Frank YangThere’s not a lot of cross-Canada tours that skip over Toronto, but the Exclaim/Scion-sponsored country-wide trek headlined by Shad, and for this leg also featuring fellow Polaris shortlist alumni Miracle Fortress, looked to be doing just that with Thursday night’s show at Wrongbar presented as a private show, attended by contest winners and attendees of Exclaim’s 19th anniversary party which went before the show. But it’s not as though either artist had been strangers hereabouts lately – both performed in March as part of Canadian Musicfest, and both had more upcoming local dates over the next couple of months; if you wanted to see either of them, you will still have your chances. If you wanted some of the tasty hors d’oeuvres and free beer that was being handed out to party guests… well, sorry – can’t help you there.

But if you were curious about how the show itself went, that I can comment on. I’ve already talked about how much I like Miracle Fortress’ second album, the gorgeous blend of new wave and classic pop that is Was I The Wave?, and so was pretty excited to see/hear it live armed with an intimate knowledge of its contents rather than just the one-week head start I had in March. And while this performance was pretty similar in structure and presentation to that previous show – Graham Van Pelt on guitars, keys, and general sonic sorcery and Greg Napier on drums, a few laser-lighting and strobe effects and a lot of darkness – there were a few fresh observations.

In particular, the realization that as much as Van Pelt is often characterized as preferring to studio to the stage and only touring because it’s necessary, the live Miracle Fortress experience is as intricately arranged and choreographed in its way as the record – whereas the touring incarnation of Miracle Fortress changed a fair bit over the course of promoting 2007’s Five Roses, it’s pretty clear that Van Pelt knew exactly how he wanted Was I The Wave? to be presented live. The way that the duo are able to recreate all the nuances and textures of Was I The Wave? while incorporating a few more visceral live flourishes to keep it from feeling to pre-programmed was quite impressive, as was the fact that even with all the multi-tasking he needs to manage, Van Pelt’s vocals were pitch-perfect. In short, Miracle Fortress sounded fantastic.

And while Shad is always fantastic live as a performer, you couldn’t say that his hour-long headlining set sounded fantastic. Somehow Miracle Fortress’ elaborate setup was easier to amplify than Shad’s mic, turntable and bassist because he had to fight his way through feedback, poor levels and generally muddy sound. Luckily, though, he was in a fighting mood and despite all of that, he put on the most aggressive show I’ve seen from him yet. I don’t mean that in any sort of confrontational sense – that’s not Shad’s game – but just in the amount of energy and enthusiasm he put into it. If you’ve seen him before, you know that his baseline is pretty energetic; this was better.

For his set, he drew heavily on last year’s breakout TSOL and took advantage of the city to invite some guests out; Lisa Lobsinger of Reverie Sound Revue and Broken Social Scene to reprise her parts on “Rose Garden” and Grand Analog’s Odario Williams to take lead on their track “Electric City”, on which Shad guested. But from my perspective, the most memorable guest was the hopefully drunken girl who barged her way to the front for the last few songs of the set and proceeded to writhe and gyrate all over the stage monitors like she was auditioning for a Warrant video. I’m really not sure what she was trying to accomplish – though if it was to be laughed at by the rest of the audience, the club staff and security she succeeded – but as many points as Shad scored for the rest of his set, he gets bonus for not getting distracted. Wish I could say the same but I was doing my best to not get elbowed in the head by her dance moves. Memorable, if nothing else.

BlogTO was also on hand for wasabi mashed potatoes and a review of the show. Ca Va Cool , hour.ca, The Vancouver Sun and See interview Graham Van Pelt; Was I The Wave? gets a US release tomorrow. Shad will be playing at showcase to be announced as part of NXNE and also a free Canada Day show at Metro Square as part of the Toronto Jazz Festival. Miracle Fortress will be at The Phoenix on June 9 as support for Junior Boys. Update: Shad will perform at The New Social on June 18.

