Yannick GrandmontUntil recently, Montréal’s Godspeed You! Black Emperor has been inexorably associated with a very certain moment in time, specifically the end of the last century and the dawn of this one. In addition to emerging at a time when post-rock was still an amorphous musical concept which was better felt than explained and Canada was only beginning to take steps towards becoming an international presence as home to exciting new music, Godspeed’s trilogy of albums – F# A#, Lift Your Skinny Fists Like Antennas To Heaven, and Yanqui U.X.O. rather perfectly captured the millennial tension of the time. By turns anxious, angstful, and angry, sounding simultaneously beautiful and terrifying, their mysteriousness gave Godspeed a sense of universality that spoke to people without the use of words. So while many were disappointed when the band went on hiatus in 2003, it also felt like a logical thing to do; their moment was ending.

One couldn’t help but wonder how they would have soundtracked the 21st century, though, what with society arguably declining further in disarray and injustice on so many fronts – if they were angry about the state of the world then, surely they’d be furious now. When they unexpectedly returned to action with live performances in 2010, it was mostly with old material that gave a generation of fans who’d only grown up with the legend a taste of what the reality was like. And though unfamiliar compositions did appear in their live sets, the band’s steadfast refusal to do interviews or offer any sort of public comment gave no hint if or when they would do anything further with them. Which, of course, was precisely how they liked it – else they wouldn’t have had the satisfaction of watching a portion of the internet blow up when they announced just last week that their fourth album, ‘Allelujah! Don’t Bend! Ascend!, not only existed but was already available for sale at their live shows and would be out worldwide in a fortnight.

As ever, describing Godspeed remains a largely futile task. At least with the live shows, one could attempt to articulate the visceral experience of being assaulted with sound for night on three hours. Discussing the album, and what its intentions are, is much more difficult. Comprised of two 20-minute compositions and two six-minute drones – provided on vinyl via a 12″ and 7″ intended to be played in alternating sides – it’s unquestionably a Godspeed record from the first moment: a sample of what sounds to be a preacher leading into an electric guitar drone with violin lines dancing overtop, all evocative of a gathering storm.

It’s probably only really relevant to discuss Godspeed in terms relative to Godspeed. From that perspective, ‘Allelujah is surprisingly concise and impressively powerful, condensing the sprawl and swirl of Skinny Fists and eschewing the hazy ambiguity of Yanqui into two focused movements that build steadily and determinedly, but also surprisingly melodically. There’s still plenty of their signature unease, but as the main compositions build, they become more anthemic and, one might almost say, optimistic. Only almost, mind you. To Ascend may be the destination, but ‘Allelujah makes it no easy trip – the two drone pieces might seem superfluous, but really do serve a purpose – “Their Helicopters’ Sing” as base camps of a sort, to regroup and recover, and “Strung Like Lights At Thee Printemps Erable” as the view from the summit. Unexpected but wholly welcome, with ‘Allelujah, Godspeed You! Black Emperor prove they not only continue to have their fingers on the pulse of our present, but actually offer some hope for the future.

‘Allelujah! Don’t Bend! Ascend! is out next Tuesday, October 16, but available to stream in its entirety right now at Exclaim. And, against all expectation, the band have given an insightful interview to The Guardian about the band, their music, their politics, and their return. The full transcript of the email exchange is damn near poetry. Even the part about being “stoked”.

Stream: Godspeed You! Black Emperor / ‘Allelujah! Don’t Bend! Ascend!

The impressive demand to see The Weeknd live continues – they’ve added a fourth night at The Sound Academy for November 5, tickets $34.50. The physical release of his three mixtapes – Trilogy – is out November 12, and a new video was recently released.

MP3: The Weeknd – “Life Of The Party”
Video: The Weeknd – “Rolling Stone”

Army Girls have announced a November 14 date at The Garrison, tickets $8. Still no sign of those multiple full-lengths we were promised in the Summer, though.

MP3: Army Girls – “Cold & Alcohol”

Quiet for most of this year, Ohbijou will be at Lee’s Palace on December 1, tickets $15. This is a benefit show; specifics are still forthcoming. And tangentially, Ohbijou spin-off Warm Myth has released a new video.

