Posts Tagged ‘Charli XCX’

Thursday, October 17th, 2013

Rock Steady

Review of Trans’ Red

Photo By Chris McAndrewChris McAndrewThough I already celebrated the existence of Trans – all-caps is about as excited as I get online, I’ll have you know – I only recently got a hold of Red, the first in a series of EPs from Bernard Butler – ex of Suede and, in an informal poll of me, greatest guitarist of the past 20-plus years – and Jackie McKeown of Yummy Fur and more recently 1990s, whom Butler was producing when they met and began jamming together.

And jamming is the correct word, rather than writing, because the four tracks that comprise Red are certainly more about their improvised musical interplay than the considered composition that one would presume from Butler, given his track record of crafting ornate and elaborate pop music. As reluctant as I am to use the band’s own words to describe them, the Can-meets-Television descriptor is pretty apt, as the most defining aspects of the band so far are their steady, almost motorik rhythm section and free-form yet melodic guitarwork, at its most Verlaine-Lloyd-ish in the extended “Jubilee”. Lyrics are pretty throwaway, mostly nonsensical riffs on a phrase, but they both add a punky snottiness – Butler’s vocals a far cry from the ’70s singer-songwriter earnestness of his solo albums – and anchor the proceedings in a pop idiom.

There’s no question that Trans is of niche appeal, and if Butler were not involved I’m not honestly sure how much I’d have paid attention though now that I have, I can honestly say its an enjoyable listen on its own merits (and also fun to jam to on guitar), and I look forward to the follow-up releases. And while it’s probably too early to hope it leads to phone calls to David McAlmont or Brett Anderson – don’t worry Fat Richard, your job is safe – anything that gets Butler a little out of the producer’s chair and back towards making his own music is worth celebrating.

Uncut prepares for a feature interview with a short history of the project, while The Quietus has a chat with both Butler and McKeown.

Video: Trans – “Jubilee”
Video: Trans – “Rock Steady”
Video: Trans – “Building No. 8”

Speaking of musical heroes in new contexts, New York Times has got an advance stream of Stars Are Our Home, the debut from Neil Halstead’s new project Black Hearted Brother; the album is out October 22 and North American dates are going to happen. PopMatters, for their part, asks twenty questions of Mark Van Hoen, none of them specifically about the new album.

MP3: Black Hearted Brother – “This Is How It Feels”
Stream: Black Hearted Brother / Stars Are Our Home

With her new album Arrows finally set for release next week on October 22, Polly Scattergood has made it available to stream via her Tumblr.

MP3: Polly Scattergood – “Wanderlust”
Stream: Polly Scattergood / Arrows

DIY interviews Los Campesinos! about their new album No Blues, due out on October 29.

Drowned In Sound gets in-depth with Kate Nash, Noisey gets her to reflect on the moment “Foundations” broke her (in the good way), and she’s just released a new video for “Fri-End?” from Girl Talk and plays an acoustic version in a video session for The Telegraph. She’s in town at The Phoenix on November 5.

Video: Kate Nash – “Fri-End?”

Stereogum chats with Charli XCX, who finally makes her local headlining debut at Wrongbar on November 9.

Though it won’t appear on Cupid Deluxe when it comes out November 19, any new music from Blood Orange – including this Babyface and Toni Braxton cover with Samantha Urbani of Friends – is only a good thing.

Stream: Devonté Hynes & Samantha Urbani – “Hurt U”

Frank Turner isn’t kidding when he says he loves playing Canada. After doing two shows here for TURF back in July, he’s back for a gig at the Sound Academy on December 3; tickets are $23.50 general admission and $37.50 VIP balcony.

Video: Frank Turner – “Oh Brother”

London pysch-kraut outfit Toy have announced the December 9 release of their second album Join The Dots, a follow up to last year’s solid self-titled debut. DIY has details and the title track from the album has been made available to stream.

Stream: Toy – “Join The Dots”

Hot Minute gets to know The High Wire, who will release a new album early in the new year.

