Frank YangMaybe listening to Jesus Of Cool and Labour Of Lust weren’t the best warm-ups for Nick Lowe’s show at The Phoenix on Monday night. After all, he was many many years removed from being the young pub-rock firebrand who recorded those first two records, having settled comfortably into the role of professorial pop singer-songwriter – a guise that’s suited his still-potent pen quite nicely, as last year’s The Old Magic proved. But if you assumed this meant that his shows would be sedate, sit-down affairs, then you were mistaken. Somewhat.

Though the show was billed as Lowe with band, the man took the stage solo to open things up with something old and something new – “Stoplight Roses” from Magic and “Heart” from 1982’s Nick The Knife – before he took some time to chat up the crowd. He apologized if anyone was confused about the venue, since his recent shows had typically been at The Mod Club but with the positive reception that Magic has gotten and the increase in profile he got opening up for Wilco back in September, an upgrade in venue was not overreaching although what with the Phoenix floor being set up with chairs, the increase in capacity was probably only a couple hundred more at best.

Also in his opening monologue, Lowe mentioned that despite the new record being received quite favourably, it wouldn’t be one of “those” shows and that the set list had been optimized for “quality entertainment,” and the man wasn’t lying. After bringing his band out, he led them through a set that went from jazzy on the slower end of things to rollicking rockabilly at the other and both established the strength of his career’s body of work and affirmed that his recent records were as good as his old ones, in their way. After all, Lowe’s talents have always been his way with words and melodies, not in the fashions they were dressed in. I was a bit surprised how that Jesus Of Cool and Labour Of Lust didn’t get a bit more attention – besides being arguably his most famous records, they were also the ones recently reissued – but Lust was only represented by “Without Love” and “Cruel To Be Kind” and Jesus ignored completely.

No one was complaining, though. The audience was dead silent when they needed to be and whooped it up when appropriate, to say nothing of the sounds of female swooning that periodically punctuated the show; indeed, Lowe was a study in songwriting, charm and aging well. It wasn’t until the finale of the main set – “I Knew the Bride (When She Used to Rock ‘n’ Roll)” – that they finally got up out of their seats – well, five of them at least – to turn the space at the front of the stage into a dance floor. They were joined by many more for the encores, the first of which was highlighted by a hymnal version of “(What’s So Funny ‘Bout) Peace, Love and Understanding” and the second which found Lowe, again alone onstage, performing a song by the other iconic British artist to whom he’ll be forever tied – Elvis Costello and “Alison”, and that he missed a chord change while singing “My aim is true” only made the whole thing that much more perfect.

The Toronto Sun and NOW also have reviews of the show; Interview has an interview.

Photos: Nick Lowe @ The Phoenix – April 23, 2012
Video: Nick Lowe – “Sensitive Man”
Video: Nick Lowe – “All Men Are Liars”
Video: Nick Lowe – “I Knew The Bride When She Used To Rock And Roll)”
Video: Nick Lowe – “Half A Boy And Half A Man”
Video: Nick Lowe – “Cruel To Be Kind”
Video: Nick Lowe – “Crackin’ Up”

The Line Of Best Fit revisits Billy Bragg and Wilco’s Woody Guthrie-saluting Mermaid Avenue releases; Mermaid Avenue: Volume III would appear to only be available in physical form in the Mermaid Avenue: The Complete Sessions. Alas. Maybe take it up with Billy when his North American tour brings him through the Mariposa Folk Festival in Orillia on July 8? It looks like that’s as close as he’s getting to Hogtown this time out.

Tiny Mix Tapes interviews Sleigh Bells, back in Toronto next week on April 27 and 28 at the Air Canada Centre opening for Red Hot Chili Peppers.

With Lower Dens’ new album Nootropics due out next week – May 1 – DIY has both a stream of the whole thing and song-by-song annotations from the band.

MP3: Lower Dens – “Brains”
MP3: Lower Dens – “Propagation”
Stream: Lower Dens / Nootropics

La Sera – aka Katy Goodman of Vivian Girls – brings her new record Sees The Light to The Shop Under Parts & Labour on May 13, part of a North American tour.

MP3: La Sera – “Please Be My Third Eye”

The AV Club has got a stream of Fear Fun – the debut album from Father John Misty, aka J. Tillman ex of Fleet Foxes – ahead of its May 1 release date as well as an interview with the man. He plays The Horseshoe on May 14.

