by Low, Funkadelic, Nick Lowe, and three Jeff Tweedy originals. Tickets for the show range from $40 to $95.

Video: Mavis Staples – “I Like The Things About Me”
Stream: Mavis Staples / One True Vine

And while my beat is mainly Toronto, I’d be remiss if I didn’t mention that Hamilton’s Supercrawl has announced its musical lineup for the weekend of September 13 and 14, and it will bring the likes of Yo La Tengo, Chelsea Light Moving, Fucked Up, Joel Plaskett, METZ, and many more to the streets of Steeltown. And oh, it’s free.