hopesandoval.comIt’s been over a month since word came that the reclusive Hope Sandoval was returning to active duty – she had not only completed a new Warm Intentions album with My Bloody Valentine’s Colm O Cíosoig, but was also putting finishing touches on a new record from Mazzy Star. Now there’s been no further word on what would be her and David Roback’s first album since 1996, but the new Warm Inventions album Through The Devil Softly is definitely happening, albeit with a September 29 release date instead of the originally announced September 15.

Also promised at the time was a tour to support the new record, and Under The Radar has a goodly number of the North American dates, though the gaps in the schedule imply there might be some more to come. Locals will be pleased to see she’s got a Toronto date at the Mod Club on October 7, her first appearance in these parts since an August 2002 date at Lee’s Palace which got some mixed reviews but of which a recording exists.

And speaking of recordings, Entertainment Weekly is streaming a new song from Through The Devil Softly to go along with the MP3 which was previously released. Update: Actually that EW track is also now available to download.

MP3: Hope Sandoval & The Warm Intentions – “Trouble”
MP3: Hope Sandoval & The Warm Intentions – “Blanchard”

Also with a new album out on September 29 are The Avett Brothers, who will be releasing their latest I And Love And You. They’ll be in town at the Horseshoe the next night, September 30, to support – tickets $17.50 – but what has me doing a double-take is their tour routing thereabouts. They’re in Dallas on September 27, Toronto on September 30, and then New Orleans on October 1? Those two cities are 20 hours apart. If this schedule is correct, I have no idea how they’re going to pull that off, nor why you’d even try. Anyways, The Boston Globe has a feature and Rolling Stone declares the trio, who’ve been putting out records since 2000, an “artist to watch”.

MP3: The Avett Brothers – “I And Love And You”

And also in town on October 7 – referencing back to the Hope Sandoval bit here – are Israeli nutjobs Monotonix, famous for their absurd and insane live shows. Their Fall North American tour includes an October 7 date at the Velvet Underground, tickets $10. Their debut full-length Where Were You When It Happened is out August 31 – details at Strange Glue.

MP3: Monotonix – “Ride”
MP3: Monotonix – “Body Language”

Presumably part of a larger North American tour and presumably implying their latest album Klang, out since March in the UK, is getting a release over here, The Rakes will be at the Mod Club on November 9.

Video: The Rakes – “1989”

The Sadies have made a date at the Horseshoe for September 12, tickets $15. It’s not part of any particular tour but the Sadies need as much excuse to play the ‘Shoe as you need to breathe.

MP3: The Sadies – “Anna Leigh”

Both They Shoot Music and aux.tv have posted up video sessions with Malajube, who are this week’s featured Polaris Prize nominee, which basically means you can download an MP3 for free via the Polaris website. And speaking of free, you can also enter this contest to win a trip to Toronto for the September 21 Polaris Prize awards gala – all ten nominees will be performing this year!

Exclaim has details on the new Do Make Say Think record Other Truths, out October 20, while Stereogum is steaming a first preview track from it. Do Make Say Think are at the Polish Combatants Hall tonight for the Bicycle Film Festival launch party – congrats to Evan for winning my contest for passes.

Time Out and The Sydney Morning Herald talk to Aimee Mann.

The first MP3 from Headlights’ new album Wildlife, out October 6, is now available over at RCRDLBL.

Elvis Perkins In Dearland will release a new EP on October 20 entitled Doomsday, featuring five new tracks in addition to the title track taken from their self-titled album.

MP3: Elvis Perkins In Dearland – “Slow Doomsday”

Yet another video from Yo La Tengo’s new album Popular Songs has emerged. The record is out September 8 and they play The Opera House on October 3.

Video: Yo La Tengo – “Nothing To Hide”

Pitchfork has details on the new R.E.M. live album Live At The Olympia, which will feature 39 songs across two CDs recorded in Dublin in 2007. Look for it October 26.