MP3: Father John Misty – “Nancy From Now On”
MP3: Father John Misty – “Hollywood Forever Cemetery Sings”
Stream: Father John Misty / Fear Fun

Billboard has a feature piece on Beach House, whose new album Bloom is out May 15.

Wayne Coyne of The Flaming Lips talks to Forbes about why the band has been so dedicated to making weird records/releases over the last couple of years; basically, just to see if they could. Another of the tracks from their Record Store Day Heady Fwends has just been made into a video. The Flaming Lips play a free show for NXNE at Yonge-Dundas Square on June 16.

Video: The Flaming Lips with Prefuse 73 – “The Supermoon Made Me Want To Pee”

And going on before the Lips and doubling the insane live show quotient will be Of Montreal. They’ve just released a new video from this year’s Paralytic Stalks and NPR is streaming last night’s show in Washington DC. And if you’re curious about some of the other NXNE scheduling that I’ve sussed out, last week’s post is in a constant state of update.

Video: Of Montreal – “Spiteful Intervention”

These United States – whose last attempted visit was derailed, I believe, by something we Torontonians like to call the G20 riots, will give it another go with a show at The Horseshoe on June 22. Update: okay, so they were actually here just a couple weeks ago opening for Trampled By Turtles. Fine.

MP3: These United States – “The Great Rivers”
MP3: These United States – “Water & Wheat”

Their fourth album Magic Hour due out on May 28, New York’s Scissor Sisters have set a date at the Sound Academy for June 28 – tickets are $32.50 for general admission and $42.50 for VIP.

Video: Scissor Sisters – “Only The Horses”

Andrew Bird has extended his Summer tour in support of Break It Yourself to include a July 19 date at Echo Beach in Toronto. Tickets are $35 in advance, full itinerary at Under The Radar.

MP3: Andrew Bird – “Eyeoneye”
MP3: Andrew Bird – “Give It Away”

Rolling Stone talks to Merrill Garbus of tUnE-yArDs. She’s at The Phoenix on August 1.

To everyone reporting that Cat Power had named her new record, Sun – it’s not really news. She named announced it as the name of her next studio album following The Greatest as early as 2007, reported that the album was done in 2008 and then said that she’d shelved it in 2009. The more pertinent question is did she change her mind about those sessions and is releasing five-year old recordings or was she so attached to the album title that she’s using it for a whole new set of songs. In any case, it is news – assuming it’s true – that the record will be out on September 11. I’ll wait for Matador to chime in.

Exclaim solicits an acoustic video session with Nada Surf.

The Blue Indian chats with Bowerbirds.

The Mountain Goats play a video session for Paste and bassist Peter Hughes chats with Tone Deaf.

The Village Voice talks to Kurt Wagner of Lambchop, and if you missed last week’s guest editor run at Magnet, check it out – they discuss the origins of each song on Mr. M.

State talks to Stephin Merritt of The Magnetic Fields.

Clash sends Crispin Glover to interview J. Mascis. Stranger things have happened, but not much.

Proxart talks to Anna-Lynne Williams of Trespassers William; on Facebook this week, she reported that the final Trespassers release – a double-disc cupboard clearing compilation – had gone off for mastering. Details on that release soon, one hopes.

The AV Club has posted their third instalment documenting the history of R.E.M..

YouTubeNot the best week for the world of music, this past one. First there was the news that Robin Gibb of The Bee-Gees, who’d started the month with the good news that his cancer was in remission, had fallen into a coma due to pneumonia; then on Wednesday, Dick Clark was felled by a heart attack. Arguably the hardest blow came Thursday, however, when it was announced that Levon Helm – drummer and vocalist for The Band – had passed away from a battle with cancer that he’d seemingly beaten over a decade earlier.

His loss was immediately felt all throughout the music world, with tributes by way of covers of The Band’s music ringing out from stages everywhere. This week’s selection wasn’t one of them, but instead comes from a dressing room at Chicago’s Civic Opera House in December of last year. Helm was still alive and well, then, so all that Wilco, Nick Lowe, and Mavis Staples were saluting at that time was one of the great songs of twentieth century popular music, one which easily transcends geography, genre and generations.

Jeff Tweedy and Glenn Kotche of Wilco were just some of the countless artists who paid tribute to Helm this weekend; Bob Dylan was another. There are worthy looks back at Helm’s life and legacy at Exclaim, The AV Club, and Billboard.

