Frank YangAs mentioned when this show was originally announced in May, I was quite pleased to see that New York’s Chairlift were coming back to town as part of Harbourfront Centre’s Soundclash festival because I didn’t realize how much I liked their second album Something until they had finished touring it. And that’s largely because I found their 2008 debut Does You Inspire You? intermittently entertaining but largely uninteresting, the overall quality not matching their iTunes advert-elevated profile. I didn’t appreciate how much better they got after founding member Aaron Pfenning left, leaving the duo of Caroline Polachek and Patrick Wimberly to regroup and realize ditching the cutesy/goofy songwriting o the debut for an approach that understood Polachek’s remarkable vocals were better cast in a more soulful, yet more synthesized context, would produce much stronger work.

So of course they opened up with an opera number. Or operatic, at the least. I’m not sure if it was an original composition, but if the intention was to grab the attention of passers-by out for walk along the waterfront with a riveting vocal performance, it did the job. “Sidewalk Safari” immediately followed to reassure fans they weren’t, in fact, at the wrong show, and the next song, a slinky slow-burner, was one of a few new songs in that vein. Compared to the recent and new material, the simple singalong pop of “Bruises” sounded almost quaint and emphasized how much more sophisticated of a band they had become, but there was no disputing its crowd-pleasingess, hence its inclusion though rather earlier in the show than one might have thought. And though they cited “I Belong In Your Arms” as a request, I can’t believe it’d have been omitted from the show otherwise – surely there’s consensus that it’s one of the best songs in their repertoire?

Chairlift on this evening were a three-piece, with a guitarist/keyboardist/multi-instrumentalist augmenting the core duo. Apparently they’ve toured as a larger live band in the past, allowing Polachek to focus on frontwoman duties rather than anchor herself to a keyboard for parts of the set, but even so she was still a presence on stage, all tassels and shampoo commercial hair – to say nothing of her remarkable vocals, even rangier and more expressive live than on record – as she roamed the stage and danced. The audience, in typically polite Toronto fashion, was appreciative but it took a direct invitation from Polachek to dance to get up out of their seats. I’d like to think, however, that they’d have done so on their own by the time the show closed with “Amanaemonesia”. A terrific way to spend a Summer’s evening, and cement my appreciation for the band, if somewhat late to the party.

Photos: Chairlift @ Harbourfront Centre – July 12, 2013
MP3: Chairlift – “I Belong In Your Arms”
MP3: Chairlift – “Lift Cool As A Fire”
MP3: Chairlift – “Garbage”
Video: Chairlift – “Met Before”
Video: Chairlift – “Amanaemonesia”
Video: Chairlift – “Bruises”
Video: Chairlift – “Evident Utensil”

American experi-folk collective Akron/Family are coming to southern Ontario for some Hillside Festival action, but aren’t forgetting their Toronto fans – they’ll play a free in-store at Sonic Boom on July 26 at 8PM.

MP3: Akron/Family – “So It Goes”

eMusic and Pitchfork have features on Northampton, Massachusetts’ Speedy Ortiz, who’ve been making a lot of noise – literal and figurative – with their wonderfully ’90s-vintage jagged-edge melodic rock on Major Arcana; they’ve just been confirmed as support for Thurston Moore’s Chelsea Light Moving at The Horseshoe on September 15 so that’s gone from can’t miss to CAN’T MISS.

MP3: Speedy Ortiz – “No Below”
MP3: Speedy Ortiz – “Tiger Tank”

Though they’re down a number of members since becoming band du jour in 2005, Philadelphia’s Clap Your Hands Say Yeah are still a going concern and will be at Lee’s Palace on September 28 to prove it. Tickets for the show are $22.50 in advance.

MP3: Clap Your Hands Say Yeah – “Same Mistake”

Brooklyn surf-punk-garage quartet Obits have readied a new long-player in Beds & Bugs, given it a September 10 release date and will be at The Horseshoe on October 4 as part of a North American tour, tickets $13.50. Hear one of the songs from the new record below.