The new video from Travis‘ latest Where You Stand could double as an iPhone 5S commercial because it was shot entirely on the mobile phone. Drowned In Sound has the premiere and with it, details on how it was done.

Video: Travis – “Mother”

The Guardian has premiered a new video from Summer Camp’s just-released-in-North America self-titled effort.

Video: Summer Camp – “Two Chords”

British Sea Power have rolled out a new video from their latest album Machineries Of Joy. The Sunderland Echo looks into the inspiration for the song and clip.

Video: British Sea Power – “Monsters Of Sunderland”

Little Boots has premiered a new video from Nocturnes over at Nylon. CNet also asks Victoria Hesketh about her favourite smartphone apps.

Video: Little Boots – “Shake”

Boiler Room has a video session with CHVRCHES.

Under The Radar and FasterLouder talk to London Grammar.

Under The Radar (the New Zealand one) and Metro (the English one) have interviews with Anna Calvi.

Veronica Falls have decided to mark their upcoming Australasian tour with the release of a new song. Listen to said song now.

Stream: Veronica Falls – “Nobody There”

GQ declares Noel Gallagher one of its men of the year, presumably just to score an interview and get him to say batshit things. Mission accomplished.

For Folks Sake have an amiable little chat with Johnny Flynn.

Delirium On Helium talks to Nicky Wire of Manic Street Preachers.

Swedish electro-pop artist Elliphant has released a new video from what one assumes will be a full-length album someday.

Video: Elliphant – “Could It Be”

WNYC welcomes Icelandic composer Ólafur Arnalds for a session.

Wired talks music and technology with Björk.

Exclaim has details on the kidnapping drama that has prompted Spanish dance-pop band Delorean – who are fine now – to cancel their North American tour, including tonight’s date at The Horseshoe. The new date is February 20 at The Hoxton and the rest of the rescheduled tour dates can be had at Exclaim.

Phoenix’s episode of Austin City Limits is available to stream online for a limited time.

Friday, September 27th, 2013

Electric

Pet Shop Boys at The Sony Centre in Toronto

Photo By Frank YangFrank YangI can pinpoint the exact date, time, and place that I became a Pet Shop Boys fan – 8PM on August 30, 2009 at the Molson Amphitheatre. That was when they took the stage – the penultimate act of the final V Fest in Toronto and part of the “Pandemonium” tour in support of that year’s Yes – to the sampled voices of “Heart” and kicked off one of the most ridiculously entertaining hours of live music I can remember. I’d known the songs, of course – everyone knows many of those songs even if they don’t – but the marriage of their perfect pop and over-the-top, technicoloured building block visuals was impossible to resist, and since that too-short festival-length performance, I’ve been waiting for them to come back for their own full-length show.

It didn’t happen for last year’s Elysium, but for its strengths – maybe I liked it more than most because it was the first new PSB record to come out with me as a card-carrying member of their fanbase – its relatively low-key presentation may not have been the strongest foot to launch a world tour from. So thank goodness for this year’s unexpectedly fast follow-up Electric, a far more danceable and banging companion album that would get the Boys back on the road with the festival circuit in the Summer, and North America this Fall, stopping in at The Sony Centre in Toronto on Wednesday night.

With no opening act, the sold-out house waited and chattered patiently until the house lights dropped and screaming (the good kind) commenced. With projections of geometric abstractions and speeding tunnels on the giant scrim covering front of the stage, Messrs Tennant and Lowe took the stage behind giant glowing silhouettes, and ping-ponged from present to past with Electric opener “Axis”, Actually‘s “One More Chance”, and Elysium – all obscured behind trippy visuals – before dropping the scrim for “Opportunities” and bidding the crowd a proper “hello” with the first of many, many shouts of, “Toronto!”.

Even though the visuals of this tour were completely different from the Pandemonium tour – the Lego-esque aesthetic put aside for lasers, strobes, and the aforementioned giant projections, all tied together by a printed circuit board aesthetic – the structure was quite similar. Visually, you had Chris Lowe expressionless at his keyboard station handling the music, Neil Tennant roaming the stage in excellent voice, sometimes accompanied by a pair of dancers, and all in a dazzling and nonsensical array of costumes involving but certainly not limited to giant antlered animal masks, finely-tailored suits, disco ball helmets, and tinsel bodysuits on pogo sticks.

