Frank Yang“Thanks for coming out on such short notice.” It was hard to tell if Win Butler was smirking when he said this, midway through the first night of Arcade Fire’s surprise two-night stand at the Music Hall in Toronto this past Friday night. After all, they had given the city just over 48 hours notice that these performances would be happening – though they did offer teasers throughout the week – prompting a mad scramble of canceled plans and fake sick days so that fans could line up for the one-per-person admission wristbands that only went on sale the day of the show.

It was the latest in a series of warm-up shows for the band, starting last week with a private house show in Montreal, through a couple of theatre shows in Sherbrooke, Quebec and a free parking lot performance in Longueuil, all serving to get the band back in game shape and build anticipation for their third album The Suburbs, due out August 3. Of course, accomplishing the latter didn’t require much effort on the band’s part save to announce that the record actually existed – since wrapping up their tours in support of 2007’s Neon Bible, the Montrealers have done remarkably well at keeping out of the public eye and secretive about what they’d be doing next and when.

The need for a retreat following Neon Bible was understandable. It was a tremendously heavy record, both from the weight of expectations as the follow-up to the universally-praised Funeral and its thematic burdens, being informed by the very height (or depths) or the Bush years. The resulting combination of ambition, angst and anxiety made for an album that tried to be grander than its predecessor and while it had more than its share of moments, ultimately came feeling insular and leaden and a relative disappointment. So while the first samples of The Suburbs that were released a couple of weeks ago didn’t immediately induct themselves into the Arcade Fire songbook hall of fame, they did seem to indicate that the band were taking a looser, more spontaneous approach to their songwriting – certainly a good start.

Which brings us back to Friday night and a familiar band in a familiar setting. It was at this same Music Hall on the Danforth that the Arcade Fire played a now-legendary three-night stand just over half a decade ago, and their first time back since their two nights at Massey Hall in May 2007. But rather than fill the bill with warm-up acts that would become huge themselves, this time out it was just Arcade Fire… and a thousand people who’d been waiting a long time to see them again. And at 8:30PM sharp, there was the roar of the audience as the band took the stage, the whoosh of seats being evacuated as the audience rushed the stage and the sound of Arcade Fire breaking into the aptly-named new composition “Ready To Start”… and we were off.

Though the 90-minute set would be heavily loaded with new material, it was well-sequenced to keep interest and energy up – the atmosphere was electric for the propulsive opener and then the even more driving (and familar via the single) “Month Of May”, but with the familiar opening chords of “Neighbourhood #1 (Tunnels)”, the crowd found another level of freak out. And so the show went – a brace of new songs and then a handful of classics, providing ample opportunity to compare and contrast the songs that will comprise The Suburbs with the old stuff. What I noticed most about the new material was that it felt less epic in scale, but deliberately so – as though they decided in writing that constantly trying to outdo themselves was the wrong way to go. The songs were more focused on finding a groove and riding that rather than attempting to jump the tracks at a certain point to grab sky, and had a more classic rock vibe about them – don’t expect the Springsteen comparisons that cropped up with the last record to go away. The lack of the big, anthemic moments might have disappointed some, but it really did feel as though the band had unclenched and were feeling more comfortable in themselves – it’s probably not a coincidence that Neon Bible‘s black uniform stage garb had been traded in for something in a lighter shade of blue. And while there were some obvious standouts in the new stuff – both “Modern Man” and “Rococo” had people in the audience looking at each other and nodding, “yes” – odds are The Suburbs will end up being a grower, and in the long run I think that’ll be for the best.

Time will tell how much truth there is in that statement, but what is not up for debate is that the show came to a head with what has always been and always shall be their coup de grace, their finishing move – the back-to-back body blows of “Neighbourhood #3 (Power Out)” and “Rebellion (Lies)”. All the momentum that had intensifying up through the night, all the energy that had been pent up since the band finished touring Neon Bible, all the anticipation that had been building since their last Toronto show, came to a head with that finale and simply exploded, with the shockwaves carrying through the encore of “Keep The Car Running” and, of course, “Wake Up”. Though the song implies beginnings, here it was a fitting ending to the night. That Arcade Fire are a great band and an important band is not in question, but time away can dim the memory; this show was an intense and extraordinary reminder of why.

There’s more reviews of the show at The Globe & Mail, The Toronto Sun, eye, The Toronto Star, CTV, Pitchfork and Spinner. Arcade Fire return to play the Toronto Islands on August 14.