Nick Lowe is in town tomorrow night for a show at The Phoenix in support of his latest record The Old Magic. Wilco continue to tour last year’s The Whole Love; Band songs have graced their set lists in the past and it’s not unreasonable to expect that they’ll be working their way back in. Mavis Staples released the Jeff Tweedy-produced You Are Not Alone back in 2010 – she’s still on the road for that one.

And in a bit of good news, Robin Gibb is out of his coma.

MP3: Wilco, Nick Lowe & Mavis Staples – “The Weight” (live – Chicago, December 2011)
Video: Wilco, Nick Lowe & Mavis Staples – “The Weight” (live – Chicago, December 2011)
Video: The Band – “The Weight” (live – Festival Express, 1970)

Gabriel BruceI’m no fan of the deluxe reissue trend – at least not with respect to an album that came out less than a year ago – as it tends to punish the biggest fans, those who would have bought the original issue and most want whatever bonus materials are applied to the reissue. So while I don’t greet the news that Emmy The Great is doing this with last year’s Virtue – one of my faves of 2011 – I at least appreciate that some of the bonus material will be made available separately.

The fancy edition of Virtue will be out on May 7 and include three unreleased songs from the sessions for the album and a cover of Mazzy Star’s “Fade Into You”. One of those songs – “God Of Loneliness” – will also be released that day as a single with the Mazzy Star cover as a b-side so if you don’t want to repurchase Virtue, there’s that option. Though you know those other two tracks will indeed taunt you with their very existence. To also go along with the occasion, they’ve also commissioned four comic strips to go with it all – the first is up at The Line Of Best Fit – and four remixes that are being made available to download for free. And oh, there’s a video/black comedy mini-movie for the single.

MP3: Emmy The Great – “Exit Night” (Banjo or Freakout remix)
Video: Emmy The Great – “God Of Loneliness”

Already out in the UK but now getting a proper North American release is Dry The River’s own debut Shallow Bed. Spinner has an interview with the band and a stream of the album.

MP3: Dry The River – “New Ceremony”
Stream: Dry The River / Shallow Bed

Clock Opera’s debut album Ways To Forget is now streaming in whole at Hype Machine; it’s out April 23 in the UK and The Line Of Best Fit talks to the band about it.

MP3: Clock Opera – “Once And For All”
Stream: Clock Opera / Ways To Forget

Radio Free Canuckistan has posted the complete transcript of the interview with Nick Lowe that went into the Macleans piece; The Star-Tribune also has an interview. Lowe plays The Phoenix on April 23.

The Guardian, Spinner, and NPR talk to Jason Pierce of Spiritualized, whose Sweet Heart Sweet Light is finally out. They’re at The Phoenix on May 5.

Interview talks to Anthony Gonzalez of M83, who’re in town not once but twice this Summer – May 6 for a headlining show at the Sound Academy and August 4 at Historic Fort York co-headlining the HARD festival with Justice.

Pitchfork reports that jj have commissioned a video to go with their latest release jj n° 4, out on May 8.

Video: jj – “Beautiful Life”

Prefix is streaming the whole of We Are Serenades’ debut Criminal Heaven, out now. They’re at The Garrison on May 14.

MP3: We Are Serenades – “Birds”
MP3: We Are Serenades – “Oceans”
Stream: We Are Serenades / Criminal Heaven

Anglo-Basque electro-rock outfit Crystal Fighters have made a date at Wrongbar on May 26 in support of their debut album Star Of Love, out April 24. Examiner.com has an interview with the band.

Video: Crystal Fighters – “Plage”

Hot Chip are streaming a second single from their new record In Our Heads, It’s out June 12 and they’re at the Sound Academy on July 15.

Stream: Hot Chip – “Night & Day”

Blurt talks to Laura Marling, in town for a show at The Phoenix on June 17.

Le Blogotheque has posted a Take-Away Show with Michael Kiwanuka and The Express has an interview. He plays The Great Hall on June 19.

Graham Coxon has released a new video from A+E.

Video: Graham Coxon – “Ooh, Yeh Yeh”

Le Sigh chats with Veronica Falls.

Stereogum has dug up an interview conducted with The Twilight Sad just before the release of their latest, No One Can Ever Know. Better late than never, yeah?

Rolling Stone and examiner.com get a moment of Noel Gallagher’s time.

