Frank YangEditors are from Birmingham in the UK and are weathering criticism for daring to mess with their sonic formula on their latest effort In This Light And On This Evening. The Antlers are from Brooklyn in the USA and are basking in acclaim and ever-growing attention in the wake of last year’s Hospice. Two bands who wouldn’t appear to have a whole lot in common except for this – both steep their music deeply in dramatics for effect and both were at the Phoenix in Toronto on Tuesday night.

For The Antlers, the drama extended into their very arrival, having been held up at the border by some extra-conscientious immigration officers and only beginning to load in at their designated set time. Still, they were set up and ready to go just 10 minutes later than scheduled and immediately launched into a sprawling reading of “Kettering”, clearly not willing to be rushed for the sake of expediency. When I saw them in September 2009 at their Criminal Records in-store, what stood out most was how in a live context, they were able to transform the the anguish that permeates Hospice into something more cathartic, and in a large setting such as this, that was even more the case. Despite the late start, they were able to stretch out five songs over about 40 minutes, each filled with crescendos, false endings and emotion, and when they left the stage, it was to an ovation that you might have thought marked the end of the evening.

But no, as much as the crowd appreciated The Antlers, they were here for Editors, mixed reactions to In This Light be damned. Opening with the title track from the new album, it became clear how they’d be handling its synth-heavy sounds while maintaining the dynamicism of their live show – it began with Tom Smith seated at the piano and then midway through, getting up to grab his guitar while Chris Urbanowicz switched off from guitar to synth, a routine that would continue throughout the night as some or all would handle keyboard duties while the others kept it analog. Not a bad arrangement, allowing them to maintain the walls of keyboards while Smith did what he does best, and that’s lurch around stage and providing the kinetic energy necessary to get the show into gear. Though the rest of the band was more animated than the last time I saw them, it’s Smith’s presence and delivery that allows Editors to sell their songs to those, such as myself, who might otherwise have difficulty embracing the dubious lyricism of their grandly appointed anthems.

Clearly believing their new material is more worthy than the critics do, Editors played In This Light in its entirety, and to be fair, its shortcomings are less evident when interspersed with the stronger, more guitar-driven material from their first two records. Both An End Has A Start and The Back Room were well represented, with five tracks from each getting aired out. There were stretches where my attention began to wander but there was usually a big single strategically placed to pull it back in and keep me hanging around and my endurance was rewarded with pretty intense readings of “Munich” and “Papillon” in the encore. Critics of Editors like to point at the band’s over-emotive and unabashedly melodramatic approach, and yeah, they’re pretty well over the top in that department, but it wouldn’t have been nearly as good a show if they weren’t.

eye has a review of the whole show Panic Manual some thoughts on the Antlers’ set while Chart only has eyes for Editors. The Boston Herald and Metro have interviews with Editors and WOXY a Lounge Act session with Antlers, who were just announced as support for The National’s upcoming Spring tour, including the June 8 and 9 dates at Massey Hall.

Photos: Editors, The Antlers @ The Phoenix – February 16, 2010
MP3: Editors – “Papillon”
MP3: Editors – “Munich”
MP3: The Antlers – “Two”
MP3: The Antlers – “Two” (remastered)
MP3: The Antlers – “Bear”
MP3: The Antlers – “The Universe Is Going To Catch You”
MP3: The Antlers – “On the Roof”
MP3: The Antlers – “Stairs To The Attic”
MP3: The Antlers – “Cold War”
MP3: The Antlers – “Keys”
Video: Editors – “You Don’t Know Love”
Video: Editors – “Papillon”
Video: Editors – “An End Has A Start”
Video: Editors – “Smokers Outside the Hospital Doors”
Video: Editors – “All Sparks”
Video: Editors – “Munich”
Video: The Antlers – “Bear”
Video: The Antlers – “Two”
MySpace: Editors
MySpace: The Antlers

Rolling Stone checks in with Aaron Dessner of The National, who still don’t have a title for the new record but should have one before it hits stores on May 11. As mentioned, they have two nights at Massey Hall on June 8 and 9.

