Sam JonesShe & Him are not a band given to mystery. Despite the anonymous name, everyone knows it’s Matt Ward and Zooey Deschanel and their sugar-sweet old-timey country-pop sound is pretty well-established at this point. And if you’re at all surprised that their third album, announced yesterday as coming May 7, is called Volume 3, then you really haven’t been paying attention. But residents of the Greater Toronto Area looking at the tour dates that accompanied the announcement can be forgiven for scratching their heads about the local date on the itinerary. Toronto Urban Roots Festival what?

With a lineup comprised so far of She & Him and Scottish pop darlings Camera Obscura – and presumably there’ll be more, else it’s not much of a festival – we also know it’s happening July 4 at a venue that Pollstar not-so-helpfully lists as “Toronto Urban Roots Festival Grounds”. Possibilities include an Olympic Island concert – it’s been a few years since we’ve had one of those though the Thursday date makes it unlikely to be the full-day event that would probably be necessary to justify the logistics – or maybe an evening-into-night to-do at the new go-to outdoor venue of Garrison Commons at Fort York? Surely it’s something besides an indoor venue show, else why the fancy name? The trail of online bread crumbs also tells us who’s running it, but they’re not talking right now. Next week, perhaps. Until then, we’ve got us a little mystery to chew on.

MP3: She & Him – “Why Do You Let Me Stay Here”
MP3: Camera Obscura – “My Maudlin Career”

Far less ambiguous is the return of “The Screaming Eagle of Soul” – Mr. Charles Bradley – in support of his second album Victim Of Love, out April 2. BrooklynVegan has all the tour dates but all Toronto needs to know is that he and his Extraordinaires will be at The Phoenix on May 11, tickets will be $22.50 in advance, his last visit was incredible, and a song from the new record is available to stream below. See how easy it is, Zooey?

Stream: Charles Bradley – “Strictly Reserved For You”

Austin country-rockers Phosphorescent will release their new one Muchacho – stream a song from it below – on March 19, and the subsequent tour dates bring them to The Horseshoe on April 15. Tickets for that are $15 in advance.

Stream: Phosphorescent – “Song For Zula”

With the release of We The Common less than a week out, Thao & The Get Down Stay Down are streaming the new record over at NPR; there’s also an interview with Thao at Exclaim. They’ll be at Lee’s Palace on March 27.

MP3: Thao & The Get Down Stay Down – “Holy Roller”
Stream: Thao & The Get Down Stay Down / We The Common

The 405 and Express Milwaukee talk to Ira Kaplan of Yo La Tengo, and if you’re more of a James McNew fan you’ll be pleased to know his first two records as Dump are getting reissued on vinyl for the first time ever. Superpowerless is out March 19 and I Can Hear Music on April 16; stream a track from each below.

Stream: Dump – “Secret Blood”
Stream: Dump – “Slow Down”

Mount Moriah are streaming a song from their new album Miracle Temple, out February 26. They play a Canadian Musicfest showcase at The Drake on March 20.

Stream: Mount Moriah – “Bright Light”

Whole lotta Bob Mould on your TV (or the computer you use as your TV). His performance from last weekend’s episode of Austin City Limits is now available to stream, and a new video from Silver Age – premiered via Late Night With Jimmy Fallon – was just released. See Bob in person at The Horseshoe on March 1.

Video: Bob Mould – “Star Machine”

Brooklyn’s The Men have gone the live performance route for the first video from their forthcoming New Moon, out March 5.

Video: The Men – “Electric”

Interview has an interview with Ra Ra Riot, who have made the title track of their new album Beta Love available to download. They play Lee’s Palace on March 6 and are part of the Arts & Crafts Field Trip fest at Fort York on June 8.

MP3: Ra Ra Riot – “Beta Love”

Black Rebel Motorcycle Club are streaming the first track from their forthcoming Specter At The Feast. It’s a sentimental choice, being a cover of The Call’s biggest hit; Call frontman Michael Been – father of BRMC frontman Robert Levon Been – passed away in 2010. The album is out March 18 and they play The Kool Haus on May 9.

