Roger SargentIt’s been some time since The Charlatans could be considered “buzzworthy” by any objective measure. Don’t get me wrong, it’s commendable that they’ve endured as long as they have, outliving most of their contemporaries in the baggy/Britpop eras and assembling a respectable oeuvre of singles and albums, but I will wager they’ve never been anyone in the world’s favourite band and that’s unlikely to change anytime soon.

They did manage to garner more headlines than they have in years last year, though, when they opted to release their tenth album, You Cross My Path, as a free download (physical formats that you had to pay for followed a couple months later). The record was also notable for being surprisingly decent. They’d lost me with 2001’s funk-soul pastiche Wonderland and I’d assumed that the plot remained lost, but Path was very much an example of the Charlatans doing what they’d always done well, melodic, danceable and anthemic and if you listen closely, cribbing shamelessly from pretty much every era of British rock.

And on a more local scale, they made a surprise concert announcement in July, making a date for the the Mod Club in October – a venue that no matter how far removed from their heyday they might be, would still be considered small for them. And, of course, they canceled the date for reasons unknown barely two weeks later. But it seems they’re bound and determined to give their Toronto-area fans an up-close and personal encounter as they’ve again announced a show at the Mod Club, this one for September 23 – that gives them four months to change their minds. They’ve also announced a couple other North American dates, including September 22 in London, Ontario, so it looks like they’re making a proper tour of this. Tickets for the Toronto show are a rather dear $36 before service charges, so you’ll have to stop and think just how badly you want to hear “The Only One I Know”. And yeah, tickets for the canceled show were a slightly more reasonable $30 but hey – the economy’s collapsed. What’re you going to do.

MP3: The Charlatans – “Oh! Vanity”
MP3: The Charlatans – “You Cross My Path”
Video: The Charlatans – “Oh Vanity”
Video: The Charlatans – “You Cross My Path”
Video: The Charlatans – “The Misbegotten”
Video: The Charlatans – “Mis-Takes”
ZIP: The Charlatans / You Cross My Path

Colorado Daily and The Colorado Springs Independent have interviews with Doves, who will be at the Kool Haus next Monday night, June 1.

Dots & Dashes talks to Patrick Wolf about new album The Bachelor, out June 1. He’ll be at the Mod Club on June 15.

White Lies discuss the state of the music industry with BBC. They’re at the Phoenix on September 26.

Florence & The Machine’s debut Lungs has a UK release date of July 6 but according to Pitchfork, it’s not going to be out in North America until October 13. Yeah, I’ll wait for the domestic release. Sure.

Clash asks Fanfarlo on how they like to pass the time while waiting.

With their North American tour set to kick off tonight in New York, A Camp took some time to talk to NME, New York Magazine, New York Press and Magnet, where Nina Persson and Nathan Larsen are also playing guest editor this week. They’ll be at the Mod Club on June 1.

The Boston Globe talks to Gentleman Reg, who will be opening up many of those A Camp shows.

While in town this week, The National stopped in at the CBC to record a performance of one of their new songs, formerly entitled “Karamazov” but now dubbed “Runaway”. Gorgeous stuff.

Video: The National – “Runaway” (live on QTV)

The San Francisco Chronicle interviews Jenny Lewis.

The Los Angeles Times profiles The Kills.

All week, PitchforkTV is running Do You Love Me Like I Love You, the documentary feature that appear on the recent Nick Cave & The Bad Seeds reissues. The first two segments are up now, more to follow.

Aubrey EdwardsI believe it’s traditional that on one’s birthday, one should be fed and watered profusely on someone else’s dime. So that’s exactly what I did last night, for my 34th, and it was all courtesy of NxNE. It wasn’t a party just for me, of course. The festival was having their kick-off press conference wherein they promised to announce “all” the bands playing this year’s to-do, taking place June 17 to 21 around Toronto, a feat which would have been impressive to see since the reading off of hundreds of band names could have been one of the more stultifyingly dull things I’d ever be able to witness.

But as it happens that wasn’t the game plan. Instead, they announced the bigger names who’d be performing the festival, which would have been great… if they weren’t the same names they’d already announced on the website last month. Don’t get me wrong, having the likes of Black Lips, Matt & Kim and No Age and Woodpigeon playing is nothing to shake a stick at, and one name that hadn’t been previously announced and raised an eyebrow was Seattle garage rock legends The Sonics, who will close out the outdoor stage at Yonge-Dundas Square on the Saturday night, June 20. But it’s just that I thought with a big media event they’d have held onto a few surprises to get people excited.

