Jason SummersThis isn’t a review of the double-disc edition of Icky Mettle, released earlier this week and the first of four Archers Of Loaf reissues to come over the next year and a bit – for that, hit up the excellent Pitchfork writeup. I’ve had Icky Mettle for years but it hasn’t become such a part of me that I can offer any sort of explanation as to why it’s such a great record – in fact, I’ve only really come to that realization recently. So go read Matt LeMay’s writeup.

This also isn’t a broader discussion of why Archers were such a great and important band, and why their reunion is so exciting, even for those who are super-jaded about reunions in general. For that, check out this The Village Voice piece that gets The Hold Steady’s Craig Finn, Band Of Horses’ Ben Bridwell and members of Les Savy Fav to articulate their love for and influence of the band.

No, this is just me trying to clear out some links and make it to the weekend while listening to All The Nation’s Airports. So if you’re looking for some Archers content, check out the interviews with the band at The Village Voice and Washington Post and hope that the promises that Eric Bachmann made last month while here with Crooked Fingers to bring Archers through town sometime next March prove to be true.

MP3: Archers Of Loaf – “What Did You Expect”
Video: Archers Of Loaf – “Web In Front”

Also being reissued with bonuses is Superchunk’s 1994 album Foolish, out on September 13. Full details available at Exclaim.

Video: Superchunk – “Driveway To Driveway”

Pitchfork reveals that super-deluxe, super-limited remastered reissues of Olivia Tremor Control’s two albums – Dusk At Cubist Castle and Black Foliage: Animation Music Volume One – are coming on November 15. That’s too late to grace the merch table on their upcoming Fall tour, including the September 16 show at Lee’s Palace, but considering there’s only going to be 1000 of each made, it’s doubtful they’d make it past the first few cities on the itinerary anyways.

Not a reissue, but Old 97s are revisiting their past by giving away MP3s of all the demos for their 1997 album Too Far To Care.

MP3: Old 97’s – “Daybed” (demo)
MP3: Old 97’s – “Timebomb” (demo)

The Chicago Daily Herald talks to John Darnielle of The Mountain Goats.

The Awl has an interview with Amy Klein of Titus Andronicus.

My Morning Jacket drummer Patrick Hallahan discusses the band’s approach to playing live with Billboard. The Indianapolis Star also chats with guitarist Carl Broemel.

Writers On Process and Blurt go under the creative hood with Richard Buckner. Both are two-parters though the back half of the Writers piece is still forthcoming.

Drowned In Sound talks to Ra Ra Riot bassist Mathieu Santos. They play Lee’s Palace on October 6.

Exclaim reports that Ryan Adams – who apparently ended his retirement last year and has already released like fifteen albums – will put out his first proper solo record in some time with Ashes & Fire, due out October 11.

Rachael Yamagata will release a new album in Chesapeake on October 11; grab the first MP3 below.

MP3: Rachael Yamagata – “Starlight”

Spin has premiered the video for EMA’s contribution to their Nirvana tribute album Newermind.

Video: EMA – “Endless Nameless”

Decemberists bassist Nate Query confirms the band’s upcoming hiatus to Billboard but assures them it’s just a break, nothing permanent. The Arizona Republic and Cincinnati Citybeat also get to query Query (oh come on).

Brooklyn rockers Obits have set an October 25 date at The Rivoli in support of their second record Moody Standard & Poor. Tickets are $13 in advance.

MP3: Obits – “Shift Operator”
MP3: Obits – “You Gotta Lose”

San Francisco’s Wooden Shjips will release their latest West on September 15 and follow up with a show at The Horseshoe on November 7.

MP3: Wooden Shjips – “Lazy Bones”

NOW has put Bon Iver frontman Justin Vernon on their cover with accompanying interview, while NPR is streaming their show in DC from earlier this week. Bon Iver play The Sound Academy on Monday night, August 8.

NOW also checks in with Kathleen Edwards, whose next album will be produced by Vernon. And who’s also his girlfriend. Not that that matters.

The Toronto Star and NOW welcome The Doughboys back to active duty – they’ll play a free show at the Bovine Sex Club on Monday night as a warm-up to opening up for Foo Fighters at the Air Canada Centre the next night.

Emily Haines gives The Grid a status report on the next Metric record.

MTV gets Broken Social Scene’s Kevin Drew to respond to comments made by guitarist Andrew Whiteman about the band’s last video for “The Sweetest Kill”.

The Line Of Best Fit has a video session with Dan Mangan, whose next record Oh Fortune is out September 27 and who plays The Queen Elizabeth Theatre on October 28.