Mason HastieIf there’s one thing I learned from being on the Grand Jury for last year’s Polaris Prize, it’s that the duties of being a regular jurist are far, far, far, far less stressful. There’s a real burden of responsibility when you’re one of the 11 whose duty it is to choose Canada’s “best album of the year”, forcing you to consider each nominee on the short list objectively, checking as much as possible personal biases towards genre, personality, history, whatever. It’s a lot of work.

And while in theory, the regular jury is supposed to apply that same criteria to their ballots, but it’s more of a free-for-all, some choosing to vote strategically to try and get lesser-known acts some exposure, others opting to ignore more commercially successful artists (though that’s probably the same thing). I took the same approach as in past years – essentially a combination of 85% personal favourites and 15% critical merit – and went with the following picks and rationale:

1) Woodpigeon / Treasury Library Canada & Houndstooth Europa
– one of my favourite albums of 2008, it hasn’t lost any of its winsome charm in the subsequent months. Expansive in scope yet exceedingly intimate-sounding, it’s simple and heartfelt and just beautiful. Dose.ca has an interview with bandleader Mark Hamilton.

MP3: Woodpigeon – “Knock Knock”
MP3: Woodpigeon – “Love In The Time Of Hopscotch”
MP3: Woodpigeon – “Oberkampf”
MP3: Woodpigeon – “Lay All Your Love On Me”
Video: Woodpigeon – “A Moment’s Peace for Mary Christa O’Keefe”
MySpace: Woodpigeon

2) Land Of Talk / Some Are Lakes
– I’d originally pegged this as a bit of a disappointment as it didn’t have the same buzzsaw intensity as their debut EP, but in time I’ve realized that the restraint and nuance of the full-length reveals them to be a much more sophisticated band than you might have originally expected. And it still kicks hard when it needs to.

MP3: Land Of Talk – “Some Are Lakes”
MP3: Land Of Talk – “Corner Phone”
Video: Land Of Talk – “Some Are Lakes”
MySpace: Land Of Talk

3) Rae Spoon / Superioryouareinferior
– The latecomer, dark horse, call it what you will, I’ve explained how this record from an artist completely unknown to me prior to a few months ago quickly became one whose melodies and emotional content would come to haunt the corners of my brain.

MP3: Rae Spoon – “Come On Forest Fire Burn The Disco Down”
Stream: Rae Spoon / Superioryouareinferior
MySpace: Rae Spoon

4) Bruce Peninsula / A Mountain Is A Mouth
– That the recorded artifact even comes close to capturing the intensity of the live Bruce Peninsula experience should earn it some sort of prize. That it dropped a couple of spots where I might have placed it a few months ago is more testament to the quality of the competition than a slight on the record itself.

MP3: Bruce Peninsula – “Crabapples”
MySpace: Bruce Peninsula

5) Metric / Fantasies
– This one might surprise some people who know I’m not even remotely a rabid Metric fan, but I’d be lying if I said that Fantasies didn’t have some of the best hooks and choruses of any record from any country this year. Spinner.ca, North Country Times and Decider have features.

Video: Metric – “Sick Muse”
Video: Metric – “Gimme Sympathy”
MySpace: Metric

And to my surprise, all five of my picks made the official long list, announced yesterday, which means that not only can I rest easy knowing that my tastes broadly align with the rest of Canada’s music critics (or maybe I should despair of that?) but that I now no longer need to do anything between now and the official ceremony in late September, when I will have to help myself to cheese and crackers. The short list of ten finalists will be unveiled on July 7, and I’m not going to speculate as to how many of the above choices will still be standing when the dust settles there. Hopefully at least a couple, so I have someone to root for.

I don’t know if the timing of the Polaris long list announcement was deliberately set to coincide with the start of NXNE this week, but it certainly makes my segue easier. I took an early pass at the lineup a while back, and now that the schedule has mostly worked itself out, my picks for the week are becoming somewhat clearer. Each night would seem to have what I’ll call an “anchor” act for me to either plan around or use as a starting point for the evening. Thursday night at 10PM at Neutral for Austin’s Ume, Friday at the Dakota at 8PM for Coeur De Pirate, with whom Singing Lamb has an interview, and Saturday at the Horseshoe, 9PM, for the aforementioned Woodpigeon.