And while it was a bit of an anticlimax in that regard, it doesn’t change the fact that there’s a pretty solid lineup descending on the city come mid-June including a lot of great domestic acts – many of them the usual suspects, sure, but that doesn’t make them less great. And I suppose I got my big pleasant surprise of the festival a couple days ago when I got an email from Austin trio Ume informing me they’d be coming to town for NxNE. Ume, you may or may not recall, were one of the best things I saw at SxSW back in March – a trio led by the guitar heroics of Lauren Larson who balanced pop hooks and sweet female vocals with crazy heavy riffing. I had thought I was going to have to wait until next Spring to see them again, the odds of them touring all the way up here seemed beyond remote but hey, here they come. They’ll be playing Neutral on Thursday the 18th at 10PM – not sure what else is going on that night at that time, the festival schedule is still forthcoming, but I can tell you right now that this will be one of the best bets for that night, if not the whole weekend. They’ve got a couple releases – a 2005 album in Urgent Sea which is decidedly rougher and heavier than their new most excellent Sunshower EP – also check out their SxSW WOXY session. And it’s pronounced “ooo-may”, which you’ll need to know for when people ask you what was the best new thing you saw at NxNE was.

MP3: Ume – “The Conductor”
MP3: Ume – “Wake”
Video: Ume – “The Conductor”
MySpace: Ume

Harbourfront Centre has also released their World Routes 2009 schedule, and the highlights (some previously announced) would appear to be the Constantines show on Canada Day (though Chad Vangaalen isn’t listed, all indications are he’s still playing as well), Holy Fuck with Winter Gloves for Beats, Breaks & Culture on July 10, and Jenn Grant, Gentleman Reg and Amy Millan as part of Canadian Voices the weekend of July 24 and 25. And as always, these shows are free free free.

Amos The Transparent will be at the Horseshoe on May 22 in addition to their June 18 NxNE show at the Drake Underground. They have a new EP out called My, What Big Teeth You Have… and are encouraging the existence of Amos The Transparent cover bands by putting lyrics and chord sheets for their songs on their website.

And if NxNE proper wasn’t going to keep me busy enough that week, there’s also the big-deal shows on the preceding days. Music Snobbery has an interview with Phoenix, whose Wolfgang Amadeus Phoenix is out May 29 and who play the Phoenix on the Monday, June 15.

And then you’ve got Patrick Wolf at the Mod Club a couple days later on Wednesday, June 17. The Sunday Mail talks to Wolf, whose The Bachelor is out June 1 in the UK and August 11 over here. I do believe I’ll be taking some time off from work that week. Yes I do.

As mentioned in last month’s writeup of Neko Case’s sublime Trinity-St Paul’s show, she’s coming back this Summer and details of said performance have been announced. Case will play Massey Hall on July 14 with tickets going for $29.50, $35.50 and $40.50. Presale goes tomorrow morning at 10AM with the password available at www.atgconcerts.com while the public on-sale begins May 15 at noon.

MP3: Neko Case – “Middle Cyclone”
MP3: Neko Case – “People Got A Lotta Nerve”

And if you’re looking for something damn near the opposite of Neko Case that night, you may want to consider seeing Micachu & The Shapes at the El Mocambo the eve of July 14. I (and the MBV posse) reviewed their debut album Jewellery back in March and as confounding as I found it, I can’t say that I won’t be at this show rather than see Case again. Can’t say that I will, but it’s not a no-brainer. Tickets $12.

MP3: Micachu & The Shapes – “Lips”

At long last, Frightened Rabbit are no longer frightened of Toronto and will play their own headlining show on July 22 at the Horseshoe, tickets $13.50 – book it.

MP3: Frightened Rabbit – “The Modern Leper”
MP3: Frightened Rabbit – “Head Rolls Off”
MP3: Frightened Rabbit – “Old Old Fashioned” (live)

Jack White’s new band – the Alison Mosshart-fronted Dead Weather – will be taking their debut album Horehound, out June 16, on the road and stop in at the Kool Haus on July 22.

Video: The Dead Weather – “Hang You From The Heavens”

The Walkmen have a date at Lee’s Palace on July 24, Cass McCombs supports.