Musically, they tied songs together into suites with corresponding choreography, and as per the opening numbers, they focused mainly on their last two albums and their platinum-selling early records, although Behaviour was curiously left out completely. Also curious was the omission of two of Electric‘s highlights – new single “Love Is a Bourgeois Construct” and Springsteen cover “The Last To Die”. But you can’t have everything, I suppose, so wishing that some more of their ’90s singles had also made the cut in lieu of the early ’00s tracks is really besides the point. Even with a near two-hour show, a band with a catalog of classic songs as deep as Pet Shop Boys as well as very worthy current records to promote is going to leave someone’s favourites out. Probably best to focus on the fact that even so, no one was having anything but a great time and even though the Sony Centre’s seats weren’t the most conducive to dancing, we did what we could.

The show’s finale was heralded by a string of the biggest tunes – “It’s A Sin”, “Domino Dancing”, “Always On My Mind”, and “Go West” are the very definition of show stoppers – but the final number was Electric closing number “Vocal”; not a classic like the others – at least not yet – but certainly a banger and if you wanted to send a giddy crowd into the night understanding that even after more than a quarter century, you’re still writing and releasing great, great songs to go with your great, great shows, you could do far worse.

Global News, Panic Manual, and Live In Limbo also have reviews of the show, and Philly.com and The New Statesman interviews.

Photos: Pet Shop Boys @ The Sony Centre For The Performing Arts – September 25, 2013
Video: Pet Shop Boys – “Vocal”
Video: Pet Shop Boys – “Axis”
Video: Pet Shop Boys – “Leaving”
Video: Pet Shop Boys – “Winner”
Video: Pet Shop Boys – “Invisible”
Video: Pet Shop Boys – “Together”
Video: Pet Shop Boys – “All Over The World”
Video: Pet Shop Boys – “Did You See Me Coming?”
Video: Pet Shop Boys – “Love Etc.”
Video: Pet Shop Boys – “Numb”
Video: Pet Shop Boys – “Minimal”
Video: Pet Shop Boys – “I’m With Stupid”
Video: Pet Shop Boys – “Flamboyant”
Video: Pet Shop Boys – “Miracles”
Video: Pet Shop Boys – “London”
Video: Pet Shop Boys – “I Get Along”
Video: Pet Shop Boys – “Home and Dry”
Video: Pet Shop Boys – “You Only Tell Me You Love Me When You’re Drunk”
Video: Pet Shop Boys – “New York City Boy”
Video: Pet Shop Boys – “I Don’t Know What You Want But I Can’t Give It Anymore”
Video: Pet Shop Boys – “Somewhere”
Video: Pet Shop Boys – “A Red Letter Day”
Video: Pet Shop Boys – “Single-Bilingual”
Video: Pet Shop Boys – “Se a vida ´ (That’s the Way Life Is)”
Video: Pet Shop Boys – “Before”
Video: Pet Shop Boys – “Paninaro 95”
Video: Pet Shop Boys – “Yesterday, When I Was Mad”
Video: Pet Shop Boys – “Liberation”
Video: Pet Shop Boys – “I Wouldn’t Normally Do This Kind of Thing”
Video: Pet Shop Boys – “Go West”
Video: Pet Shop Boys – “Can You Forgive Her?”
Video: Pet Shop Boys – “DJ Culture”
Video: Pet Shop Boys – “Jealousy”
Video: Pet Shop Boys – “Where the Streets Have No Name (I Can’t Take My Eyes off You)”
Video: Pet Shop Boys – “How Can You Expect To Be Taken Seriously?”
Video: Pet Shop Boys – “Being Boring”
Video: Pet Shop Boys – “So Hard”
Video: Pet Shop Boys – “It’s Alright”
Video: Pet Shop Boys – “Left To My Own Devices”
Video: Pet Shop Boys – “Domino Dancing”
Video: Pet Shop Boys – “Heart”
Video: Pet Shop Boys – “Always On My Mind”
Video: Pet Shop Boys – “Rent”
Video: Pet Shop Boys – “What Have I Done To Deserve This?”
Video: Pet Shop Boys – “It’s A Sin”
Video: Pet Shop Boys – “Paninaro”
Video: Pet Shop Boys – “Suburbia”
Video: Pet Shop Boys – “Love Comes Quickly”
Video: Pet Shop Boys – “Opportunities (Let’s Make Lots of Money)” (version 2)
Video: Pet Shop Boys – “Opportunities (Let’s Make Lots of Money)” (version 1)
Video: Pet Shop Boys – “West End Girls”

