MySpaceJust yesterday morning I was listening to The Cardigans’ wonderful and underappreciated Long Gone Before Daylight, and it occurred to me that I hadn’t heard any news about the new record from A Camp, Nina Persson’s solo project, in a while. Cue NME, who yesterday reported that said record – Colonia – will see the light of day on February 2 in the UK and Europe. Not sure if there’s a North American schedule on the books yet, though.

Don’t know if the background music at their website is any indication of the direction of the record, but there’s also a photo gallery of the band in the studio to whet one’s appetite. I had heard that they wouldn’t necessarily be continuing the alt.country vibe that made the now eight-year old (!) A Camp debut so delicious – Mark Linkous isn’t driving things this time – and while that’s sort of a shame, the fact that there’s a new record coming from Persson, Cardies or otherwise, is good news any way you look at it. Core collaborators on the record are Niclas Frisk and Persson’s husband/Shudder To Think guitarist Nathan Larson and there are guest spots from James Iha and Joan Wasser, amongst others. And the album cover looks like this. That’s all I got right now. So until there’s more, here’s a live Neil Young cover I posted a while back and the vids from the first album.

MP3: A Camp – “On The Beach” (live)
Video: A Camp – “I Can Buy You”
Video: A Camp – “Song For The Leftovers”
MySpace: A Camp

State interviews Lykke Li, set for a date at the Phoenix on February 6.

Following up on last year’s Guilt By Association covers compilation featuring the likes of Superchunk, Luna and The Concretes covering songs they deemed to be guilty pleasures, Pitchfork has details on the sequel. Volume two doesn’t have quite the star power of the first and its mandate is shifted slightly to encompass Top 40 pop from the ’80s through today (guilty pleasure or not), and as such you’ve got the likes of Frightened Rabbit, My Brightest Diamond and Matt Pond PA amongst the coverers and Toto, Billy Joel and Katy Perry amongst the coverees. Though the CD isn’t out until February 17 of next year, you can stream it below and it’s already available digitally from the likes of eMusic. A third volume is also already in the works. Check out the My Brightest Diamond contribution to the new comp, as well as the Journey cover by Petra Haden that opened volume one.

MP3: My Brightest Diamond – “Tainted Love”
MP3: Petra Haden – “Don’t Stop Believin'”
Stream: Guilt By Association 2
MySpace: Guilt By Association

Clash Q&As Frightened Rabbit frontman Scott Hutchison and Pitchfork reveals that the band has contributed a track to a compilation that accompanies Australian zine The Lifted Brow. And since said zine is far from cheap ($40!), don’t feel bad about downloading said track, also from the ‘Fork.

MP3: Frightened Rabbit – “Last Tango In Brooklyn”

Chart discusses Intimacy and mythology with Bloc Party’s Kele Okereke.

Drowned In Sound has posted part two of their interview with Okkervil River frontman Will Sheff.

Beach House have rolled out a new video. Just in time for Winter.

Video: Beach House – “Used To Be”

Prefix interviews The Rosebuds.

Blurt offers a short feature on Wolf Parade.

Creative Loafing talks to Brendan Canning of Broken Social Scene. They’re playing two nights at the Sound Academy on November 27 and 28.

Also now doing a two-fer at the former Docks is the Jingle Bell Rock tour featuring Metric, Tokyo Police Club, The Dears and Sebastien Grainger & The Mountains. There’s now a December 12 show to go along with the originally announced December 13 date.

Caribou has revealed what he did with his $20,000 in Polaris Prize winnings – part went to finance the next album and the rest went to charity. Next year, I think the money needs to go to someone seriously decadent. Artistic merit be damned, that money should be spent on hookers and blow.

Matthew Sweet talks pottery with Blurt.

Facebook…Okay, not exactly tonight, but very soon. Scottish quartet Franz Ferdinand won’t be releasing their third album Tonight: Franz Ferdinand until January 27, but they’re looking to drum up interest beforehand and remind people of a time when the disco hi-hat beat was fresh and novel. To that end, they’re booking a string of club dates in venues the size of which they haven’t played in some years (I think they went from the 350-capacity Horseshoe in February 2004 to the 2000-capacity Kool Haus four months later and then the 3000-plus Docks by October).

Anyways, this time they’ll be at Lee’s Palace on December 4 for an intimate dance party with approximately 500 of their lucky fans. Tickets are $25 and go on sale next Thursday, November 13, at 10AM. There’s also been a December 9 show in Vancouver at the Commodore Ballroom, so it’s reasonable to think that there’ll be an announcement with proper tour dates across North America in the not-too-distant future. But for now, the Canadian dates are all you get.