Stream: Black Rebel Motorcycle Club – “Let The Day Begin”

With their new album Hummingbird out this week – and a new MP3 from it available to download – Local Natives are the subject of features at The Line Of Best Fit, The Daily Beast, BBC, Consequence Of Sound, and The 405. They play a sold-out show at The Opera House on March 28.

MP3: Local Natives – “You & I”

The Flaming Lips have confirmed an April 2 release for their new album The Terror and have put out a lyric video for the first single. Details on the release over at The AV Club.

Lyric Video: The Flaming Lips – “Sun Blows Up Today”

The Strokes have released a new single which pretty much guarantees that a new album isn’t far off, but they’re not offering any other details for now. You can download it from their website in exchange for an email address and a promise not to make any a-ha jokes. Update: It’s called Comedown Machine and out March 26.

Stream: The Strokes – “One Way Trigger”

Spin and Washington City Paper have conversations with Widowspeak, who’ve released a new video from their excellent new record Almanac. It’s really excellent.

Video: Widowspeak – “Locusts”

Also with a new video are Grizzly Bear, taken from last year’s Shields. They’ve also offered some director’s notes on the clip via their Tumblr.

Video: Grizzly Bear – “gun-shy”

NPR welcomes Dinosaur Jr for a World Cafe session.

Billboard finds out what Jenny Lewis has been up to – finishing up a new solo record, putting in time on that Rilo Kiley rarities comp, and maybe taking part in the Postal Service tour?

LA Record chat with Redd Kross.

Wears The Trousers and The Telegraph have interviews with Aimee Mann.

NPR are streaming a World Cafe session with Father John Misty.

Elias TahanThere are many routes to Solange. Some may know her because of the surname she shares with her superstar sister. Others for her thespian endeavours which so far, have peaked with the starring role in the third chapter of the competitive cheerleading saga Bring It On. And her music career – two albums since 2003 – have sold hundreds of thousands of copies, so she’s got fans there, too. But it’s her recent turns covering Dirty Projectors and collaborating with Of Montreal that have garnered her scores of new followers in the indie realm.

She only came to my attention, however, when word got out that she was working with Dev Hynes as producer and co-writer. I had originally been a bit wary of his shift from the folk/orchestral indie-rock stylings of Lightspeed Champion to the ’80s-vintage disco-soul of of Lightspeed Champion and Blood Orange, but Coastal Grooves, his debut in that guise, was so irresistibly slick and funky – and at minimal cost to his guitar heroics – that the prospect of pairing those skills with an up-and-coming soul diva such as Knowles had so much potential.

The full-length fruits of their labours is still forthcoming, but the mini-album True, released digitally last November and out physically as of yesterday, certainly shows that promise is being fulfilled. It sounds like a companion piece to Coastal Grooves in style, but the use of an actual studio rather than Hynes’ home environs and Knowles’ vocals makes it a different creature entirely – smooth and expressive while eschewing the diva excesses so typical of her peers. It’s a bit of a subtle release, but that’s also what makes it refreshing and it doesn’t take but a few listens for the hooks to sink in and once they’re in, that’s it.

With the record’s release, Solange has announced a Winter tour that brings her – and presumably Hynes, who has been in her band for past live appearances – to The Hoxton on February 22. Tickets for that – which will go fast, you best believe – are $23 and go on sale this Friday at 10AM.

The Guardian has a feature piece on how Knowles came to work with Hynes, and if you’re curious about how their styles compare, know that the closing track on True is a Blood Orange cover of a 7-inch single; you can stream the original below. Solange’s performance of “Losing You” on Jimmy Fallon last year – with Hynes at her side – is also worth watching.

Video: Solange -“Losing You”
Video: Solange – “Losing You” (live on Jimmy Fallon)
Stream: Blood Orange – “Bad Girls”

Elsewhere, Brooklyn’s lo-fi surfers Beach Fossils have made a date at The Garrison for February 27 in support of their new album Clash The Truth, out February 19. Tickets are $14.50 in advance.

