Elias TahanThere are many routes to Solange. Some may know her because of the surname she shares with her superstar sister. Others for her thespian endeavours which so far, have peaked with the starring role in the third chapter of the competitive cheerleading saga Bring It On. And her music career – two albums since 2003 – have sold hundreds of thousands of copies, so she’s got fans there, too. But it’s her recent turns covering Dirty Projectors and collaborating with Of Montreal that have garnered her scores of new followers in the indie realm.

She only came to my attention, however, when word got out that she was working with Dev Hynes as producer and co-writer. I had originally been a bit wary of his shift from the folk/orchestral indie-rock stylings of Lightspeed Champion to the ’80s-vintage disco-soul of of Lightspeed Champion and Blood Orange, but Coastal Grooves, his debut in that guise, was so irresistibly slick and funky – and at minimal cost to his guitar heroics – that the prospect of pairing those skills with an up-and-coming soul diva such as Knowles had so much potential.

The full-length fruits of their labours is still forthcoming, but the mini-album True, released digitally last November and out physically as of yesterday, certainly shows that promise is being fulfilled. It sounds like a companion piece to Coastal Grooves in style, but the use of an actual studio rather than Hynes’ home environs and Knowles’ vocals makes it a different creature entirely – smooth and expressive while eschewing the diva excesses so typical of her peers. It’s a bit of a subtle release, but that’s also what makes it refreshing and it doesn’t take but a few listens for the hooks to sink in and once they’re in, that’s it.

With the record’s release, Solange has announced a Winter tour that brings her – and presumably Hynes, who has been in her band for past live appearances – to The Hoxton on February 22. Tickets for that – which will go fast, you best believe – are $23 and go on sale this Friday at 10AM.

The Guardian has a feature piece on how Knowles came to work with Hynes, and if you’re curious about how their styles compare, know that the closing track on True is a Blood Orange cover of a 7-inch single; you can stream the original below. Solange’s performance of “Losing You” on Jimmy Fallon last year – with Hynes at her side – is also worth watching.

Video: Solange -“Losing You”
Video: Solange – “Losing You” (live on Jimmy Fallon)
Stream: Blood Orange – “Bad Girls”

Elsewhere, Brooklyn’s lo-fi surfers Beach Fossils have made a date at The Garrison for February 27 in support of their new album Clash The Truth, out February 19. Tickets are $14.50 in advance.

MP3: Beach Fossils – “Careless”
MP3: Beach Fossils – “Shallow”

With his/their third album Dormarion due out April 2, power-pop maestro Benjamin Michael Lerner – aka Telekinesis – has slated a Spring tour that stops in at the Horseshoe on May 12; tickets $11.50. A new song is also available to stream.

Stream: Telekinesis – “Ghosts And Creatures”

Pitchfork has debuted their new advance album stream feature with Yo La Tengo’s new one Fade, out next Tuesday. They’re at The Phoenix on February 9.

Stream: Yo La Tengo / Fade

The Stool Pigeon, New York Times, Red Eye, and The 405 interview Christopher Owens, whose solo debut Lysandre is out next Tuesday and who plays The Mod Club on January 18. The Line Of Best Fit has got a stream of the album right now.

Stream: Christopher Owens / Lysandre

Ra Ra Riot are streaming another new song from Beta Love, out January 22. They play Lee’s Palace on March 6.

Stream: Ra Ra Riot – “Dance With Me”

Two weeks out from the release of Almanac, Widowspeak have made another new song available to stream. It’s out January 22.

Stream: Widowspeak – “Thick As Thieves”

Local Natives have made another track from their forthcoming Hummingbird, out January 29. They’ve got a sold-out show at The Opera House on March 28.

MP3: Local Natives – “Heavy Feet”

Rolling Stone has some words with Jim James as well as a new stream from his forthcoming solo record Regions Of Sound & Light Of God, out February 5.

Stream: Jim James – “A New Life”

Spin talks to Caitlin Rose about expanding her country horizons on her second album The Stand-In, due out February 25, and the Arctic Monkeys cover that’s part of that. Watch the video for that one below, and see her at The Garrison on April 5.

Video: Caitlin Rose – “Piledriver Waltz”

The 405 has details on the new album from Brooklyn’s The Men, as well as a stream of a new song. Yes, its’ face-ripping. The album is called New Moon and is due out March 5.

Stream: The Men – “Electric”

Apparently that first taste in December of Low’s forthcoming The Invisible Way was unofficial because this new stream is being called the first official release from their new record, out March 19. They also just announced a live date at The Great Hall on March 16.

Stream: Low – “Just Make It Stop”

Rolling Stone talks to Black Rebel Motorcycle Club frontman Robert Been about writing and recording their new album, still untitled but due out this March, in the wake of his father’s sudden death in 2010. Update: Turns out it does have a name, as well as release date: Specter At The Feast is out March 18.

Spinner talks to John Darnielle of The Mountain Goats.

NYC Taper has a recording of Titus Andronicus’ set opening up for one of the Yo La Tengo Hannukah shows last December.

