Afie JurvanenHer musical achievements are pretty much beyond reproach – both leading Weeping Tile and as a solo artist – but Sarah Harmer has become as well-known for her activism in recent years. In 2005, she helped form PERL – Protecting Escarpment Rural Land – to fight proposed development on the Niagara Escarpment, work which was reflected musically in her I’m A Mountain album and documented in the Escarpment Blues doc. The movement scored a major victory last Fall when a proposed quarry in the escarpment was denied. Now she’s seeking to draw attention to Line 9, a pipeline which currently carries conventional crude oil across Ontario and Quebec and which may be repurposed to also transport heavy crude oil from Alberta’s tar sands.

To draw public attention to their calls for further environmental assessment of the project, Harmer has organized Rock The Line, a free concert happening at Mel Lastman Square in North York this coming Sunday, October 6, starting at 2PM. Joining her will be Gord Downie & The Sadies – formidable on their own, fearsome together – Hayden and Guelph’s Minotaurs. A great show for any reason and an even better one for the cause behind it.

Video: Sarah Harmer – “Oleander”
Video: Gord Downie & The Sadies – “Search & Destroy”
Video: Hayden – “Rainy Saturday”

Basia Bulat is marking the release of her new album Tall Tall Shadow this week with a track-by-track walkthrough at Port Magazine, a video session at NOW, and a video for the title track premiered over at Bullett. She plays three nights at The Polish Combatants Hall on from October 10 to 12.

Video: Basia Bulat – “Tall Tall Shadow”

Filter has a stream of Prayer Of The Woods, the solo debut from Great Lake Swimmers’ Tony Dekker, out October 8.

Stream: Tony Dekker / Prayer Of The Woods

The Darcys talk to Exclaim about their plans to release a 20-minute, Cormac McCarthy-inspired instrumental track and video series for every track on their latest, Warring. They play The Adelaide Music Hall on October 11.

In advance of his “electronic pop opera” performance at the Adelaide Music Hall that night – The Montreal Gazette saw said show at Pop Montreal last weekend – Murray Lightburn will play an in-store at Sonic Boom’s Annex location on October 12 at 2PM.

MP3: Murray Lightburn – “Motherfuckers”

As the October 27 release date for Reflektor draws ever closer, Arcade Fire have revealed a few more new songs via a short film by The Creators Project.

Video: Arcade Fire / Here comes The Night Time

Loud & Quiet, The Link, The Ottawa Citizen, and The Edmonton Journal interview Braids. They play The Great Hall on November 10.

Under The Radar and The Georgia Straight talk to Catherine McCandless of Young Galaxy, who’ve released a new video from Ultramarine. They play The Hoxton on November 22.

Video: Young Galaxy – “Sleepwalk With Me”

Perhaps conscious that they haven’t actually played Toronto since Until In Excess, Imperceptible UFO came out in early April – their CMF show happened a few weeks prior and their announced NXNE show never actually happened – The Besnard Lakes have announced a November 26 date at Lee’s Palace, tickets $15 in advance.

MP3: The Besnard Lakes – “People Of The Sticks”

Stereogum talk to Fucked Up’s Damien Abraham about their new record and Godspeed’s comments following their Polaris win last week. That seems like ancient history now, but if you wanted to read some well-reasoned responses to the kerfuffle (which align with my thinking, natch), check out pieces at Herohill, A Void, Radio Free Canuckistan, Liisa Ladouceur, and The Toronto Standard.

Dan Mangan drops some pretty high-falutin’ reference points in discussing his plans for his next record with Exclaim.

NOW has an interview and Chart solicits a list of recommended listening from Diana.

The National Post, Culture Map, and Beatroute interview Katie Stelmanis of Austra.

Autumn De WildeWith a massive-ass snowstorm bearing down on most of the eastern half of the continent last night, the smart thing to do would probably have been to stay home and hunker down. I opted for option b), trying to beat the storm to the Sound Academy and back for The Decemberists, so today’s post is weather-shortened and consists of just show announcements.

Starting with adorable duo The Submarines from sunny California. They’re going to be releasing a new record in Love Notes/Letter Bombs come April 5 – their first since 2008’s Honeysuckle Weeks – and while the full tour itinerary to support it hasn’t been released yet, it starts in Austin, Texas in mid-March during SxSW and makes it up to Toronto for a show at The Horseshoe on April 22, tickets $12.50. Assume that any points in between there and here is fair game over the intervening month. Check out the first MP3 from the new record.