There’s a second MP3 available from Ted Leo & The Pharmacists’ new record The Brutalist Bricks, out March 9. And Ted has excuses as to why there’s not Toronto date on the tour itinerary yet, but promises one is coming soon.

MP3: Ted Leo & The Pharmacists – “The Mighty Sparrow”

The Calgary Herald has an interview with Jeff Tweedy of Wilco.

Stephin Merritt of The Magnetic Fields talks to Chart about Realism.

Quasi have released a second MP3 from American Gong, due out next Tuesday. They’re at The Horseshoe on April 18.

MP3: Quasi – “Laissez les Bon Temps Rouler”

Spinner has an Interface session with Beach House – look for them March 30 at the Opera House.

The Futureheads have rolled out a video from their new album The Chaos, due out April 26. Drowned In Sound has it and a making-of clip for the video.

Video: The Futureheads – “Heartbeat Song”

The Quietus interviews Field Music. They’re at The Horsesehoe on March 19.

The Dallas Observer profiles We Were Promised Jetpacks.

MySpaceRogue Wave’s 2003 debut Out Of The Shadow was aptly named, considering they’d spend the first few years of their existence trying to accomplish just that from their labelmates The Shins. Both helped Sub Pop shed its hard rock reputation and redefine itself as the go-to label for quality indie-pop, but it was The Shins that busted out into mainstream success while Rogue Wave toiled away to just modest acclaim.

Fast-forward a few (or more than a few years) and Sub Pop is now known as sensitive bearded dude central, The Shins are down to just frontman James Mercer and on hiatus, and Rogue Wave trundles on. No longer on Sub Pop, the lineup has changed a number of times – frontman Zach Schwartz and drummer Pat Spurgeon the only constants – and endured more than their fair share of hardships and tragedies including but not limited to paralysis, organ failure and death. But with their fourth album Permalight, due out March 2, they have come out through it all with possibly the most upbeat and enjoyable album yet.

Their sound has taken exceptionally well to the addition of electronic elements, the injection of synths and loops helping the record’s standout tracks reach an orbit that earlier albums had only hinted at. The simple folk-pop structures, sharp melodicism and gentle, dreamy vocals that have always lain at the heart of Schwartz’s compositions remain, but the production augments them, Steve Austin-style, such that the tunes feel tauter, more dynamic and hookier than certainly I ever thought they’d be able to deliver. Numbers such as “Good Morning” and the title track burst forth from the speakers with technicolour vim, sounding not like a band beaten down by life but buoyed by it, despite it all. Shins, the ball is in your court.

Rogue Wave on tour starting at the end of this month and through April in support of the new record. They’re playing the Mod Club in Toronto on February 26 – tickets are $15 in advance, but courtesy of LiveNation, I’ve got three pairs of passes to give away to the show. To enter, email me at contests AT chromewaves.net with “I want to ride the Rogue Wave” in the subject line and your full name in the body – contest closes at midnight, February 22. And while you’re angling for free Rogue Wave stuff, head over here to trade your email for a download of the album’s opening track.

MP3: Rogue Wave – “Good Morning”
MySpace: Rogue Wave

The Scotsman profiles Spoon, in town on March 29 at the Sound Academy.

JamBase talks to John Darnielle of The Mountain Goats.

Kurt Vile will play an in-store at Criminal Records on Friday, February 26th in advance of his show opening up for Fucked Up at the Opera House later that evening. Exact time to be determined. In-store goes at 6:30PM.

MP3: Kurt Vile – “Overnite Religion”
MP3: Kurt Vile – “Hunchback”

Pitchfork asks Ted Leo to list off his most profound musical influences at all ages from youth to today. His new album The Brutalist Bricks is out March 9.

Stephin Merritt of The Magnetic Fields tells Chart that advances in technology have facilitated his return to synthesizers on his next record, while NPR has an interview and session.

