Cecil MathieuThere are few musicians out there with a more impressive alt.rock resume than Ken Stringfellow. Starting out as co-frontman of the criminally under-appreciated Bellingham power-pop outfit The Posies, he was part of the final incarnation of the legendary Big Star, he was an unofficial member of R.E.M. both on stage and in the studio for a number of years in the post-Berry era, is part of the massive rotating cast of The Minus 5, he fronts a Norwegian garage rock band called The Disciplines, and oh yeah when he’s not doing all of that, he puts out gorgeous solo records.

Danzig In The Moonlight, out last Fall, is the latest of which and the first since 2004’s Soft Commands. And while that record was commendable for its stylistic ranginess, it lacked the coherence of the gorgeous, country-tinged Touched, which when all is said and done with Stringfellow’s impressive career may well stand as his masterpiece. Danzig does not even attempt to recapture that degree of aesthetic focus, but its forays into jangle-rock, prog, country, and R&B – to name but a few of the flavours that surface – don’t so much strive for authenticity than a reasonably convincing, “in the style of”. This allows Stringfellow’s sweet tenor and melodic gifts to tie it all together, which combined with the rich arrangements let Danzig sometimes feel more like the score to some ambitious musical production than a conventional album. In less deft hands, juggling this many ideas may have resulted in a grandly ambitious failure, but Stringfellow not only knows what he’s doing, he makes it look easy.

MyNorthwest.com and The Santa Barbara Independent have interviews with Stringfellow, who makes a rare Toronto appearance at The Drake Underground on February 19. Tickets are $15 in advance but courtesy of Collective Concerts, I’ve got two pairs of passes to give away to the show. To enter, email me at contests@chromewaves.net with “I want to see Ken Stringfellow” in the subject line and your full name in the body, and have that to me by midnight, February 14.

MP3: Ken Stringfellow – “Doesn’t It Remind You Of Something”
Video: Ken Stringfellow – “Superwise”

Because the ’90s are back and you know you love it, The Breeders have expanded their reunion tour in support of the 20th anniversary of Last Splash and will be playing the whole of the album at the Danforth Music Hall on May 11, tickets $22.50 for balconies and $25 for floors.

Video: The Breeders – “Divine Hammer”

Bon Appetit has an interview with Yo La Tengo’s Ira Kaplan, which is fitting considering the culinary theme of the new video from Fade. They’re at The Phoenix this Saturday, February 9.

Video: Yo La Tengo – “I’ll Be Around”

Ra Ra Riot have released a video for the title track of Beta Love and Jambands has an interview with violinist Rebecca Zeller. They’re at Lee’s Palace on March 6 and are back again for the Arts & Crafts Field Trip fest at Fort York on June 8.

Video: Ra Ra Riot – “Beta Love”

The Strokes have confirmed a March 26 release date for their fifth album, Comedown Machine. Advance word is that despite everyone complaining it sounds nothing like The Strokes, it will indeed sound like The Strokes.

DIY and Interview talk to Thao Nguyen, who leads The Get Down Stay Down into Lee’s Palace on March 27.

Rilo Kiley have come clean on their forthcoming rarities compilation, cleverly entitled RKives and due out on April 2. Further information on that release can be found at TwentyFourBit.

Pitchfork talks to Steve Drozdt about The Flaming Lips’ forthcoming full-length The Terror – out April 2 – while Exclaim uncovers evidence that the real terror may be the fact that the band are endeavouring to record their own version of The Stone Roses’ first album, which it goes without saying would be a TERRIBLE IDEA.

Steve Earle has announced a new album entitled The Low Highway for release on April 16, and it’ll be the first one since 1990’s The Hard Way to be credited to him and The Dukes, though this one also credits The Duchesses, albeit in parentheses. All of which is to say this ain’t no solo record.

Pitchfork has details on the new record from Iron & Wine, entitled Ghost On Ghost and out April 16. You can stream a new song from it below.

Stream: Iron & Wine – “Lovers Revolution”

The Thermals have also settled on April 16 as the release date for their first record for Saddle Creek, Desperate Ground. Pitchfork has specifics.