Photos: Arcade Fire @ The Music Hall – June 11, 2010
MP3: Arcade Fire – “Keep The Car Running”
MP3: Arcade Fire – “Black Mirror”
MP3: Arcade Fire – “No Cars Go”
MP3: Arcade Fire – “Wake Up”
Video: Arcade Fire – “Neon Bible”
Video: Arcade Fire – “Black Mirror”
Video: Arcade Fire – “Neighbourhood #2 (Laika)”
Video: Arcade Fire – “Neighbourhood #3 (Power Out)”
Video: Arcade Fire – “Neighbourhood #1 (Tunnels)”
Video: Arcade Fire – “Rebellion (Lies)”
MySpace: Arcade Fire

Broken Social Scene’s Brendan Canning Chart engages in some trash talk with Olympic gold medalist rower Adam Van Koeverden in advance of their charity soccer game during NXNE which pits musicians against pretty much everyone else in support of Right To Play. Broken play the Toronto Islands the day before, June 19.

On Milwaukee, The Montreal Mirror, JAM, Winnipeg Free Press, hour.ca, Uptown and The Toronto Star profile The New Pornographers, coming to town for a show at the Sound Academy this Tuesday, June 15.

The Ottawa Citizen talks to Sloan, who are headlining the free Friday night show at Yonge-Dundas Square for NXNE this week.

Stars have begun streaming their new album The Five Ghosts in full over at NPR. It’s officially released as of next Tuesday.

Stream: Stars / The Five Ghosts

The Ottawa Sun interviews The Balconies, who are playing the top of the CN Tower on Wednesday night for NXNE and then on Saturday night in the Distillery District as part of the Wine & Spirit Festival. The former is invite-only but the latter is free to all.

Filter and The Gauntlet get to know Born Ruffians.

NOW, The Hamilton Spectator and See talk to Shad about his music while The National Post prefers to get his take on the NBA playoffs.

MySpaceThere’s bad luck, there’s worse luck, and then there’s Library Voices luck. Back in February of 2009, the boisterous Regina-based pop outfit had approximately $10,000 worth of equipment stolen in Vancouver; despite the loss, they managed to regroup, re-equip and record a new album which was released last month as Denim On Denim and were gearing up for a Summer tour to support when disaster struck – again. This time, it was an act of god – at least as far as their insurance is concerned – in the form of a burst water main in their rehearsal space, which in addition to causing immense damage to the Regina Cultural Exchange all-ages venue and community centre, destroyed all their gear.

While the band struggle to salvage what they can out of the situation, some of their prairie brethren are stepping in to lend a hand. Winnipeg’s Weakerthans, already in town for next week’s May 26 show at the Queen Elizabeth Theatre, have commandeered the preceding evening’s Nu Music Nite at the Horseshoe – that’s May 25 – and turned it into a fundraiser for Library Voices. Advance tickets for the night go on sale Thursday for $25 and a portion of proceeds will go to help out Library Voices get back on their feet. I really can’t remember the last time The Weakerthans played such a small room – that alone should be incentive to go, let alone the charitable angle. So yeah, good on The Weakerthans for chipping in, and here’s hoping that Library Voices are back on their feet by the time they arrive in town to play that very same Horseshoe stage on June 19 as part of NXNE.

MP3: The Weakerthans – “Sun In An Empty Room”
MP3: The Weakerthans – “Night Windows”

Chad Van Gaalen talks to Exclaim about what he’s been up to of late, working on “an electro record, there’s a rock record and then there’s a pretty much straight-up folk record,” which may see the light of day as individual efforts of mashed together into one typically all-over-the-place Van Gaalen album. He estimates a late 2010/early 2011 release window for whatever it ends up being.

Paste catches up with Carl Newman of The New Pornographers. They will be at the Sound Academy on June 15.

Chart talks to Hannah Georgas.

Examiner.com chats with Dan Mangan. He will be back in Toronto on June 9 taking part in the Alli’s Journey fundraiser at Koerner Hall in the Royal Conservatory of Music and his album Nice Nice Very Nice will be getting a US release via Arts & Crafts on August 10; Mangan talks to Spinner about how he came to work with the label.

The Balconies are featured in a new video session with Southern Souls to go along with their first one. They will play the Steam Whistle Roundhouse on May 28, cover $5.

