Bella LieberbergI will admit that to this point this year, I’ve taken a bit of pride in not having written about Los Angeles sister act Haim; not because I especially dislike them or anything – they’re fine, though I’ll keep my sliced bread, thanks – but my contrarian side reflexively made me resist on account of their quite successfully blowing up on the back of their debut Days Are Gone without any of my help, thank you very much.

But being in a time crunch and wanting to just get these links out the door, I give. They’ve finally announced their debut Toronto show as part of a North American tour in support of said debut and it’s happening May 15 of next year at The Kool Haus, tickets running a reasonable $25. That date, interestingly, is exactly one year less a day from when their original debut Toronto show supporting Vampire Weekend at The Sony Centre was supposed to happen; a date they quietly canceled not long before it was supposed to happen. Presumably they intend to keep this date.

There’s some recent interviews with the trio at Las Vegas Weekly, The Georgia Straight, and The Irish Independent.

Video: Haim – “The Wire”

The Skinny and The AV Club talk to Jonathan Meiburg of Shearwater about their new album Fellow Travelers, due out November 28, while The Current has another download from the album available. They’re at The Horseshoe on March 27.

MP3: Shearwater – “A Wake For The Minotaur”

Pitchfork is streaming Beachwood Sparks’ previously unreleased debut album Desert Skies, coming out next week.

MP3: Beachwood Sparks – “Make It Together”
Stream: Beachwood Sparks / Desert Skies

NPR has premiered another new video from Pixies; they’re at Massey Hall on January 15.

Video: Pixies – “What Goes Boom?”

Brooklynite Jordan Lee – who has been making noise figuratively and literally as Mutual Benefit – has announced a North American tour behind his debut Love’s Crushing Diamond and will be at The Drake Underground on January 15, tickets $12. The album is out December 3 and Stereogum has an interview.

Video: Mutual Benefit – “Golden Wake”

Noisey has premiered a stream of the first taste of Ume’s new record – still untitled, but coming out in January of the new year.

Stream: Ume – “Black Stone”

Pitchfork has specifics on the release of Olivia Tremor Control’s John Peel Session from 1997, coming out on vinyl in January.

Tone Deaf, American Songwriter, and Under The Radar chat with The Head & The Heart.

A Heart Is A Spade talks to Cameron Mesirow of Glasser.

A new Solange song has surfaced on Saint Heron, a compilation of acts signed to the younger Knowles’ new label of the same name.

Stream: Solange – “Cash In”

Because they needed to wait for a whole bunch of factors to fall into place – like for music videos and the internet to exist – Bob Dylan has released the first official video – an immersive and interactive clip – for “Like A Rolling Stone”, just in time for its fiftieth anniversary. Rolling Stone talks to Danny Brown about how he ended up involved in its making.

Video: Bob Dylan – “Like A Rolling Stone”

James HamiltonFor some artists, an album of covers would be an afterthought, a stopgap between albums of original work. And that was what Shearwater’s new album Fellow Travelers was supposed to be – a quick and dirty collection of versions of songs by the many bands, big and small, that they’ve toured with over the years.

But as it happens with these things, it became something more – a fully-produced and fascinating expansion of the Shearwater sound, channeled through songs by Folk Implosion, Coldplay, and St. Vincent amongst others, as well as one original composition recorded with Sharon Van Etten, with whom they toured last year; one might wonder why they didn’t cover one of her songs, but let’s be honest – they’re not going to top the Tom Petty cover they collaborated on for The AV Club Undercover last Summer.

Fellow Travelers is out next week, but available to stream now via NPR. Further, they’ve announced that they’ll properly support the record by taking time out from recording their next (original) album for a will be embarking on a North American tour which will bring them to The Horseshoe on March 27 – those tickets are $13.50. And to round out the “we’re taking this one seriously, guys” announcements, they’ve released a video for their Xiu Xiu record from said album.

MP3: Shearwater – “Fucked Up Life”
MP3: Shearwater – “I Luv The Valley Oh!”
Video: Shearwater – “I Luv The Valley OH!”
Stream: Shearwater / Fellow Travelers

PopMatters has a stream of Model Rocket, the new album from Rhode Island’s The Brother Kite which I had an inkling was in the works but had no idea was already out (as of last week). As much as I complain about being carpet-bombed by press releases, I wish someone had told me about this!

Stream: The Brother Kite / Model Rocket

Paste has premiered a new video from Beachwood Sparks’ forthcoming release of their previously unreleased debut album Desert Skies. It’s out November 26 and Los Angeles Magazine finds out how and why their next album is 16 years old.