Consequence Of Sound, Pitchfork, The Fader, and The Quietus all talk to Jim James about going solo. He’s in town at The Phoenix on April 24.

Spinner talks about hair with Widowspeak, who’ve made another track from their latest Almanac available to download.

MP3: Widowspeak – “Sore Eyes”

Beach House have released their long-promised short film Forever Still, featuring a number of live performances of tracks off Bloom.

Video: Beach House: Forever Still

Trespassers William have released a video from one of the songs off their farewell rarities compilation, Cast.

Video: Trespassers William – “Believe Me”

Interview talks to School Of Seven Bells.

The Alternate Side has posted a video session with Wild Nothing.

Le Blogotheque has posted a Take-Away Show with Titus Andronicus, and PopMatters an interview.

Paul ScalaReplicating success found overseas in North America has never been a sure thing, but for British electro-soul songstress Jessie Ware, it certainly seems more a case of “when” than “if”. The acclaim at home for her debut Devotion couldn’t help but get the buzz started in 2012 – I adored it enough to include it as one of my favourites of the year – but it’s only in 2013 that the campaign to conquer, or at the very least befriend, America has begun.

A short string of dates in January – which included a visit to Jimmy Fallon for a performance backed by The Roots – acted as a warm-up, with the markets left out expecting that a more thorough tour would accompany the April 2 domestic release date. And that tour has been announced, but it again is quite compact, getting her from the east coast to Coachella just in six stops. Happily though, Toronto is one of those stops – we will host Ms. Ware at The Opera House on April 6 unless it gets moved to a bigger room, and I don’t think anyone would be surprised if it did.

Tickets are $20 and go on sale this Friday at 10AM, but courtesy of LiveNation, I’ve got one pair of passes to give away for the show. To enter, email me at contests@chromewaves.net with “I want to see Jessie Ware” in the subject line and your full name in the body, and have that to me by midnight, February 7 – the winner will be notified before the on-sale happens so you can sit back and watch everyone else scramble for tickets. I mean that metaphorically, of course, because you can’t actually see people on their computers trying to buy tickets unless you’re a world-class creeper and world-class creepers are ineligible for the contest. House league creepers are welcome.

Vice has a typically Vice-y interview with Jessie Ware.

Video: Jessie Ware – “Sweet Talk”
Video: Jessie Ware – “Night Light”
Video: Jessie Ware – “Wildest Moments”
Video: Jessie Ware – “110%”
Video: Jessie Ware – “Running”

A bunch more concert announcements from yesterday, big and small – London (Ontario) folk-pop outit Olenka & The Autumn Lovers – themselves no strangers to my year-end list – will be welcoming lovers of all shapes, sizes, and seasons to Lee’s Palace on February 14; admission $10 at the door with couples getting in 2-for-1.

MP3: Olenka & The Autumn Lovers – “Odessa”

Last year’s Garbage reunion continues with a show at The Sound Academy on March 28, tickets $35. And if you were wondering, I can attest that they put on a great show and aren’t shy about trotting out the hits.

Video: Garbage – “Vow”

eMusic and Interview have features on Local Natives, whose sold-out March 28 show at the Opera House has been moved to The Phoenix and is thus no longer sold out, but probably will be again before too long. So get on that if you missed out – $21.50 in advance. And if you don’t want to wait, there’s a complete live performance streaming in HD for a limited time only – like the rest of today.

MP3: Local Natives – “Heavy Feet”
Video: Local Natives, Live From Brooklyn

Mysterious but aesthetically-pleasing LA-based soul-pop duo Rhye have put together a North American tour in support of their debut Woman, and will be in town at The Great Hall on April 13, tickets $15 in advance.

Video: Rhye – “Open”
Video: Rhye – “The Fall”

Up-and-coming Seattle-based indie rockers Pickwick will have their full-length debut Can’t Talk Medicine available for sale on March 12 and will be on the road all over the place in support, including The Horseshoe on April 21 – tickets $12.50 in advance.

