Frank YangRelative to most of the people seeing any part of Godspeed You! Black Emperor’s three-day, four-show residency at Lee’s Palace this past weekend, for which I hit up the Saturday night performance, I didn’t want to be there at all. I did, of course, but that was nothing compared to the anticipation so many had for the Montreal post-rock forebears’ first shows here in eight years, part of their surprise return to active duty – touring, at least – announced last Spring.

I just missed out on Godspeed the first time around – either being aware of them but not getting around to listening or listening but not getting around to getting, I’m not sure – but have spent the better part of the past decade getting acquainted both with their works and their ideological and musical mythology. Much of the latter, at least locally, centered around their legendary shows at the Palais Royale in the Fall of 2001 and the Spring of 2003 so the opportunity to witness them for myself – even if not on the edge of Lake Ontario – wasn’t to be missed and would hopefully be at least a fraction as unforgettable as those performances were purported to be. Dispatches from Friday night’s show certainly implied they would be.

One thing that was certain was that I picked the right show with regards to opening acts, at least. I didn’t know who either of the other two support acts were but I was pretty certain that The Sadies were better. And that’s because The Sadies are pretty much the best, be it headlining, opening, ordering tacos, whatever. And while it could be argued that their psych-country was a bit of an odd fit for Godspeed’s widescreen sonic apocalypses, doing so would be to ignore the dark and dusty gothic undercurrent that inhabits much of their work and also the fact that The Sadies are simply awesome. Given 45 minutes and a tiny portion of the stage with which to work, they powered through a set that was basically a Sadies 101, showcasing their songwriting and musical virtuosity and on-stage tricks, like the Good brother guitar neck-swapping of “Tiger Tiger”, which Dallas still managed even though he spent the rest of the set on a stool, still hobbled by the leg broken back in February. And all except for the guy standing beside me who couldn’t have looked more unimpressed – he had his Godspeed goggles on – I’d like to think they went over well.

I’d been tipped in advance of a few things with regards to the Godspeed live experience: That it would run two and a half hours, that photographically speaking house left was the better side to camp out on, that there would be no interaction between the band and the audience, with the band set up in a semi-circle and more intent on communicating with each other than those there to see them. And oh yeah, it would be incredible. I’ll be honest – as much as I wanted it to be a great show, I also hoped to somehow dispel some of the hyperbole that had enveloped the band in their time away by seeing and hearing it with my own earballs. And instead, I fear I may only be contributing to it.

The show-opening “Hope Drone” ceremony, wherein each band member entered the stage one at a time and began contributing to the din, wasn’t nearly as formal as I’d expected. It actually emerged out of sound check, perhaps at the expense of some of the drama, and the audience didn’t stop chattering until about halfway through when they finally turned on the film projectors. With the band arranged around the perimeter of the stage and three guitarists seated and hunched over, it was these projections of birds, glyphs, maps and a scrawled word “hope” which provided most of the evening’s illumination and visual interest – at least if you kept your eyes open. Eyes closed, you would be faced with whatever terrifying and beautiful imagery their music made your mind create.

The show drew heavily from the band’s masterwork, 2000’s Life Your Skinny Fists Like Antennas To Heaven, adding unreleased live staple “Albania” and one composition from F#A#∞ before closing with both sides of their Slow Riot For A New Zerø Kanada EP, but the specifics of what were played were really less important than the epic whole they created. And here’s where the hyperbole comes in. There was something unbelievably primal and elemental about what Godspeed You! Black Emperor create; like a force of nature if nature were sentient and pissed off. They moved slowly and inexorably, with massive weight and delicate grace and meant to be simultaneously marvelled at, feared and celebrated. The sound was deafening while perfectly clear, brutally beautiful and hitting with the impact of unchecked emotion made sound. I don’t doubt that the marathon-length shows are intended to add a dimension of actual physical exhaustion to the experience – are your knees buckling because you’re tired or because the existential momentousness of it all is too much to bear? Probably the former, but you can’t be sure.