Video: The Walkmen – “In The New Year”

NPR is streaming the whole of John Vanderslice’s new record Romanian Names, which is due out next week. He plays the Horseshoe on July 10.

Stream: John Vanderslice / Romanian Names

Good Radio Dept news for me – they’re playing a second show, albeit a short one, this weekend at NYC Popfest on Friday night at Don Hill’s in Greenwich to go along with their main gig on Saturday night at Bell House. Double the Radio Dept! Good Radio Dept news for everyone – they’re releasing a new EP on June 23 entitled David, hopefully a sign that Clinging To A Scheme will be out soon thereafter. Of course, I thought the same thing for last year’s Freddie & The Trojan Horse EP… but think positive!

Stuart Murdoch talks to Pitchfork about his God Help The Girl project, the album for which will be released on June 23. They are also soliciting subscriptions to the project, which will get you a steady stream of physical and digital goodies sent to your mailbox and inbox over the next few months.

Hooves On Turf recorded a video session with Fanfarlo back during SxSW, which is now online. The band are going to be giving their brilliant Reservoir album a more-proper retail release in the UK soon, but for everyone else, ordering it direct from the band is still the best way to get it, which you really really should.

MP3: Fanfarlo – “Pilot”

Avenue 61 interviews 6 Day Riot, last year’s top find of NxNE. Their new album 6 Day Riot Have A Plan will be out on July 6 in the UK.

The Los Angeles Times and Reuters talk to James Mercer of The Shins.

Annie MusselmanPrior to last year, M Ward’s career path was one of fairly slow and steady growth. His earlier works cultivated a mysterious, almost baroque tone and largely showcased his instrumental virtuosity and occasionally his world-worn rasp. Subsequent works found him acting as a sort of musical time capsule, an archivist for music of bygone eras of Americana country and folk whose increasingly confident singing and songwriting allowed him to not only pay tribute to, but contribute to that canon.

She & Him, his 2008 collaboration with singer-actress Zooey Deschanel, was probably intended as a diversion but perhaps predictably blew up into the highest-profile project Ward has been involved in, their debut album Volume One garnering no small amount of praise – much (but not all) of it deserved. The musicality was pure Ward, but Deschanel’s bright vocals and direct, simple songwriting gave it a sunnier disposition than you’d usually associate with him.

And judging from his latest record, it’s rubbed off on him. Hold Time finds a jauntier Matt Ward than on past works, still laid back and in no real rush to get anywhere besides the back porch but with a bit more spring in the step nonetheless. Though things still get evocatively sad and nostalgic where necessary – the duet with Lucinda Williams on “Oh Lonesome Me” and the title track, for example – there’s a sense of fun that runs through much of the album and makes it feel extra fresh – Ward has mastered and assimilated classic pop idioms into his fearsome musical repertoire, and the world is a better place for it. Those who long for his fearsome solo guitar pieces or transformative cover songs may find things a bit too straight for their liking, but for the rest of us who know you can throw Transfiguration Of Vincent on anytime, it’s another great effort from an artist who manages to constantly move forward by staying rooted in the past.

Ward is currently on the road and will be at the Phoenix in Toronto on Monday, April 27 and courtesy of Against The Grain, I’ve got a couple pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to hold time” in the subject line and your full name in the body. Contest closes at midnight, April 23.

The Fort Wayne Journal-Gazette and CNN have interviews with Ward.

MP3: M Ward – “Never Had Nobody Like You”
MP3: M Ward – “Rave On”
Video: M Ward – “Hold Time”
Video: M Ward – “Rave On”
MySpace: M Ward

The Independent lists off 20 things you probably didn’t know about Bob Dylan. His new album Together Through Life is out next week and there’s now a video for one of the songs.

Video: Bob Dylan – “Beyond Here Lies Nothin'”

Filter profiles Andrew Bird.

Paste hangs out with The Decemberists. They’re at the Kool Haus on August 3.

Aquarium Drunkard talks to Jason Lytle about his new record Yours Truly, The Commuter. The record is out May 19 and Spinner has the title track to download.

MP3: Jason Lytle – “Yours Truly, The Commuter”

Originally supposed to be out yesterday, Ohbijou’s sophomore album Beacons appears to have a new release date set for June 2.

