Lance NelsonI won’t presume to have any insight into the relationship between Crutchfield sisters Katie and Allison, but it’s hard to imagine there isn’t at least a little competitiveness between the twins since they disbanded P.S. Eliot, the band they were in together, back in 2011 and re-emerged fronting Waxahatchee out of Philadelphia and Swearin’ in Brooklyn, respectively.

And while Katie pulled well ahead in the critical acclaim department earlier this year with the electrified folk sounds of Cerulean Salt, Allison is making a late-year run with Surfing Strange – a heady, hyper, and hooky slice of melodic punk-rock fuzz that recalls the likes of early Superchunk. Two excellent records that are similar enough to be “RIYL” for one another, but different enough to not have to choose sides.

In the battle of who’s coming to play Toronto first, though, Swearin’ wins. Though both acts spent most of the year on the road criss-crossing America and Europe – often together – a local date for Waxahatchee still hasn’t come together. Swearin’, however, have just announced a Winter tour that will bring them and their tunes to the cozy Parkdale basement we like to call The Shop Under Parts & Labour on March 14; ticket info still forthcoming.

Stereogum has an interview with Swearin’ while The San Francisco Examiner and Dots & Dashes profile Waxahatchee, who also play a Tiny Desk Concert for NPR.

And also worth noting is Great Thunder, a new project that brings Waxahatchee and Swearin’ together, but not in the sisterly way – instead, it pairs Katie Crutchfield with Swearin’ bassist Keith Spencer (who also plays in her band and is her boyfriend). They’ll release a double album in Groovy Kinda Love on December 10 and you can stream it below. As for the Crutchfield sisters together, they covered Grimes for Rookie back in May.

Stream: Swearin’ – “Watered Down”
Video: Swearin’ – “Gold In The Dust Sack”
Stream: Great Thunder / Groovy Kinda Love
Stream: Katie & Allison Crutchfield – “Oblivion”

A whole pile of other shows were announced yesterday, starting with Phosphorescent, who are taking advantage of the fact that their latest album Muchacho is popping up on – and topping – no shortage of year-end lists and have announced more Winter dates; they’ll be at The Mod Club on February 1, tickets $17.50. The Guardian also has an interview with Matthew Houck.

MP3: Phosphorescent – “Song For Zula”

It’s a trans-generational dose of Austin psychedelia as The Black Angels, who released Indigo Meadow back in April, team up with 13th Floor Elevator mastermind Roky Erickson, whose last album was the 2010 Okkervil River collab True Love Cast Out All Evil, for a Winter tour that stops in at The Phoenix on February 11. Tickets for that are $27.50.

MP3: The Black Angels – “Telephone”
Stream: Roky Erickson – “I Walked With A Zombie”

New Jersey electro-artist/producer Com Truise has announced the February 18 release of a new mini-album entitled Wave 1 – stream one of the songs below – and a Winter tour that comes to Wrongbar on February 12. Exclaim has full dates and release details.

Stream: Com Truise – “Declination”

Band Of Horses are setting out on an acoustic tour to coincide with the February 11 release of their unplugged Acoustic At The Ryman set, and will be at the Queen Elizabeth Theatre on February 21, tickets $37.50 and $44.50 in advance.

MP3: Band Of Horses – “No One’s Gonna Love You”

With their first new album in three years – Wig Out At Jagbags – ready for release on January 7, Stephen Malkmus & The Jicks are hitting the road with Philadelphia’s Disappears and will be at Lee’s Palace on February 22, tickets $26.50.

MP3: Disappears – “New Fast”
Lyric Video: Stephen Malkmus & The Jicks – “Lariat”

Xiu Xiu released their Nina Simone covers record Nina this week – stream it at USA Today – and have put together some Spring dates to support it. Look for them at The Garrison on March 9, tickets $10.