But for those who endured and persevered through the entire show, who watched each member depart as they entered as “BBF3” was deconstructed, there was a very real sense of catharsis and transcendence – words far overused in music writing but wholly appropriate here – from the experience. Maybe it was because witnessing the performance had subtly changed everyone. Maybe it was just relief that they could finally get away from the pile of throw-up that someone left near the front of the stage during the second song. But either way, it was one to remember.

The National Post has a review of Friday night’s show; most notes are applicable to Saturday’s.

Photos: Godspeed You! Black Emperor, The Sadies @ Lee’s Palace – April 23, 2011
MP3: Godspeed You! Black Emperor – “Lift Yr Skinny Fists Like Antennas To Heaven”
MP3: Godspeed You! Black Emperor – “The Buildings They Are Sleeping Now”
MP3: The Sadies – “Another Year Again”
MP3: The Sadies – “Anna Leigh”
Video: The Sadies – “Another Day Again”
Video: The Sadies – “Cut Corners”
Video: The Sadies – “Postcards”
Video: The Sadies – “The Horseshoe”
Video: The Sadies – “Flash”

Billboard profiles Explosions In The Sky, whose new record Take Care, Take Care, Take Care is out tomorrow.

Shearwater performed the whole of their last three albums – those dubbed The Island Arc – in a special hometown show in Austin earlier this year, and now a live album has been assembled, available to stream or digitally purchase at the band’s Bandcamp. The trilogy of Palo Santo, Rook and The Golden Archipelago is also notable as it represents the band’s entire tenure on Matador; they just announced that they’ve signed to Sub Pop for their next record, due out in 2012.

Drowned In Sound and The Line Of Best Fit and Billboard have features on Okkervil River, whose new record I Am Very Far will arrive on May 10. They play The Phoenix on June 10.

Also out May 10 is The Antlers’ new record Burst Apart, which is streaming in whole at NPR. They are at The Mod Club on June 14.

Stream: The Antlers / Burst Apart

Arriving in town a day before their sold-out show at The Mod Club, Battles will play an in-store at Sonic Boom on April 28 at 7PM, admission free with suggested donation of a canned food good. Their new record Gloss Drop is out June 7 and Drowned In Sound has an interview with the band.

Video: Battles – “Tonto”

Both Junior Boys and Miracle Fortress have new albums at the ready – the former with It’s All True due June 14 and the latter with tomorrow’s Was I The Wave? – so it makes perfect sense that they’d team up for a Summer tour that kicks off at The Phoenix on June 9. North America, dancing shoes at the ready.

MP3: Junior Boys – “In The Morning”
MP3: Miracle Fortress – “Raw Spectacle”

Alela Diane released her second album Alela Diane and Wild Divine at the start of the month and has now released her touring itinerary for the Summer; look for her on June 11 at The Rivoli on Toronto.

MP3: Alela Diane – “To Begin”

Leslie SissonIt was a sad day in late 2005 when Austin’s American Analog Set called it a day, or it would have been if they had bothered to officially do so. They announced prior to touring their last (as in most recent, not final) record Set Free that it would be their final tour before a hiatus, and that while they didn’t have any plans to do anything else together, be it recording or playing or whatever, they weren’t ruling out the possibility. And they invoked the “not dead, only sleeping” clause at SXSW 2009 when they reconvened to mark the 10th anniversary of The Golden Band by playing the whole album at a day show I had the privilege of helping present.

But that special occasion aside, the band’s signature blend of shimmering vibraphone, humming Farfisa and dreamy guitarwork has been silent with frontman Andrew Kenny trading his Jazzmaster in for an acoustic guitar and lending his gentle vocals to a new band, The Wooden Birds. AmAnSet had been extremely consistent in sound and vision throughout their existence, so it’s not surprising that despite the change-up in instrumentation and addition of female vocals from sometime AmAnSet member Leslie Sisson, The Wooden Birds’ 2009 debut Magnolia could easily have passed as a new Analog Set record. It’s more earthy than ethereal, thanks to its simpler presentation, and less drifitly droning but if you were an AmAnSet fan, it’s hard to imagine not finding much to like about The Wooden Birds. Unless, of course, you were all about the vibes, in which case you may want to keep walking.