Photos: Shad, Miracle Fortress @ Wrongbar – May 12, 2011
MP3: Shad – “Rose Garden”
MP3: Shad – “Yaa I Get It”
MP3: Shad – “I’ll Never Understand”
MP3: Miracle Fortress – “Raw Spectacle”
MP3: Miracle Fortress – “Have You Seen In Your Dreams”
Video: Shad – “Keep Shining”
Video: Shad – “We Myself & I”
Video: Shad – “Rose Garden”
Video: Shad – “Yaa I Get It”
Video: Shad – “The Old Prince Still Lives At Home”
Video: Shad – “I Don’t Really Like To”
Video: Shad – “Brother (Watching)”
Video: Miracle Fortress – “Maybe Lately”
Video: Miracle Fortress – “Have You Seen In Your Dreams”

DIY, Spinner and BlogTO talk to Katie Stelmanis of Austra, whose record Feel It Break is out tomorrow and who plays Lee’s Palace on May 19.

Spinner talks to Suuns, who are playing the Horseshoe on June 17 as part of NXNE.

Ottawa XPress profiles The Balconies, whose NXNE showcase goes at 1AM the evening of June 18 at Sneaky Dee’s.

Yours Truly has a stunningly-shot video performance from Basia Bulat playing a new song.

Modern Superstitions quietly rolled out a sharp new video a couple months ago. Worth a watch, as is the band themselves.

Video: Modern Superstitions – “Mercy Line”

Spinner talks to Will Whitwham of The Wilderness Of Manitoba about taking their folk-pop around the world.

Southern Souls has both audio and video from The Darcys’ show at Steam Whistle Brewing a couple weeks ago.

Five words that I never thought I’d see together – Fucked Up and Air Canada Centre (unless it was in the context of how the Leafs do on the ice). And yet Toronto’s premiere hardcore outfit will indeed be going arena-sized on August 9 when they open up for Foo Fighters. And on top of it all, Montreal pop-punkers from the ’90s The Doughboys are back together and will also be on the bill. Fun fact – my band in high school covered The Doughboys’ “Shine” because I liked playing the riff. Yes, I basically made a hash of it every time; I fail to see what that has to do with anything. Fucked Up’s David Comes To Life is out June 7 and the band have released a mini-doc video talking about the new record.

MP3: Fucked Up – “Queen Of Hearts”
Video: Foo Fighters – “Rope”
Video: Doughboys – “Shine”

Handsome Furs have made the first MP3 from their forthcoming Sound Kapital available to download without and bloodletting or having to sign up for any mailing lists. The record is out June 28.

MP3: Handsome Furs – “What About Us”

Efforts to catch Sloan’s in-store at Sonic Boom on Saturday were largely foiled thanks to the TTC, who got me there about 40 minutes later than expected. As a result, I couldn’t see anything and there won’t be much writeup beyond saying that The Double Cross continues to impress me with how top-to-bottom great it is, they’re still not nor will they likely ever be an airtight live band but that’s part of their charm and I’m going to have to hit their June 22 show at The Mod Club now. In the meantime, check out this Q&A with Patrick Pentland as the band prepare to commandeer the Magnet website for a week, this guided tour of Sloan’s rehearsal space at Metro, this review/reminiscence of the record/band from Dave Ullrich of Inbreds at Thick Specs and two more installments in their video tributes – a choral “Everything You’ve Done Wrong” and celebrities choosing their favourite Sloan albums.

Bruce PeninsulaBy rights, we should have seen a new record from Toronto’s Bruce Peninsula ages ago. Their 2009 debut A Mountain Is A Mouth seemed a long time in coming from when the choral gospel-blues-folk collective began dropping jaws with their live shows, but after its release the band was everywhere and it seemed there was no slowing the momentum behind them.

But life, as it is wont to do, threw a curveball and in late 2010, after their second album had been recorded and they should have been planning how next to spread their word, frontman Neil Haverty was diagnosed with leukemia and the healing power of music would have to take a back seat to the healing power of medicine. Happily, some months later, Haverty is in remission and the Bruce Peninsula is getting back into gear.

While the album doesn’t yet have a firm release date, the band are laying down a trail from here to there and calling it the Bruce Peninsula Fire Sale – a series of releases and goodies intended to renew acquaintances and remind folks of why this band was one of the city’s most interesting new acts not so long ago. The first installment is a cover of Loudon Wainwright III’s “Swimming Song” – complete with video – and though it’s someone else’s song, the sound and arrangement is quite unlike anything we heard on Mountain – more refined, less primal and kind of revelatory. If this is just the start, then I can’t wait to hear what’s to come. Welcome back.