Video: Xiu Xiu – “You’d Be So Nice”
Stream: Xiu Xiu / Nina

Shearwater – who cover Xiu Xiu on their own new covers record Fellow Travelers – have announced their tourmates for their upcoming tour: On March 27 at The Horseshoe, they’ll be joined by Death Vessel, who are finally releasing a follow-up to 2008’s Nothing Is Precious Enough For Us in Island Intervals on February 25 – and Jesca Hoop, whose The House That Jack Built came out last year. Jonathan Meiburg of Shearwater penned piece about the covers album for The Talkhouse.

Video: Jesca Hoop – “Ode To Banksy”
Stream: Death Vessel – “Ilsa Drown”

The War On Drugs have come clean on their new album, entitled Lost In The Dream and out March 18. You can stream a new song below, read an interview with Adam Granduciel at The Line Of Best Fit, and make plans around their Spring tour dates which include April 14 at The Horseshoe and/or April 15 at Lee’s Palace; probably not both. The band’s own website and PR says 14th at The ‘Shoe, so let’s circle that one. Update: It’s the Horseshoe, April 14, tickets $16.50.

Stream: The War On Drugs – “Red Eyes”

NPR has a video session with Darkside, who’re at Lee’s Palace on January 15.

Details are still vague, but The Line of Best Fit reports that the new St. Vincent album will be out on February 25.

Pitchfork has details on a new record from Brooklyn’s The Men; the optimistically-titled Tomorrow’s Hits comes out March 4.

Rolling Stone gets insight into the new Drive-By Truckers record, entitled English Oceans and coming March 4.

With this Fall’s Emancipated Hearts expressly called a mini-album, it’s technically accurate to call Dean Wareham’s forthcoming self-titled, Jim James-produced full-length his solo debut. It’s out March 11 and Consequence Of Sound has specifics.

Stereogum points out that The Pains Of Being Pure At Heart have quietly rolled out a video for the title track of 2011’s Belong, serving as a pointed reminder that we’re well overdue for new material from them.

Video: The Pains Of Being Pure At Heart – “Belong”

Kurt Vile chats with Tone Deaf, Houston Press, and FasterLouder, and reacts to being named one of GQ‘s “Men Of The Year”.

The 405 and Metro Active have interviews with Sonic Youth’s Lee Ranaldo.

NPR has a Tiny Desk Concert and Daytrotter a “stand behind whatever piece of furniture you like” session with The Dismemberment Plan.

Drowned In Sound meets Local Natives.

The AV Club gets a little more information from The Walkmen about their “extreme hiatus”, which begins after their show in Philadelphia tonight.

Anna IgnatenkoPortland-based trio Blouse made a pretty positive impression with their 2011 self-titled debut and its alluring balance of mechanical post-punk rhythms and shoegazey textures, be they synth- or guitar-created. Advance word on their just-announced second album Imperium, however, makes it sound as though they’ve elected to up the organic quotient, entering the studio with an “instruments that don’t plug into the wall” mandate.

Based on the first single from Imperium, this hasn’t drastically changed the band’s aesthetic – Charlie Hilton’s vocals are still entrancingly Nico-icy and melancholic – but the greater emphasis on live instrumentation certainly makes them sound more like a proper rock band than a “project”, as they initially referenced themselves. Some may bemoan their tilt towards the conventional, but if the end result is more and better songs, then I’m all for it.

Imperium is out September 17 and as a sort of press release, label Captured Tracks has a Q&A with the band about the new album.

MP3: Blouse – “No Shelter”

Spin has a feature interview with Kurt Vile, who’s in town to play the Toronto Urban Roots Fest at Garrison Common on July 7.

NYC Taper has a recording of Yo La Tengo’s final show at Maxwell’s in Hoboken, New Jersey. They play TURF on July 7 at Garrison Common.

Stereogum asks Jeff Tweedy what’s going on with the new Wilco record. Answer – not much; writing, no recording. So expect to hear stuff you know when they play The Molson Amphitheatre on July 15 opening for Bob Dylan. And don’t pretend that bothers you.

Interview talks to electronic/ambient artist Julianna Barwick about her new album Nepenthe, due out on August 20 and with a new song available to stream. She’s in town at Double Double Land on September 26.

