Bryan SheffieldIf you thought you heard the sound of dense, nimble percussion, shimmering guitars, and intricate harmonies coming from the vicinity of New York on Wednesday night, you weren’t hearing things. That was the sound of Los Angeles’ Local Natives making their live return at The Bowery Ballroom as part of CMJ, a performance announced only a couple days prior. The show was their first this calendar year, and they used the opportunity to preview material from the follow-up to their 2009 breakout debut Gorilla Manor, video footage of which has been collected by Consequence Of Sound.

Of more interest to their fans who weren’t amongst the 500 or so in attendance, though, was the announcement yesterday of the release of their second album, which they discussed with Pitchfork early last month. Entitled Hummingbird, it will be out on January 29 of the new year and acknowledging that that’s still a little ways off, they also offered up a stream of one of the new songs from the record as well as a first batch of North American tour dates. There’s no Toronto date on the itinerary yet, but I use the word “yet” because as you can see, there’s three days off between Columbus and Boston at the end of March and what’s between point C and point B? Not a whole lot, unless you hang a left at Buffalo and cross the border. So, without actually knowing anything and assuming they’d rather play a show than go factory outlet shopping, I’d suggest keeping an eye on their calendar.

Stream: Local Natives – “Breakers”

Rolling Stone, MTV Hive, Spin, and Pitchfork all want to get down to Local Business with Patrick Stickles of Titus Andronicus. They play Lee’s Palace on November 27.

The Ithaca Times talk to John Darnielle of The Mountain Goats, whose live performance has been captured in concert and session, respectively, by NYC Taper and Daytrotter. They play The Phoenix tomorrow night.

Also animal-themed and in town tomorrow is Cat Power; she’s at The Kool Haus and Chan Marshall gives an interview to Ocean Drive.

Everyone who thought that 2011 being the year of Bon Iver meant that we wouldn’t have to hear much from him in 2012… sorry. Austin City Limits is streaming the entirety of his episode of the show and they’ve squeezed another video out of last year’s self-title.

Video: Bon Iver – “Beth/Rest”

The Line Of Best Fit and Spin talk to Paul Banks about his new solo record Banks, out next Tuesday, and the tenth anniversary reissue of Interpol’s Turn On The Bright Lights, out November 19.

The New Orleans Times-Picayune, Cincinnati CityBeat, and Detroit News check in with Greg Dulli and John Curley as the Afghan Whigs reunion continues.

The Line Of Best Fit interviews Jason Lytle, in town opening for Band Of Horses at Massey Hall on December 5.

Clash gets a look inside the Beachwood Sparks library.

School Of Seven Bells have announced the release of a new EP entitled Put Your Sad Down, due out November 13.

Shawn MortensonSince Sun, Cat Power’s first record of original material in some six years – really does seem to mark a new chapter for her creatively as well as personally, I’m dialing it back – way back – for this week’s track, all the way to 1998.

This Fleetwood Mac cover was recorded as part of a radio session for Radio Munich in November of that year, and it’s pure Moon Pix-vintage Cat Power, all smoky, mysterious, and slightly wounded Chan Marshall vocals subtly improving on the melody while backed by a couple of spidery guitars. It falls into the class of the best Cat Power covers, which are easily mistakable for her own songs – no matter how well-known and well-loved they may be – but with a little effort, the original is audible and intact underneath.

Cat Power is back for her first show back in Toronto in some four and a half years this coming Saturday, October 20, at the Kool Haus. Fleetwood Mac haven’t released a new record since 2003, but confirmed earlier this year that they will be touring in 2013, their first time on the road since 2009’s Unleashed tour.

MP3: Cat Power – “Dreams”
Video: Fleetwood Mac – “Dreams” (live, 1977)

Cynthia WoodA lot’s happened with Mark Eitzel since he last set foot on a Toronto stage. That would have been back in April 2008, when he was leading the reunited American Music Club on tour in support of their second album of the 21st century, The Golden Age. The American Music Club machine slowly wound down again and was officially declared on indefinite hiatus again by Eitzel last Fall, and he also released a couple more solo records in that time: Klamath in 2009 and Brannan Street the following year, both low-key in both presentation and distribution. Oh, and last Spring he had a heart attack (but is okay now).