The Wooden Birds have set a June 7 release date for their second album Two Matchsticks and having passed us by on all tour dates in support of the debut, it’s exciting to see that the first North American dates finally include a Toronto date at The Drake Underground on July 10 – the first time back as bandleader for Kenny since November 2005 (he may well have been here as a member of Kevin Drew’s “Presents…” band). And while you might not guess it from listening to the records, The American Analog Set were always a fantastic live show thanks to the mesmerizing and hypnotic nature of their sound. I expect similar head trips from The Wooden Birds. Tickets for the show are just $12.00 in advance.

Samples from Two Matchsticks aren’t available yet, but there’s no reason to believe the new material strays too far from what surfaced on Magnolia. Update: One of the new songs is streaming at MTV Hive.

MP3: The Wooden Birds – “False Alarm”
Video: The Wooden Birds – “Hometown Fantasy”

There’s been no word of a follow-up to last year’s Goodbye Killer nor would I expect one, given the pace at which Joe Pernice works, but he’s taking the time out of whatever it he’s doing to play a show at The Dakota on May 6, tickets $20.

MP3: Pernice Brothers – “Jacqueline Susann”

That same evening, Peter Bjorn & John will warm up for their show at Lee’s Palace with an in-store at Sonic Boom at 7PM. Admission is free with the donation of canned goods.

Video: Peter Bjorn & John – “Second Chance”

With a new greatest hits compilation in Golden Greats, No. 1 just released, Sweden’s The Soundtrack Of Our Lives have made a date at Lee’s Palace for June 4. Tickets for the guaranteed rock spectacle are $18.50 in advance.

MP3: The Soundtrack Of Our Lives – “Karmageddon”

His show at Lee’s last month apparently a roaring (or dead silent) success, Mark Kozelek is coming back for a pair of even more intimate shows – he’s at The Drake Underground on July 8 and 9, tickets for each show $24.50 in advance.

Video: Red House Painters – “24”

The National Post Q&As Joey Santiago of Pixies; they close out their two-night stand at Massey Hall tonight.

The Antlers are giving away an MP3 from Burst Apart, out May 10. They’re at The Mod Club on June 14.

MP3: The Antlers – “Every Night My Teeth Are Falling Out”

Daytrotter has posted a session from The Pains Of Being Pure At Heart, in town at The Opera House on August 2.

I Am A Mermaid questions Stephin and Claudia of The Magnetic Fields about mermaids.

NYC Taper is sharing a recording of Sharon Van Etten’s homecoming show in Brooklyn this past weekend and Express Night Out has an interview.

Pitchfork has a feature interview with TV On The Radio.

The Baltimore Sun and Philly Burbs talk to Jenn Wasner of Wye Oak, who have a new video from their new record Civilian. NYC Taper is also sharing a recording of their show in New York last week.

Video: Wye Oak – “Fish”

NYC Taper is sharing a recording of a recent Mountain Goats show while The Sound Of Young America has an interview with John Darnielle.

Hear Ya, Madison Eagle, Jam Bands, Blurt and Paste talk to Jason Isbell, whose new record Here We Rest is out now and who leads The 400 Unit into The Horseshoe on May 22.

Want to hear some of the new My Morning Jacket record, Circuital? You can download the title track below, hear it played live on VH1 Storytellers via Pitchfork and stream another new tune over at Antiquiet. The record is out May 31 and they play The Kool Haus on July 11.

MP3: My Morning Jacket – “Circuital”

Pitchfork 3D – which is exactly what you think it is – has launched with a video session featuring Deerhunter.