Crawdaddy talks to Wayne Coyne of The Flaming Lips, while Stereogum gets a look around his Oklahoma City digs.

Aquarium Drunkard interviews The Antlers. They’re at the Phoenix tonight opening up for Editors.

JAM has a feature piece on Wilco. They’re in the area next week with shows at Hamilton Place Theatre on February 23 and London’s Centennial Hall on February 24.

Westword talks to Annie Clark of St. Vincent.

Pitchfork interviews Beach House, in town at the Opera House on March 30.

Holly Miranda is currently streaming the whole of her solo debut The Magician’s Private Library at her MySpace a week ahead of its February 23 release.

Stream: Holly Miranda / The Magician’s Private Library

Illness has forced Kings Of Convenience to postpone their North American tour, which was supposed to start last week. That’s postponed, not canceled – the February 18 date at The Phoenix will be made up on June 8, same venue.

Sweden’s Sambassadeur are sharing another track from their forthcoming album European, due out February 23.

MP3: Sambassadeur – “Stranded”

Bil ZelmanHaving initially only announced tour dates in short, hesitant steps, Denton, Texas-based folk-pop revivalists Midlake have taken a deep breath, counted to ten, and slated an extensive North American tour in support of their new record The Courage Of Others that will include a local stop on May 21 at the Mod Club.

Though highly-anticipated, Courage is not drawing the sort of unanimous acclaim that its predecessor, 2006’s The Trials Of Van Occupanther, did, with some finding its even gentler tone exquisite and others deming it narcoleptic. I tend towards the latter – it is immaculately crafted, there’s no question there – but it lacks the dynamics of Van Occupanther and that was hardly a record of extreme peaks and valleys. It’s as though the band’s questing pilgrim has exited the rolling foothills and is now trekking across a wide-open plain. Scenic, perhaps, but not especially exhilarating. Of course, it took me a goodly amount of time – like a couple years – to come around to Van Occupanther‘s charms, so making any final declarations about the merits of Courage could be premature. For the moment, however, it’ll have to remain a record to go to when I’m feeling mellow, or needing to feel mellow. Or need some flute.

And Midlake live? They sound great, but maybe bring a book.

MusicOmh has an interview with Midlake frontman Tim Smith.

MP3: Midlake – “Acts Of Man”
MySpace: Midlake

Local hero Jim Guthrie continues his return to active duty with a show at the El Mocambo on March 26, supported by Culture Reject and PS I Love You.

MP3: Jim Guthrie – “You Are Far (Do You Exist?)”
MP3: Culture Reject – “Inside The Cinema”
MP3: PS I Love You – “Facelove”

Iceland’s Seabear, whose We Built A Fire is due out March 5 on Morr Music, will be at the Horseshoe on March 31.

MP3: Seabear – “Lion Face Boy”

Stroke gone solo Julian Casablancas will hit the road this Spring in support of his solo record Phrazes For The Young… all eight songs of it. Look for him at the Phoenix on April 2, and look for a new Strokes album in September. Ish.

Video: Julian Casablancas – “11th Dimension”

Titus Andronicus bring the second leg of their “Monitour” to Sneaky Dee’s on April 9, in support of their Civil War-themed second album The Monitor, out March 9. Rolling Stone has a profile.

MP3: Titus Andronicus – “Four Score And Seven” (Part One)
MP3: Titus Andronicus – “Four Score And Seven” (Part Two)

Boston post-rock instrumentalists Caspian will bring their latest album Tertia to Rancho Relaxo on April 13.

MP3: Caspian – “Of Foam And Wave”

With their first cross-Canada tour in some time scheduled to kick off tonight in Victoria, Wilco are set to leave a trail of press clippings in their wake – check out interviews with band members at Kelowna.com, The Vancouver Sun, The Georgia Straight, FFWD, The National Post, The Edmonton Journal and The Province.