Ali BiddellIt hadn’t occurred to me until just now, but there’s a bit of a parallel between this site, right here, and Wavelength. They got a couple years’ head start on me, but both of us spent a solid decade servicing the Toronto independent music community – Wavelength with a weekly concert series that helped introduce the city and the world to much of the amazing music being produced in the 416 and 905, and chromewaves by, um, going to shows and taking pictures. Okay, perhaps the scale is a little different, but both of us also had the good sense to call it after a decade and trade the grind of a regular, regimented schedule for something a little more intermittent but hopefully just as meaningful.

Wavelength events are a bit fewer and far between than my posts – though hey, did you notice me posting just four times over the past fortnight? And not that this is my third post in 24 hours? – but one thing you can still set your watch to is their anniversary series, which always make the dark days of mid-February a little or a lot more musical. This year’s edition – the thirteenth birthday and thus the first entry in its awkward teen years – will take place from February 14 to 17 at venues around town, and while many of the headliners are familiar faces to Wavelength-goers and the Toronto scene in general, it’s notable that former Spiral Beach vocalist/guitarist Airick Woodhead’s new electro incarnation as Doldrums – already making waves internationally and one of the country’s more hotly-tipped new acts for the past year or so. He’s relocated from Toronto to Montreal, but will be back to close the Friday night showcase at the lower Great Hall, less than two weeks before his debut full-length Lesser Evil is released on February 26. Will it deliver on the long-simmering buzz? Dunno, but you can bet that the show will be sold out by people looking to find out.

The rest of the weekend shapes up as follows; hit up Wavelength for descriptions of each act. Advance tickets for each show will be available or you can get an all-access festival pass for $39.

Thursday, February 14 @ The Shop under Parts & Labour ($10 advance)
Lullabye Arkestra / Ell V Gore / Fresh Snow / This Mess / Slow-Pitch

Friday, February 15 @ Black Box Theatre/The Great Hall Downstairs ($15 advance)
Doldrums / Cadence Weapon / Blue Hawaii / Blonde Elvis / Thighs

Saturday, February 16 @ The Great Hall Upstairs ($15 advance)
Do Make Say Think / Evening Hymns / Sarah Neufeld / Doom Squad / Bernice

Sunday, February 17 @ The Garrison ($10 advance)
Cookie Duster / The Magic / Henri Fabergé & the Adorables / Cell Memory & Castle If / Legato Vipers

MP3: Cadence Weapon – “Conditioning”
MP3: Do Make Say Think – “Greed Waltz”
MP3: Doldrums – “She Is The Wave”
MP3: Evening Hymns – “Arrows”
MP3: The Magic – “Door To Door”

A few years on from his last album, Hayden is gearing up for the release of his new record Us Alone on February 5 with the announcement of a North American tour that will manage the rare feat of staging a three-night stand that will almost certainly leave most of his fans shut out. A more properly-sized hometown show will almost certainly follow, but for now local fans have the choice between seeing him on February 20 at the tiny Dakota Tavern, February 21 at the even tinier Cameron House, or February 22 at the not-that-tiny-but-certainly-not-large Rivoli. Advance tickets – you’ll want those – are available at Arts & Crafts. You can download one of the songs from his new record and stream another.

MP3: Hayden – “Old Dreams”
Stream: Hayden – “Rainy Saturday”

Stars gives aux.tv a behind-the-scenes look at their video from “Backlines”. They’re at The Danforth Music Hall on March 20 and 21.

aux.tv interviews Grimes, whom they declared their artist of the year. Last year.

Filter gets some touring thoughts from Patrick Watson.

Tony Dekker of Great Lake Swimmers plays clotheshorse and also a video session for British designer Mr Porter.

Toro interviews The Wilderness Of Manitoba.

Hot on the heels of their holiday edition, The Line Of Best Fit has another Oh! Canada compilation of Canuck artists available to download. No holiday songs, guaranteed!

Frank YangFew things merit a 1AM blog post. David Bowie announcing a new album – at the stroke of his 66th birthday, no less – is one of them.

Watch the video for the first single, “Where Are We Now?”, at his website. You can buy it now at iTunes. It’s a stately return, all steady build and chiming guitars; it’s hard to say if the tingles are from the song itself or just the fact that it’s a NEW DAVID BOWIE SONG but it’s exciting. So exciting. And to everyone I’ve told over the years, “yeah I think he’s retired, it’s over” – I’ve never been more happy to be wrong.

Check out details on the album, entitled The Next Day, at Slicing Up Eyeballs.

It’s out March 12, but David Bowie’s owning of 2013 begins. Right. Now.

Update: The Guardian has a good piece on the background of the new song and why this is exciting beyond it just being a new Bowie record; when was the last time in this day and age that you were actually surprised by something like this?
Update 2: There’s a piece on the rather familiar artwork for the new album at Virusfonts.