Video: Beachwood Sparks – “Make It Together”

Rolling Stone reports that The Flaming Lips will be releasing their cover of The Stone Roses’ debut album for Record Store Day: Black Friday edition on November 29.

Spectrum Culture gets Tanya Donelly to reflect on her time in Belly; the next and final (?) instalment in her Swan Song Series should be out in early December.

Pernice-Blake-Belitsky supergroup The New Mendicants – at least a supergroup if you’re a fan of Pernice Brothers, Teenage Fanclub, or The Sadies – will release their debut full-length Into The Lime on January 14.

Manchester Evening News, State, Reuters, and entertainment.ie all interview various Pixies; they’ll be kicking off a new North American tour at Massey Hall in Toronto on January 15.

Rolling Stone reports that Uncle Tupelo’s debut album will be getting a double-disc reissue as No Depression: Legacy Edition on January 28, the bulk of the bonus goods coming in the form of the Not Forever, Just for Now demos bootleg that has been kicking around forever; stream one of the new old tracks below.

Stream: Uncle Tupelo – “I Got Drunk” (demo)

Rolling Stone has premiered a new video from Rilo Kiley, taken from their attic-clearing compilation RKives.

Video: Rilo Kiley – “Emotional”

Interview talks to Cameron Mesirow of Glasser.

NPR welcomes Okkervil River for a World Cafe session.

The Line Of Best Fit has an interview with Widowspeak.

The Cleveland Plains Dealer talks to Chan Marshall of Cat Power.

Chris CunninghamConsidering how busy they were leading up to and around the release of their 2010 debut album The Fool – five Toronto shows in the span of 18 months, for example – it was eminently understandable that Los Angeles’ Warpaint would want to take some time off before getting back at it.

But three years is quite long enough, thanks, so news of their second album is welcome indeed. The record will be called Warpaint, but don’t look for any title track as the song “Warpaint” already showed up on The Fool, though I suppose there’s no rule that you can’t write more than one song of the same name. Hell, they could call every song on the album “Warpaint” if they like, so long as they’re as reality-bendingly mesmerizing as everything they’ve done so far, and from the first new song that’s been made available to stream – definitively not called “Warpaint” – they will be.

Pitchfork has details on the album – co-produced by the band and Flood and mixed by Flood and Nigel Godrich – which is out January 21 in the new year, while The Fly talked to drummer Stella Mozgawa about how the sessions went. In addition to the new song stream, there’s a trailer for something of the same name – the song, the album, a video, a documentary, it’s not clear – by director Chris Cunningham, who documented the band at work over the last two years.

Stream: Warpaint – “Love Is To Die”
Trailer: Warpaint – “Love Is To Die”

Clash and The Irish Examiner talk to Midlake v2.0, who are streaming their new album Antiphon at NPR ahead of its official release on November 5.

Stream: Midlake / Antiphon

PopDose talks to Tanya Donelly about her Swan Song Series of EPs, of which there are currently three volumes with a fourth on schedule for release in the next week or so.

Under The Radar interviews Sebadoh, coming to town for a show at The Horseshoe on November 8.

Albert Hammond Jr talks to Rolling Stone and Washington Square News about matters both solo and Strokes; he’s here in the former context at The Phoenix on November 10.

Brooklyn’s Beach Fossils have made a date at The Horseshoe for November 17 in support of their new album Clash The Truth, from which they’ve just released a new vid. Tickets for that are $14.50 in advance.

MP3: Beach Fossils – “Shallow”
Video: Beach Fossils – “Generational Synthetic”

Spin is streaming another song from the Beachwood Sparks issue of their previously unreleased debut album Desert Skies, coming November 20.

Stream: Beachwood Sparks – “Watery Moonlight”

Le Blogotheque has posted a Take-Away Show with Charles Bradley, who returns to town for a show at The Kool Haus on December 12.

Stereogum checks in with Dee Dee of Dum Dum Girls about how their next record is coming along; it should be out early next year.

Rolling Stone talks to Josh Tillman about the next Father John Misty record.

Rolling Stone has premiered the new video from Okkervil River’s The Silver Gymnasium and Spin has a second video for a remix of the same song done by Will Sheff’s Lovestreams alter ego – you can also download said remix. There’s also an interview at The Province and over at Gawker, Sheff has penned a tribute to the late Lou Reed.

MP3: Okkervil River – “Stay Young” (Lovestreams remix)
Video: Okkervil River – “Stay Young”
Video: Okkervil River – “Stay Young” (Lovestreams remix)

Also with a Reed eulogy worth reading is Dean Wareham over at Salon; Wareham opened up for the Velvet Underground reunion in the ’90s while fronting Luna.