MP3: Beach Fossils – “Careless”
MP3: Beach Fossils – “Shallow”

With his/their third album Dormarion due out April 2, power-pop maestro Benjamin Michael Lerner – aka Telekinesis – has slated a Spring tour that stops in at the Horseshoe on May 12; tickets $11.50. A new song is also available to stream.

Stream: Telekinesis – “Ghosts And Creatures”

Pitchfork has debuted their new advance album stream feature with Yo La Tengo’s new one Fade, out next Tuesday. They’re at The Phoenix on February 9.

Stream: Yo La Tengo / Fade

The Stool Pigeon, New York Times, Red Eye, and The 405 interview Christopher Owens, whose solo debut Lysandre is out next Tuesday and who plays The Mod Club on January 18. The Line Of Best Fit has got a stream of the album right now.

Stream: Christopher Owens / Lysandre

Ra Ra Riot are streaming another new song from Beta Love, out January 22. They play Lee’s Palace on March 6.

Stream: Ra Ra Riot – “Dance With Me”

Two weeks out from the release of Almanac, Widowspeak have made another new song available to stream. It’s out January 22.

Stream: Widowspeak – “Thick As Thieves”

Local Natives have made another track from their forthcoming Hummingbird, out January 29. They’ve got a sold-out show at The Opera House on March 28.

MP3: Local Natives – “Heavy Feet”

Rolling Stone has some words with Jim James as well as a new stream from his forthcoming solo record Regions Of Sound & Light Of God, out February 5.

Stream: Jim James – “A New Life”

Spin talks to Caitlin Rose about expanding her country horizons on her second album The Stand-In, due out February 25, and the Arctic Monkeys cover that’s part of that. Watch the video for that one below, and see her at The Garrison on April 5.

Video: Caitlin Rose – “Piledriver Waltz”

The 405 has details on the new album from Brooklyn’s The Men, as well as a stream of a new song. Yes, its’ face-ripping. The album is called New Moon and is due out March 5.

Stream: The Men – “Electric”

Apparently that first taste in December of Low’s forthcoming The Invisible Way was unofficial because this new stream is being called the first official release from their new record, out March 19. They also just announced a live date at The Great Hall on March 16.

Stream: Low – “Just Make It Stop”

Rolling Stone talks to Black Rebel Motorcycle Club frontman Robert Been about writing and recording their new album, still untitled but due out this March, in the wake of his father’s sudden death in 2010. Update: Turns out it does have a name, as well as release date: Specter At The Feast is out March 18.

Spinner talks to John Darnielle of The Mountain Goats.

NYC Taper has a recording of Titus Andronicus’ set opening up for one of the Yo La Tengo Hannukah shows last December.

Frank YangIt’s less accurate to say that Mark Eitzel was/is/ever shall be the frontman for American Music Club than it is to simply say Mark Eitzel is American Music Club. Over both of the band’s incarnations – their original run from 1982 to 1994 and the reunion from 2004 to 2009 – Eitzel released solo records whose songbooks intersected liberally with AMC but roamed more musically, most curiously on The Ugly American, which saw him arranging old songs for traditional Greek instruments, and Candy Ass, which took him electronic.

His latest Don’t Be A Stranger isn’t one of those sidebar releases, being both his first record for Merge and first since the book was formally closed on American Music Club for the second and probably final time. It also provided occasion for Eitzel’s first visit to Toronto since leading AMC through an excellent but lightly-attended show in Spring 2008. Despite Stranger being a fully-produced affair, Eitzel was touring light – just himself and a piano player, the same setup I saw him with during SXSW 2011.