BBC talks to Michael Stipe of R.E.M..

NPR is streaming the whole of Steve Earle’s new album I’ll Never Get Out Of This World Alive a week ahead of its April 26 release. Earle plays The Molson Amphitheatre opening up for Blue Rodeo on August 20.

Stream: Steve Earle / I’ll Never Get Out Of This World Alive

Spinner caught up with Rhett Miller of Old 97’s before their show in Toronto a couple weeks ago.

Spin, Clash and The Line Of Best Fit have features on Explosions In The Sky, whose new album Take Care, Take Care, Take Care comes out next week and is streaming in whole right now at Exclaim.

Stream: Explosions In The Sky / Take Care, Take Care, Take Care

The Line Of Best Fit reports that Memory Tapes will release a new album in Player Piano on July 4.

Crawdaddy interviews Liz Phair.

aux.tv has a video session with Warpaint while Relix offers an interview.

Spinner talks to Robin Pecknold of Fleet Foxes. Their new record Helplessness Blues arrives May 3 and they’re at Massey Hall on July 14.

Frank YangWhen you’ve been through town as an opener as many times as Sharon Van Etten has – four times in just over a year with Rain Machine, Great Lake Swimmers, Megafaun and Junip – I think the hope is that you’ll have garnered enough of your own fans that when you make your headlining debut, as she did at The Drake Underground on Tuesday night, some people come out.

I ended up running a bit late and thus missed Picastro’s opening set but arrived to the sight of the room moderately full, but with a Toronto-typical big open space at the front of the space. Or so I thought, until I got closer and saw that no, it was indeed full, and half the room was sitting on the floor, waiting patiently and politely. That, essentially, was the tone for the evening. Whereas for her previous visits put her in the role of largely having to win over another artist’s fans, this time everyone was here for her and gave her the silence and rapt attention she deserved.

When Van Etten was here last Spring, it was a mostly solo affair but did give a taste of what she would sound like in a band setting when Megafaun backed her for the finale of her set. When her second album epic was released last Fall, it showed the full band configuration had followed her into the studio with stunning results. Unfortunately when she returned fronting a three-piece in November, it was still in the learning curve period for her touring band and issues of mix, arrangement and general familiarity kept the performance from being as good as it could have been.

No such qualifiers were needed on this evening, however, as the months of touring between then and now had worked out any kinks and their performance was a pretty much perfect balance of Van Etten as a solo artist and bandleader, with the bass and drums coming in when needed to push things forward – as they did on the practically rocking “Tornado” – and falling back when not. And as an extra bonus, they were joined for a number of songs by local singer-songwriter Julie Fader – nine months less a day pregnant – who added some gorgeous harmonies to the mix.

But at the core of it all was Van Etten, with a voice that could cut through hearts like a hot knife through butter and songs like maps of precisely where to aim. Opening with a new song – album number three is due out before the end of the year – she laid the first devastating blow a few songs in with “Consolation Prize” from 2009’s Because I Was In Love and through the musical portions of the next hour and some, didn’t let up, alternating between the wounded soul that inhabits Love and the more fiery spirit that informs epic and holding the audience enraptured throughout. In between songs, however, it was Van Etten’s charmingly self-deprecating and often hilarious personality that shone through, bantering with the audience (and mixing up Kenny Rogers and Kenny Loggins) or just talking to herself. She seems somewhat at odds with the soul-bared protagonist of her songs, but the the lightness offers a welcome balance to the darker hues of her work and given the more leisurely pace of a headlining set, allowed her to showcase both sides. And by the time the house called her out for her encore – a cover of Blaze Foley’s “Oooh Love” and an almost too-perfect for words “Much More Than That” – I understood why everyone had been sitting; it was so they could give her a standing ovation.

The Globe & Mail and Panic Manual were also in attendance. The Link, The Daily Cardinal, Interview and Boston Herald have interviews with Van Etten.