MP3: Obits – “Taste The Diff”

Unclassifiable Ameri-Parisian sister act CocoRosie have assembled a North American tour behind their latest album Tales Of A GrassWidow and will be at The Phoenix on October 15. Exclaim has the full tour itinerary.

Video: CocoRosie – “Gravedigress”

If you were concerned because Ty Segall hasn’t been through town in a few months, don’t worry – he’s coming back as part of his psychedelic FUZZ project for a date at Parts & Labour on October 16 following the October 1 release of their self-titled debut album; Exclaim has all the dates. And don’t worry, the August 20 release of Sleeper, his next album under his own name, is still on track so expect some dates behind that sooner rather than later.

MP3: FUZZ – “Loose Sutres”

Brooklyn rock machine The Men have finally set a local date behind this year’s surprisingly Americana-ish but still fierce New Moon. They’ll be at The Horseshoe on October 20 and the rest of their Fall dates are up at Consequence Of Sound.

MP3: The Men – “Open Your Heart”

You don’t often see bands play support in rooms smaller than they headline, but with their date at Lee’s Palace opening for Wire in the books, NEVER MIND THAT PART. Minus The Bear have announced a show at The Opera House on October 20, tickets $25. This is partly but not really in support of their crowdfunded acoustic-versions record Acoustics II – they’re promising to play an acoustic mini-set as part of a fully-plugged in show.

MP3: Minus The Bear – “Hooray”

If you chose either Foals or The Breeders over Charles Bradley in this past May’s show-mageddon with the expectation that he’d be back before the others, congratulations – Bradley and his Extraordinaires are bringing No Time For Dreaming to The Kool Haus on December 12, tickets $25.50. As a bonus, you get this video session from NPR as well as a World Cafe session.

Video: Charles Bradley – “Strictly Reserved For You”

Superchunk are streaming a new tune from their new record, I Hate Music, due out August 20.

Stream: Superchunk – “Me & You & Jackie Mittoo”

Pitchfork have details of the new record from Of Montreal – lousy with sylvianbriar is out October 8, and the first single sounds like this.

Stream: Of Montreal – “fugitive air”

Widowspeak have announced the release of a new EP entitled The Swamps on October 29. Details at Pitchfork, lead track from said EP below.

Stream: Widowspeak – “True Believer”

NPR has premiered the new video from John Vanderslice’s latest album, Dagger Beach.

Video: John Vanderslice – “How The West Was Won”

Sterophile interviews Wayne Coyne of The Flaming Lips.

Jason SummersThis isn’t a review of the double-disc edition of Icky Mettle, released earlier this week and the first of four Archers Of Loaf reissues to come over the next year and a bit – for that, hit up the excellent Pitchfork writeup. I’ve had Icky Mettle for years but it hasn’t become such a part of me that I can offer any sort of explanation as to why it’s such a great record – in fact, I’ve only really come to that realization recently. So go read Matt LeMay’s writeup.

This also isn’t a broader discussion of why Archers were such a great and important band, and why their reunion is so exciting, even for those who are super-jaded about reunions in general. For that, check out this The Village Voice piece that gets The Hold Steady’s Craig Finn, Band Of Horses’ Ben Bridwell and members of Les Savy Fav to articulate their love for and influence of the band.

No, this is just me trying to clear out some links and make it to the weekend while listening to All The Nation’s Airports. So if you’re looking for some Archers content, check out the interviews with the band at The Village Voice and Washington Post and hope that the promises that Eric Bachmann made last month while here with Crooked Fingers to bring Archers through town sometime next March prove to be true.

MP3: Archers Of Loaf – “What Did You Expect”
Video: Archers Of Loaf – “Web In Front”

Also being reissued with bonuses is Superchunk’s 1994 album Foolish, out on September 13. Full details available at Exclaim.