Given that he was performing to his own, appreciative fans rather than drive-by hipster festival-goers, Eitzel was in a decidedly better mood than that show. Even though the dour dimension gave that performance a memorable intensity, it was nice to have him be able to show off his more jovial side instead with his humour thankfully stayed on the right side of the self-deprecating/self-loathing line. The set list was impressively career-spanning, offering four selections from the new record amongst old AMC favourites like show opener, “What Holds The World Together” off of San Francisco, and “Apology For An Accident” and “Hollywood 4-5-92” from personal favourite Mercury, all dramatically rearranged for the cabaret show configuration but still just as powerful as in their rock band format, thanks in no small part to Eitzel’s massive and emotive vocals – the mic often seemed more stage prop than necessary sound reinforcement. He may have only gotten through a baker’s dozen worth of songs in the hour-fifteen show, but most were accompanied by anecdotes that offered illuminating insights into the song. It was amazing how many of Eitzel’s songs are actually literal rather than allegorical; aspiring songwriters could do far worse than to study his works to learn how to transform daily experiences into compelling lyrical works.

Eitzel had to take a mulligan on the encore after a monologue hilariously derailed things, but wrapped up strongly with “We All Have To Find Our Own Way Out” off of Stranger, and closing with “Chanel No. 5”, a song that’s so much an essential part of the AMC canon that I’m astonished it was only released as a b-side. Mark Eitzel doesn’t come through town very often – he’d do well to take the advice of this album’s title – but when he does, it’s always special.

Back To The World also has an excellent review of the show. The Plain Dealer and Columbus Alive have interviews with Eitzel.

Photos: Mark Eitzel @ The Rivoli – November 28, 2012
MP3: Mark Eitzel – “I Love You But You’re Dead”
MP3: American Music Club – “Only Love Can Set You Free”
MP3: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “All The Lost Souls Welcome You To San Francisco”
Video: American Music Club – “Rise”
Video: American Music Club – “Wish The World Away”
Video: American Music Club – “Electric Light”

The new Memory Tapes album Grace/Confusion is available to stream in whole right now; it’s out on Tuesday.

MP3: Memory Tapes – “Shelia”
Stream: Memory Tapes / Grace/Confusion

Pitchfork compiles an oral history of Interpol’s Turn On The Bright Lights, the deluxe edition of which is out this Tuesday.

Nuvo has an interview with Jason Lytle, who’s just released a new video from Dept. Of Disappearance. He’s at Massey Hall on December 5 opening up for Band Of Horses.

Video: Jason Lytle – “Somewhere There’s A Someone”

The Fader talks to Christopher Owens about the end of Girls. His solo record Lysandre is out January 15 and he plays The Mod Club on January 18.

Eater talks food with Yo La Tengo. Their new album Fade is out January 15 and they play The Phoenix on February 9.

Spin talks to Ra Ra Riot, whose new album Beta Love is out January 22 and who are at Lee’s Palace on March 6.

Local Natives have released a video from their next album Hummingbird, due out January 29. They play The Opera House on March 28 and talk to NME about what it was like to make the record with Aaron Dessner of The National.

Video: Local Natives – “Breakers”

Ameri-Kiwi psych-rock outfit Unknown Mortal Orchestra and Los Angeles’ Foxygen are teaming up for a North American tour in support of their new albums – UMO’s II is out February 5 and Foxygen’s We Are The 21st Century Ambassarors Of Peace & Magic is out January 22. They’re at Wrongbar on March 4, tickets $13.50 in advance.

MP3: Unknown Mortal Orchestra – “I’ll Come Back 4 U”
MP3: Foxygen – “Make It Known”

Jukebox The Ghost and Matt Pond are in town for a show at The Horseshoe on March 11. Jukebox released Safe Travels earlier this year and Pond has a new one in The Lives Inside The Lines Of Your Hand due out on February 15.

MP3: Matt Pond PA – “The Hollows”
Video: Jukebox The Ghost – “Don’t Let Me Fall Behind”

Low have announced details about their next album – The Invisible Way was produced by Jeff Tweedy and will be out on March 19. Check out the trailer below and inspect details – and also exchange your email for a live six-song set – over at Pitchfork.

Trailer: Low / The Invisible Way

Spinner talks to Jeff Tweedy of Wilco.

That song The National recorded for Boardwalk Empire last week is now available to download.