The Thrill Is Back got Rural Alberta Advantage into the back of their van at Hillside a few weeks ago and videotaped him playing a couple songs, including one new one.

Metro chats with The Wilderness Of Manitoba.

Ted BoisSometimes you just get a hankering for some Dan Bejar, a need to ride that train of thought through station stops no one else’s visit and which moves at that distinctive languid-yet-mile-a-minute cadence. And while it’s possible to get one’s fix via with his mandatory three-songs per New Pornographers record or various side-projects, it’s Destroyer that offers the best, purest hit of Dan. The catch being that like one of his most obvious influences, David Bowie, you never know what form that hit is going to take from one record to the next.

Having made his perhaps most direct and “rock” work – a very relative statement – with 2006’s Destroyer’s Rubies and followed it up with a record that explored similar if denser terrain with Trouble In Dreams, he’s now made a hard – or maybe that should be soft – left on Kaputt. Guitars remain present but take a back seat to billowing synths, soulful backing vox and slinky sax as the listener is invited into an ’80s-vintage discotheque/lounge as such things exist in the Destroyer-verse. In finding the groove, the record is less inclined to wander and even though a few tracks still exceed the five-minute mark and one, the previously-released “Bay Of Pigs” exceeds eleven, it feels like a much more focused record than past efforts.

Lyrically… well let’s be honest – trying to decipher a Destroyer record has always been somewhat an exercise in futility and Kaputt is no less opaque than its predecessors. But while a micro analysis of the words in play only lead to head-scratching, a more macro view reveals a consistently downcast tone and themes of broken romances, accusations and regrets. One is tempted to wonder if casting such motifs against the musical soundtrack more associated with coupling is a deliberate bit of irony on Bejar’s part or perhaps it’s just coincidence. Whatever his intent, with Kaputt Bejar has pulled off the difficult task of making a record that’s completely different from his past works and yet still classic Destroyer. Which is to say unique, fascinating and worth the time and effort it takes to comprehend.

Kaputt is out tomorrow and Destroyer’s North American tour hits Lee’s Palace on March 31. Pitchfork talks to Dawn Garcia, director of the wonderfully bizarre video for the album’s title track.

MP3: Destroyer – “Chinatown”
Video: Destroyer – “Kaputt”

Metric have released a video for their cover of Buffalo Springfield’s “Expecting To Fly” – it had shown up in some of Emily Haines’ solo live sets but I guess they decided to do a version with the rest of the band. And make a video

Video: Metric – “Expecting To Fly”

As The Dears ramp up to the February 15 release of their new record Degeneration Street, they’ve come out with a new MP3, a video and a chat with Spin and scheduled an in-store at Sonic Boom for February 17 at 7PM – admission free with donation of a canned good.

MP3: The Dears – “Blood”
Video: The Dears – “Omega Dog”

Guttersnipe News and The Calgary Herald have interviews with Sarah Harmer and CBC Radio 2 is streaming her show at Massey Hall last Fall.

Bruce Peninsula frontman Neil Haverty discusses his leukemia treatment with Exclaim; the C For Cure benefit show goes January 29 at the Music Gallery.

eye has an interview with Tokyo Police Club while The AV Club is offering a mashup between them and their current tourmates Two Door Cinema Club… because that’s what tourmates do. Mash. Tokyo Police Club will also be playing the just-announced Edgefest ’11 at Downsview Park on July 9 along with Rise Against, A Perfect Circle, The Weakerthans and more.

MP3: Two Door Tokyo Cinema Cub – “Breakneck Speed Can Work”

Exclaim and Spinner talk to Fucked Up frontman Damian Abraham about his new gig as host of The Wedge (premiering this Wednesday) and his band’s new album/musical David Comes To Life, which is targeted for a May release.

Spinner chats with Nils Edenloff and Amy Cole of The Rural Alberta Advantage, whose new record Departing will be out March 1 and which has already yielded this terrific new video.

Video: The Rural Alberta Advantage – “Stamp”

Exclaim reports that Basia Bulat will be teaming up with the Hamilton Philharmonic Orchestra for a performance at Hamilton Place Studio Theatre on February 3 – though similar in concept to her performance with Symphony Nova Scotia at the Halifax Pop Explosion, Owen Pallett has re-written the arrangements for this show to suit the philharmonic and the venue. Tickets for the show are $23 in advance and $25 at the door.

Clash declares Suuns to be a band to watch in 2011, and you can do just that when they play Sonic Boom on January 29 at 4PM and then open for The Besnard Lakes across the street at Lee’s Palace later that evening. The Concordian also has an interview.