MP3: Bruce Peninsula – “The Swimming Song”
Video: Bruce Peninsula – “The Swimming Song”

On a less celebratory note, Vancouver’s You Say Party are going on an indefinite hiatus following a harder year than any group of people should have to endure. They’re being clear not to call it an ending, but taking some much-needed time off. And by way of going away gift, a pretty terrific new video from last year’s XXXX though I gotta say, a touch disappointed by the dearth of dancing midgets.

Video: You Say Party – “Laura Palmer’s Prom”

Pitchfork has details on the new Handsome Furs record Sound Kapital, which will be out on June 28. Grab the first MP3 in exchange for your email at their website.

NYC Taper is sharing a recording of a PS I Love You show in New York at the end of March.

The Leader-Post talks to Mark Hamilton of Woodpigeon about flying solo on his current cross-Canada tour along with Jon Janes of The Mountains & The Trees and Magali Meagher of The Phonemes. The tour is winding down now and will wrap on April 21 at The Tranzac in Toronto. He’s posted a quick summary of the jaunt so far and posted a radio session MP3.

MP3: Woodpigeon – “An Entanglement Of Weeds” (live on CHUO)

The Boston Herald introduces its readers to Shad. He plays a free show as part of the Jazz Festival at Metro Square on July 1.

The Colorado Springs Independent talks to Nate Query of The Decemberists, who’ve just released a new video from The King Is Dead.

Video: The Decemberists – “This Is Why We Fight”

NPR has a World Cafe session with DeVotchKa.

CBC has got a live in-studio performance video of Jeff Tweedy playing what will surely be one of Wilco’s new songs.

The Head & The Heart are gearing up for the release of their self-titled debut this Saturday by putting out a new video and streaming the whole thing.

Video: The Head & The Heart – “Rivers & Roads”
Stream: The Head & The Heart / The Head & The Heart

Laura Ballance’s shiv-wielding, hard-drinking, fight-picking cat takes centre stage in the new Superchunk video from Majesty Shredding. Their vinyl reissue of Here’s Where The Strings Come In is at the top of my Record Store Day shopping list, and beyond the incentive of it being remastered and not being scratched to shit like my CD copy, it will come with a bunch of bonuses including acoustic demos and a download of The Clambakes Vol. 5: Cup of Clams live set circa 2003.

Video: Superchunk – “Crossed Wires”

Parts & Labor have released a new video from Constant Future; they play Parts & Labour tonight.

Video: Parts & Labor – “Echo Chamber”

Drowned In Sound sits down with Alan Sparhawk of Low for an interview, a song-by-song annotation of the just-released C’Mon and a video performance of one of the songs from the record. eMusic also has an interview with Sparhawk and Square with Mimi Parker. They are at The Mod Club on May 2 and have just released an Uncle Jesse-powered video from the album.

Video: Low – “Try To Sleep”

Beatroute and The Ottawa Citizen talk to Pixies. They’re at Massey Hall on April 18 and 19.

And the Soundgarden reunion which rather surprisingly didn’t saturate the festival circuit last year, is coming to town – they’ve a date at the Molson Amphitheatre for July 2, with fan club presale starting next Monday.

Video: Soundgarden – “Spoonman”

sistermusic.caNext Saturday, April 16, is Record Store Day and no matter what your feelings on the event itself and its attempts to convince you that you really need those songs you already have on a coloured 7″, you can’t argue with some of the perks. Specifically, the fact that many of the local retail establishments around town like to entice you into their stores with the promise of free live music.