MP3: Ohbijou – “Black Ice”

Ohbijou’s Casey Mecija has also begun organizing a new music series in town entitled “Heavy Vessel”, which is intended to feature local bands playing in a sandbox in a schoolyard, but inclimate weather forced the inaugural edition to be held indoors instead. Chart has a review of the first show and some video footage has also surfaced – Sucking A Lemon with a clip featuring a scaled-down Bruce Peninsula and Colin Medley capturing a performance by The Acorn’s Rolf Klausener.

JAM talks to Gentleman Reg. He’s at the Mod Club June 1 opening for A Camp.

To mark the start of their upcoming tour, which begins April 30 at the Mod Club in Toronto, The Dears will be releasing a new b-side or unreleased track to download every week, the first of which can be grabbed below. Also check out an interview with Natalia Yanchak at Singing Lamb.

MP3: The Dears – “Halfmast”

Prefix interviews Metric.

Decider talks to Ida Maria.

The Washington Post, Duke Chronicle and Decider talk to Thao Ngyuen of Thao with The Get Down Stay Down. I’ve failed to see them every time they’ve come to Toronto and also missed every one of their shows at SxSW, but they’re playing The Bowery Ballroom in New York the evening I get there next month. I think I should make the effort to out and see them. They’ve made a puppet-powered video for a Lovin’ spoonful cover they recorded for a split 7″ for Record Store Day.

Video: Thao with The Get Down Stay Down – “Did You Ever Have To Make Up Your Mind”

Having just released their self-titled debut, The Mt St Helen’s Vietnam Band have a date at the Horseshoe on June 2. Decider has an interview with the band.

MP3: The Mt St Helen’s Vietnam Band – “Cheer For Fate”
MP3: The Mt St Helen’s Vietnam Band – “Anchors Dropped”
Video: The Mt St Helen’s Vietnam Band – “Cheer For Fate”

City Pages and Black Book Q&A Chairlift, who just reissued their 2008 album Does You Inspire You in remastered form and with a couple of bonus tracks, one of which you can hear over at Stereogum. Chairlift are in town this Saturday, April 25, at the Phoenix opening up for Peter Bjorn & John, with whom JAM and Metromix have interviews and MPR a session.

Autumn de WildeThere might be question marks around whether or not we’ll see 2009 editions of big Toronto events like V Fest, but for the eighth year running, the city will host Over The Top Fest in May and showcase an eclectic range of acts in clubs around the city for a weekend in May, this year the 21st through the 24th. The official website is still having the finishing touches put on it but the lineup was announced last week at Stille Post and, as expected, there’s a whole lot of acts I’ve never heard of. But considering the festival has, in years past, welcomed the likes of Of Montreal, Grizzly Bear and Matt & Kim amongst many, many others – all before they became the international superstars they are today – you ignore the unfamiliar names at your indie cred peril.

This year’s edition is somewhat smaller than past years – there’s a recession going on, dontcha know – but still pretty packed. I’ll leave you to peruse the artists yourself, but names that jump out – even if not up my particular alley – include Japanese noise experimentalist Merzbow at the Polish Combatants Hall on May 21, Arcade Fire/Unicorns alumnus Clues, whose self-titled debut is out May 19, at Sneaky Dees on May 21 and Montreal dance-punk maniacs Think About Life at the Polish Combatants Hall on the 22nd. The most interesting one to me – and probably the only show I’ll make it out to – is New York pre-teen sibling duo Tiny Masters Of Today. You might expect an act with a set up like that playing punk rock music might be pure novelty, but their sophomore album Skeletons, out June 16, is surprisingly sophisticated and really sounds good, whatever their age. They’re playing the Whippersnapper Gallery on May 23.

And in addition, there’s film and theatre components to the festival and promises of a “concert on a transit bus, BBQ and Acoustic Concert” for closing festivities on the Sunday, May 24. Tickets for many of the shows are already available on Ticketweb (see Stille Post link for links), will be available in stores this week and a limited number of festival passes will also be made available.