The Toronto Star profiles Diamond Rings, kicking off his tour opening for Robyn at The Sound Academy on January 26.

FacebookA bit of a “wow” moment last night when I went archive digging and found that I Heart Music had been running his “Hottest Bands In Canada” poll for five years running already, making the 2010 edition – unveiled last week – the sixth one. An impressive feat that I’d like to salute Matthew for before proceeding. Okay, done.

As always, Matt put out the call to an assortment of Canadian and Canuckophile music writers and bloggers to submit their top ten acts with Canadian passports that they would declare to be “the hottest” by whatever standard they chose to use, the rankings weighted and enumerated and the top 33 artists tallied. Not nearly as mysterious or intensive as the Polaris process, but a good barometer of what folks are talking about approximately midway through that prize’s eligibility period. And, more importantly, it allows me to use my already-written ballot as the basis for a post, thus freeing up more time to watch television. Everybody wins. And off we go.

1. Arcade Fire – It was almost a scientifically controlled experiment with the three biggest indie bands in Canada releasing new albums in the span of three months, and as much attention as the New Pornographers and Broken Social Scene records got, it was nothing compared to the appetite for The Suburbs. Arcade Fire = hottest band in Canada. QED.

Video: Arcade Fire – “We Used To Wait”

2. K’Naan – There’s not much bigger stage than the World Cup and the only thing better than having your song used as its official anthem is having it be a song that remains uplifting even after being played a billion times over a month. K’Naan did this.

Video: K’Naan – “Waving Flag”

3. Diamond Rings – No one expected a D’Urbervilles solo project to get the attention that it did, but over the past year John O’Reagan’s electro-glam alter ego has become a bona fide phenomenon and his debut album Special Affections has somehow managed to live up to the hype.

MP3: Diamond Rings – “Something Else”

4. Karkwa – In terms of increased profile over the last year, no one can top Karkwa because before they surprised many by taking this year’s Polaris Music Prize, most of English Canada had never even heard of them. Can’t say that anymore.

Video: Karkwa – “Le pyromane”

5. Shad – The downside of being the presumptive best record in Canada for months and then not winning – for the second time – is perhaps being cast ast the Susan Lucci of the Polaris Prize. The upside is that TSOL was called the best record in Canada for months, and people heard it – the praise and the album. Not a bad consolation prize.

MP3: Shad – “Yaa I Get It”

6. Dan Mangan – Though some may argue that there’s nothing really special about Mangan’s everyman singer-songwriter, they can’t argue that there’s few who work or social network as hard as Mangan and its paid off in a huge and loyal fanbase.

MP3: Dan Mangan – “Road Regrets”

7. Land Of Talk – After a few false starts, Land Of Talk’s new record Cloak & Cipher should allow them to drop the “next” from their perpetual “next big thing” status, though if their career stays true to form they’ll blow up via the slow burn.

MP3: Land Of Talk – “Quarry Hymns”

8. Metric – They’ve always had their eyes set on the big time and what with getting tapped to record the new Twilight theme song and playing multi-night stands at theatres and outdoor amphitheatres, they might well have finally gotten there.

Video: Metric – “Black Sheep”

9. Broken Social Scene
This slot could have gone to any of BSS, Wolf Parade, Stars, New Pornographers or any other Canadian A-list band who released a solid but hardly game-changing record. But BSS managed to get a Polaris short-list spot out of theirs, so circle gets the square.

MP3: Broken Social Scene – “World Sick”

10. The Rural Alberta Advantage – Relatively quiet in 2010, but deserving of a mention if just for topping last year’s poll; their second album is in the can and there’s been enough touring to remind people of why they love this band so.

MP3: The Rural Alberta Advantage – “Don’t Haunt This Place”

Arcade Fire’s Will Butler talks to The Wall Street Journal and Win and R&eacute.gine to Clash.

Toronto’s Hooded Fang, who scored the #23 spot on the poll despite having just released their debut Album, will be promoting said record with an in-store at Sonic Boom this Saturday, November 13, at 6PM and then following an Ontario tour through November, play a hometown release show for the record at The Drake on December 9.

MP3: Hooded Fang – “Laughing”

Elliott Brood and The Sadies may not have been ranked, but that won’t stop them from continuing their New Year’s Eve traditions by ringing in 2011 at Lee’s Palace and The Horseshoe, respectively. Tickets for the Elliott Brood show are $20 in advance, Sadies ticket info forthcoming.