Photos: Sharon Van Etten @ The Drake Underground – April 12, 2011
MP3: Sharon Van Etten – “Love More”
MP3: Sharon Van Etten – “Don’t Do It”
MP3: Sharon Van Etten – “I Couldn’t Save You”
MP3: Sharon Van Etten – “For You”
MP3: Sharon Van Etten – “Consolation Prize”
Video: Sharon Van Etten – “For You”

eMusic talks to Laurel Sprengelmeyer of Little Scream about her new record The Golden Record, which has just yielded a new video is available to stream in its entirety at Spinner. She was supposed to open up for Van Etten but instead jetted off to Europe to do the same for Junip. She’ll make it up at The Mod Club on June 14 with The Antlers.

Stream: Little Scream / The Golden Record
Video: Little Scream – “The Lamb”

And speaking of The Antlers, Spinner talks to the band about their new record Burst Apart, due out May 10.

Writers On Process talk to Shearwater’s Jonathan Meiburg about his writing process.

NPR has a World Cafe session and JamBase a questionnaire with Nicole Atkins.

Spin, eye and Clash have feature pieces on TV On The Radio on the occasion of the release of Nine Types Of Light this week. The hour-long film made alongside the record is available to watch at YouTube and the band will be available to watch at the Sound Academy on April 18.

Video: Nine Types Of Light

The Dumbing Of America interviews A Place To Bury Strangers.

Want to watch that Death Cab For Cutie video that they recorded live while webcasting? Why not. CNN and MTV talk to the band about the experiment. Their new record Codes & Keys is out May 31 and they play The Phoenix on May 18.

Video: Death Cab For Cutie – “You Are A Tourist”

NPR has a World Cafe session and Spin a feature piece on Telekinesis, in town at Lee’s Palace on May 27 with Portugal. The Man.

Sloan will mark the May 10 release of their new record The Double Cross with an in-store at Sonic Boom on May 14 at 4PM, admission free with donation of a canned good. Have you noticed that Sloan pretty much never plays regular hometown shows anymore? It’s always a festival or a special event or something – never a regular show in a regular venue. Not complaining about free, intimate shows – just observing.

MP3: Sloan – “Follow The Leader”

Spinner, The Islington Tribune, DIY and The Skinny have features on Glasvegas, who’ve announced a North American tour in support of album number two, Euphoric Heartbreak, which is out stateside on May 17. I think the May 29 show at Lee’s Palace, for which tickets will be $20 on sale Saturday at 10, will be their first visit since they were here at the peak of their hype in April 2009.

Video: Glasvegas – “Euphoria, Take My Hand”

Ty Segall must really dig Canadian festivals – he was just here last month for CMW and will be back in June for NXNE. He’s currently got two shows on the sched, Thursday June 16 at The Garrison and then the next night at Wrongbar.

MP3: Ty Segall – “Girlfriend”

Frank YangThis show was a week ago; I think this may actually be my longest delay between witness and writeup ever and, in fact, Jeff Tweedy’s solo tour is just about over. So if you were waiting on some kind of report from opening night at Toronto’s Queen Elizabeth Theatre to decide if it was worth picking up one of the few remaining tickets for a later date… I’m sorry. Sorry that you would allow anything I say or do to influence your decision-making – you know I’m drunk most of the time, right?

But if I had gotten this review up sooner, I could have exhorted everyone going to any of the shows to arrive early enough to catch Snowblink, as local duo had been tapped to open up every show on the tour – maybe those at Wilco HQ had seen my glowing review of their debut Long Live? Either way, even though it was a tremendous opportunity for them, as soon as the lights dimmed it was clear they weren’t just happy to be there. The pair of Daniela Gesundheit and Dan Goldman took the stage carrying lanterns and eventually set up in their own, white cloth-strewn side of the stage – they were going to put on their show. And what a show it was – Gesundheit’s voice was strong and clear and sounded divine in the theatre’s acoustics, and their simple two-guitar arrangements – including an oustanding cover of Springsteen’s “State Trooper” – were subtly embellished with loops, percussion and electronic flourishes. Gesundheit might be a California native, but Toronto now proudly claims her as our own.