But as has been the pattern over a career that has swung from the cultiest of cult artists to getting a modicum of the respect that his songwriting talent deserves, Eitzel again appears ready to step a little more into the spotlight. His new solo record Don’t Be A Stranger is coming out on Merge, who rightly believed those two AMC reunion albums deserved to be shepherded into the world, and Eitzel is undertaking what he’s dubbed “The Warm Gentle Rain Tour”, which will traverse North America and bring him to the Rivoli in Toronto on November 28, tickets for that $15.50 in advance. It’s hard to say what form the show will take, be it solo or with a band, but when I last saw Eitzel at SXSW 2011, it was just him and a keyboardist and he was singing AMC songs lounge/cabaret-style, so it could really be anything. What is certain is that it will be hilarious, depressing, and excellent.

After all – the promotional campaign for the record involves Eitzel getting career and performance advice from the experts on video; there’s clips of him consulting with Lady Gaga’s make-up artist Billy B. and at Gawker, you can watch him discuss his lyrics with comedienne Nadya Ginsburg. Yes, hilarity ensues.

Stream: Mark Eitzel – “I Love You But You’re Dead”

GQ, The Chicago Tribune, and Spinner talk to Bob Mould about what has turned out to be the year of the resurgence of Bob Mould.

Gothamist and Newsday talk to Greg Dulli of The Afghan Whigs, finally bringing their reunion tour to The Phoenix on October 3.

Consequence Of Sound, DIY, NOW, and Clash all talk to members of Dinosaur Jr about their new record I Bet On Sky. They’re at Lee’s Palace on Monday, Tuesday, and Wednesday of next week.

Exclaim has specifics on the third Guided By Voices album of 2012, The Bears For Lunch, out November 13.

Salon, NPR, and Stereogum talk to Aimee Mann about hew new record Charmer, from which she’s just released a new video that has a few guest stars you might recognize and is a shot-for-shot remake of a video you might recognize if you’ve been following Aimee’s career from the outset… Don’t worry, I’ll help you out. You’re welcome. Aimee Mann is at The Danforth Music Hall on November 6.

Video: Aimee Mann – “Labrador”
Video: ‘Til Tuesday – “Voices Carry”

DIY, NOW, The Quietus, and Billboard all want to talk Shields with Grizzly Bear. They’re at Massey Hall on September 26.

Cat Power goes blonde zombie-fighting road warrior in the first video from Sun. Of course. She’s at The Kool Haus on October 20.

Video: Cat Power – “Cherokee”

The 405, DIY has a feature and The Line Of Best Fit a video session wtih Band Of Horses.

The Lab sends Saturday Night Live and Portlandia‘s Fred Armisen to interview St. Vincent, while The Montreal Gazette talks to both her and David Byrne. They’re at the Queen Elizabeth Theatre tomorrow night.

The AV Club talks to Jeff Tweedy of Wilco, and his right-hand guitarist Nels Cline will be at The Great Hall on November 2 as part of this year’s Sleepwalk Guitar Festival.

MP3: Nels Cline – “Don’t Threaten Me With Your Threats”

Dum Dum Girls are streaming their new EP End Of Daze over at Stereogum. It’s out next week, and Houston Press talks to Dee Dee about it.

MP3: Dum Dum Girls – “Lord Knows”
Stream: Dum Dum Girls / End Of Daze

Titus Andronicus have unveiled the album art and first lyric video from their new record Local Business, coming October 22. See the art at Pitchfork and hear the first song from the new record below.

Lyric Video: Titus Andronicus – “In A Big City”

Trespassers William have released a video from their farewell compilation Cast.

Video: Trespassers William – “Believe Me”

Hospitality has released a new video from their self-titled debut.

Video: Hospitality – “Eighth Avenue”

NPR and Spoonfed chat with Calexico.

Check out the latest video from The Kills’ Blood Pressures.

Video: The Kills – “Wild Charms”

I speculated that The Killers’ show at the Sound Academy this weekend was a precursor to something bigger, and I was right. Las Vegas’ favourite sons return for a show at the Air Canada Centre on December 15, tickets ranging from $39.50 to $65.00.

Video: The Killers – “Runaways”

A Place To Bury Strangers have a new video from Worship.

Video: A Place To Bury Strangers – “Leaving Tomorrow”

Benjamin Gibbard – he’s only Ben when he’s in a band, apparently – discusses his solo album Other Lives with Stereogum. It’s out October 16 and he’s at The Danforth Music Hall a couple days earlier, on October 14.

Magnet welcomes Beachwood Sparks to their website editor’s chair with a Q&A.

You Me & Charlie interviews Josh Tillman of Father John Misty. He plays Lee’s Palace on October 27.

The Quietus interviews James Murphy.