So far, Sonic Boom has the biggest lineup, running from day through night and pretty impressive. There’s no one quite the stature of Sloan, as they had last year, but there’s both Canadian indie rock veterans with pedigree and rookies with promise on offer this year. Things will shake down as follows:

1PM – Modern Superstitions
2PM – Teenanger
3PM – Bidniband (ex-Rheostatic Dave Bidni)
4PM – Light Fires (Gentleman Reg and Ohbijou’s James Bunton)
5PM – Ben Gunning (former Local Rabbit)
6PM – Sister (two-thirds of Scott Pilgrim-inspiring Plumtree)
8PM – Zeus
9PM – The Wooden Sky

MP3: The Wooden Sky – “Something Hiding In The Night For Us”
MP3: Zeus – “Marching Through Your Head”
MP3: Sister – “Orion”
MP3: Modern Superstitions – “Visions Of You”

Further downtown at Criminal Records, you’ve got a 7PM acoustic set from The Grey Kingdom, aka the solo project from Attack In Black’s Spencer Burton. They’ll also be the only ones with the vinyl edition of his debut album Eulogy Of Her And Her And Her, so if that’s your bag then that’s the place to be. And even if it’s not, the rather exhaustive list of RSD exclusives that they’ve ordered – and usually get at least some if not a lot of – should be enough to entice you.

If memory serves, both Kops and Sunrise had bands in last year – no word yet if they’ll do so again this year, but I’ll update if they do.

And not associated with Record Store Day but definitely worth your time and costing you exactly zero dollars will be The Sadies at The Toronto Reference Library as part of their Make Some Noise series – there’s no advance tickets, so show up before doors at 7:30PM on April 16 – the show starts at 8 – and enjoy. The Toronto Public Library has a chat with drummer Mike Belitsky.

MP3: The Sadies – “Another Year Again”

Ron Sexsmith will play an acoustic in-store set at Sonic Boom on April 21 at 6PM in advance of his sold-out show at Lee’s Palace that evening.

Video: Ron Sexsmith – “Late Bloomer” (live)

This one’s half-free – Cults’ show at Lee’s Palace on the Friday night of NXNE will be standard ticket/wristband/badge admission, but they’ll also be on whatever bill gets put together for the free shows at Yonge-Dundas Square the next day, June 18 – perfect if you’d rather, you know, go outside. Their self-titled debut will be out on June 7.

MP3: Cults – “Go Outside”

Twin Shadow is also coming to town for NXNE – he and his band are at Lee’s on June 18 – but that one will cost you unless you’ve got a wristband or badge and feel like walking into the shows just by flashing it is close enough to free for you.

MP3: Twin Shadow – “Castles In The Snow”

Back to the gratis but on a completely different scale is the opening event for this year’s Toronto Jazz Festival – which will feature the legendary (and that’s putting it mildly) Aretha Franklin at Metro Hall on June 24, showtime 8:30. Aretha. For free. PEOPLE.

Video: Aretha Franklin – “Respect” (live)

And on Canada Day, given that there doesn’t seem to be a Harbourfront Centre show for the first time in years, your best bet will be Shad – also at Metro Hall – starting at 5:30PM. Too early in the day for fireworks so we’ll have to settle for some freestyling.

MP3: Shad – “Rose Garden”

And finally, one you’ll have to pay for but should be worth it: The Pains Of Being Pure At Heart have added a bunch of tour dates through the Summer in support of new album Belong and their itinerary brings them back to Toronto for the first time since September 2009 – they’ll be at The Opera House on August 2. Blurt has an interview with frontman Kip Berman.

Video: The Pains Of Being Pure At Heart – “Heart In Your Heartbreak”

The Head & The Heart have released a new MP# from their self-titled debut which should be on every one of your shopping lists for Record Store Day (when it’s released).

MP3: The Head & The Heart – “Lost In My Mind”

Blurt is streaming the whole of The Submarines’ new record Love Notes/Letter Bombs. They play The Horseshoe April 22.

Stream: The Submarines / Love Notes/Letter Bombs

TV On The Radio is streaming the whole of their new record Nine Types Of Light at The Guardian. The album is out next Tuesday and they’re at The Sound Academy on April 18. Interview has an interview. Fancy that.