Stream: Julianna Barwick – “One Half”

Stereogum talks to Laura Ballance and The Calgary Herald to Jim Wilbur of Superchunk; Ballance is probably thankful she no longer tours with the band as they’re having a hell of a time in flooded Calgary for Sled Island this weekend. Their new album I Hate Music is out August 20.

Under The Radar has details on the new record from Lissie; Back To Forever will be out September 10. The Line Of Best Fit has a video session with the roots-rocker.

The Thurston Moore-powered Chelsea Light Moving are bringing their self-titled debut back to town for a show at The Horseshoe on September 15.

MP3: Chelsea Light Moving – “Burroughs”

Local Natives have rolled out a new video from this year’s Hummingbird. They play The Kool Haus on September 21.

Video: Local Natives – “You & I”

Chicago’s Disappears and San Francisco’s Weekend have paired up for an Autumn co-headlining tour that’s sure to be loud and abrasive in all the right places and wraps up in Toronto at The Garrison on October 25. Disappears released Pre-Language last year; Weekend’s new album Jinx comes out July 23.

MP3: Disappears – “New Fast”
MP3: Weekend – “Coma Summer”

La Sera have been announced as support for Kate Nash’s upcoming show at The Phoenix on November 5. Their last release was 2012’s Sees The Light

MP3: La Sera – “Please Be My Third Eye”

Noisey, The Citizen-Times, and Interview get to know Beach Day, whose debut Trip Trap Attack came out this week.

Interview has an interview with Alan Sparhawk of Low.

The Postal Service has released a video for one of the new songs on the anniversary edition of Give Up.

Video: The Postal Service – “A Tattered Piece Of String”

aux.tv talks to Titus Andronicus.

Craig KiefSpring is only barely here – the past few days’ weather notwithstanding – but the concert announcement machine is already making eyes at Autumn with the unveiling of a couple of pretty high profile tours coming through town when the leaves start to change and the days get shorter.

Sam Beam, the walking epitome of bearded folk music, released Ghost On Ghost – his fifth album as Iron & Wine – last month, but until now only had Spring dates in the northeast and Europe confirmed on the itinerary. Come Fall, however, he and his band will traverse much of the middle of North America – the USA and Canada both – before wrapping things up in Toronto at The Sound Academy on September 28, advance tickets $30 for general admission and $40 for VIP balcony.

The Pittsburgh Post-Gazette and New York Times have interviews with Sam Beam.

MP3: Iron & Wine – “Belated Promise Ring”
Video: Iron & Wine – “Joy”

Los Angeles’ Local Natives have already come through town once this year in support of their second album Hummingbird, but even a venue upgrade from The Opera House to The Phoenix wasn’t enough to meet demand. Hence, they’ve added a slew of dates that will take them around the planet and then some, stopping in Toronto at The Kool Haus on September 21, tickets $26.50. And if you’re thinking that you already saw them in March, know that they’ll have the quite excellent Wild Nothing along as support, touring behind last year’s Nocturne full-length and the just-released Empty Estate EP. There’s Local Natives feature pieces at The Huffington Post, Seattle Weekly, and Georgia Straight.

MP3: Local Natives – “You & I”
MP3: Wild Nothing – “Paradise”

Dialing things back to the Summer – and the festival circuit in particular – there were some updates of note over the last couple days. If you thought the otherwise comprehensive Arts & Crafts lineup for Field Trip had a conspicuous Dan Mangan-shaped hole in the lineup, you were right. And now it’s been filled by Dan Mangan himself; not just a similarly-bearded impersonator. That all goes down June 8 at Garrison Commons, and yes he’s still on the lineup for the Mumford-y “Gentlemen Of The Road Stopover” on August 23 out in Simcoe, Ontario.