Barbara AnastacioFor a band that’s made their name on stately, carefully crafted chamber pop, Brooklyn’s Grizzly Bear are surprisingly polarizing. Their proponents find the intricacy of their harmonies, arrangements, and musicianship exquisite while their naysayers just find them dull. I actually lean more towards the latter than the former, but temper it with a healthy amount of respect for what they do and how they do it.

So with that frame of reference established, take it for what it’s worth when I say their new album Shields is surprisingly raw and raucous. They haven’t changed up what they do or how they do it significantly – okay, maybe the multi-part harmonies are dialed down some – but the songs themselves have more punch and presence than past efforts, and it’s a pleasant surprise. It’s unlikely to change anyone’s opinion on Grizzly Bear dramatically, but if you’re a fence-sitter it’s reasonable to think this effort will fall rather definitively on the “favoured” side.

But don’t take my word for it – hear for yourself. In a week leading up to some pretty major releases, and thus meaning a week of some pretty major pre-release streams, Shields is the main attraction of NPR’s First Listen feature right now. To go along with that, there’s features on the band – surely the first of many this Fall – at Clash and Stereogum, and they’re a central pillar in this Spin feature about the ongoing gentrification of indie rock.

Shields is out next Tuesday and the band are at at Massey Hall on September 26. Tickets for the show range from $29.50 to $42.50 plus fees, but courtesy of LiveNation, I’ve got a pair of tickets to the show to give away. To enter, email me at contests@chromewaves.net with “I want to see Grizzly Bear” in the subject line and your full name in the body, and have that in to me by midnight, September 19.

MP3: Grizzly Bear – “Sleeping Ute”
MP3: Grizzly Bear – “Yet Again”
Stream: Grizzly Bear / Shields

Also with a new record out next week and in town shortly thereafter is Dinosaur Jr, with I Bet On Sky – their third post-reunion album. It’s doing the stream thing at NPR right now, giving you enough time to learn all the songs so as to be able to sing along with the guitar solos when they hit Lee’s Palace for three nights from September 24 to 26. Don’t pretend you don’t.

MP3: Dinosaur Jr – “Watch The Corners”
Stream: Dinosaur Jr / I Bet On Sky

Not likely to be a whole lot of guitar solos on Charmer, the latest from Aimee Mann, but more superb songwriting is a given. NPR has also got that stream and she’s at the Danforth Music Hall November 6.

MP3: Aimee Mann – “Charmer”
Stream: Aimee Mann / Charmer

Out next week but not streaming at NPR – the band has posted it themselves on Soundcloud – is Band Of Horses’ latest Mirage Rock. Ben Bridwell details the recording of the song “Slow Cruel Hands of Time” to Billboard and also talks to Contactmusic about the new record.

Stream: Band Of Horses / Mirage Rock

New York’s Savoir Adore have already completed their second album Our Nature and given it an October 16 release date, but they’ve turned to Kickstarter to enlist fans’ help to give the record the promotional push they think it deserves. And to help demonstrate what you’re supporting, they’ve made another track from the album available to stream. They’ve also announced their Fall tour in support of the record, and as happy as I am that they’re coming back to Toronto – look for them October 13 at Rancho Relaxo – was it really necessary to schedule the show the same night as Beach House? Le sigh.

MP3: Savoir Adore – “Dreamers”
Stream: Savoir Adore – “Regalia”

Speaking of Beach House, Beatroute and Vice have interviews with the duo. As stated, they’re at The Kool Haus on October 13.

Interview talks to Anna-Lynne Williams about the end of Trespassers William and their final release, the double-disc rarities compilation Cast.

Of Montreal is releasing a rarities compilation covering the last five years in Daughter Of Cloud on October 23. Pitchfork has details, stream one of the rarities below.

Stream: Of Montreal – “Sails, Hermaphroditic”

Spinner talks to Oliver Ackermann of A Place To Bury Strangers.

The Pains Of Being Pure At Heart have made the a-side of a new 7″ due out in October available to stream; it’s a cover of The Magnetic Fields circa The Wayward Bus, if you were wondering.

Stream: The Pains Of Being Pure At Heart – “Jeremy”

eMusic talks to Jack Tatum of Wild Nothing. They’re at The Great Hall on September 18.

Daytrotter has a session with Widowspeak.

Howler have released a new video from their debut America Give Up

Video: Howler – “Told You Once”

Yo La Tengo is doing stuff. A new single entitled “Stupid Things” is coming September 25 and a new full-length will be out in late January, presumably January 28 since the last week of that month is when all the big releases come out. And a new Yo La Tengo album counts as a big release, methinks.