So it appears Arcade Fire are finally ready to start off the feeding frenzy that will surround their third record. Dose reports that the band announced via handwritten postcard (scanned and posted online, of course) that a new single will be ready in a couple weeks and various sources around the interwebs point to it a) being available as a 12″, b) containing songs entitled “Suburbs” and “Month of May” and c) available June 1. Some or all of this may be true or untrue. What is for sure is this: GUYS, ARCADE FIRE ARE DOING STUFF.

Emily Haines of Metric talks to Spinner about being tapped to write the theme song for the next Twilight film. They are at the Molson Amphitheatre on July 9.

Wednesday night’s Hurricane Bells show at the El Mocambo is now free. So if you were looking for something to do that night… there you go.

So yeah, they sold out the Sound Academy lickety-split earlier this year, but can they do it with a venue five times the size? Vampire Weekend will find that out when they play the Molson Amphitheatre on September 7. Tickets range from $44 to $59.50 – seriously – but to sweeten the deal, they’re bringing along Beach House and Dum Dum Girls as support. Convinced yet? Presale starts today, regular on sale starts Friday.

MP3: Vampire Weekend – “Horchata”
MP3: Beach House – “Norway”
MP3: Dum Dum Girls – “Jail La La”

Frank YangWednesday night’s in-store at Criminal Records had something for everyone. For The Besnard Lakes, it was an opportunity to refine the translation of their just-released new record The Besnard Lakes Are The Roaring Night into live performance before setting out on a world tour that would take them and their much-anticipated new album across Europe and North America. For those in attendance, it was a chance to be amongst the first anywhere to hear the new songs live and in an intimate – and free – setting, without having to endure the crowds that would surely be jamming the Horseshoe last night at their official Canadian Musicfest last night. Win-win.

That said, the brightly-lit retail outlet was an unusual setting for a band as much about atmosphere as the Besnards. Partway through the set, bassist Olga Goreas mentioned how much she was missing their signature smoke machine and a little bit of that probably would have better set the mood for the show, through which the audience sat almost too-respectfully silent on the floor of the store. Instead, all the mood would have to come from the music – epic in scope and massive in weight and probably requiring more hands to reproduce live, not less. Yet the departure of keyboardist Nicole Lizee after the touring cycle for The Besnard Lakes Are The Dark Horse was done left the band as a four-piece and as such, frontman Jace Lasek had to augment his guitar-playing and pedal-stomping with laptop and keyboard duties. And while they probably could have gotten away with simply playing louder, the extra care taken to reproduce the fullness of the Roaring Night material was appreciated.

The set was made up mostly of new material which, with the record having been officially available for less than 48 hours, was probably unfamiliar to much of the audience but they did throw the fans a bone with a single number off of Dark Horse before going even further back – I assume from their debut Volume 1 – for a closing number that sounded almost completely unlike their present-day material. It wasn’t the most engaging Besnard Lakes show I’d ever seen – as befit a dress rehearsal of sorts, they were concentrating more on the playing than the performing – but I’m sure that by the time they return to town, with The Roaring Night fully road-tested, it’ll be something to behold. And there’ll be the smoke-machine.

Spinner, Chart, The Montreal Gazette, hour.ca, The List, The Montreal Mirror, CBC and NOW all have feature pieces on the Besnard Lakes.

Photos: The Besnard Lakes @ Criminal Records – March 10, 2010
MP3: The Besnard Lakes – “Albatross”
MP3: The Besnard Lakes – “And You Lied To Me”
MP3: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “For Agent 13”
Video: The Besnard Lakes – “Devastation”
Stream: The Besnard Lakes / The Besnard Lakes Are The Roaring Night
MySpace: The Besnard Lakes

Spinner talks to Think About Life, who play Lee’s Palace tonight at 1AM.

John O’Regan of Diamond Rings graces the cover of this week’s eye, who also talk to his bandmate in The D’Urbervilles, Tim Bruton. Diamond Rings the Silver Dollar tonight at midnight, while The D’Urbs are up at 10PM at the Garrison.

Torontoist questions Dan Mangan, who plays the Courthouse tonight at 11PM, Criminal Records tomorrow at 6PM and the Horseshoe on April 22.

eye takes a look inside the apartment of Rural Alberta Advantage frontman Nils Edenloff. It’s okay, they were invited. Spinner settles for a chat.