JAM and The Gauntlet have features on The Rural Alberta Advantage, who are re-releasing Hometowns on their new home at Paper Bag Records – the CD on March 2 and limited-edition, blue vinyl LP on March 23.

The Ottawa Citizen, The Chronicle-Herald, Spinner and hour.ca talk to Basia Bulat, while The Montreal Gazette gets a peak inside her iPod. She will play an in-store at Soundscapes on Tuesday evening at 7PM.

The Scope and Ottawa X-Press have features on Owen Pallett. He is at the Queen Elizabeth Theatre on April 8.

Drowned In Sound meets Retribution Gospel Choir’s Alan Sparhawk.

Patterson Hood of Drive-By Truckers talks to News & Observer and The AV Club about the forthcoming documentary about the band, The Secret To A Happy Ending. Their new album The Big To-Do is out March 16 and they’ve got two dates at Lee’s Palace on April 6 and 7.

Also mad for the two-fer is Jonsi, who is setting up shop at the Sound Academy on April 30 and May 1 – NPR has an acoustic performance from the Sigur Ros frontman, whose solo debut Go arrives March 23.

NME reports that Kate Nash’s still-untitled second album is due for release on April 19, and a new track is available to whomever signs up for her mailing list. I have to say I’m not overly impressed with that first sample, and not just because they give you a freaking WMA file. Who does that?

Also back and bearing gifts are The Pipettes, whose lineup is now made up of I have no idea who. Presumably this means a new album is coming this year? Update: Yes – Earth vs Pipettes is due out this Summer.

Video: The Pipettes – “Our Love Was Saved By A Spaceman”

Interview interviews Stephin Merritt of The Magnetic Fields.

The Antlers have released a new video from Hospice and The Boston Globe has a feature piece. They are at The Phoenix next Tuesday night.

Video: The Antlers – “Bear”

Ra Ra Riot bassist Mathieu Santos gives Rolling Stone an idea of what to expect from album number two, when it arrives this Summer.

The Toronto Star, Spinner and The Globe & Mail reflect on the end of Wavelength, which wraps up the weekly series this Sunday night.

Michael PalmieriWhen I wrote up Sharon Van Etten’s debut album Because I Was In Love back in October, I felt a bit bad about giving it just a passing mention as I liked it more than just a sentence or two might have implied. But at the time my web hosting was self-destructing and I wanted to get something out there before her local appearance opening for Rain Machine, so a cursory mention it was.

But with there seeming to be even more attention being paid to Van Etten and her record now than when it was initially released back in May 2009, now’s as good a time as any to revisit the album and, at the very least, elaborate a bit more on why it’s worthy of notice – and in a word, it’s the voice. Slow, rich and seemingly operating at the resonant frequency of melancholy and with the texture of tears, it’s the perfect vehicle for her spare, almost skeletal songs of longing and disappointment, transporting them directly through the ears and into the heart. That might seem a bit flowery a description, but I defy you to listen to the “ooohs” in “Much More Than This” and tell me otherwise. That voice, with the languid, low-key acoustic atmosphere and strategically-placed bits of electric guitar and piano make for a record that’s worth revisiting again not only a few months later, but again and again.

Blurt has a feature piece on Van Etten and Weather Vane Music has a stunning new song recorded for their Shaking Through series available to download. Sharon Van Etten opens up the sold out Great Lake Swimmers show at Trinity-St. Paul’s tomorrow night and returns on April 5 for a show at the Horseshoe with Megafaun.

MP3: Sharon Van Etten – “For You”
MP3: Sharon Van Etten – “Love More”
Video: Sharon Van Etten – “For You”
MySpace: Sharon Van Etten

The Skinny discusses Shearwater’s new record The Golden Archipelago with frontman Jonathan Meiburg. The record is out February 23, they play Lee’s Palace on April 1.

Midlake’s Eric Pulido talks to The Quietus about coffee while his bandmates discuss their music with BBC6 and The Independent.