Options for the Thursday night include Kensington Prairie at C’est What or The Balconies at the Drake for 9PM, Kittens Ablaze at the Rivoli or Natalie Portman’s Shaved Head at the El Mocambo at 11 and probably The Darcys at midnight.

With Coeur De Pirate being an early show, Friday is kind of wide open. Will almost certainly hit up Parlovr at Supermarket at 9, hope Swedes via Ireland Kill Krinkle Club are better than their name at Holy Joe’s for 10 and if not, there’s The Superstitions playing just downstairs at the Reverb. The UK’s Koogaphone have piqued my interest for 11PM – they’re upstairs at the El Mocambo – and seeing as how I’ve meant to see Provincial Parks for some time now, midnight at Rancho Relaxo seems as good an opportunity as any. 1AM will probably send me back to the Reverb for Parallels, though having The Sadies at the El Mocambo at the same time is about as sure a bet as you can get.

Saturday starts at the Horseshoe for Woodpigeon, and while staying at the ‘Shoe for NXNE for the stacked CBC-sponsored lineups is always an option, I will likely head to Bread & Circus to see Caledonia – though they didn’t make the long list, they got some substantial last-minute Polaris nomination buzz. Speaking of buzz, Band Of Skulls is getting enough that I’ll likely check them out at the El Mocambo but staying at Bread & Circus – with their lovely bright lights – for Olenka & The Autumn Lovers is also an option. Post-midnight is still entirely up in the air – suggestions are welcome, though they’d have to compete against the “go home and go to sleep” option, which is always a compelling one.

And if the official showcases aren’t enough to keep you busy, there’s always the unofficial ones, which generally take the form of in-stores. I haven’t seen anything slated for Sonic Boom, which is a bit unusual, but Criminal Records has a nice little lineup this week – Apostle Of Hustle at 7PM tonight, Said The Whale and The Daredevil Christopher Wright on the 19th, starting at 6PM.

As mentioned before, Ohbijou are doing an in-store at Soundscapes on Wednesday, June 17 at 7PM to mark the release of Beacons, a record you can probably expect to see me talking about when I do my Polaris Prize writeup for 2010. They talk to CBC Radio 3 and The National Post about the new album. They’ll also do a full show at the Opera House on June 25 – still have passes and prizes to give away for that.

The National Post has a Soundcheck video feature on Dog Day.

Someone obviously thinks I need to visit Montreal again. Today, Pop Montreal, taking place September 30 to October 4, revealed their initial lineup and as rumoured, the list includes the likes of Dinosaur Jr, Chairlift, Destroyer and the Dalai Lama (what?) – all fine acts, but their presence in Montreal almost certainly augurs a trip down the 401 to Toronto within a day or two. But more compelling is the addition to Osheaga (August 1 and 2) of Yeah Yeah Yeahs. When the initial lineup was announced and it was obvious they were importing chunks of All Points West’s roster wholesale, I bemoaned the fact that the Yeah Yeah Yeahs weren’t among them. Well apparently it was just a matter of time, because now with them and Elbow performing along with The Decemberists and Lykke Li amongst a host of others – and the fact that until V gets their act together and gives me a reason to head up to Orillia – 2009 is looking festival-free and that simply will not do.

Amanda SchenkThe Sadies have no shortage of experience in the role of backing band, having worked with the likes of Neko Case, Robyn Hitchcock and Jon Langford in addition to carving out their niche with their unique blend of country, rock, punk and psychedelic influences. John Doe has no shortage of experience fronting bands, most famously with Los Angeles punk legends X but also with country outfit The Knitters, to say nothing of his impressive solo career. So that the two parties would opt to work together on a record initiated, as Doe recalls, by “a drunken promise or threat” seems like a match made in country heaven.