MP3: Ohbijou – “Anser”
Video: Warm Myth – “Working”

Purity Ring have spent most of this year blowing up on the back of their debut Shrines, but really haven’t played a proper Toronto show to capitalize – their last appearances were opening for Dirty Projectors and an undersized NXNE showcase. They’re rectifying that if not soon, but on a large scale, wrapping up a North American tour at The Phoenix on February 1 of next year, tickets $15. The Creator’s Project talks to them about the lightshow that will surely accompany their performance, and they’ve also just released a collaboration of sorts with hip-hop artist Danny Brown.

MP3: Purity Ring – “Belispeak”
Stream: Purity Ring – “Belispeak” (with Danny Brown)

The Dumbing Of America, The Grid, The Line Of Best Fit, NOW, The Globe & Mail, and Pitchfork all talk to Toronto’s METZ about their self-titled debut, which has spawned a new video and gets a hometown release show at The Horseshoe on Friday night, October 12.

Video: METZ – “Wet Blanket”

Spin and The Winnipeg Free Press talk to Caribou’s Dan Snaith about his Daphni alter-ego and its debut album Jiaolong, out October 16.

Exclaim talk to A.C. Newman, who kicks off the tour for his new record Shut Down The Streets at Lee’s Palace on October 21.

The Guardian has an interview with Neil Young, who has released an epic-length video from Psychedelic Pill, out October 30. He and Crazy Horse play The Air Canada Centre on November 19.

Video: Neil Young & Crazy Horse – “Ramada Inn”

Jenn Grant lists of five of her favourite songs of the last 20 years for CBC Music and also talks to The Edmonton Journal. She’s at The Winter Garden Theatre on November 24.

The Wooden Sky goes over Every Child A Daughter, Every Moon A Sun track by track with The Line Of Best Fit. They’re at The Phoenix on December 1.

Snowblink have put out a new video from Inner Classics. Daniela Gesundheit lists off her five favourite albums for The 405 and also chats with The Cornell Daily Sun.

Video: Snowblink – “Goodbye Eyes”

Maisonneuve talks to Alaska B of Yamantaka/Sonic Titan.

The Austin Chronicle profiles Grimes.

Exclaim has details on a new compilation of rarities and being released as a soundtrack of sorts for Have Not Been The Same, the definitive tome of Can-rock in the ’90s. It’s out November 13 and features tracks from Sloan, Doughboys, Skydiggers, and other bands of that vintage, and all proceeds will go to Kids Help Phone.

Ingram BarssThere’s been a series of articles The Grid for the past year called Then & Now that has been diligently recording the history of Toronto’s musical history by way of its clubs and venues, many of which have been consigned to history regardless of what legendary acts have sweat upon their stages. It’s truly fascinating reading – especially if you take the time to look up what sort of pedestrian businesses reside at those addresses today – but it’s comforting to know that the odds of The Legendary Horseshoe Tavern ever entering that particular dead pool are slim to none.

The Queen West bar – beloved in the city and renowned internationally as an amazing place to both see and play a show – is marking its 65th year this December, and while the birthday celebrations will last for the better part of the month, one of the main events will run from December 12 to 16, when Can-rock icon and friend to woodland creatures Joel Plaskett sets up shop for five nights, including an all-ages throw-down on the final day – hey, even kids love Joel Plaskett. If this all sounds familiar, it may be because he did the same thing back in 2007 for the ‘Shoe’s 60th birthday, playing one of his albums in its entirety each night for six straight nights. It’s not clear if there’s going to be any sort of theme for these shows – one would think there has to be some way that they’re going to be distinguished from each other – but whatever it is, you know it’s going to be a good time. Tickets range from $25 to $29.50 per show and go on sale this Thursday.

MP3: Joel Plaskett – “When I Go”

Also making a date at The Horseshoe are Montreal’s Malajube; their last release La Caverne came out last year, but they’ll be in town on November 24, tickets $15.

MP3: Malajube – “Synesthésie”

The Toronto Public Library’s Make Some Noise program is back, and they’ll be bringing Bry Webb to the Parkdale branch on October 26 to play some songs from Provider, which was just released in the US today. That show is free and starts at 8PM.

MP3: Bry Webb – “Rivers Of Gold”

Fans of art and music (which is also art, yes, let’s not get pedantic) may be interested in the 1st Thursdays series at the Art Gallery of Ontario, which kicks off this Thursday, October 4, with a performance from Bahamas; he just released a new video from Barchords.