The New York Times has the advance stream of Yuck’s second album Glow & Behold, being released September 30.

Stream: Yuck / Glow & Behold

Also out next week is Johnny Flynn’s new long-player Country Mile, which is available to preview at For Folks Sake. And if that’s not enough, there’s the sampler A Recapitulation Of Johnny Flynn EP which is available to download for free (or a donation).

Stream: Johnny Flynn / Country Mile

Clash, MIPro, and New Statesman talk to Anna Calvi about her new album One Breath, which is out October 7 and from which a new song is available to stream.

Stream: Anna Calvi – “Suddenly”

The History Of Apple Pie are streaming the a-side of a new 7″-single, out October 14 to coincide with their hop across the Atlantic to play CMJ.

Stream: The History Of Apple Pie – “Don’t You Wanna Be Mine”

Clash premiered a stream of the first new Fanfarlo music in a while; it comes from their new EP The Sea, which will be released on October 14.

Stream: Fanfarlo – “A Distance”

Daytrotter has a session with Kate Nash, who plays The Phoenix on November 5.

Though her debut album True Romance is still only a few months old, Charli XCX has released a video for a new song from her next album, which she obviously hopes will be out sooner rather than later. She plays Wrongbar on November 9.

Video: Charli XCX – “Superlove”

The Guardian examines the new wave of psych-rock bands coming out of the UK including Temples, who are at The Horseshoe on November 20 ahead of releasing their full-length debut next year.

Foals have a new clip from their latest, Holy Fire.

Video: Foals – “Out Of The Woods”

Savages have released a new video from Silence Yourself.

Video: Savages – “Husbands”

Sky Larkin share their favourite mottos with Clash, while ZME Music settles for a regular old interview.

NPR has a video session and Exclaim an interview with CHVRCHES.

Spin talks to Elvis Costello and Questlove of The Roots about their collaborative record Wise Up Ghost.

Wild Honey Pie have posted a video session with Camera Obscura.

As part of their ongoing 4AD week – marking the release of Facing The Other Way, a new book about the legendary label, Drowned In Sound talks to Vaughan Oliver, the graphic artist responsible for the 4AD’s signature visual style.

Monday, September 23rd, 2013

You Caught The Light

Review of CHVRCHES’ The Bones Of What You Believe

Photo By Eliot Lee HazelEliot Lee HazelIf hype were actual currency, you could trade in copies of Scottish trio CHVRCHES’ debut album The Bones Of What You Believe for bars of gold, their buzz-versus-time graph having steadily grown over the last year, successfully buoying them through three North American tours of increasing stature and scale before their first full-length was in stores.

These heightened expectations might seem to demand a big record, but those who were in attendance at the band’s first Toronto show in March – hardly a powerhouse live show with two-thirds of the band anchored to their keyboard stations and frontwoman Lauren Mayberry personable but not exactly owning the stage with her presence – can attest that it’s the small aspects of the band that give them their charm, an opinion borne out by Bones.