Though Country Club, the resultant album, may have been conceived in a rather off the cuff manner, the execution is far from haphazard – quite the contrary, it’s a decidedly smooth and polished effort. The Sadies are as absurdly tight as ever – I think they’re genetically incapable of being sloppy – but stay largely in the background across the collection comprised mainly of old country covers, allowing Doe’s richly weathered voice to take centre stage. Doe and The Sadies favour a casual, back porch vibe on this record, focusing more on croony, country weepers featuring Doe and a variety of lady duet partners, including Kathleen Edwards. Foreknowledge of the tunes isn’t necessary – besides the Sadies original “Before I Wake”, I only recognized Johnny Cash’s “I Still Miss Someone” and the Hag’s “Are The Good Times Really Over For Good” – just an appreciation for the hurtin’ side of country. Anyone looking for raucous, boozed-up jams should keep on walking; everyone else, grab a peer, pull up a stool and sit a spell.

And if you feel so inclined to do just that, Doe and The Sadies will be entertaining guests at the Horseshoe this Thursday night, April 30, and courtesy of Against The Grain and Outside Music, I’ve got a couple prize packs consisting of a pair of passes to the show and a copy of Country Club to give away. To enter, email me at contests AT chromewaves.net with “I want to join The Country Club” in the subject line and your full name and address in the body and get that in to me by 7AM, April 29 (morning deadline what?). And, if you either don’t win, can’t make it or just need more Doe and Sadies in your musical diet, they’ll be doing an in-store at Sonic Boom Thursday evening at 7PM. Anyone who was at their in-store there back in November 2007 knows that the wood-paneled setting is perfect for the Good brothers and that unplugging them makes them no less fearsome a band.

Stream: John Doe & The Sadies / Country Club
MySpace: John Doe & The Sadies

Reuters talks to Steve Earle about his forthcoming Townes Van Zandt tribute record Townes, due out May 12.

Clash interviews Jason Lytle, whose new solo record Yours Truly, The Commuter is out May 19.

Billboard verifies that Wilco will release their new album on June 30. Unconfirmed is that the record, the band’s seventh, will be self-titled. How meta would that be – Wilco the band releases Wilco the album which contains “Wilco The Song”. Update: Rolling Stone confirms: Wilco (The Album) out June 30. Huzzah!

Chairlift has an Interface session with Spinner.

The Pains Of Being Pure At Heart have released a new video, just in time for their show at Lee’s Palace tonight. There’s interviews with the band at The Ithaca Journal, The Cornell Daily Sun, New Haven Advocate and Hartford Courant.

Video: The Pains Of Being Pure At Heart – “Young Adult Friction”

Interview interviews Beach House, who will be part of the Olympic Island concert taking place at the Toronto Islands on July 11.

British Sea Power will release their new album, a soundtrack for the 1933 documentary film Man From Aran, on May 18 and there’s now an MP3 from the soundtrack and a trailer for the film. The band are already at work on their fourth proper studio album – Noble gives NME a progress report.

MP3: British Sea Power – “Come Wander With Me”
Trailer: Man From Aran

Another Dears b-side is up for grabs. They’re at the Mod Club on Thursday evening.

MP3: The Dears – “Crisis 1 and 2”

It’s Metric week at Drowned In Sound, and they lead off their coverage with a track-by-track annotation of Fantasies by Emily Haines and a five-part serialization of the The Rawside Of… docu-feature. One part a day, the first one is here.

Dog Day have rolled out new video to go along with the release of their new album Concentration. They’ve got a date at Lee’s Palace on May 28.

MP3: Dog Day – “Rome”
Video: Dog Day – “Happiness”

Malajube have announced some Canadian dates including a June 12 show at Lee’s Palace.

