Frank YangAsk around and some may tell you there’s a bit of a psych-rock renaissance happening in the UK right now, pointing to the emergence of London’s Toy, Leeds’ Hookworms, and Kettering’s Temples as examples of new bands embracing the grand tradition of droning, swirling, and tripping out. And while they’ve yet to stage any sort of full-bore, acid-drenched incursion onto North American shores, Wednesday night’s visit from Temples made a good case that we’re ripe for the picking.

And if they needed sympathizers amongst the local populace, the openers on this evening would be a good place to start. I’d seen local sextet The Auras back in April and as youngsters are wont to do, they’ve improved immeasurably in that time. If they were looking to shake the very obvious Black Angels reference point, they’ve failed; but if they were aiming to sound more cohesive in aspiring to it, more a tribute band than mixtape, they’ve done well. The songs were tighter, the swapping between lead vocalists and just managing their members and the sounds they make more seamless, and the performance just that much better. They recorded and released a new EP earlier this year; stream it below.

It wasn’t hard to guess where Toronto’s Invasions got their name; they probably dispensed with the “British” because it would have been a little too on-the-nose although they serve their fish & chips with a distinctively t(w)angy American southwest flavour. The five-piece, who just released their self-titled debut, offered compact, punchy tunes with good hooks and swagger given an extra dose of distinctiveness by a saxophone who was sitting in for their usual trumpet. And though the excursions weren’t their raison d’être, there were enough forays into trippiness that those looking to tune in and drop out for the entirety of the evening weren’t jarred.

I always consider it a risky move for bands from abroad to undertake a North American tours before they’ve even released a record – not an inexpensive move even for established bands, let alone one trying to convert that unquantifiable thing they call “buzz” into actual asses in seats (or feet on linoleum, in club cases). So with just three singles out in the past year and a full-length debut in Sun Structures just announced as coming out on February 11, Temples’ debut Canadian show was far from a sure success but you wouldn’t have known that if you were there.

Even adjusted for the fact that British bands do disproportionately well in Toronto, the club was impressively full with those looking to preview one of the sounds of 2014 and Temples showed up dressed to impress, all fringes, ‘fros, velvet jackets, and glitter, and one pendent just a few millimeters diameter short of a medallion. Based on all this you’d be right to expect a ’60s-vintage hippie-psych soundtrack and Temples do indeed root themselves in the retro, but also allow themselves the gift of ’70s prognostication and imbue their sound with glammy stomps and hard rock riffs. Their set was short at eight songs drawn out over a respectable 45 minutes, and while the already-released material got the biggest cheers, the new songs that previewed their album were the most impressive and exciting because they implied there was more to the band than their fans might be expecting.

NOW also has a review of the show, and Wicked Local has a conversation with Temples bassist Thomas Warmsley.

Photos: Temples, Invasions, The Auras @ The Horseshoe – November 20, 2013
MP3: Invasions – “Ballad Of The Faithful”
Video: Temples – “Keep In The Dark”
Video: Temples – “Colours To Life”
Video: Temples – “Shelter Song”
Video: Invasions – “Black Fuzz”
Video: Invasions – “Black Fuzz”
Stream: Ivasions / Invasions
Stream: The Auras / EP2
Stream: The Auras / EP

Yahoo has premiered the video to the title track of Glasvegas’ third album Later… When The TV Turns To Static; the Scots are in town at The Mod Club on February 22.

Video: Glasvegas – “Later… When The TV Turns To Static”

NPR has a World Cafe session with London Grammar while over at The London Evening Standard, frontwoman Hannah Reid comments on sexism in the music industry. The band will return to Toronto for a show at The Phoenix on April 7.

Clash talks to M.I.A..

Tone Deaf interviews Kate Nash, who lists her favourite television for The Guardian.

NPR is streaming a complete live concert from Savages.

NPR talks synesthesia with Dev Hynes of Blood Orange.

PureVolume has a video featurette from Stornoway documenting the making of their second album Tales From Terra Firma.

In conversation with Rolling Stone, Noel Gallagher stomps on, kicks down the stairs, stabs, and pees on any prospect of an Oasis reunion to mark the 20th anniversary of Definitely Maybe next Summer.

James MinchinConfirming the status of Broken Bells as actual band and not just project, James Mercer of The Shins and Brian Burton, aka Danger Mouse have announced the follow-up to their 2010 self-titled debut, excellent news for those who like their indie-pop with a slice of hip-hop and vice-versa.