If you’re one of the unlucky many who haven’t gotten to see Pulp on their reunion tour, here’s the next best thing – a couple of complete, professionally-shot videos of their sets at Reading Festival last Summer and Coachella this past weekend.

Video: Pulp @ Reading Festival – August 27, 2011
Video: Pulp @ Coachella – April 13, 2012

And while we’re at it, here’s Coachella sets from Radiohead and Wild Beasts. Just like being there, but without the heat stroke.

Video: Radiohead @ Coachella – April 14, 2012
Video: Wild Beasts @ Coachella – April 15, 2012

Dan Burn-FortiWho: Nick Lowe
What: Legendary – a term not to be used lightly but wholly appropriate in this case – English singer-songwriter whose wit and songwriting greatly influenced punk and new wave in the ’70s and ’80s and is still going strong; his last record The Old Magic came out last Fall.
Why: Though he came through town back solo in September whilst opening up for Wilco, he’s coming back for his own show and a full band.
When: Monday, April 23, 2012
Where: The Phoenix in Toronto (19+)
Who else: Local boy Peter Elkas gets to warm things up.
How: Tickets for the show are $35 in advance but courtesy of Collective Concerts, I’ve got a pair of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to see Nick Lowe” in the subject line and your full name in the body and have that in to me before midnight, April 18.
What else: Macleans has a lovely Q&A with the man.

Video: Nick Lowe – “Sensitive Man”

Frank YangAs I understand it, conventional wisdom is that Leap Day should be taken as an opportunity to try something new. But seeing as how prior to this year I’ve never thought of February 29 as anything more than an extra day of Winter every four years, I don’t feel bad that I spent it seeing a band I’ve seen many times before – Scotland’s The Twilight Sad, in town in support of their third album No One Can Ever Know.

“Trying something new” points should still be award for showing up early for opening act Odonis Odonis, who despite hailing from Toronto I’d not heard before the took the stage. A little research revealed that they were in fact labelmates with The Twilight Sad, being signed to the UK’s esteemed Fat Cat imprint for their debut album Hollandaze; this would normally be a good indicator of quality, but I recall another Toronto outfit signed to Fat Cat – Ten Kens – whom I was totally unimpressed with. And as it turns out, Odonis Odonis is the project of a former Ten Kens member. So. It’s probably just as well that I didn’t know that beforehand because I likely wouldn’t have given them a shot, and as it turned out, I liked them better. Relatively, at least. The trio either took a garage/surf-rock thing and buried it under noise layers or art-rock or took a noisy, art-rock thing and gave it a garagey/surfy friendly vibe – the coin flipped a few times over the course of their set. It was pretty loud and heavy, either way, and by the time it was over, I think the scorecard tipped in favour of tuneful over discordant, but just barely.

As noted in my review, No One Can Ever Know certainly found The Twilight Sad trying something new – synth-rock. An unexpected move given their signature sound to this point had been James Graham’s inconsolable bellow over Andy Macfarlane’s massive guitars, but one that works surprisingly well. So while I had a pretty good idea of what to expect of the band live by this point, I was curious to see how this new dimension would be incorporated into the show.

Taking the stage to a slow, pulsing synth tone that could well have been a fire alarm, they opened with No One‘s “Kill It In The Morning” – about half the set was comprised of new material, the rest split evenly between Fourteen Autumns & Fifteen Winters and Forget The Night Ahead – and made it clear that though they had the same five-piece lineup that opened for Mono last time through, Martin Doherty’s keyboard responsibilities – while certainly more important this time out – were not going to supplant Macfarlane’s six-string duties anytime soon. The synthetic sheen of the new material was given a proper steel wool scrub courtesy of Macfarlane’s Fender Jaguar and Marshall stack and made loud, fuzzy and loud. Did I mention loud?

The combination of their old sound and new was quite a potent one, the resultant chaotic squall with a mechanical pulse coming across as more urgent and menacing than ever before and proving the new direction did not come at the expense of old strengths. At some points, the mix fell out of balance and Graham’s vocals – no wallflower of an instrument – were buried under the tumult but it always managed to right itself before becoming an issue. It was also interesting to see how far Graham has come as a frontman, his lurch-dance moves providing a welcome bit of onstage activity relative to his bandmates.

The show moved with a steady but unrelenting momentum for just over an hour, Graham taking the time to sincerely thank everyone for coming out to see them and promising a return visit soon before finishing with a scorched-earth double-shot of “And She Would Darken The Memory” from Fourteen Autumns and “At The Burnside” from Forget The Night Ahead. There was no encore, but there didn’t need to be; that was the proper finish.