The karaoke versions of these songs might easily be mistaken for M83 numbers, with their big synth textures and singalong melodies reaching unashamedly skywards, Mayberry’s sweet voice and the melancholic-to-miserable sentiments it delivers keeps things grounded and resonant at a human scale. It’s understandable if the lyrics aren’t the first things that the listener notices – the big gleaming hooks around them, both instrumental and vocal, do tend to grab one’s attention – but they do offer welcome substance to the proceedings and add an extra dimension that helps them exceed expectations. To be clear: even if Mayberry was singing nonsensical verses about squirrels and tapioca these songs would be earworms of the highest order, but that there’s heart and intelligence here as well makes Bones a record that will merit plays well after the hype machine has moved onto the next big thing.

The Bones Of What You Believe is out this week on September 24 and NPR has a stream of the album. Consequence Of Sound, Billboard, The Wall Street Journal, and The Scotsman have features on the band and their ascent and CBC Music has a video session.

MP3: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “The Mother We Share”
Video: CHVRCHES – “Gun”
Video: CHVRCHES – “Recover”
Stream: CHVRCHES / The Bones Of What You Believe

The Independent gets to know Daughter, in town for a show at The Phoenix on September 29.

MusicOmh talks to Johnny Flynn, who is streaming a new song from his forthcoming album Country Mile, hitting stores September 30.

Stream: Johnny Flynn – “Fol-De-Rol”

Yuck have released a new video from their forthcoming second record Glow & Behold, out September 30.

Video: Yuck – “Middle Sea”

Rolling Stone has made another song from the Neil Hasltead-fronted Black Hearted Brother available to download; their debut Stars Are Our Home comes out October 22.

MP3: Black Hearted Brother – “This Is How It Feels”

Under The Radar has posted the excerpts of the interview with Charli XCX that went into last issue’s cover story. She plays Wrongbar on November 9.

The Fader is streaming a new song from London’s Arthur Beatrice – introduced back in July – taken from their full-length debut, due out early next year.

Stream: Arthur Beatrice – “Grand Union”

Katie Harkin of Sky Larkin talks to DIY and The Yorkshire Evening Post about their new album Motto.

The Guardian, Exclaim, The National Post, and Stereogum talk to Elvis Costello and The Roots about their just-released collaborative album Wise Up Ghost.

Summer Camp takes The Quietus on a track-by-track tour of their new record Summer Camp.

JAM and Pitchfork have feature interviews with Arctic Monkeys.

The Wall Street Journal has a video session with Laura Marling, who has just released a new video from her latest album Once I Was An Eagle.

Video: Laura Marling – “Devil’s Resting Place”

Noisey, The Georgia Straight, and City Pages interview Savages.

PopMatters talks to Tracyanne Campbell of Camera Obscura, who just gave birth to her first child. Congratulations!

Metro finds out what Johnny Marr thinks of Queen.

The Toronto Star caught up with Peter Hook before his visit to town last week.

Berlin Beat talks to David Lewis Gedge of The Wedding Present.

Friday, September 13th, 2013

The Stars Are Out Tonight

The 2013 Mercury Prize shortlist includes David Bowie and nine acts who are not David Bowie

Photo By Jimmy KingJimmy KingSo the shortlist for the 2013 Mercury Prize – awarded to the best British or Irish album of the year – was announced the other day, and contrary to the odds reported by NME earlier this week, London Grammar – favoured to win – was nowhere to be found. Nor, out of their top ten, were Steve Mason, Daughter, Primal Scream, or CHVRCHES. Not that I have any idea how bookmakers come up with their odds, nor how accurate they’ve been in the past. But to list an album at 15:8 to win and not even have it make the shortlist, well that’s some questionable prognostication.

The ten records that did make the list are as follows, and I’m mildly surprised that I’ve heard more of these than I usually have – a fact which kind of supports those who complain that the Mercury has gotten safe or predictable. I’m personally pulling for Bowie, if you hadn’t guessed; the release of The Next Day instigated a year of Bowie discovery, which included a deeper appreciation for has last two records Heathen and Reality along with the more classic material and a pilgrimage to his old digs in Berlin (though that wasn’t the main reason for the trip, that would be ridiculous). Plus there’s the David Bowie Is exhibit opening at the Art Gallery of Ontario later this month – let’s face it, this is the year of Bowie. The Mercury should just accept it and fall in line. The winner of this year’s prize will be announced on October 30.