Spoon are using a live studio performance for the first video off Transference. They’re at the Sound Academy on March 29.

Video: Spoon – “Written In Reverse”

PitchforkTV has padded out their special video series with Beach House with a few more songs and The Chronicle-Herald and New York Magazine have interviews. They’re at the Opera House on March 30.

A Sunny Day In Glasgow have put out a new video from their forthcoming Nighttime Rainbows EP, out March 2. They play The Garrison on April 2.

Video: A Sunny Day In Glasgow – “So Bloody, So Tight”

Beatroute, North County Times and The Georgia Straight talk to St. Vincent, who just released a new video/comedy sketch from Actor, featuring the thespian skills of Fred Armisen and Carrie Brownstein, also known as ThunderAnt.

Video: St. Vincent – “Laughing With A Mouth Of Blood”

Paste has got a video session with Nicole Atkins & The Black Sea.

BeatRoute talks to Nels Cline of Wilco.

MusicOmn, The Line Of Best Fit, Montreal Mirror, Montreal Gazette, The Advocate, CBC, eye and NOW have conversations with Stephin Merritt of The Magnetic Fields, who are in town at the Queen Elizabeth Theatre on Monday night. There’s also an official trailer up for Strange Powers: Stephin Merritt & The Magnetic Fields, the forthcoming documentary film on the band, and an MP3 from the 69 Love Songs vinyl box set, coming out on April 20. And for folks in Toronto looking to pick this up, Criminal Records has got your best deal as far as pre-orders of the limited edition go.

MP3: The Magnetic Fields – “The Book Of Love”
Trailer: Strange Powers: Stephin Merritt & The Magnetic Fields

Paste gets some info on She & Him’s Volume Two, out March 23, from Zooey Deschanel.

Good news for Toronto roots-rock fans – in addition to their free show at the Horseshoe this coming Tuesday night, Those Darlins have slated a return engagement on April 6 at the same venue with Deer Tick. Bad news is that’s the same night as the Drive-By Truckers’ gig at Lee’s Palace. Good news is that the Truckers are doing a second night at the same venu on the 7th. Unless you were planning on hitting both, in which case I think you break about even.

MP3: Deer Tick – “Easy”
MP3: Those Darlins – “Red Light Live”

Speaking of the Drive-By Truckers, Billboard talks to frontman Patterson Hood about their new record The Big To-Do, which will be out March 16.

The Jon Spencer-powered Heavy Trash have a date at the Horseshoe on April 23. Their latest Midnight Soul Serenade came out last year.

Frank YangHad you the opportunity to go back in time and tell the 23-year old me that, in just over a decade, I’d be so fortunate as to see two of my all-time guitar heroes – Johnny Marr and J Mascis – live and awesome in a one-week span, I’d have told you to shut the fuck up. And then asked why, if you had the power to go back in time, you’d offer me that bit of information instead of, oh, stock tips or sports scores. But yeah, seeing The Cribs last week and then Dinosaur Jr not once but twice on Thursday was pretty ridiculously cool.

While precognition is only slightly more plausible than temporal displacement, it’s still quite a coincidence that I selected this photo for my not-yet-failed Photo 365 project a couple weeks ago and then framed last week’s cover of the week as I did – it’s almost as though I knew that Dinosaur Jr was going to be at Sonic Boom in more than pre-recorded form. Which, of course, I did not so the almost last-minute announcement on Monday morning that the trio would be playing an in-store in the Annex record store before their sold-out show at the Phoenix was a WTF of the best kind. And one that would surely require a lot of advance planning and waiting in order to get a good spot.