MP3: The National – “I’ll See You In My Dreams”

Rolling Stone has premiered another James Franco-directed – and starring – video from R.E.M.’s final album Collapse Into Now, and if you prefer your Stipe & co a little more vintage, Slicing Up Eyeballs has video of a complete R.E.M. live show from Atlanta circa 1981 available to stream.

Video: R.E.M. – “That Someone Is You”

DIY chats with Sharon Van Etten about her exceptionally good year.

Under The Radar has an interview with Oliver Ackerman of A Place To Bury Strangers.

Nashville Scene and The Arizona Daily Wildcat talk to John Darnielle and Peter Hughes of The Mountain Goats, respectively.

Arno FrugierUsually when a band says, “we’ll see you soon” as they walk off the stage, it’s a mostly-empty platitude that means “we’ll see you when we’ve got a new record to push”, or “we’ll see you when our next single becomes a huge hit and allows us to come back and play a much bigger room”. For New York rock stalwarts The Walkmen and Los Angeles psych-folk bard Father John Misty, though, at least lately, it’s been an ironclad promise.

The Walkmen were here twice already this year – once in March at The Phoenix as part of their 10th anniversary celebrations, and again in August at the Molson Amphitheatre supporting both Florence & The Machine and their latest album Heaven – and Father John Misty has one-upped them, making his local debut at The Horseshoe in May, opening up for Youth Lagoon at The Opera House in July, and then returning again to headline Lee’s Palace just this past weekend, all in support of his debut Fear Fun. Which is great news for their fans if a bit hard on their fans’ pocketbooks.

But if you reside in that section of their fanbase Venn diagrams that intersect, the fact that they’re teaming up for a Winter tour should be an exciting one. It will bring them to The Danforth Music Hall on January 16 with ticket prices ranging from $33.50 to $45.50, which isn’t the cheapest, but when you consider the two-for-one value proposition, it’s a pretty good deal.

Le Blogotheque has a couple videos from The Walkmen’s 10th anniversary show in New York this Summer. Bullett, The Chicago Tribune, and The Phoenix have interviews with Josh Tillman of Father John Misty, who is continuing on his current tour.

MP3: The Walkmen – “Love Is Luck”
MP3: The Walkmen – “Line By Line”
MP3: Father John Misty – “Nancy From Now On”
MP3: Father John Misty – “Hollywood Forever Cemetery Sings”

Grantland goes behind the scenes of the first video from Titus Andronicus’ Local Business. That record brings them to Lee’s Palace on November 27 and provides context for this interview at The Guardian

Video: Titus Andronicus – “In A Big City”

NPR has a World Cafe session with Band Of Horses, hitting Massey Hall on December 5.

Pitchfork has details on the solo debut from Christopher Owens, former frontman for Girls. Lysandre will be out on January 14 and a couple songs from it are available to stream.

Stream: Christopher Owens – “Lysandre’s Theme / Here We Go”

The first preview track from Local Natives’ new record Hummingbird, due out January 29, is now available to download. They’re at The Opera House on March 28.

MP3: Local Natives – “Breakers”

Though busy for the last while as being part of Thao & Mirah, Thao Nguyen has gotten back together with The Get Down Stay Down – though grammar geeks will find it interesting they’re now credited as “and” instead of “with” – and will release a new album in We The Common on February 5. Stream the first track below.

Stream: Thao & The Get Down Stay Down – “Holy Roller”

Under The Radar points out that Telekinesis has, for shits and giggles, made a new Hallowe’en-themed song available to download.

MP3: Telekinesis – “Clock Strikes Midnight”

Loud & Quiet and The Huffington Post talk to John Darnielle of The Mountain Goats.

Paul Banks talks to Exclaim and Northern Transmissions about and offers Drowned In Sound a track-by-track guide to Banks.

The Shins’ contribution to the now-available Starbucks holiday comp Holidays Rule – a Paul McCartney cover – is now available to stream in whole thanks to Stereogum, and if that’s not enough Shins for you, the whole of their Austin City Limits episode is available to watch. And if that’s still not enough, well I can’t help you.