Stream: Pickwick – “Lady Luck” (with Sharon Van Etten)

Californian garage-rocking sister act Bleached will be at The Silver Dollar on April 25 in support of their new record Ride Your Heart, out April 2. Exclaim has album details and tour dates, and you can stream the first single from it below.

Stream: Bleached – “Next Stop”

Though they didn’t win over quite everyone on their debut North American tour, British buzz band Palma Violets are leveraging the February 25 release of their debut 180 and a Coachella appearance for some more dates on this side of the pond, including a May 3 date at Lee’s Palace. Tickets for that are $15.50 in advance.

Video: Palma Violets – “Best Of Friends”

Unfortunate news as Vampire Weekend confirmed their continued existence yesterday by announcing the May 7 release of their third album – Modern Vampires Of The City – and subsequent tour dates, including a May 16 date at The Sony Centre. Tickets for that range from $33.50 to $44.50.

MP3: Vampire Weekend – “Horchata”

Toronto’s own METZ have announced an absurdly extensive world tour in support of their self-titled debut and have managed to squeeze in a hometown show at Lee’s Palace for May 17, tickets $15. Maybe this is why they took so long to release their album – because they knew when they did, they’d never, ever sleep in their own beds again.

MP3: METZ – “Wet Blanket”

Shawn BrackbillWho: TEEN
What: Three-sister (and one sister-from-another-mother) art-pop band from Brooklyn whose frontwoman, Teeny Lieberson, formerly served as keyboardist for Here We Go Magic and who may or may not realize that the all-caps spelling of their name doesn’t help them in Google searches one iota.
Why: They continue to tour in support of last year’s debut album In Limbo, produced and mixed by Spacemen 3’s Sonic Boom.
When: Friday, February 15, 2013
Where: The Drake Underground in Toronto (19+)
Who else: Locals The Lost Babies support
How: Tickets for the show are $11 in advance but courtesy of Embrace, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see TEEN” in the subject line and your full name in the body, and have that to me by midnight, February 11.
What else: Stereogum has an interview with Lieberson and Noisey has a couple of performance videos from the band, the full session audio of which is streamable on Soundcloud.

MP3: TEEN – “Ambient”
MP3: TEEN – “Electric”
MP3: TEEN – “Better”
Video: TEEN – “Electric”
Video: TEEN – “Better”

themaccabees.co.ukIt never seemed that Brighton’s Maccabees ever worked themselves into the position of British buzz band of the moment from a North American perspecitve, despite it seeming so easy to do so these days. Whether this was by design or misfortune isn’t really clear, but if idea was to make a proper first impression with their third album, last year’s Given To The Wild, then it was a bloody good idea.

The stylistic touchstones on Wild will be familiar to those who keep up with contemporary British indie – Foals-y tension, Wild Beasts-ish sensuality, Bloc Party-approved rhythms, Elbow-esque stateliness – but what it lacks in boundary-pushing, it makes up for with a remarkable balance of lush atmosphere, technical precision, and grand emotional evocations, all conveyed with impeccable classiness. Singer Orlando Weeks’ vocals, alternately shifting from choirboy falsetto to Win Butler-ish yelp, float above guitars that move from liquid placidity to dangerous churn, all impressively grand yet only going big – as in really big – when necessary. The Maccabees haven’t sought to redefine what Brit-rock is, but offer up an excellent representation of what it can be.

I had been concerned that last Fall’s North American dates supporting Florence & The Machine would represent the whole of the band’s North American agenda for this record, but they’re spending pretty much the entire month of February exploring our highways and byways. They’re at The Mod Club on Monday, February 11, and courtesy of LiveNation, I’ve got three pairs of passes to give away for the show. To enter, email me at contests@chromewaves.net with “I want to see The Maccabees” in the subject line and your full name in the body, and have that in to me by midnight, January 31.

MP3: The Maccabees – “Go”
Video: The Maccabees – “Ayla”
Video: The Maccabees – “Went Away”
Video: The Maccabees – “Feel To Follow”
Video: The Maccabees – “Feel To Follow” (alternate)
Video: The Maccabees – “Pelican”

Allo Darlin’ have made the whole of their Covers EP available to stream; it’s available for sale as a limited-edition 10″ or as, you know, MP3s. There’s only 300 copies of the vinyl, which collects their versions of tunes by The French, Bruce Springsteen, and AC/DC amongst others, but there’s at most 299 copies left for sale. FYI.