MP3: Dan Mangan – “Road Regrets”

NXNE revealed a bunch more acts for this year’s festival, descending on Toronto’s clubs from June 12 to 16, including Dan Deacon (despite his coming back a few weeks later to support Animal Collective’s make-up show), Still Corners (confirming they’re still doing festival dates in addition to the June 12 date supporting CHVRCHES at The Hoxton), and a slew of Canadian acts including Wintersleep, No Joy, The Super Friendz, Gold & Youth, and more – check out the artists page for a full list of current confirmed acts. I’ve also collated some of the where and when information, but there’s no point in sharing that ever-changing information until the official schedule is posted, which won’t be long because hey – the festival is less than a month away.

MP3: Dan Deacon – “Lots”
MP3: Still Corners – “Fireflies”
MP3: Wintersleep – “Resuscitate”

The Toronto Urban Roots Fest is mostly making waves as a multi-day, outdoor festival the likes of which Toronto hasn’t seen in some time, but its club-level happenings are turning out to be just as impressive, particularly if you’ve no love of multi-day, outdoor festivals. Running concurrently with the main festival, the club series will see the likes of Frank Turner & The Sleeping Souls, Alejandro Escovedo & The Sensitive Boys, The Wooden Sky, Dawes, and The Felice Brothers amongst others playing The Horseshoe and Lee’s Palace from July 4 to 7, tickets ranging from $20 to $30 including surcharges, on sale May 23. Some who where and when information is available at the TURF website.

MP3: Frank Turner – “The Roads”
MP3: Dawes – “If I Wanted Someone”
MP3: The Wooden Sky – “Angelina”
Video: The Felice Brothers – “Ponzi”
Video: Alejandro Escovedo – “Sally Was A Cop” (live)

With their new record Planta set for a June 11 release and a new video from it just out, Brazil’s CSS have put together a North American tour that brings them to The Opera House on July 4, tickets $25.

MP3: CSS – “Hits Me Like A Rock”
Video: CSS – “Hangover”

There’s good news and bad news from the House Of Tomorrow: the good is that, with their new record Partygoing set to come out on June 4 (as well as the Memories of Love, Eternal Youth, and Partygoing. discography-collecting box set), Future Bible Heroes are undertaking a rare tour. The bad news is is that chief songwriter and personality Stephin Merritt will not be participating, though key members Claudia Gonson, Christopher Ewen, Shirley Simms, and Anthony Kaczynski will. So even without Merritt’s delicious dourness, a wonderful time should be had by all at Lee’s Palace on July 22. Tickets for that are $15.50.

Stream: Future Bible Heroes – “Living, Loving, Partygoing”

The Fly talks to Chicago’s Smith Westerns about their new record Soft Will, which will be out June 25. They’ve released the first video and rolled out a batch of tour dates via Pitchfork; the Toronto date comes July 29 at Lee’s Palace, tickets $17.

MP3: Smith Westerns – “Still New”
Video: Smith Westerns – “Varsity”

With a new album in Pura Vida Conspiracy due out July 23, everyone’s favourite – and probably only – Gypsy punks Gogol Bordello have announced a massive tour that comes to Toronto for not one but two nights – August 19 and 20 at The Danforth Music Hall. Rolling Stone has a conversation with frontman Eugene Hutz.

Stream: Gogol Bordello – “Malandrino”

Pinback are back for a date at Lee’s Palace on September 7 in support of last year’s Information Retrieved; tickets for that are $17.50 in advance.

MP3: Pinback – “Proceed To Memory”

FIDLAR – whose name stands for “Fuck It Dog Life’s A Risk”, if you were wondering – are teaming up with fellow Los Angelenos The Orwells for a Fall tour that hits The Hard Luck on October 18, tickets $13. FIDLAR released their self-titled debut earlier this year whereas The Orwells’ debut Remember When came out last year. DIY and The Clock have themselves FIDLAR features.

MP3: FIDLAR – “Cheap Beer”
MP3: The Orwells – “Other Voices”

Grantland and MusicOmh profile The National, whose new album Trouble Will Find Me is out on May 21 and who play Yonge-Dundas Square for NXNE on June 14.

It won’t be out in time for her July 13 date at The Kool Haus, but Spin has some info on Solange’s new album, which will be out this year on her own label under Sony.