Stream: The Shins – “Wonderful Christmas Time”

aux.tv talks to Lou Barlow about keeping the balance between Dinosaur Jr, Sebadoh, and all that other stuff he does.

Mojo interviews Bob Mould.

Patrick JeffordsIt’s still October, but for all intents and purposes, 2012 is over. How so? Not only is every new album being announced slated to come out in the new year, but pretty much every tour announcement as well. Still hoping that December dance card was going to fill up? Maybe get a jump on your Christmas shopping instead.

But at least you have something to look forward to, including the third album from South Carolinan electronic pop – let’s not call it electro-pop – artist Chaz Bundick, aka Toro Y Moi. Entitled Anything In Return, the follow-up to 2011’s Underneath The Pine will be out on January 22 and will be accompanied a week later by a month-long North American tour that takes him right around the continent, including a February 17 date at Lee’s Palace in Toronto, tickets for which will run you $20. Pitchfork has the full itinerary and the first track from the new record is available to download.

MP3: Toro Y Moi – “So Many Details”

Also coming out on January 22 is the third album from Syracuse, New York’s finest (and only?) indie rock ensemble Ra Ra Riot. It’s called Beta Love and is their first since the departure of cellist Alexandra Lawn, so it will be interesting to hear how that lineup change effects their sound. They’ve also got an extensive North American tour scheduled – with a slight detour to Japan – and will be at Lee’s Palace on March 6, tickets $18.50 in advance.

MP3: Ra Ra Riot – “Boy”

And while the official word on Local Natives’ second album and attendant tour came last week, the conspicuous lack of a Toronto date was addressed – as I predicted – this week, with the addition of a date at The Opera House on March 28. Tickets for that are $21.50.

MP3: Local Natives – “Sun Hands”

Sufjan Stevens has released a video from his Silver & Gold Christmas box set coming November 13, and while it is animated, it’s probably not for kids.

Video: Sufjan Stevens – “Mr. Frosty Man”

Wild Nothing have released a new video from their latest Nocturne that comes with a little celebrity flavour in the form of Michelle Williams. You know, that girl from Dawson’s Creek. No, the other one. Tangentially, you should all be watching Don’t Trust The B– In Apartment 23. Very tangentially.

Video: Wild Nothing – “Paradise”

A Place To Bury Strangers also have a new video taken from Worship.

Video: A Place To Bury Strangers – “And I’m Up”

And between giving interviews to The 405 and Drowned In Sound, Paul Banks has rolled out a new clip from his solo record Banks.

Video: Paul Banks – “Young Again”

Interview and Creative Loafing interview Josh Tillman of Father John Misty, hutting up Lee’s Palace this Saturday night, October 27.

Tobin Sprout talks to Rolling Stone about a new song available to stream from the third Guided By Voices album of 2012, The Bears For Lunch. It’s out November 13.

Stream: Guided By Voices – “She Lives In An Airport”

While no fan of this “deluxe edition” trend going on for current albums, at least Sharon Van Etten is offering some good value. Consequence Of Sound reports that the double-disc edition of Tramp, out November 13, will come with a bonus disc of demos of every song on the album. And, if you’ve already bought it – which you should have – the demos will be available on their own CD. And that, folks, is how you do deluxe. One of the extras – a song not on the finished album – has been made available to stream. We Love DC also has an interview.

Stream: Sharon Van Etten – “Tell Me” (demo)

The Awl and Exclaim hang out with Patrick Stickles of Titus Andronicus. They’re at Lee’s Palace on November 27.

Stereogum and Rolling Stone talk to Jason Lytle, rolling into Massey Hall on December 5 opening for Band Of Horses.

The Cincinatti Enquirer, Chicago Tribune, Time Out Chicago, and City Pages interview members of The Afghan Whigs.

Blurt, Chicago Tribune, and The Wall Street Journal interview Divine Fits.

In conversation with Spinner, Ben Gibbard says that a second Postal Service record isn’t going to happen anytime soon and probably not ever.