I haven’t paid too much attention to the band since their ubiquitous debut, but I just spun it again last night and enjoyed it more than I expected. How was You Could Have It So Much Better? Would it make a casual fan a believer or is it more of the same? I’m curious. Not that it’d affect my inability to attend the show either way – prior engagements with a certain Mr. Young and Mr. Wilco that night.

Rolling Stone and Exclaim talk to frontman Alex Kapranos about the new album while Chart covers the same ground with guitarist Nick McCarthy.

MySpace: Franz Ferdinand

Maximo Park’s Paul Smith talks to Spinner about making their third album in Los Angeles while living in fear of wildfires and being swallowed up by the earth. The band have some videos of their stay in the city of angels at their YouTube channel.

Emmy The Great discusses the single “We Almost Had A Baby” with I Like Music. The single is out on Monday and First Love, the album from whence it comes, is out in January.

Video: Emmy The Great – “We Almost Had A Baby”

Robyn Hitchcock discusses the next Venus 3 album with Paste and his past solo works with The Chicago Sun-Times. The aforementioned Venus 3 record, Goodnight Oslo, will be released on February 17.

Pitchfork reports that Swedish pop-smith Loney Dear – now comma-free – will release a new album entitled Dear John on January 27. They’re also streaming a new track from the record.

Stream: Loney Dear – “Airport Surroundings”

Drowned In Sound has run the second part in their interview with The Dears’ Murray Lightburn, the first part of which ran in mid-October.

Casiotone For The Painfully Alone have a date at 6 Nassau (the cryptically-named new venue in Kensington Market located at 6 Nassau St) on November 15. The Post has an interview with Mr Casiontone, Owen Ashworth, whose Town Topic EP was re-released at the end of September

PitchforkTV is currently streaming the Dirty Old Town live doc featuring Ted Leo & The Pharmacists. I bought the DVD of this like three years ago… still haven’t watched it. Like most music DVDs I buy.

listentofeist.comThis past Friday, I (Heart) Music posted the results of his fourth annual, “Hottest Bands In Canada” poll – the ultra-unscientific survey of online Canadian music types wherein we submit a ranked list of the Canadian acts that we deem the “hottest” by whatever definition of the word we wish to use.

Though I managed to get my list in just under the wire, on account of being ultra-busy and distracted the last few weeks, I don’t know if I gave it the utmost amount of thought that I might have otherwise. But going over my picks again, I’m fairly comfortable with the my blend of realistic and idealistic though after seeing the final list, I’m reminded of a lot of acts that I perhaps should have given more consideration. But what can you do. Listed below are my 10 picks along with the blurbs that I submitted alongside. The bracketed number is the artist’s actual ranking on the final list.

Obviously I’m not as in touch with the Canuck zeitgeist as perhaps I should be. I was a little more in sync with the top ten last year, whereas this year I seem to be pretty firmly ensconced in the bottom half of the list or so. I realize that if I were a little more objective about things, then acts like Fucked Up and Crystal Castles should have been given credit for making waves around the world, but whatever.

1. Feist (15) – We’re a long way removed from The Reminder but anything Feist does, including her first arena tour, still makes headlines. Objectively and quantitatively speaking, she remains the hottest musical thing with a Canadian passport.

Video: Feist – “1 2 3 4”

2. Basia Bulat (13) – 2007 was very good to Basia Bulat with Oh My Darling receiving critical acclaim in Europe and Canada – 2008 was just as good, as the record did just as well in the US and garnered a Polaris nomination. The fairy tale just keeps on going.

MP3: Basia Bulat – “In The Night”

3. Woodpigeon (-) – This Calgary collective probably falls more under the category of “ought to be hot but aren’t”, releasing record after record of gleaming folk-pop that is making small, but definite waves in Europe and landing the band tours with the likes of Calexico and Iron & Wine. Big things coming. I hope.

MP3: Woodpigeon – “Knock Knock”

4. Caribou (3) – Even though it’s technically an off-year for Caribou with no touring and no new record, winning the Polaris Prize for last year’s Andorra makes Dan Snaith’s project a shoo-in

MP3: Caribou – “Melody Day”

5. The Rural Alberta Advantage (19) – This Toronto trio’s Hometowns record is an absolute jewel, and yet almost no one has heard it. But I am, just for a moment, pretend it’s a just world and include them anyways.

MP3: The Rural Alberta Advantage – “Don’t Haunt This Place”

6. Shad (9) – Though he didn’t win the Polaris, it can be argued that Shad – helped out by his spot-on, ultra-viral video for “The Old Prince Still Lives At Home” – benefitted the most from the exposure gained by the nomination. Hell, he got me listening to hip-hop – that is no mean feat.