MP3: The Submarines – “Birds”

I’ve never fully understood what the deal was with the Verge Music Awards, sponsored by XM station The Verge, but the awards ceremonies usually feature a pretty solid lineup of acts. And so it is this year that on March 1, the Mod Club will host Gord Downie, Tokyo Police Club and The Acorn – tickets for the show are $20 in advance at Rotate This down on Queen St.

MP3: The Acorn – “Restoration”
Video: Gord Downie – “The East Wind”
MP3: Tokyo Police Club – “Wait Up (Boots Of Danger)”

Born Ruffians’s previously-announced cross-Canada tour now has a hometown finale – they’ll be at The Opera House on April 16, tickets $15 in advance.

MP3: Born Ruffians – “Sole Brother”

The Rural Alberta Advantage have also announced a homecoming date for their Spring tour in support of Departing, out on March 1. They’ll be at The Phoenix on April 29, tickets $18.50. Hey, remember when you could see these guys at a half-filled Boat? Yeah, those days are GONE.

MP3: The Rural Alberta Advantage – “Stamp”

Montreal’s Malajube have set an April 30 date for the Horsesehoe, tickets $15. Their new record La Caverne is out April 19 and there’s a video trailer thing for it.

MP3: Malajbue – “Porte Disparu”
Trailer: Malajube / La Caverne

Peter Bjorn & John have assembled a world tour to support their new record Gimme Some when it comes out March 29. Look for them on May 6 at Lee’s Palace, tickets $20.

Video: Peter Bjorn & John – “Breaker Breaker”

tUnE-yArDs has announced an April 18 release date for her new record w h o k i l l and talks to Pitchfork about it. They also have the tour dates, which includes May 12 at The Horseshoe.

MP3: tUnE-yArDs – “Sunlight”

And finally, that Sleigh Bells/CSS show which looked like it was going to be two jammed night at the Mod Club has congealed into a single evening at the Sound Academy, so stow that excitement. It goes down on May 17 and tickets are $20. And oh yeah, Sleigh Bells just put out a new vid.

MP3: Sleigh Bells – “Crown On The Ground”
MP3: CSS – “Alala”
Video: Sleigh Bells – “Rill Rill”

FacebookSummerworks has long been an established name in Toronto’s theatrical community, staging successful festivals every Summer (hence the name) for as long as I’ve lived here, but in the last couple of years, they’ve been expanding their mandate with a musical series that has aimed to get theatre fans to to discover some of the city’s best up-and-coming independent music and vice versa. Each year has gotten better and better, and the just-announced 2010 music series is handily continuing that trend.

As previously mentioned, the main attraction this year is a two-night stand from The Hidden Cameras wherein they’ll reimagine their last record Origin:Orphan in a theatrical context, but also appearing at the Lower Ossington Theatre from August 5th through the 14th will be Ghost Bees, Diamond Rings, Laura Barrett, Snowblink, Evening Hymns and The Wilderness Of Manitoba, amongst many others.

The performance space is divided into a mainstage and a performance bar; tickets for the former are available in advance at Rotate This, Soundscapes and the venue box office while admission for the latter is pay-what-you-can on the evening of the show, with mainstage ticket holders getting in for free. Check out the schedule to see who’s playing where and when.

MP3: The Hidden Cameras – “Walk On”
MP3: Laura Barrett – “Decepticon Island Optimists Club”
MP3: Diamond Rings – “Wait And See”
MP3: Evening Hymns – “Broken Rifle”
MP3: Ghost Bees – “Vampires Of The West Coast”
MP3: The Wilderness Of Manitoba – “Hermit”

Domino Records is offering a download of Owen Pallett’s new Lewis Takes His Shirt Off EP for one week only. And that week started a couple days ago, so get moving. And speaking of getting moving, it was just announced that Pallett will be appearing at the Dakota Tavern tonight as part of White Whale Wendesdays this month, playing with Snailhouse, Octoberman and Tusks.

Hannah Georgas has released a new video from This is Good. She plays the Molson Amphitheatre on July 30 as part of the dog’s breakfast Disco Lemonade show.

Video: Hannah Georgas – “Bang Bang You’re Dead”

Spinner talks to Rolf Klausener of The Acorn about their new record No Ghost.

The Coast have announced their second album Queen Cities will be out on September 14, and they’ll play a hometown record release show at the El Mocambo on September 23.