Video: David Bowie – “Where Are We Now?”

viinyl.comAnd there it is, the first new Suede song in a decade – since “Attitude”, from their 2003 Singles compilation – and being a bit nervous about hitting “play” is reasonable. Accepting that it won’t be on par with anything from Suede or Dog Man Star – Bernard Butler isn’t back in the fold, and even when he and Brett Anderson do get back together, they can’t recreate that same magic – there’s still the question of if it’ll be more “Trash” or even “Electricity” than “Positivity” (which is to say, great, alright, or terrible).

And I will rank “Barriers” somewhere in-between those first two. Not as immediately exhilarating as “Trash”, but certainly worth a sigh of relief that – if it’s representative of the band’s new material – that Brett Anderson was good as his word that if their recent recording sessions weren’t up to snuff, they wouldn’t be released. Anderson’s lyrics have those old-school decadent Suede allusions, even if they do sound a bit forced, and Fat Richard – whom I promise I will eventually stop calling Fat Richard but not quite yet – offers some solidly Butler-esque whammied guitar-work, but most importantly it’s got some real energy and dramatic sweep to it, to say nothing of a properly big chorus. I think I’ve listened to it more already this morning than I did to “Positivity” ever. Thank you, Suede, for not going ballad-y for your return.

The album – their first in over a decade since 2002’s forgettable A New Morning – will be called Bloodsports and is due out in March. The first official single – which this taste is not – will be called “It Starts And Ends With You” and released next month. I dunno guys, sounds kind of ballad-y.

Brett Anderson talks to NME about the new single and the band’s recorded return.

And while I’m on the topic, could someone please reissue the Suede catalog on vinyl? I was looking at $125 copies of Dog Man Star on eBay yesterday and thinking, “hey that’s not bad”. And then I slapped myself.

MP3: Suede – “Barriers”

Django Django have unchained released a new video from last year’s self-titled debut. They’re at the Opera House on March 12.

Video: Django Django – “Hand Of Man”

Stornoway are streaming the first taste of their second album Tales From Terra Firma, due out March 11.

Stream: Stornoway – “Knock Me On The Head”

The Line Of Best Fit has a video session with Echo Lake.

The xx talk to Rolling Stone about what they’ve got planned for their upcoming North American tour.

In conversation with The Gold Coast Bulletin, M.I.A. reveals her next album Matangi will be out on April 15.

Time OutHappy New Year, everyone; hope 2013 has been good to you so far and if not, geez. It’s only been 36 hours or so. What the hell.

We’ll kick off the new year with some old faces under a new name; The New Mendicants. So new they don’t even have a website or Facebook page, but if you need some background maybe look up Pernice Brothers, Teenage Fanclub, and The Sadies, and cross-reference with my writeup of last June’s wonderful Joe Pernice/Norman Blake show at the Dakota Tavern. Because what began that night as a possibly one-off pop summit has become a proper international supergroup with the addition of current Sadies and former Pernice Brothers drummer Mike Belitsky to the fold, providing some genuine Toronto content to American Pernice and Scot Blake, both immigrants to the southern Ontario region.

This year will see the first formal activity from the band, starting with a brace of Australian tour dates later this month featuring just Blake and Pernice and the release of their first EP. It’s a six-songer featuring three new songs, one of each of Pernice and Blake’s compositions from their other bands, and an INXS cover – stream it below – and while it’s a limited edition intended for sale down under, it’s available to preorder for North American fans for an approximate February 1 release.

A full-length with the working title of The Book Of Norman is also in the works, and while there’s no extensive touring in the cards, it’s hard to imagine that they won’t play at least an (adopted) hometown show whenever that happens. And presumably the new Pernice Brothers album will come out eventually and we’re about due a new Fanclub record, but until those become somewhat less than myth, we have this to look forward to.

Stream: The New Mendicants – “This Time”

And in a nice little bit of synchronicity, NYC Taper just posted a recording of Norman Blake’s set opening up the final Yo La Tengo Hannukah show at Maxwell’s in Hoboken last month.

DIY gets to know Palma Violets, one of the presumed “next big things” of 2013. Their debut 180 is out February 25 and they play The Horseshoe on January 24.

Stereogum interviews Johnny Marr; his solo debut The Messenger is out February 26.

PopMatters profiles Django Django, back in town at the Opera House on March 12.

A Music Blog, Yea? chats with Rose Elinor Dougall, whose second album has been a while in coming but should be out this year.

Black Book talks to Dev Hynes of Blood Orange about everything he got up to in 2012 and what might be yet to come.

Pop Justice talks to Jessie Ware about what’s transpired since her debut was released back in June.

Efterklang have released a new video from Piramida. They’re at The Mod Club on March 21 as part of Canadian MusicFest.

Video: Efterklang – “Sedna”

Pitchfork rounds up what’s known about a new release from Rilo Kiley, almost certainly an already-promised b-sides and rarities collection.

Beach House have a new video from Bloom, the timing of which is kind of obvious.

Video: Beach House – “New Year”

Murray Lightburn talks to Spinner about what The Dears have planned for 2013, recording a new record being one of those things.

Put That Shit On The List interviews Alaska B of Yamantaka//Sonic Titan. They play The Garrison on January 18.