The Toronto Star, Lucid Forge and Torontoist talk to Woodhands, who have just announced they’ll be playing tonight (!) at Wrongbar as a last-minute CMF addition – tickets are $12.50, on sale now.

Chart interviews The Balconies, whom they’re rightly declared a hot act. Witness the hotness at the Horseshoe Saturday night at 9:20PM

The Sadies will release their new album, entitled Darker Circles, on May 18. Live dates are sure to follow, but I’m going to go out on a limb right now and say they’ll be at the Horseshoe on December 31.

The National Post Q&A’s Great Lake Swimmers.

The Weakerthans will celebrate the release of their live CD/DVD set Live At The Burton Cummings Theatre on March 23 with an in-store performance at Sonic Boom on March 24 at 5PM. Maybe they can play in front of the Burton Cummings vinyl section. They’ve also got a date at the Queen Elizabeth Theatre on May 26.

MP3: The Weakerthans – “Plea From A Cat Named Virtue”
Video: The Weakerthans – “Tournament Of Hearts” (live)

Popolio has a quick interview with Ume. They’re playing Eastbound & Down during SxSW at 2:05PM.

Filter and Michigan Live talk to Ted Leo. The Filter piece is a two-parter.

Patterson Hood of Drive-By Truckers talks to Spinner about their next-next record, which will follow next week’s release of The Big To-Do with Go-Go Boots before the year is out. The Truckers are doubling up their next visit to Toronto with two nights at Lee’s Palace, April 6 and 7.

Spinner talks to Centro-Matic.

My Morning Jacket drummer Patrick Hallahan tells Spinner he’s glad the band took a break.

The Scotsman interviews Spoon, who are at the Sound Academy on March 29.

Spin checks in with The Thermals, who are in the studio working on their next album Personal Life, due out September 7.

Rolling Stone has words with Midlake. They play The Mod Club on May 25.

Sharon Van Etten talks to Spinner. She is at the Horseshoe on April 5.

hour.ca interviews Joanna Newsom, who plays a sold-out show at The Phoenix on Saturday night.

She & Him are the subject of features at Spinner and Billboard. Volume 2 is out March 23 and they play The Phoenix on June 9.

Soiree de poche has a video session with Beach House, who have a sold-out show at The Opera House on March 30 and are also playing the Toronto Islands Concert on June 19.

Blurt and Spinner have features on Wye Oak, here opening up for Shearwater on April 1.

Spinner talks to Phantogram, who will be at Supermarket tonight at 1AM.

Spin has debuted the video for the title track of Black Rebel Motorcycle Club’s new album Beat The Devil’s Tattoo. They are at The Phoenix on April 1 and again on April 11.

Video: Black Rebel Motorcycle Club – “Beat The Devil’s Tattoo”

Echo & The Bunnymen are sharing another track from their latest record The Fountain. They are at The Phoenix on April 23.

MP3: Echo & The Bunnymen – “Proxy”

Serena-Maneesh will release their new album S-M 2: Abyss In B Minor on March 23 and are not only streaming the whole thing, but they’ve debuted a new video over at Stereogum. They will be at the Great Hall on April 2.

Video: Serena-Maneesh – “I Just Want To See Your Face”
Stream: Serena-Maneesh / S-M 2: Abyss In B Minor

Swedish folk sister act First Aid Kit have set a North American tour for June and will be at the Rivoli in Toronto on June 12. Their debut Drunken Trees came out last year.

MP3: First Aid Kit – “I Met Up With The King”
MP3: First Aid Kit – “You’re Not Coming Home Tonight”

Shout Out Louds have released a new mini-documentary about the making of their latest record, the just-released Work. They play the Mod Club on May 8.

Video: Shout Out Louds “At Work”

Drowned In Sound has posted the first of a multi-part interview with Jonsi. Go is out March 23 and he plays the Sound Academy on April 30 and May 1.

Under The Radar interviews The Mary Onettes.

djchampion.netCanadian Musicfest is almost upon us and, while I’d intended to hold off on preview-y things till next week, some of this just won’t keep. Actually, it probably would, but I needed something to post today and this needed to go out… so.

I’ll start, actually, with some giveaways. The typical way of doing CMF/CMW is via the wristband, which grants access to many of the clubs throughout the week, so long as it’s not at capacity, and in recent years the whole “limited wristbands” policy – which had been laughably token in the past – has gotten much better so that if you’re up for some late Winter club hopping, it’s a good value. Of course, for some the too-ing and fro-ing isn’t their idea of a fun time, so picking a spot and camping out is the way to go. For them, and courtesy of LiveNation and The Musebox, I offer the following giveaways for a pretty wide cross-section of acts coming to town next week for the festival.