Metric turned in a compact, two-song set for Daytrotter. Maybe they were in a hurry to make this interview with The Riverfront Times?

Paste catches up with Stars; they’re at Massey Hall on October 23.

Billboard has posted their cover story on Arcade Fire. They play the Toronto Islands on August 14.

The Boston Herald and Beatroute have features on Wolf Parade

Gord Downie & The Country Of Miracles will bring The Grand Bounce to the Queen Elizabeth Theatre on November 5.

Video: Gord Downie & The Country Of Miracles – “The East Wind”

BeatRoute, The Montreal Gazette and The National Post talk to Sarah Harmer.

Indie rock endorsements: Liz Powell of Land Of Talk tells The Sound It Resounds why Fugazi’s In On The Kill Taker was so important to her while over at Rock Torch, Dan Mangan recommends some time spent with Bon Iver.

Both Acts Of Minor Treason and Comics Alliance take photo tours of Scott Pilgrim’s Toronto. The Beguiling is hosting a release party for Scott Pilgrim’s Finest Hour next Monday night, with the books going on sale at midnight, while Scott Pilgrim Vs The World opens in theatres on August 13.

AmazonWhen Sloan sang, “it’s not the band I hate, it’s their fans” in “Coax Me”, they were referring to Consolidated but the sentiment could well have applied to their fellow Canadian rock icons The Tragically Hip, who have the dubious honour of possessing some of the most obnoxious fans north of the 49th. My last run-in with them was thankfully some 17 years ago (whew!) but I still shake my head at the memory of them essentially booing Daniel Lanois off the stage at Molson Park, as though it would have brought The Hip out to play any sooner. And amazingly, all these years later, they still come out in throngs and sit through all the new material that the band continue to produce, just waiting to hear “50 Mission Cap” and “New Orleans Is Sinking” and high five one another.

So while I’m sure that Gord Downie appreciates his fans and the fact that they’re loyalty pays his mortgage, it’s not surprising that he’s felt the need to craft a solo career, separate from The Hip, that in theory allows him to explore his art without worrying about how it might be received by his band’s less open-minded fanbase. His third such solo endeavour The Grand Bounce finds him backed by a new band called The Country Of Miracles and produced by Death Cab For Cutie’s Chris Walla. With its bright, faintly country-rock vibe and Downie’s ever-evocative lyricism, The Grand Bounce is honestly the first Hip or Hip-related project I’ve listened to since the turn of the century and, if they’ve all been nearly as good as this is, perhaps I shouldn’t have let those aforementioned fans put me off their more recent works. That said, you still couldn’t pay me enough to go to a Hip show. No sir.

The Grand Bounce is out on June 8 on CD but the double-vinyl edition was quietly released yesterday and courtesy of Universal Music Canada, I’ve got a copy of the LP to give away. To enter, email me at contests AT chromewaves.net with “I want The Grand Bounce” in the subject line and your full name and mailing address in the body and get that to me before midnight, June 8 – contest open to residents of Canada.

Video: Gord Downie & The Country Of Miracles – “The East Wind”

Frank YangFuse was a show on CBC radio that sought to bring together two disparate Canadian artists in a live studio environment to collaborate on their own songs and covers – a great idea that yielded some great material before sadly coming to an end a couple of years ago. Putting The Sadies and Gord Downie together didn’t count as one of their most out-there combinations – The Sadies had opened up for The Tragically Hip on a number of tours and the two acts weren’t stylistically worlds apart, even though no one really sounds like The Sadies and no one writes or sings like Downie.

But even without the WTF factor, the pairing still yielded some fantastic results, including this explosive Iggy & The Stooges cover which, with The Sadies in a rare full rock-out mode and Downie giving his lungs a hell of a workout, is pretty much the definition of “raw power”. At least it was when I saw Downie join The Sadies on stage at the Horseshoe Tavern’s 60th anniversary party in December 2007 for this same song, which is to say it was awesome.

The Sadies’ new record Darker Circles is out this Tuesday and they have a couple of local dates coming up – a record release show at Lee’s Palace this Saturday, May 22 and as Canada Day headliners at Harbourfront Centre on July 1. Gord Downie’s third solo record The Grand Bounce is out June 8 and he’ll play the Hillside Festival in Guelph on June July 25. Iggy & The Stooges will headline NXNE with a free show at Yonge-Dundas Square on June 19.

MP3: Gord Downie & The Sadies – “Search & Destroy”
Video: Iggy & The Stooges – “Search & Destroy”