Wilco might have last been here as recently as October 2009, but it’s been much, much longer since Jeff Tweedy has come to town with just his acoustic guitars and songbook – so long that Tweedy himself didn’t remember ever having done so. In fact, it had been almost a decade exactly since he played Trinity-St. Paul’s on March 1, 2001, and when reminded of that by the audience he wryly referred to those as “the bad old days”. And while that may have been true for him from both a personal and professional sense, it’s impossible to deny that those were also some of Wilco’s most creatively fertile years, but also an era not often revisited with the full band.

And for about 90 minutes, alone on stage save for a circle of five acoustics and occasional visits from his guitar tech Steve (who was celebrating a birthday), Tweedy would revisit all eras of his career as well as some of his side-projects to air out some songs which would likely never otherwise be heard in these parts. Such as the original, non-Krautrock arrangement of “Spiders (Kidsmoke)”, Yankee Hotel Foxtrot b-side “Magazine Called Sunset” or Loose Fur selections “The Ruling Class” and “Chinese Apple”. And of course there were the couple of rare forays into the Uncle Tupelo canon – I know “Gun” would have been too much to hope for, but “Wait Up” was a most certainly welcome and the encore-closing, unamplified “Acuff-Rose” was for the ages. And from Wilco proper, there was a “Poor Places” which I thought turned out better than he seemed to, a rousing “Shot In The Arm” and a new song which has been unofficially dubbed “Open Up Your Mind”.

Considering who the Wilco dynamic has changed with the addition of virtuoso players like Nels Cline and Glenn Kotche, it was good to be reminded that without Tweedy’s songs at the core, beautiful and resonant even stripped down to their essences, it’d all be for naught. Tweedy on his own was also a different sort of performer, more inclined to engage and banter with the audience (and not berate us for not standing up this time), debate grammar, vocabulary and requests and crack more than few jokes, his best being that which accompanied the photographic evidence of his visit to local Wilco-themed sandwich shop Sky Blue Sky, and to which he added they “seemed a little safe – why not try some mulch, tinsel or fibreglass?”.

With a new Wilco album likely due out in the Summer, it’s a pretty safe bet that Tweedy will be back with his cohorts in tow for another couple nights at Massey Hall. And it’ll be expansive and filled with amazing musicianship, no doubt, but that just makes simple shows like this one all the more special.

The Toronto Sun, The National Post, The Globe & Mail and Chart were all in attendance; three out of four dentists agreed it was a great show.

Photos: Jeff Tweedy, Snowblink @ The Queen Elizabeth Theatre – March 22, 2011
MP3: Wilco – “What Light”
MP3: Wilco – “Spiders” (live)
MP3: Snowblink – “Ambergris”
MP3: Snowblink – “The Tired Bees”
Video: Wilco – “What Light”
Video: Wilco – “Outtasite (Outta Mind)”
Video: Wilco – “Box Full Of Letters”
Video: Wilco – “I Must Be High”
Video: Snowblink – “Ambergris”
Video: Snowblink – “The Haunt”

From the ashes of The Broken West and to The Drake Underground comes Pasadena’s Apex Manor; Ross Flournoy’s new band will be opening up for Jonny on June 3 and 4. Their debut The Year Of Magical Drinking is out now.

MP3: Apex Manor – “Under The Gun”

With the May 10 release date of their new record Burst Apart not really all that far off, The Antlers have put together a North American tour that includes a June 14 stop at The Mod Club with Little Scream supporting. She had to bail on the last few dates of her tour with Sharon Van Etten, including the April 12 date at The Drake, to go to Europe with Junip so this will be her next local date. Not that you needed the extra incentive to go see The Antlers, of course. The band performed the whole of the new record live at SxSW and NPR has the stream.