Who: Champion & His G-Strings
What: Montreal dance/rock multi-threat showcases his latest album, Resistance
When: March 11, 2010
Where: The Guvernmnet
How: Three pairs of passes to give away – email me at contests AT chromewaves.net with “I want be a Champion” in the subject line and your full name in the body before midnight, March 8
Video: Champion & His G-Strings – “Alive Again”

Who: Postdata
What: Soul-baring, stripped-down solo project from Wintersleep frontman released self-titled debut in January
When: March 12, 2010
Where: The Music Gallery
How: Three pairs of passes to give away – email me at contests AT chromewaves.net with “I want be see Postdata” in the subject line and your full name in the body before midnight, March 8
MP3: Postdata – “Tobias Grey”

Who: Boats
What: Winnipeg quirky-pop quartet will release Cannonballs, Cannonballs on May 1
When: March 12, 2010
Where: Rancho Relaxo
How: One pair of passes and a copy of the CD to give away – email me at contests AT chromewaves.net with “I want be ride Boats” in the subject line and your full name and mailing address in the body before midnight, March 8
MP3: Boats – “Chrome Eyelids”

Who: Milow
What: Belgian singer-songwriter does the sexy-sensitive thing on acoustic guitar.
When: March 13, 2010
Where: The Drake Underground
How: Three pairs of passes to give away – email me at contests AT chromewaves.net with “I want be see Milow” in the subject line and your full name in the body before midnight, March 8
MP3: Milow – “You Don’t Know”

Not giveaways but still CMF-relevant:

Spinner, Subba-Cultcha, The Line Of Best Fit, The Brooklyn Rail and The Quietus interview The Besnard Lakes, whose new record The Besnard Lakes Are The Roaring Night is out on Tuesday and currently streaming at Spinner. They play an in-store at Criminal Records on March 10 at 6:30PM and the Horseshoe on March 11 at 12:10AM.

Stream: The Besnard Lakes / The Besnard Lakes Are The Roaring Night

Chart tries to get The Wooden Sky excited about playing Canadian Musicfest by asking them stock questions. They play the Horseshoe at 11PM on Saturday, March 13.

Spinner talks to Fucked Up about their plans for SxSW and make a guest list for Pitchfork. They’re at the El Mocambo on March 10 to kick off CMF and have also made some very early demos from CIUT, the University Of Toronto radio station, available to download for free.

The Brock Press has an interview with The Acorn wherein frontman Rolf Klausener discusses their new record No Ghosts, set for release in June. They are at Lee’s Palace on March 12.

Plants & Animals have released a first video from La La Land, due out April 20. They play Lee’s Palace on March 12 and the Indie Awards on March 13.

Video: Plants & Animals – “The Mama Papa””

NOW puts Zeus on this week’s cover. They’re playing an instore at Soundscapes tomorrow at 6PM and will be at Lee’s Palace on March 10.

Ca Va Cool interviews The Balconies while Toro has a studio session. They’ve got an in-store at Criminal Records on March 12 at 6PM and play the Horseshoe at 9:20PM on March 13.

eye and The Brock Press have features on Born Ruffians, who will release Say It on June 1. They’re at the Opera House on March 14.

And not participating in Canadian Musicfest but still Canadian music:

Owen Pallett has released the first official video from Heartland and has made available for sale the complete orchestral score of the album – perfect for aspiring Owen Pallett cover orchestras. The Line Of Best Fit has an interview with Pallett, who plays the Queen Elizabeth Theatre on April 8.

Video: Owen Pallett – “Lewis Takes Off His Shirt”

Chart has details on the sophomore effort from Tokyo Police Club, entitled Champ and still awaiting a release date.

Chris GergleyOne of my very favourite developments in the Toronto music scene over the past few years has been the rise of the in-store performance – whereas not so long ago there were maybe just a handful a year, they’re now occurring all the time at most of the independent record stores in the city and featuring bigger and bigger acts. Not only is it giving fans the opportunity to see artists in an intimate setting, it’s also often the only chance for underagers to see them live. And while I’ve often bemoaned the lack of a day show culture during either of the two major music festivals during the year, in-stores have done a good job of adding that extra layer of excitement to the official proceedings, with most stores hosting at least a few events during the weeks of festivities.