MP3: Malajube – “Porte Disparu”

Frank YangIt’s far too easy to be cynical about Glasvegas. Emerging from the UK as they did last year on a massive wave of hype with a sound that was unabashedly retro and a matching ’50s-greaser gang image, the Glasgow-based quartet were quick targets for those who wanted to dismiss them as contrived and calculated, not that that stopped them from topping the charts and becoming massive at home.

For my part, I went from intrigued on first listen to mildly suspicious after spending time with their self-titled debut and then somewhat won over following their daylight SxSW set. At the time, I figured that seeing them in neutral environs such as a SxSW day show, stripped of their light show and adoring fans, would provide a truer indication if they were for real or not. And yes they sold me, but it wasn’t until Friday night’s show at the Mod Club – their long-awaited Toronto debut – that I realized what I was missing out on by skipping the formal sales pitch.

Glasvegas are not ashamed to aspire to stadium-scale grandeur, with massive Spector-via-JAMC sonics and anthemic choruses designed to rouse the cheap seats and while the Mod Club is hardly Wembley Stadium, packed as it was with fans hollering along with every song, it wasn’t far off. From the opening notes of “Geraldine” through end end of their just under an hour-long set, it was clear that Glasvegas weren’t there to convince anyone they were a great band – they were there to celebrate that as fact with those who already knew it. Looking not a little bit Strummer and clad in a leather jacket (later swapped for a tank top and donated tartan scarf), frontman James Allan displayed dollops of rock star charisma, basking in the adoration of the audience but returning every bit of it right back to the crowd.

It was the sort of rapport that made me ashamed to have ever questioned the sincerity of the band. That doesn’t necessarily excuse some of the overly-direct earnestness of the songwriting, but it does mitigate it. Seeing and hearing Allan bellow the words with unquestionable emotion, no matter how clumsy, then back off while the enraptured audience take over while more than matching his passion… yes, on paper it’s kind of cliche but in person? It’s still pretty stirring. The band will probably always have more than it’s share of critics and naysayers, but I know where I stand now – over there with the other folks singing, “here we fucking go”.

The Toronto Sun has a glowing review of the show and reports that the band will be back this Fall, eye has another review. Music Snobbery has an interview with the band. And congrats go to Jarita, Ashlee and Mark who won the signed Glasvegas albums.

Photos: Glasvegas @ The Mod Club – April 3, 2009
Video: Glasvegas – “Please Come Back Home”
Video: Glasvegas – “Daddy’s Gone”
Video: Glasvegas – “Geraldine”
MySpace: Glasvegas

NME has a video interview and The Line Of Best Fit and The Herald text ones with Doves. Kingdom Of Rust is out tomorrow, they play the Kool Haus on June 1.

Tourdates UK talks to Emmy The Great.

Maximo Park have released the first video from their forthcoming album Quicken The Heart, out May 12.

Video: Maximo Park – “The Kids Are Sick Again”

And also with a new video are The Joy Formidable for their latest single “Whirring”, off the excellent A Balloon Called Moaning.

Video: The Joy Formidable – “Whirring”

Drowned In Sound chats with Ryan Adams on the occasion of his retirement from the world of music. He interviews Marianne Faithfull for Black Book while The Guardian profiles Adams and other rockers turned authors including Nick Cave and Billy Bragg.

The Hold Steady are offering up an MP3 from their new live album A Positive Rage, out tomorrow.

MP3: The Hold Steady – “Chips Ahoy” (live)

I saw almost 50 shows at SxSW this year, but one of the ones I missed – and regret – was The Uglysuit, who only played like three shows. Could they not have taken one of the Vivian Girls’ two dozen shows? They’ve released a new MP3 from their fine 2008 self-titled debut, reviewed here.

MP3: The Uglysuit – “…And We Became Sunshine”

Paste and The Skinny catch up with The Thermals. Their new one Now We Can See is out tomorrow and currently streaming at their MySpace. They’re at the Horseshoe on May 3.

Stream: The Thermals – “Now We Can See”

Blurt, BBC1, The New York Times and Filter have profiles on The Yeah Yeah Yeahs.