MP3: The Antlers – “Two”

There were here no less than four times last year, and they’re totally coming back for more – that’s Phantogram, and they’ll be at 69 Bathurst on July 28 in the company of The Glitch Mob.

MP3: Phantogram – “When I’m Small”

The Village Voice talks to Amy Klein of Titus Andronicus, who are in town for a show at The Horseshoe on April 1 and again on June 10 at The Phoenix supporting Okkervil River.

Exclaim, Billboard, The Baltimore Sun, The Washington Post and Mother Jones all have features on The Mountain Goats. Their new record All Eternals Deck is out now and they’re at The Opera House on April 3.

MP3: The Mountain Goats – “The Age Of Kings”

Blurt, The Huffington Post, Fogged Clarity, Los Angeles Times and The Von Pip Musical Express have profiles of Wye Oak, in town at The El Mocambo on April 9.

Sharon Van Etten is featured in The Phoenix New Times, Spin and Georgia Straight while NPR is streaming one of her SxSW performances. She’s at The Drake Underground on April 12, and yes that’s her doing backing vocals on The National’s contribution to the soundtrack for the film Win Win, which is now available to download.

MP3: The National – “Think You Can Wait”

Spinner, Pedestrian TV and Vanity Fair have interviews with The Kills, whose new record Blood Pressures is out next week. NPR is streaming one of their SxSW performances so you know what to expect when they hit The Sound Academy on May 1. The new album is also streaming in whole at their website.

Stream: The Kills / Blood Pressures

Low have made available a new MP3 from their forthcoming C’Mon, which is out April 12. They’re at The Mod Club on May 2 with Memoryhouse supporting.

MP3: Low – “Especially Me”

CNN has an interview with Shonna Tucker of Drive-By Truckers, who have a date at The Phoenix on June 15.

PopMatters and Blurt have interviews with The Dodos, who’ve put out a new video from No Color. They’re at The Phoenix on June 16 for NXNE.

Video: The Dodos – “Black Night”

Exclaim reports that My Morning Jacket have assigned a May 31 release date for their new record Circuital. They will be at The Kool Haus on July 11 to support.

Metro Pulse talks high fidelity with Asobi Seksu.

Paste and Blurt have interviews with J Masics, who has released a new Chad Van Gaalen-directied video from Several Shades Of Why

Video: J Mascis – “Not Enough”

MTV Hive has an interview with Conor Oberst of Bright Eyes while NPR is streaming their show from Auditorium Shores at SxSW.

NOW interviewed those involved with the Elephant 6 Holiday Surprise Tour that rolled through town a few weeks back, while NYC Taper has a recording of one of the New York shows.

eye and The Georgia Straight check in with Warpaint.

The Los Angeles Times, Spinner, The Boot, The Telegraph and Publishers Weekly all talk to Steve Earle about I’ll Never Get Out Of This World Alive, which is both the name of his new record, out April 26, and first novel, out May 12.

Rolling Stone chats with Justin Vernon of Bon Iver, who has set a June target for their second record.

Spinner, The Phoenix and The Fly have interviews with Buffalo Tom.

The Pains Of Being Pure At Heart discuss their new record Belong with The Line Of Best Fit, The University Observer, Jambands and Exclaim. And oh hey new video.

Video: The Pains Of Being Pure At Heart – “Heart In Your Heartbreak”

Pitchfork pays tribute to the hanging-it-up LCD Soundsystem with an exhaustive analysis of the band’s catalog. Seriously, it’s exhausting.

Austinist and The Huffington Post interview Liz Phair.

NYC Taper has posted a recording of Yo La Tengo’s show at Maxwell’s in New Jersey last week.

NPR doubles up on The Head & The Heart, streaming both one of their SxSW sets and a World Cafe session. The Big Takeover has an interview with the band, whose self-titled debut gets a reissue on April 16.