The new album, After The Disco, will be out on January 14 and the efforts to get people excited about it are well underway. The teaser trailer unveiled last month gave way to the first episode of a Hollywood-flavoured science fiction serial watchable at Rolling Stone, a first preview track from the new album at Pitchfork, and an interview with the duo at NPR.

And now there’s tour dates. Broken Bells have made a date at The Danforth Music Hall for March 3 with Au Revoir Simone supporting, tickets for which are $39.50 before fees and go on sale Friday at 10AM. But for those looking to take care of business before that and save some money, courtesy of LiveNation, I’ve got two pairs of passes to give away to the show before they go on sale this Friday. To enter, email me at contests@chromewaves.net with “I want to see Broken Bells” in the subject line and your full name in the body, and have that in to me by midnight, November 21. Winners will be notified before the on-sale goes live.

Stream: Broken Bells – “Holding On For Life”
Video: Broken Bells: After The Disco

Sweden-based Norwegian singer-songwriter Ane Brun will return for a show at The Rivoli on February 14, part of a North American tour. Her last album of new material was 2011’s It All Starts With One, but she also released a compilation album and rarities collection this year. Metro has an interview.

MP3: Ane Brun – “Do You Remember”

Though they’re not nearly the stars they were tipped to be when they first emerged in 2008, anthemically melancholic Scots Glasvegas still have the fanbase to justify a North American tour in support of their third album Later… When The TV Turns To Static; full dates aren’t up yet, but one imagines they’re not coming all the way over here to only play The Mod Club on February 22 at $20 a head.

MP3: Glasvegas – “Later… When The TV Turns To Static”

One of 2013’s breakout bands from the UK on the back of their self-titled debut, The 1975 still have a short North American tour on the calendar for December, but will return in the Spring for a much more extensive intinerary, including a stop in at The Danforth Music Hall on May 6; tickets for that are $23.50 plus fees. There’s interviews with the band at The Guardian and KROQ, and a list of potentially life-changing records at MTV Hive.

Video: The 1975 – “Head.Cars.Bending”

There was a time when moving from a venue the size of The Great Hall to one more than twice that would be a remarkable feat – nowadays, it seems to simply be what happens. And so it’s no great shock that London Grammar will follow up their local debut last month with a return engagement at The Phoenix on April 7, part of a Spring tour following SXSW. Tickets for that are $22.50 in advance and NPR is streaming a KEXP session with the band.

Video: London Grammar – “Strong”

Also making a return to a Toronto stage – much sooner than I think anyone expected since they were here just in March – are Nick Cave & The Bad Seeds. I’m not sure if this is meant to be a second leg behind Push The Sky Away or maybe a tie-in to the Live At KCRW live document coming out December 2, but it really doesn’t matter – Cave and company are coming back. They’ll wrap the Summer tour in Toronto on July 31 with a show at The Sony Centre; ticket pricing isn’t available yet but the presale will go tomorrow morning at 10AM – sign up for details. And since you’re already giving them your email, you may as well get the two free downloads from the aforementioned KCRW live album they’re giving away in exchange for your personal information.

Video: Nick Cave & The Bad Seeds – “Jubilee Street”

The Line Of Best Fit has details on the debut album from UK psych-rockers Temples, just in time for their local debut show at The Horseshoe tomorrow night. It’s called Sun Structures, will be out February 11, and one of the tracks on it will sound like this. There’s also an interview at XFM.

Stream: Temples – “Mesmerise”

Paolo ZerbiniI’m sure it’s purely coincidence, but it’s a hell of one that the title of If You Wait, the 2013 debut from London Grammar, is but one word apart from If You Leave, the 2013 debut Daughter. After all, both are London-based, female-fronted three-pieces with atmospheric aesthetics, singular vocal signatures, and who plumb the depths of the heart’s frailties for lyrical inspiration.

But while they occupy a similar space, London Grammar stake out their own territory. A ways away from Elena Tonra’s wistful sigh of a voice, Hannah Reid’s rich, husky alto is clearly a powerful instrument akin to Florence Welch’s but rather than use it to blow the doors off, she keeps it set on a deep and steady soul-infused smoulder that expresses her wounded sentiments in rich tones. The musical accompaniment, built largely around guitar and piano, is sparse by default but more than able to swell for effect and works well in adding to the twilight ambience. One does wish that Dan Rothman’s lines and style – palm-muted and echoed – was a little less xx-marks-the-spot, but there’s no arguing its effectiveness in this context.