Askmen talks to Metric’s Emily Haines. Their new album Fantasies is out tomorrow, they play an in-store at HMV on Yonge St on Thursday and a show at the Mod Club next Tuesday.

I Heart Music is sharing MP3s of the CBC Fuse session with The Sadies and The Tragically Hip’s Gord Downie from a couple years ago. I saw them team up at the Horseshoe in December 2007 and it was intense. The Sadies’ new album backing John Doe, Country Club, is out April 14 and they play the Horseshoe together on April 30. The Tragically Hip’s new one We Are The Same is out this week and they have a six-night stand at Massey Hall the week of May 11.

WOXY has posted MP3s from a slew of Lounge Act sessions recorded during SxSW, including sets from The Pains Of Being Pure Of Heart, Ume and The Wooden Birds. They also welcomed The Rural Alberta Advantage in for a session last week.

PitchforkTV is streaming the new Arcade Fire documentary Miroir Noir, which is now available in DVD form.

Soundproof has a guest column from Alan McGee wondering why people would actually want The Stone Roses to reunite.

The National Post has an interview with yours truly about blogs and stuff and includes what I hope is one of the worst pictures of me in existence. If anyone tells me that’s actually a good photo, I will despair.

MySpaceI’m just About hip-deep in Canadian Musicfest stuff at the moment and also trying desperately to get my SxSW junk together, but a handful of tasty concert announcements showed up yesterday and if I don’t get them out there now, who knows when I will.

I first noticed unabashedly ’80s-loving English electro-pop outfit La Roux when they showed up no small number of “next big things for ’09” lists at the start of the year. And while it’s still far too early to see if Elly Jackson and her interesting hair will deliver on those expectations – she’s only just released her second single with an album in the works for sometime this year – the Londoner and co-conspirator Ben Langmaid are coming across the Atlantic this Spring to try and make an impression. They’ll be at the Drake Underground as a special presentation of the Sticky Fingers DJ nights on April 5, tickets $13 in advance.

Video: La Roux – “Quicksand”
Video: La Roux – “In For The Kill”
MySpace: La Roux

The Rosebuds are coming back to town on the back of last year’s Life Like – they have a date at Lee’s Palace on April 13, tickets $10.50. They just rolled out a new video for the title track of said record.

MP3: The Rosebuds – “Life Like”
Video: The Rosebuds – “Life Like”

M Ward’s Spring tour in support of Hold Time has slated a Toronto date for April 27 at the Phoenix. Tickets $23.50.

MP3: M Ward – “Never Had Nobody Like You”
Video: M Ward – “Hold Time”

Baltimore’s Ponytail will be at the DeLeon White Gallery on April 27.

MP3: Ponytail – “Celebrate The Body Electric”

Country Club, the collaboration from John Doe & The Sadies, is out April 14 and they will follow that up with at show at the Horseshoe on April 30. Tickets $17.50. Currently on a western swing, Dallas Good talks to The Georgia Straight and Pique Newsmagazine.

And possibly the toughest decision I’ll have to make this year… A Camp who are going on tour in support of Colonia – out April 28 – have set a date at the Mod Club for June 1. A date that is already circled on the calendar as it’s also when Doves are at the Kool Haus. Nina Persson’s first visit to town in five years or Doves’ first in four? Swedish babe or Mancunian beardies? Hmm. Tickets for the A Camp show are $15 and already on sale. MusicOHM has an interview with Persson.

MP3: A Camp – “Stronger Than Jesus” (Harlem Session)
Video: A Camp – “Stronger Than Jesus”

There’s a new vid from Franz Ferdinand, who have a gig at the Kool Haus on May 4.

Video: Franz Ferdinand – “No You Girls”

PJ Harvey discusses her new album with John Parish, A Woman A Man Walked By, with Billboard. It’s out March 30.

And finally, the divine Mary-Louise Parker gives Esquire a list of ten types of albums no man should own if they ever hope to have sex again… (scans CD collection)… Yes! I still have a shot!