Consequence Of Sound, City Pages, and Blurt talk to Bob Mould about his ongoing career renaissance and Silver Age.

Consequence Of Sound chats with Joey Burns of Calexico and oh yeah, if you’ve always wanted to hear them cover Kenny Loggins, The AV Club is your best friend.

NPR, The Los Angeles Times, and Consequence Of Sound have interviews with Cat Power about her latest album Sun. She’s at The Kool Haus on October 20.

MP3: Cat Power – “Manhattan”

The Broward-Palm Beach New Times and Sun-Sentinel grab a minute with Doug Martsch of Built To Spill.

Greg Dulli tells Billboard he’s non-committal about The Afghan Whigs’ future beyond their Fall North American tour, which hits The Phoenix on October 3.

Beatroute, The Los Angeles Times, and Seattle Weekly profile Redd Kross.

Drowned In Sound talks to James Murphy about life post-LCD Soundsystem.

Stefano GiovanniniIt seems counter-intuitive to not look forward to hearing an artist’s first album of new material in half a decade – the follow-up to arguably her best work, no less – but then things are rarely straightforward when you’re talking about Cat Power. With all respect to those who’d bestow the honour on You Are Free or Moon Pix, but The Greatest was as good as its title as far as I was concerned. It may not have been as musically adventurous or emotionally bare as some of her other works, but I found the document of an artist trying something new with the Memphis soul style and sounding so in her element irresistible.

So why fear for the follow-up? Well, there was 2008’s Jukebox, which took the aesthetic of The Greatest and applied it to a selection of classic songs and somehow ended up feeling utterly bloodless, with Chan Marshall seemingly falling into the diva trap of now being an impressive voice overemoting the words of others; it was like the feeling of comfort that permeated The Greatest had turned into complacency. Further, while the two shows I saw in 2006 in support of The Greatest were, with a few hiccups, outstanding shows that seemed to put Marshall’s reputation as a shaky live bet to bed, her appearance at the 2007 Rogers Picnic was uneven and uncomfortable and while she was certainly more together at Matador at 21 in 2010, that set didn’t really point to her leaving her Dirty Delta comfort zone anytime soon. In other words, my greatest fear for Sun, promised as far back as 2007 but only arriving next Tuesday, would that it would be an overworked, underwhelming rock’n’soul pastiche that showcased Marshall’s voice but shortchanged her songwriting. And I didn’t want to hear that happen.

Well as it turns out, there was nothing to fear. Nothing. At. All. Marshall’s soulful rasp is as rich as it ever was, but there’s little trace of the gospel-blues singer that she wore a little too well. Sun is a wildly eclectic record, and even those who’ve kept up with Cat Power through her various creative phases may be taken aback by the introduction of electronic textures, programmed beats, and even some autotuning effects, but no one would dare dismiss this as genre tourism. It’s more as if Cat Power has been captured through a prism and refracted into a spectrum of musical colours – perhaps new and unfamiliar when taken in bits, but all still very much parts of the whole.

As tempting as it would be to make the new sonic direction the story of the record, or dwell on the remarkable fact that it was not only self-produced but that Marshall played virtually every instrument on the record, to do so would be to not focus on the most crucial aspect of Sun and that the songs are fantastic. The frailties of her early work have given way to a swaggering confidence that permeates everything; Marshall is focused, confident, and not only willing to take on anything, but determined to succeed. A closer examination of the lyrics reveals as much emotional honesty as she’s ever offered – after all, you can’t raise the sun without casting some shadows – but the darkness only adds depth, it never defines. Sun is an astonishing statement from Chan Marshall that shows that rather than banish the demons of her earlier work as The Greatest might have inferred, she’s utterly made them her bitches and put them to work.

The New York Times, News.com.au, and Spin have feature pieces on Cat Power and NPR is streaming Sun ahead of its release next week. She plays The Kool Haus on October 20.

MP3: Cat Power – “Cherokee”
MP3: Cat Power – “Ruin”
Stream: Cat Power / Sun

Another stellar effort from a veteran performer out next week is Silver Age from Bob Mould; it’s also now available to stream along with an interview at Rolling Stone. The first video from said record also surfaced last week.