Oh, and Kevin Shields of My Bloody Valentine has some choice words for the Mercury Prize, and they’re not positive. The Guardian has that.

Arctic Monkeys / AM / Video: “Do I Wanna Know?”
David Bowie / The Next Day / Video: “The Next Day”
Disclosure / Settle / Video: “When A Fire Starts To Burn”
Foals / Holy Fire / Video: “Late Night”
Jake Bugg / Jake Bugg / Video: “Lightning Bolt”
James Blake / Overgrown / Video: “Retrograde”
Jon Hopkins / Immunity / Video: “Open Eye Signal”
Laura Marling / Once I Was An Eagle / Video: “Master Hunter”
Laura Mvula / Sing To The Moon / Video: “Green Garden”
Rudimental / Home / Video: “Waiting All Night”
Savages / Silence Yourself / Video: “Shut Up”
Villagers / Awayland / Video: “Nothing Arrived”

Summer Camp’s Elizabeth Sankey takes Clash behind the scenes of the video for “Fresh”, taken from their just-released new record Summer Camp.

NOW checks in with Arctic Monkeys, who kick off their North American tour on September 15 at The Kool Haus.

The Skinny and philly.com get to know CHVRCHES, who play The Danforth Music Hall on September 15. Their debut The Bones Of What You Believe is out September 24.

Filter talks to Elvis Costello and ?uestlove of The Roots about their new collaborative album Wise Up Ghost, which comes out September 17.

Icona Pop have released a new video from their forthcoming kinda-but-not-really debut This Is… Icona Pop, out September 24.

Video: Icona Pop – “All Night”

The Line Of Best Fit has a video session with London Grammar, who will be at The Great Hall on October 4.

Under The Radar has posted their recent cover story on Charli XCX, who makes her local headlining debut at Wrongbar on November 9.

Dev Hynes is a dancing machine in the new Blood Orange video, which also serves as the first taste of his new record Cupid Deluxe. It should be out this year.

Video: Blood Orange – “Chamakay”

A Music Blog, Yea interviews The Vaccines.

Under The Radar talks to Still Corners.

Junip have released a new video from this year’s self-titled album.

Video: Junip – “Walking Lightly”

Wednesday, September 4th, 2013

The Universe Expanded

While I was out… featuring Franz Ferdinand and things of a British nature

Photo By Andrew KnowlesAndrew KnowlesThe biggest releases of last week both happened to be Scottish in nationality. There was Franz Ferdinand’s fourth long-player Right Thoughts, Right Words, Right Action, which was the topic of conversation with Alex Kaparnos at NPR, Billboard, Canada.com, and DIY, while Kapranos and Bob Hardy both chat with Stereogum and Paul Thomson answers the phone when CBC calls. Further, Pitchfork has video of that acoustic Grimes cover the band played for French radio that everyone was linking to last week. They play The Kool Haus come October 24.

Meanwhile, with their new b-sides comp The Third Eye Centre finally out, Belle & Sebastian have released a new video featuring Hannah Murray from Skins and Game Of Thrones. Under The Radar has compiled their multi-part interview with the band into a single piece, PopMatters has a chat with Richard Colburn, and over at The Quietus, Stuart Murdoch opts to talk about other peoples’ records rather than his own.

Video: Belle & Sebastian – “Your Cover’s Blown” (Miaoux Miaoux remix)

James Allan talks to The Quietus, MusicRadar, and Yahoo! about Glasvegas’ new album Later… When The TV Turns To Static. It wasn’t alluded to in the lede, despite being Scottish, because a) it came out this week and not last week, and b) not many people care anymore.

Arctic Monkeys are streaming a new b-side which doesn’t appear on AM, due out September 10. And if you only care about the songs which do appear on the album, you’re in luck – the whole thing is now streaming at iTunes. Arctic Monkeys are at The Kool Haus on September 15.