Stream: TV On The Radio / Nine Types Of Light

Canvas MediaThere’s records that you hear and, regardless of how you personally feel about them, you know that they will be a big thing, that their contents will resonate with the masses and will prove to be game-changers for the artist who created it. Timber Timbre’s 2009 self-titled album was not one of these, or at least I didn’t hear it. Building swampy textures and tempos around Taylor Kirk’s low, drawling Randy Newman-ish vocals, it didn’t seem the sort of record with a lot of crossover appeal and yet it did find an audience beyond lo-fi folk/blues enthusiasts and would be one of the most highly-regarded Torontonian and even Canadian releases of the year. What can I say, I’m wrong a lot. I’m okay with that.

And so I’m not at all surprised that people are rubbing their hands together in anticipation of Timber Timbre’s new record, the marvelously-titled Creep On Creepin’ On, which is out on April 5. It keeps much of the dark, out-of-time atmospherics of its predecessor, but with Kirk’s live band Simon Trottier and Mika Posen now full-fledged members, offers a more dynamic sound with some rather rich-sounding instrumental passages. I already like it more than Timber Timbre, so everyone else is probably going to love it.

Exclaim thinks enough of it to put the band on the cover of their new issue with accompanying feature story. The record is streaming in whole at Spinner and they’ve just released a video from it as well. Months of touring begin in earnest this weekend and include a sold-out hometown show at Trinity-St. Paul’s next Friday night, April 8.

MP3: Timber Timbre – “Black Water”
Video: Timber Timbre – “Woman”
Stream: Timber Timbre / Creep On Creeping On

PS I Love You have released a new video from Meet Me At The Muster Station and support for their April 7 show at The Garrison has been revealed as Matters. Whom you may have known better as The D’Urbervilles. Which you may know as John O’Reagan’s – aka Diamond Rings – rock band. Exclaim has some info on the change in identity, both sides of their new single – which is out next week and already has a video – is streaming at Bandcamp and NOW has a chat with the director of the last Diamond Rings video.

Video: PS I Love You – “Get Over”
Video: Matters – “Get In Or Get Out”
Video: Diamond Rings – “It’s Not My Party”

Creative Loafing and Ca Va Cool check in with The Rural Alberta Advantage, who will be at The Phoenix on April 29.

Spinner and Simcoe.com talk to Tokyo Police Club.

A new MP3 from Sloan’s forthcoming The Double Cross is up for grabs. The record is out May 10.

MP3: Sloan – “Unkind”

Matablog announced that the lead-up to the June 7 release of Fucked Up’s new record David Comes To Life would consist of four digital singles, the first of which is already up for grabs. Exclaim also reports that the band will put out a compilation of fake ’70s-era punk bands as part of Record Store Day on April 16, and are offering a track from that to wrap your head around.

MP3: Fucked Up – “The Other Shoe”

Apparently coming out of SxSW as one of the buzz bands, Austra have scheduled a hometown show at Lee’s Palace for May 19 to go with the May 17 release of Feel It Break. The Guardian declared them “New band of the day” last week.

MP3: Austra – “The Beat & The Pulse”

The Meligrove Band have released a new video from last year’s Shimmering Lights.

Video: The Meligrove Band – “Really Want It”

The National Post chats with Basia Bulat.

Stars have released a new video from last year’s The 5 Ghosts, and congratulations to Amy Millan and Evan Cranley on the birth of their daughter last week.

Video: Stars – “Changes”

PopMatters talks to Natalia Yanchak of The Dears while The Village Voice chats with Murray Lightburn.

NYC Taper is sharing a recording of Godspeed You! Black Emperor’s show in Brooklyn in mid-March. Their sold-out three-night, four-show stand at Lee’s Palace runs April 22 to 24.

Exclaim talks to Little Scream, whose debut The Golden Record arrives April 12. She opens for Antlers at The Mod Club on June 14.

Exclaim has details on Miracle Fortress’ long-awaited second album Was I The Wave?, due out April 26 and previewed impressively (though in the dark) back Canadian Musicfest. A track from the record is available in exchange for your email address.

Ottawa post-pop instrumentalists My Dad Vs. Yours have released a video from their gorgeous new record Little Symphonies. The Link has an interview with guitarist Jose Palacios.

Video: My Dad Vs Yours – “Happy Wanderer / Carry The Weight”

The Take talks with Juno award winner Shad, who by way of thanks is giving away a new track recorded with Skratch Bastid. There’s also a video interview with Shad from the Junos by the Province of Ontario. Our tax dollars at work!