MP3: Tiny Masters Of Today – “K.I.D.S.”
MP3: Tiny Masters Of Today – “La La Land”
MP3: Clues – “Perfect Fit”
MP3: Clues – “Remember Severed Head”
MP3: Think About Life – “Paul Cries”
Video: Tiny Masters Of Today – “Skeletons”

Also announced yesterday was the 2009 edition of the Olympic Island show, which is an almost-annual tradition but you can never be absolutely sure when it’s going to be, who’s going to play or if it’s even going to happen. The answers to all those questions, however, are July 11, Broken Social Scene, who are playing for the fifth time out of the six the party has been held, Explosions In The Sky, Thunderheist, Beach House, Apostle Of Hustle and Rattlesnake Choir, and yes it is (obviously). With V still being a big old question mark, this could be the city’s one opportunity to rock out and piss off the islanders, and having had almost three years elapse since I last saw the Scene, I think I’m getting eager to catch them live again. Tickets are $57.50 including ferry to and from the islands, though CFNY (that’s “Edge 102” to those of you under the age of 30) has a limited number available for $39.50 – 1021 tickets, according to Chart.

The Book Is Broken, a book documenting the story of Broken Social scene, will be out May 16. Thunderheist are the cover feature on this month’s Exclaim and their self-titled debut came out at the end of March and they play The Phoenix on April 30. Apostle Of Hustle’s new album Eats Darkness is out May 19 and he plays the Music Gallery on May 29.

MP3: Broken Social Scene presents Brendan Canning – “Hit The Wall”
MP3: Broken Social Scene presents Kevin Drew – “TBTF”
MP3: Explosions In The Sky – “Welcome, Ghosts”
MP3: Thunderheist – “Jerk It”
MP3: Beach House – “Gila”

And also recently announced was this year’s edition of Pitter Patter Fest which, if not as big in profile or stature as either of the aforementioned events, is certainly the largest in geographical terms. Though centered in Toronto, Pitter Patter events will be happening all over southern Ontario, from London to Guelph to Peterborough to Belleville – 150 bands, 10 cities and four nights from May 28 to 31 – and feature the likes of Dog Day, The Craft Economy, The Diableros, Great Bloomers, Fjord Rowboat, Megan Hamilton and Spiral Beach to name but a very few who’ve been covered on this site in the past. All shows are pay-what-you-can and the schedule, which will probably see many of the bands playing numerous dates and cities, is still forthcoming.

Sonic Boom Records up in the Annex will celebrate Record Store Day this Saturday, April 18, with a in-store mini-fest featuring Little Girls, Steamboat, Green Go, Gentleman Reg, Sunparlour Players, Lullabye Arkestra and Slim Twig. No idea of specific set times but it starts at 4PM and the store closes at midnight. You do the math. Admission is free but donations of non-perishable food items is strongly encouraged.

As for Gentleman Reg, he’s spending his Spring on tour in support of Jet Black, first with The Stills and then A Camp, including their June 1 date at the Mod Club.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
Video: Gentleman Reg – “We’re In A Thunderstorm”

Immaculate Machine will release their new record High On Jackson Hill on April 28, right in the midst of an Ontario tour that includes a stop at the Drake Underground on April 30.

MP3: Immaculate Machine – “Sound The Alarm”

Pink Mountaintops have a date at the Horseshoe on June 14 in support of their new album Outside Love, out May 5. Tickets for that are $11.50.

MP3: Pink Mountaintops – “Vampire”

Full details are still forthcoming, but Holy Fuck are one of the acts playing this year’s Beats, Breaks and Culture fest at Harbourfront Centre – they’re playing July 10, and as always, this show is free to all.

MP3: Holy Fuck – “Lovely Allen”

The Decemberists have announced the second leg of their North American tour in support of Hazards Of Love, and it includes an August 3 date at the Kool Haus with The Heartless Bastards as support. Tickets are $30.50 and go on sale Thursday.

MP3: Heartless Bastards – “Searching For the Ghost” (acoustic)
MP3: Heartless Bastards – “The Mountain”

LadyhawkeHello from sunny – and goodness, is it sunny – Austin, Texas, where I will be spending the next five days or so inundating you with dispatches from SxSW Music that you probably care nothing about. I’m okay with that. The blow-by-blow will start tomorrow, but for today I’ll do the preview thing, listing off a half-dozen of the new or new-to-me acts that I’m most looking forward to seeing over the next four days and nights.