Drowned In Sound interviews of Montreal.

Under The Radar has posted an interview with Neko Case as well as an extra piece chock full of bonus material.

Frank YangSo, yeah, a few people have asked if I really drove all the way up to Casino Rama (a 90-minute drive north of Toronto that never takes less than two-plus hours, for those not local) to see Hall & Oates on Wednesday night. To which I answer, “you’re damn right I did”. Not that it requires any justification, but having grown up in the ’80s and spent most of that decade glued to MuchMusic/MTV, I have a massive soft spot for the pop music of the era, and while a lot of it has not aged well, to say the least, the works of Darryl Hall and John Oates remains pretty effin’ great; had they ever toured any closer to Toronto I’d have surely seen them by now but since they basically stick to the lucrative casino circuit, it would take a perfect convergence of opportunity and company to make it happen. Which it did.

And if you equated working the casino circuit with phoning it in – which to be honest I sort of did – I’m happy to say that it was not the case. With an enthusiastic audience of around 5000 filling the theatre, Hall & Oates and their six-piece backing band opened up with “Maneater”; give the people what they want, right? But within a few songs were busting out the deep cuts, including their first-ever live performance, if they were to be believed, of “Alone Too Long” from their eponymous 1975 record. It was interesting that they’d include so many deep cuts, but perhaps that was the best way to remind folks of their old-school Philly soul credentials in addition to being pop stars.

But let’s be honest, we were there to hear the hits and they weren’t not going to play them. They emerged from the depths of their set book with the slow jams – “She’s Gone”, “One On One”, and “Sara Smile” thank you very much – before closing things out with the big guns; a jazzy “I Can’t Go For That (No Can Do)” with extended sax solo and two chart-topping encores comprised of “Rich Girl”, “You Make My Dreams Come True”, “Kiss On My List”, and “Private Eyes” as the finale. Yeah of course that was how it was going to go, but that didn’t make it any less enjoyable.

Performance-wise, both Hall and Oates sounded great, particularly when backed by the multi-part harmonies of their band, and were still looking pretty trim for their years and with Oates wisely sporting facial hair again. The band was loud and tight and although I’d have traded some of the extended jamming for, oh, “Method Of Modern Love”, they did a good job of playing according to score while Hall went off on vocal and keyboard ad libs – too bad they couldn’t cover up Hall’s Live From Daryl’s House-advertising guitar strap and t-shirt. Ah well. A fun show despite the amount of travel time – next time I’ll take one of those Chinatown buses – but not one I’m likely to make a habit of. Unless that Huey Lewis & The News Sports 30th anniversary tour makes a date…

Photos: Hall & Oates @ Casino Rama – September 18, 2013
Video: Hall & Oates – “Promise Ain’t Enough”
Video: Hall & Oates – “Don’t Hold Back Your Love”
Video: Hall & Oates – “So Close”
Video: Hall & Oates – “Love Train”
Video: Hall & Oates – “Downtown Life”
Video: Hall & Oates – “Missed Opportunity”
Video: Hall & Oates – “Everything Your Heart Desires”
Video: Hall & Oates – “Possession Obsession”
Video: Hall & Oates – “Some Things Are Better Left Unsaid”
Video: Hall & Oates – “Method Of Modern Love”
Video: Hall & Oates – “Out Of Touch”
Video: Hall & Oates – “Adult Education”
Video: Hall & Oates – “Say It Isn’t So”
Video: Hall & Oates – “Family Man”
Video: Hall & Oates – “One On One”
Video: Hall & Oates – “Maneater”
Video: Hall & Oates – “Your Imagination”
Video: Hall & Oates – “Did It In A Minute”
Video: Hall & Oates – “I Can’t Go For That (No Can Do)”
Video: Hall & Oates – “Private Eyes”
Video: Hall & Oates – “You Make My Dreams Come True”
Video: Hall & Oates – “Kiss Is On My List”
Video: Hall & Oates – “You’ve Lost That Lovin’ Feelin'”
Video: Hall & Oates – “How Does It Feel To Be Back?”
Video: Hall & Oates – “Portable Radio”
Video: Hall & Oates – “Wait For Me”
Video: Hall & Oates – “Intravino”
Video: Hall & Oates – “She’s Gone”

Spin, The Daily Beast, and The Guardian talk to Mazzy Star about their new album Seasons Of Your Day, out on Tuesday. They play The Danforth Music Hall on November 16.