Video: Bahamas – “Lost In The Light”

Bruce Peninsula vocalist Misha Bower has just released a book of short stories entitled Music For Uninvited Guests, and it comes with musical accompaniment in the form of a mixtape of music from her various projects and a new song, which is streamable. There’s a book launch/concert on October 11 at the Great Hall which will feature performances from Doug Paisley, Simone Schmidt, Sean Donald and some of Bruce Peninsula.

Stream: Misha Bower – “I’m All About”

Toronto’s METZ may sound all rough and tumble – and hella loud – on their self-titled debut, but they’ve got some fancy friends. To wit, this feature piece in The New Yorker by no less than Sasha Frere-Jones, accompanied by a stream of the entire thing. The piece at Exclaim is fine too, I guess. The album is out next Tuesday and the band plays a hometown release show for it at the Horseshoe on October 12.

MP3: METZ – “Wet Blanket”
MP3: METZ – “Headache”
Stream: METZ / METZ

AC Newman’s new solo record Shut Down The Streets has apparently inspired a short film. It’s out October 9, he brings it to Lee’s Palace on October 21, and he talks to Chronogram about it. Update: And now the album is streaming at Pitchfork.

Video: Want You To Know
Stream: AC Newman / Shut Down The Streets

So there’s a new Godspeed You! Black Emperor record coming, their first in a decade. ‘Allelujah! Don’t Bend! Ascend! is out October 16 though physical copies are already on sale at their shows. Big news, short blurb. What, did you expect a series of making-of YouTube vids starring Efrim? No. The record exists. The end.

Caribou’s Dan Snaith will release Jiaolong, his first record under the alias of Daphni, on October 16 but it’s now streaming in whole over at Resident Advisor.

MP3: Daphni – “Ye Ye”
Stream: Daphni / JIAOLONG

Dan Mangan will have something new to go with his Fall tour that brings him to the Danforth Music Hall on October 25 – the “Radicals” 7″ single will be out October 16 and feature a new song on the A-side and a Yukon Blonde cover on the flip. Stream the former and watch a video for the latter now.

Stream: Dan Mangan – “We Want To Be Pleasantly Surprised, Not Expectedly Let Down”
Video: Dan Mangan – “Stairway”

The Wilderness Of Manitoba have released a video from their new record Island Of Echoes, which they bring to Trinty-St. Paul’s on October 26.

Video: The Wilderness Of Manitoba – “Morning Sun”

NPR has an interview with Neil Young and Spin offers some choice excerpts from his new memoirs Waging Heavy Peace. His new album with Crazy Horse, Psychedelic Pill, is out October 30 and they play The Air Canada Centre on November 19.

Crystal Castles have confirmed a November 6 release date for their new record (III) and to mark the occasion, have made a new track from it available to download. They play The Kool Haus on November 3.

MP3: Crystal Castles – “Wrath Of God”

Beatroute, The Halifax Chronicle-Herald, and The Regina Leader-Post talk to Jenn Grant about her new record The Beautiful Wild, which came out last week and has been streaming at Exclaim, along with a new video. She’s at The Winter Garden Theatre on November 24.

Video: Jenn Grant – “In The Belly Of The Dragon”
Stream: Jenn Grant / The Beautiful Wild

The Wooden Sky have released a new video from Every Child A Daughter, Every Moon A Sun. They’re at The Phoenix on December 1.

Video: The Wooden Sky – “I’m Your Man”

CBC Music reports that Chad Van Gaalen is working on a full-length animated science fiction feature which he’s called Tarbox. Yeah, that won’t be weird at all.

Spanish site Vigopolis has got a video session of Basia Bulat playing a new song, so if you were wondering what Basia was doing – she’s in Spain playing new songs for Spanish websites. And giving interviews in Spanish. Because why wouldn’t she.

Spinner talked to Vancouver’s You Say Party, who officially returned to active duty this weekend at PBR10.

CBC Music talks to Snowblink.

Michael Barclay of Radio Free Canuckistan givs Macleans as detailed a description as he’s allowed of how things went down in the Polaris grand jury room last Monday such that Feist was allowed to walk away champion.

Frank YangAn interesting thing about Rouyn-Noranda: for a town its size, the venues – though not plentiful – are really nice. Unsurprisingly, FME took most of them over for the weekend and large temporary outdoor stages aside – and those were also nice – each had good sound, lighting, and its own distinct character. The converted church of Agora des arts, the roadhouse vibe of Caberet de la dèrniere chance, the multi-level club attached to a music store of Salle Évolu-son, and for the first part of Saturday night, the converted theatre of La Scène Paramount.