Stream: Arctic Monkeys – “Stop The World I Want To Get Off With You”
Stream: Arctic Monkeys / AM

Drowned In Sound talks to London Grammar, who are offering a full stream of their debut album If You Wait via their own website with just a few hoops to jump through. The record is out September 10 and they play The Great Hall on October 4.

Stream: London Grammar / If You Wait

In a video session for Gigwise, Frightened Rabbit offer up a cover of Jessie Ware’s “Wildest Moments” and another track from the Late March, Death March EP, out September 10, is available to stream via Stereogum. They play The Kool Haus on October 17.

Stream: Frightened Rabbit – “Candlelit”

Savages have premiered a new performance video from Silence Yourself at Pitchfork; they play The Opera House on September 12.

Video: Savages – “I Am Here”

Gigwise and MusicRadar check in with CHVRCHES, whose debut The Bones Of What You Believe is almost finally out on September 24 but not before they headline the Danforth Music Hall on September 15.

James Dean Bradfield of Manic Street Preachers talks to Wales Online about their new album Rewind The Film, while Nicky Wire takes The Quietus through the new record track by track. And NME has posted the whole of their recent Wire-led Twitter Q&A. Rewind The Film is out September 16.

The Quietus looks at the many, many collaborations Elvis Costello has undertaken in his career, the latest of which is Wise Up Ghost with The Roots, due out September 17. Costello talks to The Brisbane Times about the new record.

Peter Hook talks about matters past, present, future, and legal with Billboard, Pitchfork, The Huffington Post, Exclaim, and The Dumbing Of America. He leads his new band The Light through old material at The Hoxton on September 18.

Daughter are streaming a new b-side; they play The Phoenix on September 29.

Stream: Daughter – “Smoke”

Yuck talks to Rolling Stone about carrying on without their original frontman, as documented on their new album Glow & Behold, out September 30.

Two Door Cinema Club have released a video for the title track of their new Changing Of The Seasons EP, due out September 30; NME has details. They play The Danforth Music Hall on October 15.

Video: Two Door Cinema Club – “Changing Of The Seasons”

Anna Calvi has released the first video from her forthcoming One Breath, out October 7.

Video: Anna Calvi – “Eliza”

Lanterns On The Lake have released a video for the title track of their new album Until The Colours Run, which is due out on October 7 in the UK and will get a North American release early next year on January 14.

Video: Lanterns On The Lake – “Until The Colours Run”

The Line Of Best Fit reports Suede will finally reissue their entire catalog on vinyl on October 21, but the catch is you have to buy them all in one super-expensive box set, it’s only available in the UK, and you have to take A New Morning with the rest. And oh, they released a new video from Bloodsports.

Video: Suede – “For The Strangers”

Los Campesinos! have confirmed an October 29 release date for their new record No Blues, and have made the first track from it available to stream.

Stream: Los Campesinos! – “What Death Leaves Behind”

M.I.A. is streaming another new track from her forthcoming Matangi, out November 5.

Stream: M.I.A. – “Come Walk With Me”

The Charli XCX show originally scheduled for September 16 at The Hoxton has been rescheduled to Saturday, November 9, and will now take place at Wrongbar. All previous tickets will be honoured and all the new dates can be seen at Exclaim.

MP3: Charli XCX – “Valentine”

Drowned In Sound checks in with Josh Hayward of The Horrors on the status of their next album, due out in early 2014.

Drowned In Sound chats with David Gedge of The Wedding Present, who will be undertaking an exhaustive reissue series of their back catalog in the near future; FACT has details on that.

Tessa Murray talks to Vogue about the new Still Corners video from Strange Pleasures.

Video: Still Corners – “Fireflies”

Under The Radar and Pitchfork talk to Bobby Gillespie of Primal Scream.

With the assistance of Hefner’s Darren Hayman, Allo Darlin’ frontwoman Elizabeth Morris has put together a solo EP entitled Optimism, available for digital purchase now.

eMusic has an interview with Billy Bragg.