MP3: Shad – “The Old Prince Still Lives At Home”

7. Land Of Talk (21) – Finally, after long last, released their debut full-length and while it’s not the kick upside the head that Applause Cheer Boo Hiss was, it’s still a worthy effort. But factor in that Liz Powell is the newest Broken Social Scene chanteuse and that Land Of Talk is opening up for BSS on their North American tour…

MP3: Land Of Talk – “Corner Phone”

8. Two Hours Traffic (18) – Utterly relentless touring machines and purveyors of note-perfect power pop. It’s amazing that a band from such a wintry country can so perfectly capture the spirit of Summer.

MP3: Two Hours Traffic – “Stuck For The Summer”

9. Bruce Peninsula (5) – The first recorded fruits of this Toronto collective have shown that the otherworldy power of their live shows can indeed be captured on tape, which means that soon they’ll no longer be just the secret of those who’ve seen them perform.

MySpace: Bruce Peninsula

10. The Acorn (25) – Glory Hope Mountain has been garnering praise everywhere its been released and… well, it’s a terrific album and they’re nice folk.

MP3: The Acorn – “Crooked Legs”

I’m sure some would like to use this poll as a mid-year barometer for next year’s Polaris Music Prize noms but considering the sample group for this was a lot smaller and narrower, that’s probably reaching a bit. And speaking of the Polaris, the gala ceremony from September will be broadcast on CityTV across the country this Saturday night, November 8, at 7PM local time. Considering I missed out on most of the show, I’d like to see this… but I don’t have cable. So I will miss it again. But at least I know how it ends.

Feist – my number one but the list’s number fifteen – has been making the most of her return to Toronto this past week. There was a pair of secret club shows , one at the Rivoli and one at the Cameron House, a relatively intimate gig at Massey Hall on Saturday night and tonight, her big show at the Air Canada Centre. And it was just announced that November 25 will bring a deluxe edition of The Reminder, featuring a bonus disc of remixes, all the album’s videos (The Toronto Star has an interview with the director of them all) and the cover of Kenny and Dolly’s “Islands In The Stream” with Constantines – and for everyone who bought the album a year and a half ago when it was released, the bonus goods will be available for sale digitally on their own.

Wired has an interview with Murray Lightburn, frontman of the 27th hottest band in Canada, The Dears’. They’re playing the Sound Academy on December 13.

Hour.ca talks to Brendan Canning of Broken Social Scene, who hang in at #20 on the list despite being on fake hiatus the last couple years. They’re at the Sound Academy on November 27 and 28.

The D’Urbervilles, who come in at #17 on the list, have announced a two-night stand at the Tiger Bar that they’ve playfully named “Rock Em Sock Em 1 and 2” on December 12 and 13th. Night one will feature The D’Urbs along with Katie Stelmanis (also of band #5, Bruce Peninsula) and Mantler while on night two, they’ll welcome Bocce and Slow Hand Mortem as their guests.

Woodpigeon rated highly on my list, but evidently not many others’. I prefer to think of myself as simply being that much ahead of the curve instead of being out of touch. Just wait. Noize Makes Enemies talked to frontman Mark Hamilton about the origins of their first album Songbook, which was just released in the UK.

Environmentalist and car junkie Neil Young talks to The New York Times about his efforts to win the Progressive Automotive X-Prize. He’s at the Air Canada Centre on December 4 and 5.

The Bicycles will release their new album Oh No It’s Love on Tuesday, the same day they play a release party at Lee’s Palace and an in-store at Soundscapes at 7PM the instore at Soundscapes is on Tuesday at 7PM, the Lee’s gig is on Saturday. Sorry for the confusion, which appears to have been mostly mine.

Whilst on the topic of hottest things in a respective geographical area, I was pleased to see that NOW named this site as “Best Music Website” in this year’s “Best Of Toronto” issue – not just for the kudos, but because in the six-plus years I’ve been doing this, I think this is just the second time the magazine has acknowledged my existence. Not that I’m keeping score or anything.

NPR enumerates their musical love of Canada.

Frank YangNormally I try to cover stuff chronologically, but in summing up my time in New York City this past weekend, I’m going to jump around a little bit for the sake of grouping things together. And so I’ll start off at the end of Thursday night in the basement of a little club called Lit in the East Village.

Providence’s The Brother Kite would be well within their rights to ask me to stop coming to their gigs. In each of the three times I’ve now seen them play, their set was… marred by circumstances beyond anyone’s control. The first, last year at my Pop Montreal showcase, was a bit of a mess on too many levels to get into. The second at this year’s SxSW was significantly better but with singer Patrick Boutwell dealing with a cold, they still weren’t in top form. And this past Thursday night, at their CMJ showcase, their supposed headlining slot at the showcase for their label Clairecords appeared at real risk of being cut down to nothing because of every preceding act running long. It’s not my fault, I swear.