Video: Superchunk – “Driveway To Driveway”

Pitchfork reveals that super-deluxe, super-limited remastered reissues of Olivia Tremor Control’s two albums – Dusk At Cubist Castle and Black Foliage: Animation Music Volume One – are coming on November 15. That’s too late to grace the merch table on their upcoming Fall tour, including the September 16 show at Lee’s Palace, but considering there’s only going to be 1000 of each made, it’s doubtful they’d make it past the first few cities on the itinerary anyways.

Not a reissue, but Old 97s are revisiting their past by giving away MP3s of all the demos for their 1997 album Too Far To Care.

MP3: Old 97’s – “Daybed” (demo)
MP3: Old 97’s – “Timebomb” (demo)

The Chicago Daily Herald talks to John Darnielle of The Mountain Goats.

The Awl has an interview with Amy Klein of Titus Andronicus.

My Morning Jacket drummer Patrick Hallahan discusses the band’s approach to playing live with Billboard. The Indianapolis Star also chats with guitarist Carl Broemel.

Writers On Process and Blurt go under the creative hood with Richard Buckner. Both are two-parters though the back half of the Writers piece is still forthcoming.

Drowned In Sound talks to Ra Ra Riot bassist Mathieu Santos. They play Lee’s Palace on October 6.

Exclaim reports that Ryan Adams – who apparently ended his retirement last year and has already released like fifteen albums – will put out his first proper solo record in some time with Ashes & Fire, due out October 11.

Rachael Yamagata will release a new album in Chesapeake on October 11; grab the first MP3 below.

MP3: Rachael Yamagata – “Starlight”

Spin has premiered the video for EMA’s contribution to their Nirvana tribute album Newermind.

Video: EMA – “Endless Nameless”

Decemberists bassist Nate Query confirms the band’s upcoming hiatus to Billboard but assures them it’s just a break, nothing permanent. The Arizona Republic and Cincinnati Citybeat also get to query Query (oh come on).

Brooklyn rockers Obits have set an October 25 date at The Rivoli in support of their second record Moody Standard & Poor. Tickets are $13 in advance.

MP3: Obits – “Shift Operator”
MP3: Obits – “You Gotta Lose”

San Francisco’s Wooden Shjips will release their latest West on September 15 and follow up with a show at The Horseshoe on November 7.

MP3: Wooden Shjips – “Lazy Bones”

NOW has put Bon Iver frontman Justin Vernon on their cover with accompanying interview, while NPR is streaming their show in DC from earlier this week. Bon Iver play The Sound Academy on Monday night, August 8.

NOW also checks in with Kathleen Edwards, whose next album will be produced by Vernon. And who’s also his girlfriend. Not that that matters.

The Toronto Star and NOW welcome The Doughboys back to active duty – they’ll play a free show at the Bovine Sex Club on Monday night as a warm-up to opening up for Foo Fighters at the Air Canada Centre the next night.

Emily Haines gives The Grid a status report on the next Metric record.

MTV gets Broken Social Scene’s Kevin Drew to respond to comments made by guitarist Andrew Whiteman about the band’s last video for “The Sweetest Kill”.

The Line Of Best Fit has a video session with Dan Mangan, whose next record Oh Fortune is out September 27 and who plays The Queen Elizabeth Theatre on October 28.

The Thrill Is Back got Rural Alberta Advantage into the back of their van at Hillside a few weeks ago and videotaped him playing a couple songs, including one new one.

Metro chats with The Wilderness Of Manitoba.

Frank YangThe most beautiful day of the year so far turned into one of the foulest just in time for the early-evening start of Bat For Lashes’ Saturday night date at the Mod Club, the first for this leg of their North American tour in support of their much-heralded new album Two Suns. A more ambitious writer might try to draw some parallel between the dramatic weather shift and the themes of duality that run through the new record – I’ll just blame a high pressure system surrounded by low pressure systems and get on with it.