If there’s a complaint to be made about If You Wait, it’s in that the London Grammar aesthetic is a little too defined and consistently applied and over the course of the record starts feeling a bit monochromatic. It feels like a photograph of something beautiful, viewable from a single angle, than a living, breathing thing – more than acceptable for now, but a limitation they’ll have to transcend sooner rather than later.

NME reports that If You Wait is presently the odds-on favourite to win the Mercury Prize, the shortlist of which will be announced tomorrow and whose winner will be announced October 30. The West Australian and The Guardian have feature pieces on London Grammar and The Line Of Best Fit has a video of their covering La Roux for BBC’s Live Lounge. If You Wait is out today, September 10, and their inaugural North American tour brings them to Toronto for a show at The Great Hall on October 4.

Video: London Grammar – “Strong”
Video: London Grammar – “Wasting My Young Years”

The Guardian has a stream of Summer Camp’s second self-titled album, out now, while The Fly has a feature piece on the duo and Noisey gets them to go through and comment on their old photo albums.

Stream: Summer Camp / Summer Camp

Interview, Spin, The Telegraph, Tone Deaf, and The Fly mark today’s release of Arctic Monkeys’ AM with feature interviews; they play The Kool Haus on September 15.

DIY and vita.mn talk to CHVRCHES as the September 24 release date of their debut The Bones Of What You Believe draws near; but first they play The Danforth Music Hall on September 15.

NPR is streaming the new Elvis Costello/Roots collaboration Wise Up Ghost ahead of its September 17 release date.

Stream: Elvis Costello with The Roots / Wise Up Ghost

Peter Hook updates The Hollywood Reporter on the attempts to take possession of those Joy Division/New Order master tapes rescued from the trash recently. And as you can assume from the word “attempts”, they’re not going well. Hook plays The Hoxton on September 18.

Pitchfork has got a stream of another new track from Laura Groves, nee Blue Roses, taken from her new EP Thinking About Thinking, due out September 30.

Stream: Laura Groves – “Pale Shadows”

Yuck has released an in-studio video of them getting their New Order on; their second album Glow & Behold comes out September 30.

Video: Yuck – “Age Of Consent”

Frightened Rabbit play a video session for The Line Of Best Fit from a pirate ship at the End Of The Road festival; they are at The Kool Haus on October 21.

The 405 talks to Polly Scattergood, who has released a new video from her second album Arrows, originally set for a June release but now locked in to an October 21 street date.

Video: Polly Scattergood – “Cocoon”

MTV Hive has an interview and NPR a World Cafe session with Franz Ferdinand, who’ve just put out a new video from Right Thoughts, Right Words, Right Action; they play The Kool Haus October 24.

Video: Franz Ferdinand – “Evil Eye”

Though still coy about details of a new album, The High Wire have made another new song available to download.

MP3: The High Wire – “The Thames & The Tide”

The xx tell NME they’re already at work on album number three.

Little Boots has released a new video from Nocturnes.

Video: Little Boots – “Satellite”

NME and Billboard talk to Billy Bragg about being recognized for his “outstanding contribution to music” by the UK’s Association of Independent Music.

The Guardian talks to James Allan of Glasvegas.

God Is In The TV has an interview with Chris Olley of Six By Seven.

The Wedding Present are streaming a new single which will be available for sale as a 7″ on their upcoming UK tour.

Stream: The Wedding Present – “Two Bridges”

NPR marks the 20th anniversary of Britpop with a playlist of the scene’s best.

Andrew KnowlesThe biggest releases of last week both happened to be Scottish in nationality. There was Franz Ferdinand’s fourth long-player Right Thoughts, Right Words, Right Action, which was the topic of conversation with Alex Kaparnos at NPR, Billboard, Canada.com, and DIY, while Kapranos and Bob Hardy both chat with Stereogum and Paul Thomson answers the phone when CBC calls. Further, Pitchfork has video of that acoustic Grimes cover the band played for French radio that everyone was linking to last week. They play The Kool Haus come October 24.