They were eventually given a truncated but still decent-length set with which they showcased both new material from the can’t-come-soon-enough follow-up to Waiting For The Time To Be Right alongside highlights from that utter gem of a record (one-liner for those who haven’t heard it – Ride crossed with The Beach Boys, but better). The new stuff sounded good – similar enough to the old in the ways that matter but also exploring enough new ground to not be a retread – but I still loved hearing the Time songs the most. And considering they were playing once again in less than optimal conditions – they hardly got any soundcheck despite having a decidedly complex equipment setup – they once again delivered a superb performance. I can’t imagine how good they’d sound if they were playing under optimal conditions. Though this is a band that gives new meaning to the phrase “flying under the radar”, it’s certainly not for lack of ability – their songwriting and performance both live and on record are sublime.

The band have been documenting the recording of the new record over at their MySpace blog.

Photos: The Brother Kite @ Lit, New York City – October 23, 2008
MP3: The Brother Kite – “Get On, Me”
MP3: The Brother Kite – “I’m Not The Only One”
Video: The Brother Kite – “I’m Not The Only One”
MySpace: The Brother Kite

Yuki Chikudate of Asobi Seksu tells The Georgia Straight she doesn’t buy into the idea of an ongoing shoegaze revival. Their new album Hush will surely do nothing to propagate that idea when it’s released in February.

The Montreal Gazette, JAM and BlogTO converse with Murray Lightburn of The Dears. While over at This Is Fake DIY, the band’s other/better half Natalia Yanchak ponders the meaning(lessness) of labels.

R.E.M. have a new video.

Video: R.E.M. – “Until The Day Is Done”

Sweden’s Love Is All, on the cusp of releasing A Hundred Things Keep Me Up at Night on November 11, have padded out their tour dates and will now be hitting the Horseshoe on December 11, tickets $11.50.

MP3: Love Is All – “Wishing Well”
Video: Love Is All – “Wishing Well”

Image via Simpsons Viewer Top 8And there we go. This is what I’ve been giving myself headaches over the last few days, dragging this here blog kicking and screaming from the horribly out of date CMS that I’ve been using for the last six years into a sleek, shiny and – most importantly – supported new system. I’ve been meaning to move to WordPress for ages but was daunted by the sheer scope of the task.

And so I must give profuse and immeasurable thanks to Ryan from The Catbirdseat for helping me with almost all the heavy lifting, including migrating over the entirety of my archives from the old system. You have no idea how big a deal that is. As it is, the old posts will remain up as there’s also six years worth of links to them, but they also all exist in the new system. Eventually I hope to come up with some manner of system to repoint all of those old links, but for the meantime, we’ll just run in parallel.

While you probably won’t see or experience much different – if everything works as it should, the only difference you should notice are the slightly changed cosmetics – but rest assured that under the hood is a very different beast. Moving to WordPress also means that I potentially have many more plugins at my disposal to play with and as we move forward, I’ll be doing so but for the immediate term, I’ll just be happy if nothing is horribly broken. I’ve tested a fair bit, but there’ll surely be some weirdness here and there that’ll need to be dealt with. If you find anything amiss, please email me or leave a comment telling me about it.

But enough about me. Here’s some links.

The Black Cab Sessions welcomes Jens Lekman to perform, what else, “Black Cab”.

Boston Music Spotlight and Express Night Out talk to Sam Fogarino of Magnetic Morning, who will play the Horseshoe this Thursday night October 23.

Matt Kadane of The New Year shuffles his ancient iPod for The AV Club.

Yuki Chikudate of Asobi Seksu talks to Chart about losing their second rhythm section in as many albums before the recording of their new one Hush, due in February.

Parts & Labor’s new album Receivers is out today, and is streaming at Spinner. They’re at Sneaky Dee’s on November 21.

MP3: Parts & Labour – “Nowhere’s Nigh”
Stream: Receivers

Also out today and streaming is Missiles, the new one from The Dears. They’ve also released the first video from said record.

Stream: The Dears / Missiles
Video: The Dears – “Money Babies”

While I’m wholly enthused for tonight’s Frightened Rabbit/Spinto Band show at Lee’s, I’m a twinge regretful that I can’t be at The Horseshoe at the same time for the free White Lies show. I keep hearing good things about the London trio, including being declared by SPIN as one of the hottest bands at CMJ this week – I may try to catch them in New York, but I fear the show may exceed my hipster tolerance levels and there’d be violence. Bassist Charles Cave wrote about their recent experience at Iceland Airwaves for The Guardian. Their Death EP is out today.

MP3: White Lies – “Death” (Crystal Castles remix)
Video: White Lies – “Death”
Video: White Lies – “Unfinished Business”

Black Mountain main man Stephen McBean brings his other band – Pink Mountaintops – to the Drake Underground on November 7, tickets $10.