Rather surprisingly, support for this tour was Pennsylvanians Lewis & Clarke – surprising because they were also support the last time Bat For Lashes came to town in October 2007, and you don’t often see acts getting taken out as support twice. And their last time out couldn’t have been the most pleasant for the band either, since my recollections were the duo, as they were playing as at the time, had a poor time of trying to be heard over the chatty and inattentive audience (those of us up front notwithstanding). I also remarked at the time that maybe a full band would have had been more successful at getting peoples’ attention. Apparently bandleader Lou Rogal took my advice because the Lewis & Clarke that showed up this time was five members deep, including a drummer and string section. They delivered a set of four (maybe five) songs over 35 minutes, all of the slow and thoughtful chamber-folk variety, and while unquestionably pretty, it was all quite same-y. But at least this time, the audience was much more receptive – or at least polite. Lewis & Clarke will release a new EP Light Time on May 12.

Also rejigged significantly from last time was Bat For Lashes, the band. Whereas the troupe that visited in 2007 was a drummer-less all-female multi-instrumentalist quartet, this one had more defined musical roles and was slightly more co-ed, with Ben Christophers on keys, New Young Pony Club’s Sarah Jones on drums and the divine Charlotte Hatherley on pretty much everything. Oh, and also Natasha Khan – she whose voice, vision and songs ARE Bat For Lashes.

And as beguiling as she is on record, she’s equally charismatic on stage. She set the bar high for the show by leading with Two Suns opener “Glass”, the finest showcase for her soaring vocals, but didn’t let things lag a bit through the 70-minute set. Splitting material fairly evenly between Suns and Fur & Gold, Khan crafted a spellbinding performance that despite the rich visual presentation, didn’t rely on theatrics to rivet – rich with atmosphere and mystery, the songs were more than enough. It’s hard to pick highlights from a show really had no let-downs, but Fur singles “Prescilla” and “What’s A Girl To Do” naturally got the biggest response and single “Daniel” even got aired twice – early on, reimagined in skeletal, autoharp-led form and as the encore closer as “(Big) Daniel” (so noted on the set list), complete with the huge synths of the album version and deliciously Cure-ish guitars. Grand finale, indeed.

It’s impossible to overstate how much the new band configuration has improved their live show, which was hardly wanting in the first place. In particular, the drums, thundering and tribal, gave things a vitality that really took things to another level and Hatherley’s versatility was also put to good use, as she switched off between guitar, bass, keys, accordion and percussion in addition to providing backing vocals. For lack of a better way of putting it, Bat For Lashes v2 are just much more powerful. Though I did miss seeing the rain stick/staff of power from last time.

As for Khan, it’s remarkable how effortlessly she manages to indulge her more out-there creative impulses – her musical world is inhabited by wizards, knights and creatures of fantasy – while seeming utterly grounded, friendly and without airs. With a penchant for costumes and with stage decorations consisting of all manner of dime-store kitsch like Virgin Mary statues and ladies legs table lamps, she obviously doesn’t take things all that seriously but there’s no whiff of irony to be found, either. She makes wolf howls in her songs, for goodness sake, but also cracks jokes and at one point, looked up to see who was calling to her when an audience member yelled, “Natasha!”. Utterly charming.

Though you might think the eccentric nature of Bat For Lashes would be sufficient to consign them to cult band status – not that there’s anything wrong with that – but the fact that this show was not only sold out but with people desperately looking for tickets seems to imply that they’re bound for bigger things. But even so, even if within a year you’re seeing Bat For Lashes in venues holding thousands, I have a feeling that if you holler “Natasha!” during a quiet moment between songs, she’ll still look up and go, “yes?”.

There are feature pieces on Bat For Lashes at CMJ and The Boston Phoenix.