Meanwhile, with their new b-sides comp The Third Eye Centre finally out, Belle & Sebastian have released a new video featuring Hannah Murray from Skins and Game Of Thrones. Under The Radar has compiled their multi-part interview with the band into a single piece, PopMatters has a chat with Richard Colburn, and over at The Quietus, Stuart Murdoch opts to talk about other peoples’ records rather than his own.

Video: Belle & Sebastian – “Your Cover’s Blown” (Miaoux Miaoux remix)

James Allan talks to The Quietus, MusicRadar, and Yahoo! about Glasvegas’ new album Later… When The TV Turns To Static. It wasn’t alluded to in the lede, despite being Scottish, because a) it came out this week and not last week, and b) not many people care anymore.

Arctic Monkeys are streaming a new b-side which doesn’t appear on AM, due out September 10. And if you only care about the songs which do appear on the album, you’re in luck – the whole thing is now streaming at iTunes. Arctic Monkeys are at The Kool Haus on September 15.

Stream: Arctic Monkeys – “Stop The World I Want To Get Off With You”
Stream: Arctic Monkeys / AM

Drowned In Sound talks to London Grammar, who are offering a full stream of their debut album If You Wait via their own website with just a few hoops to jump through. The record is out September 10 and they play The Great Hall on October 4.

Stream: London Grammar / If You Wait

In a video session for Gigwise, Frightened Rabbit offer up a cover of Jessie Ware’s “Wildest Moments” and another track from the Late March, Death March EP, out September 10, is available to stream via Stereogum. They play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Candlelit”

Savages have premiered a new performance video from Silence Yourself at Pitchfork; they play The Opera House on September 12.

Video: Savages – “I Am Here”

Gigwise and MusicRadar check in with CHVRCHES, whose debut The Bones Of What You Believe is almost finally out on September 24 but not before they headline the Danforth Music Hall on September 15.

James Dean Bradfield of Manic Street Preachers talks to Wales Online about their new album Rewind The Film, while Nicky Wire takes The Quietus through the new record track by track. And NME has posted the whole of their recent Wire-led Twitter Q&A. Rewind The Film is out September 16.

The Quietus looks at the many, many collaborations Elvis Costello has undertaken in his career, the latest of which is Wise Up Ghost with The Roots, due out September 17. Costello talks to The Brisbane Times about the new record.

Peter Hook talks about matters past, present, future, and legal with Billboard, Pitchfork, The Huffington Post, Exclaim, and The Dumbing Of America. He leads his new band The Light through old material at The Hoxton on September 18.

Daughter are streaming a new b-side; they play The Phoenix on September 29.

Stream: Daughter – “Smoke”

Yuck talks to Rolling Stone about carrying on without their original frontman, as documented on their new album Glow & Behold, out September 30.

Two Door Cinema Club have released a video for the title track of their new Changing Of The Seasons EP, due out September 30; NME has details. They play The Danforth Music Hall on October 15.

Video: Two Door Cinema Club – “Changing Of The Seasons”

Anna Calvi has released the first video from her forthcoming One Breath, out October 7.

Video: Anna Calvi – “Eliza”

Lanterns On The Lake have released a video for the title track of their new album Until The Colours Run, which is due out on October 7 in the UK and will get a North American release early next year on January 14.

Video: Lanterns On The Lake – “Until The Colours Run”

The Line Of Best Fit reports Suede will finally reissue their entire catalog on vinyl on October 21, but the catch is you have to buy them all in one super-expensive box set, it’s only available in the UK, and you have to take A New Morning with the rest. And oh, they released a new video from Bloodsports.

Video: Suede – “For The Strangers”

Los Campesinos! have confirmed an October 29 release date for their new record No Blues, and have made the first track from it available to stream.

Stream: Los Campesinos! – “What Death Leaves Behind”

M.I.A. is streaming another new track from her forthcoming Matangi, out November 5.

Stream: M.I.A. – “Come Walk With Me”

The Charli XCX show originally scheduled for September 16 at The Hoxton has been rescheduled to Saturday, November 9, and will now take place at Wrongbar. All previous tickets will be honoured and all the new dates can be seen at Exclaim.

MP3: Charli XCX – “Valentine”

Drowned In Sound checks in with Josh Hayward of The Horrors on the status of their next album, due out in early 2014.

Drowned In Sound chats with David Gedge of The Wedding Present, who will be undertaking an exhaustive reissue series of their back catalog in the near future; FACT has details on that.