I think I missed the first act but arrived in time to see Julien Sagot, another Karkwa member taking advantage of the band’s hiatus to engage in some solo work – I saw frontman Louis-Jean Cormier the previous night, if you’ll recall. And if Cormier’s set had me marvelling at how accessible his work outside of Karkwa was, percussionist Sagot’s compositions were more what I would have expected. His whole set had a distinct arc, starting with moody pieces built on intricate acoustic guitar figures, moving through some boozy ballads that fit his rough, Waits-y vocals well, and eventually ramping up to some Floyd-worthy prog rock. Sagot’s stage presence also matched this progression, as he started out seated amidst his five-piece band, occasionally looking around at them to inspect their performances and nod in approval, before eventually standing up with his guitar and leading them onwards.

Photos: Julien Sagot @ La Scène Paramount – September 1, 2012
Stream: Julien Sagot / Piano mal

Marie-Pierre Arthur also had a Karkwa connection – besides featuring Cormier and Sagot as guest players on her 2012 Polaris long-listed Aux alentours, Karkwa keyboardist François Lafontaine produced the record. Not that she needed the cachet of her collaborators to get attention – her big, joyous pop-rock sound was maybe the most conventional thing I’d hear all weekend, but in the best sense. Fronting her six-piece band on bass, it was big, melodic, energetic affair and the songs had hooks that transcended any language barrier while leaving room for dueling guitars and drum solo without feeling forced or excessive. Thoroughly enjoyable and it was nice to have some proof that not all rock coming out of Québec had to be some degree of proggy. Though let’s be honest, a lot of it is.

Photos: Marie-Pierre Arthur @ La Scène Paramount – September 1, 2012
Video: Marie-Pierre Arthur – “Pourqoi”
Video: Marie-Pierre Arthur – “Si tu savais”
Video: Marie-Pierre Arthur – “Déposer les armes”
Video: Marie-Pierre Arthur – “Droit devant”
Video: Marie-Pierre Arthur – “Elle”

Prog is one of the many adjectives that could reasonably be applied to Godspeed You! Black Emperor, one of the festival’s headliners by measure of international repute, but obviously that’s insufficient. You’d also have to hypen up post-rock, experimental, political, metal, ambient, orchestral, terrifying… basically the only way to describe Godspeed would be to call it Godspeed. This show came two and a half years after the unexpected announcement that the Montréal collective would be ending their hiatus and touring again, and even though I’d seen them last Spring as part of their four-show run in Toronto, there was still a real sense of occasion around this performance given the scale and setting (Agora des arts holds about 400 people on a good day).

Silently taking the stage a little after midnight – though I think one of them waved to the audience – they started with an orchestra-type tune-up that quickly turned into what I can best describe as industrial strangulation reading of “Hope Drone”. The Toronto version was intense, but this one seemed considerably moreso and that really applied to the show as a whole. While never necessarily refined, this show felt extra primal in its sonic fury and for the first while, any melody or beauty that would escape the tumult would have to do battle to do so. As the nearly two-hour show progressed, the band silent and semi-circled while bathed in film projections (which included scenes of industrial bleakness, interesting imagery to show in a mining town) the brutality was gradually dialed back but not before the crowd had thinned to maybe half of the packed house that it was at the start. One wonders if some were unprepared mentally or physically for what they’d be enduring for the show. For those who lasted throughout – and I admit I was only barely among them – it was an impressive, intimate, and inscrutable experience.

And was poutine consumed after? I’m not saying it was, but I’m not saying it wasn’t.

Photos: Godspeed You! Black Emperor @ Agora des arts – September 1, 2012
MP3: Godspeed You! Black Emperor – “Lift Yr Skinny Fists Like Antennas To Heaven”
MP3: Godspeed You! Black Emperor – “The Buildings They Are Sleeping Now”

Some more album streams that didn’t quite make Tuesday’s post, starting with The Raveonettes. Observator is out September 11 and NME has the stream. They play The Phoenix October 2.

MP3: The Raveonettes – “She Owns The Streets”
Stream: The Raveonettes / Observator

MTV Hive has a Q&A with Neil Halstead, whose lovely Palindrome Hunches hits next week and is streaming now. He’s at The Dakota Tavern on October 8.