Exitmusic have premiered a new video from last year’s debut Passage at NPR.

Video: Exitmusic – “White Noise”

Frank YangObjectively speaking, there’s not a world of difference between Widowspeak’s 2011 self-titled debut or the follow-up Almanac, released in January of this year. You can file them both quite comfortably under “the soundtrack to dreams of dusty country roads”, not too far from lazy but not inaccurate reference points Mazzy Star and Cat Power, but something about Almanac grabs me the way that Widowspeak, as much as I dug it, didn’t. And it’s not something as simple as they’re getting more dynamic or rocking out harder, as refresher listens to their debut confirm there’s no shortage of volume spikes amidst the sleepiness. There’s just something more present, more assured, in Almanac‘s grooves – like lucid dreaming versus wake-walking. Whatever it is, I love it, and so their show at The Garrison on Monday night – their first non-festival headline date in Toronto – was a must-go on my calendar.

Local support came from The Auras, signed to Toronto’s Optical Sounds and labelmates with B-17, whom I’d just seen just a few days earlier; if there’s some sort of shadow conspiracy to get me more attuned with the city’s psych-pop scene… then it’s working. Mind you, The Auras didn’t impress the same way that B-17 did, but they’re not really built to. Comprised of fresh-faced youngsters rather than scene veterans, they were a bit of a mish-mash visually – a mass of paisley, headbands, shaggy hair, tassels, and with half the six-piece band in sunglasses, all bathed in their a bring-your-own light show. Sonically, they felt more like a a psychedelic jam session, rotating through four lead vocalists and possessing more of vague mandate to sound like a more shambolic, polite Black Angels than a firm mission statement. Understand that this is not a complaint, but actually more a point of envy. Having a group of like-minded players to jam, gig, and record with sounds like the best thing ever, actually.

I saw Widowspeak twice last year – in the same room at NXNE and a few months earlier at SXSW – but this time there was a new rhythm section in place and a fifth member in the fold on guitar and keys. The heart of the band, however – Molly Hamilton and Robert Earl Thomas – were still there, ever front and centre. Opening with Almanac leadoff “Perennials”, the template for the show was quickly established – Hamilton serenely cooing into the mic while Thomas got to play the role of guitar hero, although he would have been more effective at it had his guitar not been the quietest of the three on stage; a little more volume would have helped his leads achieve the prominence they deserved and might also have quieted the reasonably-sized if disproportionately chatty crowd audience.

As the show progressed, the chatter either diminished or the genuinely interested moved up to the front – in either case, they were drawn in by the performance, which maintained the same basic rhythm through the better part of an hour, offering a good mix of Almanac and Widowspeak material though sadly omitting two of my favourite new songs, “Devil Knows” and “Spirit Is Willing”. They did shift gears slightly towards the end with a cover of Chris Isaak’s “Wicked Game” – yeah, having Hamilton wrap her voice around it is a bit on the nose, but still gorgeous – and a keyboard-led “Thick As Thieves”, before closing with a relatively raucous “Ballad Of The Golden Hour” and “Harsh Realm”. An encore wasn’t a foregone conclusion, but Hamilton was enticed to come back out for a final number, a reading of “Limbs” done solo because the rest of the band didn’t know how to play it, and were also busy selling merch off to the side. A modest finale to a modest yet wholly enjoyable show.

Iamnosuperman and Good Times have interviews with Robert Earl Thomas and The Riverfront Times chats with Molly Hamilton while El Paso What’s Up talks to both.

Photos: Widowspeak, The Auras @ The Garrison – April 16, 2013
MP3: Widowspeak – “Ballad Of The Golden Hour”
MP3: Widowspeak – “Sore Eyes”
MP3: Widowspeak – “Gun Shy”
MP3: Widowspeak – “In The Pines”
MP3: Widowspeak – “Devil Knows”
MP3: Widowspeak – “Harsh Realm”
Video: Widowspeak – “Locusts”
Stream: The Auras / The Auras

Not necessarily enough show announcements this week to devote a post, but still a few things of note. Seattle’s Cave Singers will bring their new album Naomi – released last month – to town for a show at The Horseshoe on June 17, tickets $15. There’s a feature on the band at 85-26.