Tessa Murray talks to Vogue about the new Still Corners video from Strange Pleasures.

Video: Still Corners – “Fireflies”

Under The Radar and Pitchfork talk to Bobby Gillespie of Primal Scream.

With the assistance of Hefner’s Darren Hayman, Allo Darlin’ frontwoman Elizabeth Morris has put together a solo EP entitled Optimism, available for digital purchase now.

eMusic has an interview with Billy Bragg.

Roger DeckkerI’d like to say that I’ve been on tenterhooks waiting for new music from Anna Calvi, but the truth is that her 2011 self-titled debut – one of that year’s favourites – is still in fairly heavy rotation, the combination of her sensual vocals and searing guitarwork still eliciting swoons more than two and a half years on. But that’s not to say that the news of her second record isn’t tremendously welcome.

Said record – entitled One Breath – will be out on October 7, and Calvi tells NME that it’s a more personal album, the lyrics strongly informed by her battles with depression. This doesn’t mean that it’s going to be a downcast affair – the first official single, which has been made available to stream, is as energized as anything she’s done, and the sample that soundtrack the album trailer might be more melancholic, but it still soars. One Breath may document a battle, but it certainly sounds like one that Calvi is triumphing over.

There’s only three North American dates currently on her Fall itinerary, but you know more are to come. Or they damn well better be – I’ve still yet to see a full show.

Stream: Anna Calvi – “Eliza”
Trailer: Anna Calvi / One Breath

The Vaccines have released a new video for the title track of their just-released Melody Calling EP and also stopped in at USA Today for a video session. They open up for Mumford & Sons at the Molson Amphitheatre next week on August 26.

Video: The Vaccines – “Melody Calling”

The Guardian and Exclaim talk to Franz Ferdinand as they gear up for the August 27 release of their new record Right Thoughts, Right Words, Right Action, a record which has just been made available to stream in advance at NPR. Franz Ferdinand play The Kool Haus on October 24.

Stream: Franz Ferdinand / Right Thoughts, Right Words, Right Action

Fellow Scots Glasvegas are hoping their third album Later… When The TV Turns To Static, out September 3, is the one that turns their fortunes back towards the buzz that greeted their debut and not the shrugs that met the follow-up. Rolling Stone is offering a download of the title track for you to decide for yourself. Clash also has an interview.

MP3: Glasvegas – “Later… When The TV Turns To Static”

Lanterns Of The Lake are streaming – and offering to download in exchange for an email – an alternate take of a track from their new record Until The Colours Run, coming out September 9.

Stream: Lanterns On The Lake – “The Buffalo Days” (alternate)

Tone Deaf, LeftLion, and Gigwise have interviews with newcomers London Grammar, whose debut If You Wait is out on September 10 and who are in town to play BLK BOX on October 4.

The Quietus talks to Elvis Costello, whose new collaborative album with The Roots – Wise Up Ghost – is out September 17.

The Line Of Best Fit has details on the second Yuck record, their first without former frontman Daniel Blumberg. Glow & Behold will be out on September 30 and a second sample track from it is available to stream.

Stream: Yuck – “Middle Sea”

NPR has a World Cafe session, and Refinery29 and Stylecaster interviews with Jessie Ware; she is back in town to play The Sound Academy on November 6.

Laura Groves, whom some of you may remember from her lovely 2009 record Blue Roses whilst still performing under the alias of Blue Roses, finally has a new release – an EP – ready and will be releasing it this Fall under her own name. There’s a video for the first release from it and yup, still lovely whatever the name is.

Video: Laura Groves – “Inky Sea”

I was all excited about the prospect of hearing new Blood Orange material but as Pitchfork reports it, this is just a Drake cover. But it’s still better than Drake.

Stream: Blood Orange – “Hold On, We’re Going Home”

Dazed Digital have premiered the new video from Spiritualized’s Sweet Heart Sweet Light.

Video: Spiritualized – “I Am What I Am”

Camera Obscura have released a new vide from Desire Lines and are also featured in a World Cafe session at NPR. Further, Under The Radar has posted their feature from the current issue which puts Tracyanne Campbell in interview with Lloyd Cole – yes, that Lloyd – complete with appendices.

Video: Camera Obscura – “Break It To You Gently”

Denver Westword interviews Kevin Shields of My Bloody Valentine.