MP3: The Sadies – “Another Year Again”
Video: Elliott Brood – “Fingers & Tongues”

Julie Doiron, who didn’t place on the poll herself but whose Daniel Fred & Julie bandmate Daniel Romano tied for 27, has set a date at the Horseshoe for February 3, tickets $12 in advance.

MP3: Julie Doiron – “Consolation Prize”

Hannah Georgas (number 17) talks to QRO; she is at the Queen Elizabeth Theatre on November 26.

And though Feist is unsurprisingly nowhere to be found on the list – not releasing an album in three years does temper one’s hotness – expect her to be back at or near the top next year, as she’s getting back into action. Starting with the release of the Look At What The Light Did Now documentary film, which is coming out as a DVD/CD package on December 7 but will be screening at The Royal Ontario Museum on November 21, followed by a Q&A with Miss Leslie herself. Limited tickets are $20, on sale now.

Trailer: Look At What The Light Did Now

Ryan Walter WagnerI had the opportunity/duty of thinking very hard about Black Mountain’s last album, 2008’s In The Future, when it was put on the Polaris Music Prize short list for that year and I was put on the grand jury. And while I respected the craftsmanship and scope of the record, I couldn’t quite take it and its big, vintage stoner-rock moves seriously enough to champion it and couldn’t get past the impression that it was a nudge-nudge kind of joke to the band as well. True or not, it’s what I felt in my gut and that was ultimately what I had to go with (and if you look at my notes from the jury process, you’ll see that my thoughts on Plants & Animals amounted to, “I want a cheeseburger”).

The just-released follow-up Wilderness Heart, however, doesn’t raise any such flags. It keeps most of the requisite ’70s touchstones that define Black Mountain – the chugging guitar riffs, sweeping organs and prevailing mood of dystopic science fiction ominousness – but if feels as though the sludgy, slow-motion haze that permeated Future has been lifted somewhat, and Heart finds the Vancouverites operating with eyes clearer and less dilated.

Added to their repertoire of reference points are some country stylings in the form of some more acoustic textures and more prominent interplay between Stephen McBean’s drawl and Amber Webber’s twang. Putting their voices on a more equal footing establishes them as the band’s greatest strength and gives those who glazed over during their more proggish excursions something to sink their ears into. And for those who liked Black Mountain exactly the way they were, there’s still a goodly amount of rock action, it’s just delivered in more concise packages. There’s almost a temptation to call Wilderness Heart a pop record, but that’s going a bit too far – it’s still a rock record through and through with plenty of opportunities for headbanging – just be prepared to sway for extended periods of time as well.

Spinner, The Quietus, Dose and The Vancouver Sun have feature pieces on the band. They’ll be at the Phoenix on October 31.

MP3: Black Mountain – “The Hair Song”
MP3: Black Mountain – “Old Fangs”
Video: Black Mountain – “The Hair Song”
Video: Black Mountain – “Old Fangs”
MySpace: Black Mountain

Spin has put online a great excerpt from their forthcoming cover story on Arcade Fire and also posted some behind-the-scenes shots from the corresponding photo shoot.

The Toronto Sun asks Shad if he thinks he’s going to win the Polaris Prize. Modesty ensues.

Caribou rates the cover of this week’s NOW, leading up to tomorrow night’s show at the Phoenix and their opportunity to repeat as Polaris winner on Monday. Daytrotter also has a session.

eye talks to Liz Powell of Land Of Talk, who will be lighting up Lee’s Palace tonight.

Billboard talks to Neil Young and Daniel Lanois about Young’s new record Le Noise, out September 28. The first sample of the record is available via a new video and… it’s not what you might expect. Unless you expected something really weird and looped, in which case it’s pretty much exactly what you expected.

Video: Neil Young – “Angry World”

PopMatters interviews Emily Haines in tracking Metric’s journey from the world of indie into the mainstream.

Tokyo Police Club keyboardist Graham Wright tells Chart that he washes his hands of the band’s videos. They play the Ricoh Coliseum on October 22 opening up for Phoenix.

Two Hours Traffic are crossing the country yet again and will wrap up their Fall tour on November 13 at The Horseshoe.

MP3: Two Hours Traffic – “Territory”

The Walrus ties a bit of a sensationalistic title to an otherwise decent article some of the background, ideals and realities of the Polaris Music Prize, the fifth of which is being awarded next Monday night. eye also ponders the credibility and the debates about the credibility of the award. Chart, meanwhile, handicaps this year’s nominees.