MP3: The Cave Singers – “Black Leaf”
MP3: The Cave Singers – “Swim Club”

California’s Rogue Wave are back with a new record in Nightingale Floors coming out on June 4, and are teaming up with Brooklyn’s Caveman, who just released their second self-titled album, for a Summer tour that hits The Mod Club on June 25, tickets $18.50/.

MP3: Caveman – “Easy Water”
Stream: Rogue Wave – “College”

Another bi-coastal bill will team Californian psych-pop outfit Woods, still working last Fall’s Bend Beyond, with New York ’90s indie rock revivalists Parquet Courts and their debut Light Up Gold for a date at The Horseshoe on July 17, tickets $15.50.

MP3: Woods – “Wind Was The Wine”
MP3: Parquet Courts – “Borrowed Time”

Los Angeles’ Julia Holter brings last year’s Ekstasis to The Drake on July 17, tickets $16.50.

MP3: Julia Holter – “In The Same Room”

Consequence Of Sound, Spinner, Vulture, and Spin talk to Thermals frontman Hutch Harris and PopMatters to drummer Westin Glass about their just-released new record Desperate Ground, and they also talk to The AV Club and Clash respectively about action movies. The Thermals are at The Horseshoe on May 21.

MTV Hive and Stereogum have features on The Yeah Yeah Yeahs, whose new record Mosquito arrived this week.

Interview and The Victoria Times-Colonist talk to Sam Beam about the new Iron & Wine album Ghost On Ghost.

PopMatters, eMusic, Forbes, and Spin have features on The Flaming Lips and their new album The Terror.

The National Post talks to Steve Earle about his latest The Low Highway.

Ra Ra Riot is streaming the single they’ll be releasing for Record Store Day this Saturday via T Magazine. The Alternate Side also has a session with the band, who are here on May 25 at The Sound Academy supporting The Shins, then back for the Field Trip fest at Garrison Commons on June 8.

Stream: Ra Ra Riot – “All I Fear”

Stereogum has a stream of The Hold Steady’s contribution to this week’s Game Of Thrones closing credits, while Wired examines the intersection of the kingdoms of Westeros and the world of indie rock. The Hold Steady are here as part of the Toronto Urban Roots Fest on July 6 at Garrison Commons.

Stream: The Hold Steady – “The Bear & The Maiden Fair”

NPR has a Tiny Desk Concert concert with Yo La Tengo, one of the names at the final day of the Toronto Urban Roots Fest at Garrison Commons on July 7.

Kurt Vile is also playing TURF Sunday; Noisey has an interview with him about being a rocker parent rocker.

Janelle Monáe dishes a bit to Billboard about her long-awaited second album The Electric Lady, due out later this year.

Stereogum have premiered the new video from Low’s The Invisible Way.

Video: Low – “Just Make It Stop”

Okkervil River’s Will Sheff has squeezed another video out of his Lovestreams side-project.

Video: Lovestreams – “There’s Video”

NPR welcomes Local Natives for a World Cafe session.

Steve GullickSad news out of Indianapolis yesterday morning, as word got out that Jason Molina, had died. Unbelievably prolific from the late ’90s through the mid ’00s first as the skeletal Songs: Ohia and then the lushly-arranged Magnolia Electric Co., as well under his own name, he helped craft the template of raw yet elegant, emotionally bare and beautifully sad songwriting within the folk, blues, and roots-rock idioms.

Following the release of Molina and Johnson, his 2009 collaboration with Will Johnson of Centro-Matic, Molina seemed to disappear from sight – most unusual for someone whose release and touring schedule rarely let up. An update finally came in September 2011, revealing that Molina’s battle with substance abuse had kept him creatively sidelined but positive steps were occurring; another update in May of last year from Molina himself was even more encouraging and some new music in the form of Autumn Bird Songs, a 10″ accompanying a book of artwork from William Shaff. And then, yesterday, the sad announcement that despite these positive signs, Molina had passed.