I’m sure some had hopes that this would be a fully-plugged in, foundation-shaking rock extravaganza that people would be talking about for generations to come, but those sorts of expectations were just a bit unrealistic, what with all of their gear already set up and soundchecked at the Phoenix. What they did bring when they finally arrived at the packed house a half hour later than scheduled – traffic, dontcha know – was a semi-acoustic setup that wasn’t going to damage anyone’s hearing, but would provide a unique experience. They also didn’t bring Murph – apparently border issues left him at home in the land of the free and a replacement drummer in Kyle Spence, who played with Mascis in The Fog. Mascis came bearing a Gibson acoustic rather than one of his signature Jazzmasters but the fuzz pedal and tube amp that accompanied it ensure that things wouldn’t be too polite. And you could call their six-song set a bit mellow and certainly unprepared, it was not polite – a J Mascis guitar solo, even one on acoustic guitar, is epic, rambling and awesome but not polite. They may have come without a set list, but the selections they did decide on offered a pretty good representation of the Dino jr canon – three from the original trilogy of records, one from their latest Farm and most excitingly to me, a couple from the non-Barlow years, which through no real fault of Lou’s, are my favourite. Knowing that material from those records was in the mix for this tour was pretty damned exciting.

And the belief that they were focused only on Lou-era material was part of the reason that I had yet to see the resurrected Dinosaur Jr live, even though this was their third time coming through town since 2005. The first time out, my understanding was that they were only playing material from the first three records since the touring was in support of the reissues and I missed their Summer 2007 visit in support of Beyond on account of scheduling. And I’d seen the charity J Mascis/Broken Social Scene gig back in July 2006 so it’s not as though I hadn’t borne witness to J Mascis’ guitarwork before. These rationalizations were, however, entirely moot when I got to the Phoenix Thursday evening. The in-store was a delicious appetizer but this was the main course. The unbelievably loud and wholly electrified main course.

I hope that anyone who found the Sonic Boom set too low-key for their tastes had tickets for the Phoenix show. While they opened up relatively slowly with Green Mind‘s “Thumb”, the energy accumulated quickly and by the time they got to “Out There” about mid-way through, this Dinosaur was moving at full speed and leaving a trail of sonic destruction in its wake. I’d always thought of Lou Barlow as the sensitive mope-rocker of his solo career, so it was a bit odd to watch him absolutely rock out on bass, lurching and hair-whipping through the set. In contrast, J Mascis stood relatively placid at stage right, safely ensconced in his fortress of amplitude while spewing massively fuzzed-out guitar solos from his fingers and lazily drawled lyrics from his mouth.

It was a personal thrill to hear “Feel The Pain” from Without A Sound, not their most celebrated record but my gateway drug into the world of Dinosaur Jr, and “The Wagon” which closed their in-store set in grand style but was even better delivered at a billion decibels. For the finale they went back to the (more) classic material with a blistering “Freak Scene” and a Living All Over Me-centric encore of “Kracked” and “Sludgefeast” before inviting Fucked Up frontman Damian Abraham onstage to close things out with early b-side “Chunks”. It was an epic show and, knowing that this no longer really counts as a reunion or a farewell, there’s no reason to not expect more of the same in the future.

The Ottawa Citizen and hour.ca have interviews with J Mascis. aux.tv and For The Records were in attendance at the in-store while Chart, eye and The Music Slut report back from the Phoenix show. NYC Taper is sharing a recording of the Dinosaur Jr show in Brooklyn last week.

Photos: Dinosaur Jr @ The Phoenix – January 21, 2010
Photos: Dinosaur Jr @ Sonic Boom – January 21, 2010
MP3: Dinosaur Jr – “I Want You To Know”
MP3: Dinosaur Jr – “Almost Ready”
MP3: Dinosaur Jr – “Freak Scene”
MP3: Dinosaur Jr – “Forget The Swan”
Video: Dinosaur Jr – “Over It”
Video: Dinosaur Jr – “Been There All The Time”
Video: Dinosaur Jr – “Feel The Pain”
Video: Dinosaur Jr – “Get Me”
Video: Dinosaur Jr – “Start Choppin'”
Video: Dinosaur Jr – “The Wagon”
Video: Dinosaur Jr – “Freak Scene”
Video: Dinosaur Jr – “Just Like Heaven”
Video: Dinosaur Jr – “Little Fury Things”
MySpace: Dinosaur Jr

Spinner talks to Fucked Up guitarist Ben Cook about a Sonic Youth feud that never really was. F’ed Up’s Couple Tracks comp is out this week and they play the Opera House on February 26.