Miyuki SamataA whole pile of concert announcements big and small came down the wire yesterday, but none more exciting – personally, at least – than this one. Self-proclaimed Japanese action comic punk band Peelander-Z – hands down highlights of our Hot Freaks! showcases at SxSW in 2008 and in 2009 – are finally bringing their absurd (and entertaining) beyond words show to Canada… well, southern Ontario and Montreal, at least. And that includes two nights in Toronto – September 1 at the Velvet Underground and September 2 at the Silver Dollar, tickets $8 in advance for each show.

Describing the Peelander experience isn’t so easy, particularly when their videos say so much, but punk rock power rangers is really about the size of it. Now neither of these venues offers either the open space or climbing apparatus to stage the kind of sheer insanity that they brought to the Mohawk in ’08 and ’09, but I have the utmost faith that Peelanders Red, Green and Yellow will find a way to make it memorable… and now that I think about it, the width of the Silver Dollar would make a great human bowling lane. They’ll ostensibly be touring behind their new record P-TV-Z, due out on September 28, but let’s be honst – the music is secondary to the antics. Which I’m not usually so fond of, but when the antics are as ridonk as theirs, it’s a-ok with me.

And photogs, you won’t want to miss this. It’s a good time. Mad Tiger!

MP3: Peelander-Z – “S.T.E.A.K.”
MP3: Peelander-Z – “Rocket Gold Star”
MP3: Peelander-Z – “Champion”
MP3: Peelander-Z – “Panda Punk”

Yesterday’s poorest-kept secret goes to the fact that Metric will be doing a free show outside of Union Station at 7PM tonight as part of the launch of a new cell phone. Odds that it will be a mad house and that Emily Haines will ramble nonsensically between songs are pretty much even.

Video: Metric – “Stadium Love”

Boston’s Caspian will be hitting the road this Fall and set up at the Soybomb space in Toronto (Bathurst south of Queen) on September 17.

MP3: Caspian – “Of Foam And Wave”

Obviously intending to be around town in time for the Polaris Prize gala the following Monday, Caribou have scheduled a show at the Phoenix for September 17. Tickets are $15 in advance.

MP3: Caribou – “Odessa”

The midwest rises as Indianapolic gothic country-rockers Murder By Death team up with Oklahoma’s Samantha Crain for a Fall tour that stops in at the Horseshoe on September 26.

MP3: Murder By Death – “Foxglove”
MP3: Samantha Crain – “Traipsing Through The Aisles”

Holy Fuck are at the Phoenix on September 29.

MP3: Holy Fuck – “Latin America”

Scout Niblett has slated a Fall tour in support of her latest, The Calcination Of Scout Niblett. She’s at The Garrison on October 2.

MP3: Scout Niblett – “Kiss”

Perfume Genius, the pseudonym of singer-songwriter Mike Hadreas, will undertake a short Learning that includes an October 7 date at the Drake Underground. Check out the video session he did for Matador Records, a short interview with him conducted by Huh

MP3: Perfume Genius – “Learning”

Basia Bulat will be joining Josh Ritter on his Autumn cross-Canada tour that includes an October 26 date at The Phoenix. Paste debuted Ritter’s latest video from And So The World Runs Away.

MP3: Basia Bulat – “Gold Rush”
Video: Josh Ritter – “Rattling Locks”

I guess calling it the “None More Black” tour would have been overly obvious, not to mention probably karmically putting their drummers at risk, but The Black Angels are teaming up with Black Mountain for a Fall tour that they’ve dubbed “Dropout Boogie” that will stop in at the Phoenix on October 31, tickets $20.50. Even odds that everyone in attendance will be dressed up as stoners for Hallowe’en and will be fully committed to the role. Both acts have new albums out on September 14 – Mountain with Wilderness Heart and Angels with Phosphene Dream. Spin has a chat with singer Alex Maas about the new record as well as a song to download, while Pitchfork has a tour-previewing download of Black Angels covering Black Mountain.

MP3: Black Mountain – “Hair Song”
MP3: The Black Angels – “Telephone Blues”
MP3: The Black Angels – “No Satisfaction” (Black Mountain cover)

With the magic eight ball apparently having come up, “keep milking Wolfgang Amadeus Phoenix for all it’s worth”, Phoenix are doing North America again and this leg includes a Toronto date – October 22 at the Ricoh Coliseum with Tokyo Police Club and Wavves as support, tickets $40 to $45.

MP3: Wavves – “Cool Jumper”
Video: Phoenix – “Lisztomania”
Video: Tokyo Police Club – “Wait Up (Boots Of Danger)”