MP3: Neil Halstead – “Digging Shelters”
MP3: Neil Halstead – “Full Moon Rising”
Stream: Neil Halstead / Palindrome Hunches

Stereogum has the new Bob Dylan album Tempest available on demand before being available for sale on Tuesday. Ol’ Bob is at the Air Canada Centre on November 14.

Stream: Bob Dylan / Tempest

Calexico’s new one Algiers is streaming over at Virgin.com. It’s out Tuesday and The Arizona Daily Star and Wall Street Journal have interviews.

MP3: Calexico – “Para”
Stream: Calexico / Algiers

Norman Wong I never really liked Katie Stelmanis. I am not referring to the person – I don’t know her but I’m sure she’s lovely – but her musical project which, circa 2008 at least, was named simply for herself. In Spring of that year, I saw her twice in the span of a week and a bit and while I acknowledged that she was up to something interesting with her distinctive, operatic voice and skeletal synth-and-percussion backing, but it wasn’t doing it for me and as such, I didn’t pay much heed to her debut album Join Us. I did note, however, that her musical identity continued to publicly morph – for a while she was going just by her surname, and then adopted the guise of Private Life before changing once again to Austra. And while there’d always been a degree of local chatter about what she was up to, that’s when I heard people really begin to talk.

And putting aside past prejudices to give Feel It Break, her debut as Austra, a listen I could understand why. Stelmanis’ most distinctive characteristic has always been her voice but it needed the proper context. Obviously I didn’t think the classical/medieval/gothic atmosphere of her eponymous project worked, unless unsettling was what she was going for, but in giving Austra a sleek, synth-heavy, New Wave/80s-industrial personality, she’s found a winning formula that balances mystery and experimentalism with melody and accessibility.

It’s interesting how so much of what makes Austra was already there three years ago, including percussionist Maya Postepski, but now with the addition of ex-Spiral Beach bassist Dorian Wolf and a greater focus on making the songs danceable and memorable, it all sounds completely fresh and new. Okay, perhaps that’s not the most accurate way of putting it since what Stelmanis’ was doing in her self-titled days was technically far more original, but giving Austra its more familiar-sounding reference points has inarguably made her better. Enough so that you can consider me convinced, which is honestly not something I ever thought I’d be saying. Back in 2008, when people around town were talking about how great Katie Stelmanis was, all I could say was, “really?”. Now, when people everywhere are talking about how great Austra is, all I can say is, “really”.

Feel It Break is out next Tuesday, May 17, and Austra plays a hometown record release show a couple nights later on May 19 at Lee’s Palace.

MP3: Austra – “Lose It”
MP3: Austra – “The Beat And The Pulse”
Video: Austra – “Lose It”
Video: Austra – “The Beat And The Pulse”
Stream: Austra / Feel It Break

Bruce Peninsula have released installment three in their Fire Sale series; a Pentangle cover that you can both listen to and watch. Open Flames is out in the Fall.

MP3: Bruce Peninsula – “Light Flight”
Video: Bruce Peninsula – “Light Flight”

Southern Souls serves up a video session with Woodpigeon, who in turn have made MP3s of a recent show in Turin, Italy available to download.

MP3: Woodpigeon – “Knock Knock” (live in Turin)

Spinner has an interview with The Rural Alberta Advantage’s Nils Edenloff and has also premiered another Southern Souls-produced live video, this one for “Tornado 87”.

Beatroute and The Vancouver Sun talk to Taylor Kirk of Timber Timbre.

Wood & Wires has posted a couple of basement session videos from The Darcys.

Beatroute, The Winnipeg Free Press, Uptown and The Leader-Post talk to Graham Van Pelt of Miracle Fortress, while aux.tv gets him to unplug for a Camera Music performance. He may be similarly unamplified (or not) when he plays an in-store at Soundscapes this Friday, May 13, at 4PM. He’s at The Phoenix with Junior Boys on June 9.

MP3: Miracle Fortress – “Raw Spectacle”

Chart talks to Fucked Up frontman Damian Abraham about the inadvertent bloodletting that occurred at a recent show, which you can watch for yourself thanks to the magic of YouTube. Exclaim also reports that the band have put up a mixed tape – as in an actual cassette – of Fucked Up rarities, tracks from friends and side-projects and whatnot – for sale in their webstore. Their new album David Comes To Life is out June 7.