St. Louis Today talks to James McNew of Yo La Tengo.

Wilco are doing their bit for Haiti relief efforts by offering a couple of complete live recordings from last year – Keyspan Park in New York and HMV Forum in London – in exchange for a minimum $15 donation to either OXFAM or Doctors Without Borders.

The New Have Advocate, Chart, The Duluth News-Tribune and The California Chronicle have interviews with Alan Sparhawk of the Retribution Gospel Choir, in town at the Drake Underground tonight.

The Hold Steady are a moustache down – keyboardist Franz Nicolay has officially left the band.

Fans of free shows and record store ambiance have a tough decision to make on February 5 – to see Great Lake Swimmers at Sonic Boom at 6:30PM or Hawksley Workman at Criminal Records at 6PM. Of course, both have their own proper shows coming up – Great Lake Swimmers at Trinity-St. Paul’s the following night and Workman at Massey Hall on April 24 – but they’re not free and you can’t shop for Animal Collective LPs while they play. Okay, maybe that last bit’s not such a bad thing.

MP3: Great Lake Swimmers – “Pulling On A Line”
MP3: Hawksley Workman – “Maniacs”

Aussies The Temper Trap are setting out on a North American tour that includes a date at the Mod Club on March 30 with Danes The Kissaway Trail. The former’s debut Conditions came out last year while the latter’s second album Sleep Mountain is due out in March.

MP3: The Temper Trap – “Down River”

Good Friday will be a day of hard choices for Toronto dream-pop aficionados. In addition to A Sunny Day In Glasgow’s show at The Garrison on April 2, Norwegian sonic apocalypse merchants Serena Maneesh will be just a short hop away at the Great Hall that night to showcase their new album S-M 2: Abyss In B Minor, out March 23. This may not necessarily be an either-or proposition – the venues are just a kilometer apart and if set times are obliging, you could do parts of both. That was the case the last time Serena Maneesh were here at Lee’s Palace in September 2006 and Early Day Miners were a couple blocks away at The Tranzac – Serena Maneesh managed to utterly demolish their set both figuratively and literally in under 45 minutes and I made it to the EDM show in plenty of time. Here’s hoping they haven’t learned any lessons in endurance in the past few years. Tickets for the show are already on sale for $15.

MP3: Serena Maneesh – “Ayisha Abyss”

If you, like I, are missing seeing Sharon Van Etten open up for Great Lake Swimmers at the aforementioned Trinity-St. Paul’s show on February 6, you’ll be pleased to know she’ll be back on April 5 for a show at the Horseshoe with Megafaun. I’m not so familiar with Megafaun but Van Etten’s Because I Was In Love is a quiet gem of a record – The AV Club and On Milwaukee have interviews with the singer-songwriter.

MP3: Sharon Van Etten – “For You”
MP3: Megafaun – “The Fade”
MP3: Megafaun – “Kaufman’s Ballad”

SubPop punks Pissed Jeans are at the Horseshoe on April 12, tickets $12. Their third album King Of Jeans came out last Summer.

MP3: Pissed Jeans – “Dream Smotherer”
MP3: Pissed Jeans – “False Jesii Part 2”
MP3: Pissed Jeans – “People Person”
MP3: Pissed Jeans – “I’ve Still Got You (Ice Cream)”

With their new album Romance Is Boring out tomorrow, Los Campesinos! have plotted a North American tour that kicks off with an April 20 show at The Phoenix. Clash has an interview with the band and Gareth Campesinos tells Drowned In Sound why he’s auctioning off his glockenspiel (and donating the proceeds to Haitian relief).