Agency GroupA decade ago, before there were really such things blogs but the MP3 existed, there was Epitonic. Easily the best site online for researching, discovering and hearing new and independent acts, it was a treasure trove of great things to hear right up until it was shut down in 2004. By that point there were many other avenues for sampling music via downloadable files – you’re on one right now – but the breadth and organization of Epitonic was missed.

So it’s more than great to see that they’ve returned with the same mandate and they’ve come bearing gifts – including a new track from everyone’s favourite prodigal band, The Wrens. They were last heard from, as far as records go, at about the same time Epitonic went dark so hopefully the site’s return will apply some pressure to them to get the new record – in process for years and years – finished and out. I thought that they were close when they started issuing recording dispatches in early ’09 and even played some shows at SxSW that year, but there’s still been nothing released. Their booking agency says they’re available for Spring and Summer 2011 headlining dates, though, so maybe…? Come on guys, 10 more songs and you can go back to hiding for another decade.

Either way, at least Epitonic is back.

MP3: The Wrens – “As I’ve Known”

The Battles show announced last week in support of new record Gloss Drop will be happening at The Mod Club on April 29, and not The Horseshoe as originally reported. Tickets are $15.

The Felice Brothers will be at Lee’s Palace on May 12, just a couple days after their latest album Celebration, Florida is released, tickets $17.50.

Sharon Jones & The Dap Kings are back in town on May 12 for a show at the Sound Academy. The Pensicola News Journal has an interview with Jones.

Video: Sharon Jones & The Dap Kings – “I Learned The Hard Way”

Jason Isbell & The 400 Unit have set a May 22 date at The Horseshoe Tavern in support of their new record Here We Rest, out April 12. Maria Taylor will support.

MP3: Jason Isbell & The 400 Unit – “Codeine”
MP3: Maria Taylor – “Song Beneath The Song”

Explosions In The Sky have released the first MP3 from their new record Take Care, Take Care, Take Care, due out April 26.

MP3: Explosions In The Sky – “Trembling Hands”

Austinist and Austin 360 chat with Will Sheff of Okkervil River about their new record I Am Very Far, due out May 10. There’s also a video session and interview at Rolling Stone and the first official MP3 from said record is now available. They play The Phoenix on June 10.

MP3: Okkervil River – “Wake And Be Fine”

Fender Guitars has a chat with proud users of their products Ume.

The AV Club talks to Lucinda Williams.

NOW‘s CMW cover story is Janelle Monáe, who headlines The Indies at The Royal York on Saturday night.

The Huffington Post talks to Mike Mills of R.E.M.. Another new video from Collapse Into Now has gone up and as a bonus, an official live studio performance clip is up at Fluxblog.

Video: R.E.M. – “Alligator Aviator Autopilot Antimatter”
Video: R.E.M. – “Every Day Is Yours To Win” (live)

NPR is streaming a World Cafe session with Of Montreal. They’re at The Phoenix on May 3.

The Vinyl District, Rocky Mountain Collegian and NPR talk to Wye Oak about Civilian. They are at The El Mocambo on April 9 and their show in DC tonight will be streamed live on NPR.

Pitchfork reports that The Antlers have set a May 10 release date for their new record, which will bear the title Burst Apart.

The New York Times have a feature piece on The Strokes. Angles is out March 22.

The Pains Of Being Pure At Heart are streaming the whole of their new record Belong on their website, well ahead of its March 29 release.

Stream: The Pains Of Being Pure At Heart / Belong

The National have released a new video from last year’s High Violet, starring Flight Of The Conchords’ Kristen Schall and Mad Men‘s John Slattery. Black Book also has a video session with the band.

Video: The National – “Conversation 16”

Faster Louder meets The Hold Steady.

NPR is streaming a KEXP radio session with The Jayhawks, Denver Westword talks to Mark Olson and Jambands to Gary Louris.

Blurt has a feature piece on DeVotchKa, who are in town at The Mod Club on March 30.