The Balconies are finally back with some new material; while a release date for their second album is still forthcoming, a new 7″ a-sided by “Kill Count” will be released on June 14, just ahead of their June 18 NXNE showcase at Sneaky Dee’s.

The Fly invites The Dears into their courtyard for an acoustic session. The notoriously self-serious band also paid Funny Or Die a visit.

With the release this week of The Double Cross, the twentieth anniversary of Sloan is well underway. Blurt has a feature interview with the band, Chart has unearthed a bunch of interviews with the band over their long career and the first of ten tribute videos wherein actors, musicians and general celebrities reminisce about what Sloan has meant to them has been released – so far, there’s “First Heard Sloan” and “Favourite Sloan Song”. They play an in-store this Saturday at Sonic Boom at 4PM and the Mod Club on June 22.

Chad Van Gaalen’s new record Diaper Island is streaming in whole at MuchMusic in advance of its official release next week. He plays The Great Hall on June 18 as part of NXNE.

Stream: Chad Van Gaalen / Diaper Island

Pitchfork has more details on the forthcoming Scenes From The Suburbs CD/DVD set from Arcade Fire. It will be out on August 2.

Exclaim talks to Godspeed You! Black Emperor’s Efrim Manuel Manuck about his various ongoing projects, including the Godspeed reunion and his forthcoming solo record High Gospel, out May 24.

Ticket info for the Weeping Tile/King Cobb Steelie/Have Not Been The Same book release I mentioned a couple weeks back has been revealed – advance tickets will be $18, on sale tomorrow, with proceeds going to the Centre for Addiction & Mental Health.

And some Can-con love across the pond; Drowned In Sound takes a look at what’s happening musically in Toronto right now and The Line Of Best Fit have released their sixteenth (16th) Oh! Canada compilation of downloadable goodness.

Frank YangRelative to most of the people seeing any part of Godspeed You! Black Emperor’s three-day, four-show residency at Lee’s Palace this past weekend, for which I hit up the Saturday night performance, I didn’t want to be there at all. I did, of course, but that was nothing compared to the anticipation so many had for the Montreal post-rock forebears’ first shows here in eight years, part of their surprise return to active duty – touring, at least – announced last Spring.

I just missed out on Godspeed the first time around – either being aware of them but not getting around to listening or listening but not getting around to getting, I’m not sure – but have spent the better part of the past decade getting acquainted both with their works and their ideological and musical mythology. Much of the latter, at least locally, centered around their legendary shows at the Palais Royale in the Fall of 2001 and the Spring of 2003 so the opportunity to witness them for myself – even if not on the edge of Lake Ontario – wasn’t to be missed and would hopefully be at least a fraction as unforgettable as those performances were purported to be. Dispatches from Friday night’s show certainly implied they would be.

One thing that was certain was that I picked the right show with regards to opening acts, at least. I didn’t know who either of the other two support acts were but I was pretty certain that The Sadies were better. And that’s because The Sadies are pretty much the best, be it headlining, opening, ordering tacos, whatever. And while it could be argued that their psych-country was a bit of an odd fit for Godspeed’s widescreen sonic apocalypses, doing so would be to ignore the dark and dusty gothic undercurrent that inhabits much of their work and also the fact that The Sadies are simply awesome. Given 45 minutes and a tiny portion of the stage with which to work, they powered through a set that was basically a Sadies 101, showcasing their songwriting and musical virtuosity and on-stage tricks, like the Good brother guitar neck-swapping of “Tiger Tiger”, which Dallas still managed even though he spent the rest of the set on a stool, still hobbled by the leg broken back in February. And all except for the guy standing beside me who couldn’t have looked more unimpressed – he had his Godspeed goggles on – I’d like to think they went over well.

I’d been tipped in advance of a few things with regards to the Godspeed live experience: That it would run two and a half hours, that photographically speaking house left was the better side to camp out on, that there would be no interaction between the band and the audience, with the band set up in a semi-circle and more intent on communicating with each other than those there to see them. And oh yeah, it would be incredible. I’ll be honest – as much as I wanted it to be a great show, I also hoped to somehow dispel some of the hyperbole that had enveloped the band in their time away by seeing and hearing it with my own earballs. And instead, I fear I may only be contributing to it.