MP3: Shad & Skratch Bastid – “Give You All I Can”
Video: Shad & Skratch Bastid – “Give You All I Can”

eye, The Chicago Tribune, The Riverfront Times and Austinist talk to Dan Bejar of Destroyer, who are playing a sold-out show at Lee’s Palace tonight.

Frank YangFor as many years as I’ve been attending and covering Canadian Music Week and/or Canadian Musicfest, which is now quite a few, I’ve never hit up what is ostensibly it’s big gala show, the Independent Music Awards or, more unfortunately, the INDIES. Usually this was because the lineup of performers wasn’t as interesting as hitting up the clubs and because the awards themselves, being fan-voted, seemed odd and arbitrary. But this year, the combination of a weaker-than-normal Saturday night schedule and a very appealing one-two finale of Janelle Monáe and Shad convinced me that the ballroom at the Royal York hotel was the place to finish the festival off.

Due to some logistics and the fact that their sets were maybe ten minutes long, I missed the first couple performers but arrived in time to see London’s Bombay Bicycle Club, who despite being only moderately successful back home were treated as nigh on royalty over here across their several festival appearances. And it’s not that they’re unlikeable – they ply a sort of scrappy but earnest Brit-rock that’s thankfully not of the snotty post-Libertines/Arctic Monkeys variety, but isn’t especially memorable, either. Though from the cheers that met them and the stories that I’ve heard from the rabid fans at their other shows, I’m in the minority with that opinion, and that’s fine. The Brit-kids need their fix and this week, Bombay Bicycle Club was it.

The National Post and Spinner have chats with the band.

Photos: Bombay Bicycle Club @ The Fairmont Royal York – March 12, 2011
Video: Bombay Bicycle Club – “My God”
Video: Bombay Bicycle Club – “Always Like This”
Video: Bombay Bicycle Club – “Evening/Morning”
Video: Bombay Bicycle Club – “Dust On The Ground”
Video: Bombay Bicycle Club – “Magnet”

Similar can be said for the next act, Ottawa-area natives Hollerado. There’s no doubt the band has earned all the success they’ve achieved so far, what with touring constantly, giving away their album Record In A Bag for free (grab it off their website), making creative videos and generally working their asses off – but while I find their collegiate riff-rock material decent enough from a melodic/catchiness perspective, it just doesn’t come off as all that interesting to me. But even so, they do put on an entertaining show and elicit a tremendous response from their fanbase who were out on this evening in force and by way of saying hello and thanks for their support, frontman Menno Versteeg lept into the crowd for their set’s finale.

The National Post has a Q&A with Versteeg.

Photos: Hollerado @ The Fairmont Royal York – March 12, 2011
MP3: Hollerado – “Juliette”
MP3: Hollerado – “Fake Drugs”
MP3: Hollerado – “Americanarama”
Video: Hollerado – “Juliette”
Video: Hollerado – “Americanarama”

At this point, I’ll talk a bit about the awards themselves which were kind of fascinating to behold. First, there was a disconnect between the performers and the nominees in that half of the former had nothing to do with the awards being given out, they were just there to play a show and accordingly, much of the audience seemed indifferent to the ceremonies being held on the side stage. And since the Indies don’t really rate as a major award, many/most of the winners didn’t show up or send a representative, resulting in a stretch where a bunch of ostensibly big winners were announced in rapid fire succession with the audience cheering a name and an image on the video screen for a second or two. Just odd.

But back to the show. Even though Shad was himself an Indie winner (for Favourite Urban Artist), his set seemed less a part of the awards show and more the start of a separate event altogether, where he was the warm up, Janelle Monáe the headliner and that was it. Now I have never seen Shad in the context of his own headlining show – festivals, in-stores and awards ceremonies yes, and now as support, but his own show? Not yet. But considering that none of the above are what you’d call ideal circumstances for a performer, that he’s been fantastic in every one makes me think that there’s no way Shad ever puts on a bad show. Goodness knows he didn’t on this evening, with a compact but totally entertaining set drawing from his two Polaris shortlisted records TSOL and The Old Prince while backed by a DJ and bassist/keyboardist while he delivered smart, snappy rhymes overtop. He might be a perpetual Polaris bridesmaid, at least so far, but there’s no denying he’s one of if not the top hip-hop artist in the country right now.

eye and The National Post have feature pieces on Shad.