Video: Bob Mould – “The Descent”
Stream: Bob Mould / Silver Age

To mark the release of the Divine Fits debut long-player A Thing Called Divine Fits this week, there’s feature interviews with Britt Daniel and/or Dan Boeckner at Consequence Of Sound, The 405, Interview, 680 News, Seattle Weekly, Pitchfork, The AV Club, and The National Post. Divine Fits play Lee’s Palace on September 5.

Also out this week was Nocturne, the second album from Wild Nothing. Accompanying that were features at eMusic, The Fader, Clash, DIY, Austinist, The Line Of Best Fit, and Paste. They’re at The Great Hall on September 18.

A goodly number of show announcements to get through. We’ll start with The Killers, because statistically speaking some of you must be fans, just as some of your must be human and others dancer. Their new record Battle Born is out September 18 and they’re at The Sound Academy on September 22, tickets $54.50. That seems undersized for them so I figure this counts as the “intimate club gig” before they return in a few months at the arena level.

Video: The Killers – “Runaways”

Presumably having sorted themselves out following the departure of bassist Jen Turner, Here We Go Magic will be at The Garrison on September 23 as part of a tour support of their latest record A Different Ship. Tickets for that are $12.50 in advance. Spin has a feature on the band.

MP3: Here We Go Magic – “Casual”

Having been through for festivals and as support, Exitmusic finally have their own proper headlining show in support of their debut Passage. They’re at The Horseshoe on October 1, tickets $10.50.

MP3: Exitmusic – “The Sea”

Californian psych-poppers Woods will have a new record in Bend Beyond out on September 18, and they’d like to play some of it for you. Be at The Garrison on October 2 if you’ld like that too; tickets are $12.50 in advance.

MP3: Woods – “Wind Was The Wine”

There’s no measure by which this isn’t a strange tour, but it must make sense to someone. That’d be The Psychedelic Furs, The Lemonheads, and Juliana Hatfield, who will also be reprising her Ray-era bass duties in The Lemonheads. She’ll sort of have a new record to push in her self-titled cover album, a sort of companion piece to The Lemonheads’ last release, the all-cover Varshons. Wouldn’t it be weird if both their sets were all covers? Or maybe all Psychedelic Furs covers? Yeah I have no idea what this is, besides at The Danforth Music Hall on October 16. Ticket info still forthcoming.

Video: The Psychedelic Furs – “Love My Way”
Video: The Lemonheads – “It’s A Shame About Ray”
Video: Juliana Hatfield Three – “My Sister”

They are from Brooklyn, they are seventeen members strong, they are disco, they are Escort, their 2011 debut album was also Escort, I hear they were awesome at SXSW, and they’re at The Horseshoe on November 10. Tickets are $16.50 – that’s less than a dollar a band member!

MP3: Escort – “Starlight”

Yellow Ostrich are at The Garrison on November 12 in support of their second album Strange Land. $12 gets you in the door, full dates at Plug In Music.

MP3: Yellow Ostrich – “The Shakedown”

San Diego’s Pinback return with their first album in five years in Information Retrieved, and are touring in support. Said tour wraps up at Lee’s Palace on November 21, tickets $16.50.

MP3: Pinback – “From Nothing To Nowhere”

Rolling Stone has premiered the surprisingly dark new video from Bob Dylan’s forthcoming Tempest. It’s out September 11 and the man hits the Air Canada Centre on November 14.

Video: Bob Dylan – “Duquesne Whistle”

Exclaimtalks to Lou Barlow about the new Dinosaur Jr album I Bet On Sky, out September 18. They play three nights at Lee’s Palace from September 24 to 26.

The first video from Band Of Horses’ forthcoming Mirage Rock is now available to watch. It’s out September 18.

Video: Band Of Horses – “Knock Knock”

Stereogum chats with John Darnielle of The Mountain Goats. Their new record Transcendental Youth is out October 2, they play The Phoenix on October 20.

Benjamin Gibbard – you may know him as just Ben – has released the first sample of his forthcoming solo record Former Lives, out October 16. He plays The Danforth Music Hall on October 14.

MP3: Benjamin Gibbard – “Teardrop Windows”

Exclaim has details on a new release from Andrew Bird, a companion piece to this year’s Break It Yourself. Hands Of Glory is out October 30.

Sleigh Bells’ Reign Of Terror has yielded another new video.

Video: Sleigh Bells – “End Of The Line”

NPR welcomes Beachwood Sparks for a video session. LA Weekly also has a feature on the band.

The Rock & Roll Hall Of Fame, SF Weekly, The Pitch, Colorado Daily, and Boulder Weekly have interviews with Sharon Van Etten.