Exclaim also has a review of the show.

Photos: The Twilight Sad, Odonis Odonis @ Lee’s Palace – February 29, 2012
MP3: The Twilight Sad – “Another Bed”
MP3: The Twilight Sad – “Kill It In The Morning”
MP3: The Twilight Sad – “Reflection Of The Television”
MP3: The Twilight Sad – “Cold Days From The Birdhouse”
MP3: The Twilight Sad – “That Summer, At Home I Had Become The Invisible Boy”
MP3: Odonis Odonis – “Ledged Up”
Video: The Twilight Sad – “Another Bed”
Video: The Twilight Sad – “Sick”
Video: The Twilight Sad – “The Room”
Video: The Twilight Sad – “Seven Years Of Letters”
Video: The Twilight Sad – “I Became A Prostitute”
Video: The Twilight Sad – “And She Would Darken The Memory”
Video: Odonis Odonis – “Ledged Up”
Video: Odonis Odonis – “Blood Feast”
Video: Odonis Odonis – “Mr. Smith”

Nick Lowe returns to town with a full band for a show at The Phoenix on April 23, tickets $34 in advance and there will be limited seating available. It’s in support of last year’s The Old Magic, from which Lowe has released his first music video in almost two decades – NPR premiered it alongside a conversation with Lowe about the tune.

Video: Nick Lowe – “Sensitive Man”

Finally apparently getting over her fear of playing venues appropriately sized to her fanbase, Laura Marling has announced a June 17 visit to The Phoenix, the final date of a Summer tour. Tickets will be $25 in advance.

Video: Laura Marling – “All My Rage”

Daytrotter has posted a session with Noah & The Whale.

Interview and The Quietus interviews Beth Jeans Houghton, whose Yours Truly, Cellophane Nose is up to stream in whole at Spinner; I wrote this record up a month ago – but the North American release was just this week. But to make up for the delay, there’s a new video!

MP3: Beth Jeans Houghton – “Dodecahedron”
Video: Beth Jeans Houghton & The Hooves Of Destiny – “Atlas”
Stream: Beth Jeans Houghton & The Hooves Of Destiny / Yours Truly, Cellophane Nose

Arctic Monkeys have released a new video for a non-album track. They’re at the Air Canada Centre opening for The Black Keys on March 14.

Video: Arctic Monkeys – “R U Mine?”

The lead single from The Wedding Present’s new album Valentina is now available to download. The record is out March 20 – North Americans can preorder the LP version over here – and they play The Horseshoe on March 25.

MP3: The Wedding Present – “You’re Dead”

The most appealing part of the new Belle & Sebastian-curated Late Night Tales compilation coming on March 26 – the band’s cover of The Primitives’ “Crash” – is now available to stream.

Stream: Belle & Sebastian – “Crash”

Also out March 26 is In Time To Voices, the new record from Blood Red Shoes; Artrocker talks to drummer Steve Ansell about the new album.

Allo Darlin’ have released a new video from their forthcoming album Europe, which will be out on April 17.

Video: Allo Darlin’ – “Capricornia”

In conversation with producer Stephen Street, Louder Than War learns that the Blur back catalog is in the process of being remastered for reissue in the near future. And the video from Graham Coxon’s new solo record A+E for which he was soliciting dance audition clips is now live; the album is out April 26.

Video: Graham Coxon – “What’ll It Take”

Pitchfork reports that Hot Chip have completed work on their new album and will release it under the title of In Our Heads on June 12.

Summer Camp has released a new video from their debut album Welcome To Condale.

Video: Summer Camp – “Losing My Mind”

Le Blogotheque has posted a Take-Away Show with Anna Calvi, while Time Out talks to her about her forays into the fashion world and The Music Network inquires about her music.

The Quietus talks to Stuart Staples and David Boulter of Tindersticks about their new record The Something Rain.

DIY talks dating with Charles and Rebecca of Slow Club.

aux.tv gets Los Campesinos! to provide a running commentary of their video for “By Your Hand”.

The Quietus checks in with British Sea Power, presumably working away at their next album.

The Line Of Best Fit salues Black Cab Sessions on the occasion of their 100th episode, and we (I) salute The Line Of Best Fit on the occasion of their fifth anniversary. The Guardian also marks the occasion by picking their five favourite performances.