I was fortunate to have caught Molina live twice, in Fall 2004 and again in August 2005, right around the switchover in identity from Songs: Ohia to Magnolia Electric Co. Re-reading my writeups, it was clear that while I liked some of what he did, it didn’t connect with me fully. Now, reading over the many, many tributes from fans and other musicians for whom Molina’s work resonated at a deep, fundamental frequency, I feel like I need to revisit his work and be thankful for those shows, even if I didn’t wholly appreciate it at the time.

Secretly Canadian, the label for whom Molina recorded his entire career and who put out his “One Pronunciation Of Glory” 7″ as their second-ever release, has a fond remembrance of the man; Chunklet and NPR also have tributes. As their memorial, Drowned In Sound has offered up a beginner’s guide to Molina’s expansive catalog, though if you want to, you could just hit play down below.

MP3: Molina & Johnson – “Almost Let You In”
MP3: Molina & Johnson – “Twenty Cycles To The Ground”
MP3: Jason Molina – “Get Out Get Out Get Out”
MP3: Magnolia Electric Co. – “Josephine”
MP3: Magnolia Electric Co. – “Little Sad Eyes”
MP3: Magnolia Electric Co. – “Lonesome Valley”
MP3: Magnolia Electric Co. – “The Dark Don’t Hide It”
MP3: Magnolia Electric Co. – “Farewell Transmission”
MP3: Songs:Ohia – “Two Blue Lights”
MP3: Songs:Ohia – “Steve Albini’s Blues”
MP3: Songs:Ohia – “Untitled 2”
MP3: Songs:Ohia – “Untitled 1”
MP3: Songs:Ohia – “Body Burned Away”
MP3: Songs:Ohia – “Lightning Risked It All”
MP3: Songs:Ohia – “Lioness”
MP3: Songs:Ohia – “Tigress”
MP3: Songs:Ohia – “How To Be Perfect Men”
MP3: Songs:Ohia – “Captain Badass”
MP3: Songs:Ohia – “East Heart Divided”
MP3: Songs:Ohia – “East’s Last Heart”
MP3: Songs:Ohia – “Cabwaylingo”

Clash and DIY mark today’s release of The Invisible Way with feature pieces on Low while The Line Of Best Fit and The AV Club do their part with video sessions; note that the rest of the videos for the AV Club session are linked the bottom of the post.

With a week to go before the release of Comedown Machine, Pitchfork has drawn the “advance album stream” card for the new Strokes record.

MP3: The Strokes – “One Way Trigger”
Stream: The Strokes / Comedown Machine

NPR has a World Cafe session with Local Natives. They play The Phoenix on March 28.

One of those new Telekinesis tracks from Domarion, out April 2, is now available to download. They hit The Horseshoe on May 12.

MP3 Telekinesis – “Ghosts & Creatures”

The Flaming Lips used one of their SXSW appearances to perform their new album The Terror in its entirety, which must have been great for those in attendance since it’s not even out until April 16 – yeah, it has been pushed back a fortnight – and everyone knows there’s nothing better than a complete album recital of a record you’ve never heard. Regardless, the whole performance is available to hear/watch over at Stereogum.

Yo La Tengo have a feature in Clash and turn in a World Cafe session for NPR and kick off the new season of The AV Club’s Undercover series, covering The Supremes’ “Come See About Me” – the “core emotion” they get out of it is decidedly different from the one The Afghan Whigs squeezed out of their version. Yo La Tengo play the Toronto Urban Roots Fest on July 7 at Garrison Commons.

Tangentially, a track from the first of James McNew’s Dump vinyl reissues – Superpowerless is out today – is available to download. I Can Hear Music follows April 16.

MP3: Dump – “Superpowerless”

A Music Blog, Yea checks in with Texas’ Midlake, who should have a new record out sometime this year.