And Criminal Records is doing a good job of keeping that trend going through this year’s Canadian Musicfest. In addition to the triple-bill of Aidan Knight, Dan Mangan and Hollerado on Saturday March 13, announced last week, they’ve landed The Besnard Lakes to perform on March 10 at 6:30PM, their first show post-release of their new record The Besnard Lakes Are The Roaring Night the day before. Their official festival showcase goes the following night, March 11, at the Horseshoe at midnight. Jace Lasek of the band talks to The Fly, Chart and Exclaim about the new record, which is epic. But with the Besnards, epic kind of goes without saying.

MP3: The Besnard Lakes – “Albatross”

Further, their Friday night lineup will kick off at 5PM and feature locals faves The Balconies and Calgary’s Ghostkeeper. The Balconies’ official Canadian Musicfest show is at 9:20PM the Horseshoe on Saturday night while Ghostkeeper can be found on the 11th at Bread & Circus at 11PM and the 12th at The Garrison at 8PM.

MP3: The Balconies – “Serious Bedtime”
MP3: Ghostkeeper – “By Morning”

And a reminder that Kurt Vile is playing at Criminal tonight at 6:30PM. eye, hour.ca and NOW have interviews.

Not presently hosting anything during CMF but also not being left out is Sonic Boom, who’ve got some different but exciting fare lineup next week. On March 3, time TBA, they’ll have Malian legends Tinariwen in the house and the next evening at 6:30PM, Tuvan throat singers Huun Huur Tu will perform. Admission is free with the donation of a canned good. Tinariwen will be at the Phoenix on March 4 and Huun Huur Tu will be at the Mod Club on March 5. The Province has a feature piece on Tinariwen.

Video: Tinariwen – “Lulla”

Soundscapes’ upcoming in-store schedule has only one entry, but it’s a good one – Zeus on March 6 at 6PM. They’re the co-cover boys of this month’s Exclaim, alongside sometime bandleader and tourmate Jason Collett, while Metro has a piece on Zeus alone. Both are at Lee’s Palace on March 10.

Filter has some initial impressions of Born Ruffians’ new album Say It, due June 1 on Paper Bag in Canada and Warp elsewhere – check out the first MP3 below. They’ve got a show at the Phoenix on March 14.

MP3: Born Ruffians – “Sole Brother”

CBC, Vue, FFWD and The Gateway profile Basia Bulat.

PopMatters has not one but two interviews with The Hidden Cameras.

Singing Lamb chats with Gentleman Reg.

The Music Slut asks 8 questions of Fucked Up’s Damian Abraham. They play the Opera House tonight.

California girl Best Coast, recently named by Paste as one of the “Best Of What’s Next”, is hitting the road and has a date at The Garrison on April 13. We All Want Someone To Shout For has an interview with Beth Cosentino.

Los Angeles post-rockers Red Sparrowes are at The Garrison on April 17 presenting their new album The Fear Is Excruciating, But Therein Lies The Answer, which is out April 6.

MP3: Red Sparrowes – “Giving Birth To Imagined Saviors”

Dead Meadow have a date at Lee’s Palace on April 22. Their new record/soundtrack/film Three Kings is out March 23.

MP3: Dead Meadow – “I’m Gone”
MP3: Dead Meadow – “What Needs Must Be”

With the Sex Pistols reunion perhaps providing diminishing returns, John Lydon has kicked Public Image LTD back into gear. A North American tour has been announced and brings them to the Kool Haus in Toronto on May 7.

Video: Public Image Ltd – “(This Is Not A) Love Song”

Massive Attack are bringing their latest Heligoland across the pond for a North American tour which will kick off with two nights in Toronto at the Sound Academy, May 7 and 9. On the 8th, they will be going to Dave & Busters to play skee-ball.

Video: Massive Attack – “Paradise Circus”
Video: Massive Attack – “Splitting The Atom”

Thee Silver Mount Zion will take their new record Kollaps Tradixionales out on tour with a stop at Lee’s Palace on May 29, tickets $15.

MP3: Thee Silver Mount Zion – “I Built Myself A Metal Bird” (Live VIdeo Version)

Tom Petty & The Heartbreakers will play the Air Canada Centre on August 25 with Crosby Stills & Nash. I’ve never seen Tom Petty live. I should do something about that. Their new album Mojo is due out this Spring.