Photos: Shad @ The Fairmont Royal York – March 12, 2011
MP3: Shad – “Rose Garden”
MP3: Shad – “Yaa I Get It”
Video: Shad – “Keep Shining”
Video: Shad – “We Myself & I”
Video: Shad – “Rose Garden”
Video: Shad – “Yaa I Get It”
Video: Shad – “The Old Prince Still Lives At Home”
Video: Shad – “I Don’t Really Like To”
Video: Shad – “Brother (Watching)”

Ultimately, though, the night was about Janelle Monáe. If you were able to exact spot where the best of R&B, soul, funk, rock, pop, singer, songwriter, dancer and out-and-out visionary artistry intersected, it would be in the shape of a tiny pompadoured woman in a tuxedo. Though only on the scene for a few years, her live shows are already legendary spectacles, and not in the all flash no substance way of many pop stars, but in the jaw-dropping musicianship and entertainer sense. Toronto got their first taste of Monáe last Summer when she opened up for Arcade Fire on the Islands, and while for many she nearly stole the show, it was still very much not her audience.

This evening, however, it was and though some might have wished that she’d played a normal show unattached to any awards or festivals, she still delivered a full-length set that bore out her reputation as one of the most electrifying performers going today. Using the futuristic concepts laid out in her ArchAndroid album as a framing device, she and her ridiculously tight band put on a dazzling hour-long show replete with costume changes, extraordinary dancing and just great songs that refuse to be pigeonholed into any specific genre. And unlike the Island show, which curiously put show-stoppers “Cold War” and “Tightrope” mid-set, this time they saved them for a perfect one-two punch finale, and yet still managed to top it with an extended “Come Alive (War of the Roses)” where the stage was first invaded by dancers cast as androids and then the audience was invaded by Monáe, who went for a venue-spanning crowd surf. Awards? What awards? All I know is that Janelle Monáe won. At everything.

Spinner has a wrap up of the entire night, start to finish.

Photos: Janelle Monáe @ The Fairmont Royal York – March 12, 2011
Video: Janelle Monáe – “Cold War”
Video: Janelle Monáe – “Tightrope”
Video: Janelle Monáe – “Many Moons”

Spinner talks to TV On The Radio’s Kyp Malone about their new record Nine Types Of Light, due out April 12. They’ll be at the Sound Academy on April 18 but Pitchfork reports that bassist/keyboardist Gerard Smith won’t be joining them on the road as he’s being treated for lung cancer – best wishes to Smith for a speedy recovery.

Spin and Interview have feature pieces on The Kills, who’ve made a track from their new record Blood Pressures available to download. It’s out April 5 and they play The Sound Academy on May 1.

MP3: The Kills – “DNA”

A week before its release, The Strokes have posted their new record Angles on their website for all to stream, and you can follow along with the song-by-song commentary Julian Casablancas has give to NME.

Stream: The Strokes / Angles

Drive-By Truckers will bring their new record Go Go Boots to The Phoenix on June 15, tickets $29.50 in advance. The Georgia Straight chats with guitarist Mike Cooley.

MP3: Drive-By Truckers – “Used To Be A Cop”

A couple of ladies for whom one name is enough – Thao & Mirah – have teamed up for an album they’ve called Thao & Mirah and will be in town for a show at Lee’s Palace on June 5. That’s just short of a year after their last visit was cancelled on account of a little incident we locals like to call the G20 clusterfuck.

MP3: Thao & Mirah – “Eleven [featuring tUnE-yaRds]”

NXNE is still a ways off but some of the performers at this year’s fest are getting out – the Thursday night, June 16, will find Deerhoof and The Dodos at The Phoenix. Both acts have new records out, Deerhoof Vs Evil and No Color, respectively. Paste talks to The Dodos about their new record.

MP3: Deerhoof – “The Merry Barracks”
MP3: The Dodos – “Don’t Stop”