Exclaim have posted this month’s cover story on the one, the only, Janelle Monáe. She does her thing at The Kool Haus on October 19.

Pitchfork talks to Explosions In The Sky and director David Gordon Green about working on the soundtrack to Prince Avalanche. They play The Air Canada Centre on October 4 in support of Nine Inch Nails.

Drowned In Sound chats with Midlake v2.0 about their forthcoming album Antiphon, which is out November 5 and from which they’ve just premiered a new song at NPR.

Stream: Midlake – “Provider”

Sebadoh talks about their new album Defend Yourself to DIY, LA Magazine, and Drowned In Sound. They’re at The Horseshoe on November 8.

Matador has details on the forthcoming deluxe edition of Yo La Tengo’s latest album Fade, which will be coming out November 18 and contain a second disc of b-sides and rarities and the like. PandoDaily has a chat with Ira Kaplan about integrity and whatnot.

Having released their first new album in many years with last year’s The Tarnished Gold, Californian psych-country-pop mavens Beachwood Sparks are getting in the wayback machine to give their recorded-in-1996-but-never-released first album Desert Skies on November 20; you can download the first time capsule of a song below.

MP3: Beachwood Sparks – “Make It Together”

Jim James gives Billboard an update on the in-progress new record from My Morning Jacket.

Pitchfork celebrates the longevity – if not prolificness – of The Wrens.

Though she should probably be concentrating on her new album, Solange has gone ahead and released a new video from her True EP; that’s the sound of no one really complaining.

Video: Solange – “Lovers In The Parking Lot”

Esquire has premiered the latest video from Ra Ra Riot’s Beta Love.

Video: Ra Ra Riot – “I Shut Off”

NPR has posted up a World Cafe session with She & Him.

The Georgia Straight profiles The National.

NPR welcomes Neko Case for a World Cafe session.

Bryan SheffieldIf you thought you heard the sound of dense, nimble percussion, shimmering guitars, and intricate harmonies coming from the vicinity of New York on Wednesday night, you weren’t hearing things. That was the sound of Los Angeles’ Local Natives making their live return at The Bowery Ballroom as part of CMJ, a performance announced only a couple days prior. The show was their first this calendar year, and they used the opportunity to preview material from the follow-up to their 2009 breakout debut Gorilla Manor, video footage of which has been collected by Consequence Of Sound.

Of more interest to their fans who weren’t amongst the 500 or so in attendance, though, was the announcement yesterday of the release of their second album, which they discussed with Pitchfork early last month. Entitled Hummingbird, it will be out on January 29 of the new year and acknowledging that that’s still a little ways off, they also offered up a stream of one of the new songs from the record as well as a first batch of North American tour dates. There’s no Toronto date on the itinerary yet, but I use the word “yet” because as you can see, there’s three days off between Columbus and Boston at the end of March and what’s between point C and point B? Not a whole lot, unless you hang a left at Buffalo and cross the border. So, without actually knowing anything and assuming they’d rather play a show than go factory outlet shopping, I’d suggest keeping an eye on their calendar.

Stream: Local Natives – “Breakers”

Rolling Stone, MTV Hive, Spin, and Pitchfork all want to get down to Local Business with Patrick Stickles of Titus Andronicus. They play Lee’s Palace on November 27.

The Ithaca Times talk to John Darnielle of The Mountain Goats, whose live performance has been captured in concert and session, respectively, by NYC Taper and Daytrotter. They play The Phoenix tomorrow night.

Also animal-themed and in town tomorrow is Cat Power; she’s at The Kool Haus and Chan Marshall gives an interview to Ocean Drive.

Everyone who thought that 2011 being the year of Bon Iver meant that we wouldn’t have to hear much from him in 2012… sorry. Austin City Limits is streaming the entirety of his episode of the show and they’ve squeezed another video out of last year’s self-title.

Video: Bon Iver – “Beth/Rest”

The Line Of Best Fit and Spin talk to Paul Banks about his new solo record Banks, out next Tuesday, and the tenth anniversary reissue of Interpol’s Turn On The Bright Lights, out November 19.

The New Orleans Times-Picayune, Cincinnati CityBeat, and Detroit News check in with Greg Dulli and John Curley as the Afghan Whigs reunion continues.

The Line Of Best Fit interviews Jason Lytle, in town opening for Band Of Horses at Massey Hall on December 5.

Clash gets a look inside the Beachwood Sparks library.

School Of Seven Bells have announced the release of a new EP entitled Put Your Sad Down, due out November 13.