Photos: Bat For Lashes, Lewis & Clarke @ The Mod Club – April 25, 2009
MP3: Bat For Lashes – “Glass” (live)
MP3: Bat For Lashes – “I’m On Fire”
MP3: Lewis & Clarke – “Petrified Forest”
MP3: Lewis & Clarke – “Before It Breaks You”
Stream: Lewis & Clarke / Light Time
Video: Bat For Lashes – “Daniel”
Video: Bat for Lashes – “Whats A Girl To Do”
Video: Bat for Lashes – “Prescilla”
MySpace: Bat For Lashes
MySpace: Lewis & Clarke

Interview talks to Lily Allen, who has a newish video. Kinda regret not seeing her last week, enjoying her new one It’s Not Me, It’s You more than I’d expected. Hope her vague promises to retire are false.

Video: Lily Allen – “Not Fair”

Daytrotter has posted a session they recorded with Glasvegas during SxSW.

The first track from Stuart Murdoch’s God Help The Girl – I’m not sure whether to call it a band, project, play, or what – is now up for grabs and shock, it sounds a LOT like Belle & Sebastian. Which is to say it sounds wonderful. The album is out June 23.

MP3: God Help The Girl – “Come Monday Night”

The Sunday Mail has a 60-second interview with Camera Obscura. They’re at Lee’s Palace on June 27.

Channel M has a video session with My Latest Novel, whose second album Death & Entrances is out May 18.

PJ Harvey and John Parish discuss A Woman A Man Walked By with Pitchfork.

Drowned In Sound gets Adam Franklin to comment on the whole phenomenon/idea of “shoegaze”. Short version, he doesn’t think much of it but it’s an entertaining read. Franklin is supporting The Church on their Summer North American tour, which has a stop at the Ottawa Bluesfest on July 11 but so far hasn’t extended to include a Toronto date.

MP3: Adam Franklin – “Autumn Leaf”

Fans of XTC psych-pop alter-egos The Dukes Of Stratosphear should check out these two podcasts wherein Andy Partridge reminisces with producer John Leckie about the recording of 25 O’Clock and Psionic Psunspot, both of which were reissued in deluxe form last week.

MP3: The Dukes Of Stratosphear – “My Love Explode”
MP3: The Dukes Of Stratosphear – “Braniac’s Daughter”

Channel M has a video interview with Nick Cave & The Bad Seeds.

A double-shot of Leonard Cohen docs for you – courtesy of the National Film Board, the 1965 documentary Ladies And Gentlemen… Mr Leonard Cohen and over at Pitchfork, the 2009 live concert film Leonard Cohen: Live In London. And apropos of nothing, whilst digging around IMDB I found that Lenny guest-starred in an episode of Miami Vice in 1986 playing a villain named Francois Zolan. I didn’t think it possible, but I think Cohen just got that much more awesome in my eyes. He plays Copps Coliseum on May 19.

Video: Ladies And Gentlemen… Mr Leonard Cohen
Video: Leonard Cohen Live In London

Seattle-based power-popper Telekinesis will be at the Horseshoe on June 10 in support of his/their excellent self-titled debut.

MP3: Telekinesis – “Coast Of Carolina”
MP3: Telekinesis – “I Saw Lightning”
Video: Telekinesis – “Tokyo”

Brooklyn’s Obits will bring their debut long-player I Blame You to Lee’s Palace on July 23, tickets $12.

MP3: Obits – “Pine On”

Eagles Of Death Metal are at the Kool Haus on August 2, tickets $27.50.

Donald MilneThe first one went over like gangbusters, and the second one was even better… so why wouldn’t we do it all again for 2009? Yes’m, I’m once again very proud to be able to announce – along with fellow music blog compatriots Aquarium Drunkard, Gorilla Vs Bear, Largehearted Boy, My Old Kentucky Blog and You Ain’t No Picasso – the lineup for Hot Freaks 2009, taking place during SxSW at the Mohawk and Club DeVille in Austin, Texas on March 20 and 21. Two days, three stages, 32 acts.