The show-opening “Hope Drone” ceremony, wherein each band member entered the stage one at a time and began contributing to the din, wasn’t nearly as formal as I’d expected. It actually emerged out of sound check, perhaps at the expense of some of the drama, and the audience didn’t stop chattering until about halfway through when they finally turned on the film projectors. With the band arranged around the perimeter of the stage and three guitarists seated and hunched over, it was these projections of birds, glyphs, maps and a scrawled word “hope” which provided most of the evening’s illumination and visual interest – at least if you kept your eyes open. Eyes closed, you would be faced with whatever terrifying and beautiful imagery their music made your mind create.

The show drew heavily from the band’s masterwork, 2000’s Life Your Skinny Fists Like Antennas To Heaven, adding unreleased live staple “Albania” and one composition from F#A#∞ before closing with both sides of their Slow Riot For A New Zerø Kanada EP, but the specifics of what were played were really less important than the epic whole they created. And here’s where the hyperbole comes in. There was something unbelievably primal and elemental about what Godspeed You! Black Emperor create; like a force of nature if nature were sentient and pissed off. They moved slowly and inexorably, with massive weight and delicate grace and meant to be simultaneously marvelled at, feared and celebrated. The sound was deafening while perfectly clear, brutally beautiful and hitting with the impact of unchecked emotion made sound. I don’t doubt that the marathon-length shows are intended to add a dimension of actual physical exhaustion to the experience – are your knees buckling because you’re tired or because the existential momentousness of it all is too much to bear? Probably the former, but you can’t be sure.

But for those who endured and persevered through the entire show, who watched each member depart as they entered as “BBF3” was deconstructed, there was a very real sense of catharsis and transcendence – words far overused in music writing but wholly appropriate here – from the experience. Maybe it was because witnessing the performance had subtly changed everyone. Maybe it was just relief that they could finally get away from the pile of throw-up that someone left near the front of the stage during the second song. But either way, it was one to remember.

The National Post has a review of Friday night’s show; most notes are applicable to Saturday’s.

Photos: Godspeed You! Black Emperor, The Sadies @ Lee’s Palace – April 23, 2011
MP3: Godspeed You! Black Emperor – “Lift Yr Skinny Fists Like Antennas To Heaven”
MP3: Godspeed You! Black Emperor – “The Buildings They Are Sleeping Now”
MP3: The Sadies – “Another Year Again”
MP3: The Sadies – “Anna Leigh”
Video: The Sadies – “Another Day Again”
Video: The Sadies – “Cut Corners”
Video: The Sadies – “Postcards”
Video: The Sadies – “The Horseshoe”
Video: The Sadies – “Flash”

Billboard profiles Explosions In The Sky, whose new record Take Care, Take Care, Take Care is out tomorrow.

Shearwater performed the whole of their last three albums – those dubbed The Island Arc – in a special hometown show in Austin earlier this year, and now a live album has been assembled, available to stream or digitally purchase at the band’s Bandcamp. The trilogy of Palo Santo, Rook and The Golden Archipelago is also notable as it represents the band’s entire tenure on Matador; they just announced that they’ve signed to Sub Pop for their next record, due out in 2012.

Drowned In Sound and The Line Of Best Fit and Billboard have features on Okkervil River, whose new record I Am Very Far will arrive on May 10. They play The Phoenix on June 10.

Also out May 10 is The Antlers’ new record Burst Apart, which is streaming in whole at NPR. They are at The Mod Club on June 14.

Stream: The Antlers / Burst Apart

Arriving in town a day before their sold-out show at The Mod Club, Battles will play an in-store at Sonic Boom on April 28 at 7PM, admission free with suggested donation of a canned food good. Their new record Gloss Drop is out June 7 and Drowned In Sound has an interview with the band.

Video: Battles – “Tonto”

Both Junior Boys and Miracle Fortress have new albums at the ready – the former with It’s All True due June 14 and the latter with tomorrow’s Was I The Wave? – so it makes perfect sense that they’d team up for a Summer tour that kicks off at The Phoenix on June 9. North America, dancing shoes at the ready.

MP3: Junior Boys – “In The Morning”
MP3: Miracle Fortress – “Raw Spectacle”

Alela Diane released her second album Alela Diane and Wild Divine at the start of the month and has now released her touring itinerary for the Summer; look for her on June 11 at The Rivoli on Toronto.

MP3: Alela Diane – “To Begin”