Stream: Allo Darlin’ / Covers

The Dumbing Of America has an interview with London newcomers The History Of Apple Pie, whose debut album Out Of View – a winning blend of sugary pop vocals and abrasive guitarwork – is out next week but streaming now at Clash. Recommended for anyone who thinks on the ’90s fondly.

Video: The History Of Apple Pie – “Mallory”
Video: The History Of Apple Pie – “You’re So Cool”
Stream: The History Of Apple Pie / Out Of View

The Fader gets to know Scottish buzz(y synth) band CHVRCHES. They’re in town at Mod Club on March 20, and while details of their debut North American EP are still forthcoming, another track to preview has surfaced to stream.

Stream: CHVRCHES – “The Mother We Share”

Ireland’s folk-pop outfit Little Green Cars, who along with CHVRCHES were on the BBC’s Sound of 2013 list, though unlike them they didn’t finish in the top 5. They are, however, still embarking on their own North American tour and will be at The Drake – where they opened for Daughter in October – on March 28, tickets $10.

Video: Little Green Cars – “The John Wayne”

The Scotland Herald and Gainsborough Standard profile Frightened Rabbit, and The Line Of Best Fit a video session. Their new record Pedestrian Verse is out February 5 and they play The Phoenix March 31.

The Joy Formidable talks to Under The Radar about their 2012, Filter about their new album Wolf’s Law, out this Tuesday, and give DIY a track-by-track walkthrough of it. All Saints also has a two-song video session with the band recorded in one of their stores’ basements.

Yannis Philippakis of Foals talks to Drowned In Sound about their new record Holy Fire, out February 12.

The 405 and DIY interview Esben & The Witch, whose second album Wash The Sins Not Only The Face is out January 22. That’s tomorrow.

The Line Of Best Fit reports that last week, Little Boots leaked a new song under the cryptic alias of LB. As in Little Boots. Okay, not that cryptic. She’s still not offering any specifics on her second album but speculation is that it’ll be out around March. Victoria Hesketh gave her hometown Blackpool Gazette an interview.

Stream: Little Boots – “Superstitious Heart”

Ladytron’s Helen Marnie talks to The Electricity Club about how things are progressing on her forthcoming solo record.

Slicing Up Eyeballs has details on Billy Bragg’s new album Tooth & Nail, out March 18, and an extensive North American tour which somehow doesn’t include Toronto at the moment, and given the routing I don’t think it will, at least this time around. Alas.

Richard Thompson’s new record is Electric in both title and execution, and will be out February 5. A song from it is available to stream, Exclaim has details, and he’s undertaking a North American tour supporting Emmylou Harris & Rodney Crowell which brings him to Massey Hall on March 22 for his first visit since September 2011. RT and Emmylou? Yeah, that’s a night of music. The St. Augustine Record also has an interview with the man.

Stream: Richard Thompson – “Good Things Happen To Bad People”

TIFFWhat: Jem Cohen: We Have An Anchor
What?: A film from New York’s Jem Cohen focusing on the physical and cultural landscapes of Nova Scotia. It will be screened with live musical accompaniment from members of Godspeed You! Black Emperor, Fugazi, Dirty Three, The Quavers, Thee Mt. Zion Memorial Orchestra, and Mary Margaret O’Hara.
When: December 4 and 5, 2012
Where: The TIFF Lightbox in Toronto
How: Tickets for the show are $30 in advance but courtesy of Images Festival, I’ve got two pairs of passes to give away for the performance – one for each night. To enter, email me at contests AT chromewaves.net with “I want An Anchor for December 4” or “I want An Anchor for December 5” in the subject line and your full name in the body, and have that in to me by midnight, November 28.
What else: You can see a sort-of trailer for the filme below, but Exclaim also has a five-minute clip of a previous screening of the film with the live band playing along, if you need a real sense of what this will be like.

Trailer: Jem Cohen: We Have An Anchor