It’s taken a little longer than usual to get things together this year, but it’s been worth the wait. I mean, we’ve had some pretty impressive Hot Freaks alumnus over the last couple years – St Vincent, Shearwater, The Polyphonic Spree, Grizzly Bear, Land Of Talk, Jens Lekman, Lykke Li, The Acorn and British Sea Power to name just a few – but I will hold this Hot Freaks lineup up against any of the others we’ve pulled together in the past. But don’t just take my word for it – have a look:

Friday, March 20, 2009

Club DeVille (Insound Stage)
12:30 PM Obits / MySpace / MP3: “Pine On”
1:30 PM Handsome Furs / MySpace / MP3: “I’m Confused”
2:30 PM American Analog Set / MySpace
3:30 PM The Thermals / MySpace / MP3: “Now We Can See”
4:30 PM The Hold Steady / MySpace

The Mohawk Patio
12:00 PM The Wrens / MySpace / MP3: “Everyone Choose Sides”
1:00 PM Bishop Allen / MySpace / MP3: “Dimmer”
2:00 PM The Henry Clay People / MySpace / MP3: “Something In The Water”
3:00 PM Port O’Brien / MySpace / MP3: “I Woke Up Today”
4:00 PM The Rosebuds / MySpace / MP3: “Life Like”
5:00 PM Delta Spirit / MySpace / MP3: “People C’Mon”

The Mohawk Inside
12:30 PM The Rural Alberta Advantage / MySpace / MP3: “Don’t Haunt This Place”
1:30 PM We Have Band / MySpace / MP3: “Hear It In The Cans”
2:30 PM These United States / MySpace / MP3: “Honor Amongst Thieves”
3:30 PM Alela Diane / MySpace / MP3: “White As Diamonds”
4:30 PM Richard Swift / Richard Swift / MP3: “Lady Luck”

Saturday, March 21, 2009

Club DeVille
12:30 PM Real Estate / MySpace / MP3: “Black Lake”
1:30 PM Girls / MySpace / MP3: “Lust For Life”
2:30 PM The Grates / MySpace / MP3: “Burn Bridges”
3:30 PM Sebastien Grainger & The Mountains / MySpace / MP3: “American Names”
4:30 PM Jeremy Jay / MySpace / MP3: “Beautiful Rebel”

The Mohawk Patio
12:00 PM Harlem / MySpace
1:00 PM Jason Lytle / MySpace / MP3: “Birds Encouraged Him” (live)
2:00 PM Vivian Girls / MySpace / MP3: “Where Do You Run To?”
3:00 PM Viva Voce / MySpace / MP3: “Drown Them Out”
4:00 PM Peelander-Z / MySpace / MP3: “Ninja-High Schooool”
5:00 PM Camera Obscura / MySpace / MP3: “My Maudlin Career”

The Mohawk Inside
12:30 PM Shilpa Ray & Her Happy Hookers / MySpace / MP3: “Filthy & Free”
1:30 PM Roadside Graves / MySpace
2:30 PM Mason Proper / MySpace / MP3: “Fog”
3:30 PM Lemonade / MySpace / MP3: “Big Weekend”
4:30 PM Amazing Baby / MySpace / MP3: “Bayonets”

The Wrens are kicking things off at noon. The Rural Alberta Advantage will still be riding high on opening up for Grizzly Bear the night before. The American Analog Set – reunited and reactivated for this show only! – are playing The Golden Band in its entirety. The Hold Steady will be holding court on the Insound stage. Alela Diane will mesmerize. The Grates will be bouncing off the walls. Jason Lytle will unveil his post-Grandaddy works. Peelander-Z will do… what Peelander Z does. And Camera Obscura will close things out by showcasing their forthcoming album My Maudlin Career. This, my friends, is what we call bliss.

And thanks go out to our main sponsors GOOM Radio and Lala.com, who are offering 75 free songs for signups. Please respondez s’il vous plait – admission is free, PBRs are $1. Awesome is guaranteed. And sorry, this is a 21+ event – the drinks will be flowing.

Add all our shows to your sched.org calendar. You DO have one, right?

MP3: Guided By Voices – “Hot Freaks”