I admit to feeling a twinge of guilt when I listen to New Zealander Pip Brown, aka Ladyhawke, but any reservations I have about enjoying something so utterly and unabashedly ’80s retro evaporate right about the moment the chorus kicks in. My initial experience with “Paris Is Burning,” for example, went something like “oh my god I hope she’s paying Gary Numan royalt– OMG ENDORPHIN RUSH”, and that buzz recurs all throughout the record. You must understand, I grew up in the ’80s and as much as I might want to deny it for cred’s sake, that shit is absolutely baked into my DNA. Hell, I even loved the Matthew Broderick movie that’s Brown’s creative namesake. The synths, the guitars, the glossy sonics, the massive pop hooks, all of it triggers something very deep and primal and it will not be denied. On her 2008 self-titled debut, Brown manages to shed the really dubious aspects of the 1980s production aesthetic and just keep the good stuff. Or maybe she doesn’t and I’m in too deep to realize it. But you know what? I don’t care.

Ladyhawke’s official showcase goes tonight at Stubb’s at 10PM. Brown has been diagnosed with Aspberger’s Syndrome and apparently is still getting used to live performance but she doesn’t have to make eye contact – just play “Back Of The Van”. I’m really looking forward to this set. Like, totally.

The Telegraph has a feature on Ladyhawke.

MP3: Ladyhawke – “My Delirium”
Video: Ladyhawke – “Paris Is Burning”
Video: Ladyhawke – “My Delirium”
Video: Ladyhawke – “Dusk Till Dawn”
Video: Ladyhawke – “Back Of The Van”
MySpace: Ladyhawke

Though they’re decidedly overused as reference points, in the case of London’s Fanfarlo, the Arcade Fire really are an apt reference point. Just imagine if they were more folkish, less angsty and their frontman sounded like a more lilting David Byrne rather than the tightly-wound, live wire variety. I suspect that this isn’t the most compelling description of the band and for that I apologize, but their latest album Reservoir is really a grand and sweeping record with the aforementioned characteristics and is definitely worth your time. Their official showcase is on Friday at 9PM at the Central Presbyterian Church, but if you can’t make that they’re playing a number of unofficial shows throughout the week.

Channel M had the band in their studios for a five-song video session.

MP3: Fanfarlo – “Harold T Wilkins”
MP3: Fanfarlo – “I’m A Pilot”
Video: Fanfarlo – “Harold T Wilkins”
Video: Fanfarlo – “Fire Escape”
MySpace: Fanfarlo

Leeds’ Sky Larkin should be familiar to anyone who reads this site, so introductions should be unnecessary. Sufficed to say that I’m glad to finally have a chance to see them live at midnight Wednesday evening on Red 7’s patio, even if they are going to be in Toronto in a couple weeks at the Opera House opening for Los Campesinos! on April 1.

This Is Fake DIY reports that the band’s next single, “Antibodies”, will be released on cassette tape. Oh, Sky Larkin.

MP3: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Beeline”
Video: Sky Larkin – “Fossil, I”
Video: Sky Larkin – “Molten”
Video: Sky Larkin – “One Of Two”
MySpace: Sky Larkin

I don’t even know when/where/how I stumbled across Austin’s Ume but I’m so very glad I did. Loud and abrasive but with a gooey pop center, they sound to me like Belly covering Nirvana – remember, even though I grew up in the ’80s, I came of age in the ’90s and a combination like that is irresistible. If they can rip it up live the way they do in their video, this is going to as good as I’m hoping. They play at 7:30 tonight at Maggie Mae’s.

Houston Calling and Transmission have features on the band.

MP3: Ume – “The Conductor”
Video: Ume – “The Conductor”
MySpace: Ume

Crocodile are from Oklahoma and sound nothing like the Flaming Lips. Just to be clear. What they do sound like is chirpy, female-fronted guitar pop with just the right dollop of synth in the mix. No angle on this one – just catchy, straight-ahead good tunes. Not to be confused with Crocodiles, who will also be in Austin this week, albeit in an unofficial (no SxSW showcase) capacity. Crocodile (singular) are on at 8 tonight on the rooftop of Wave.

MP3: Crocodile – “August Is Over”
MySpace: Crocodile

I’d been hoping for a chance to see Athens, Georgia’s Venice Is Sinking since first hearing their debut Sorry About The Flowers back in 2006, but figured it was unlikely they’d ever find cause or opportunity to tour this far north. Happily, the release of the follow-up Azar, out March 31, has garnered the band a SxSW showcase – tonight at 10PM at Ace’s Lounge – where I’ll finally get to savour their lush orch-gaze in person. Yes, I said orch-gaze. Shut up.

MP3: Venice Is Sinking – “Ryan’s Song”
MP3: Venice Is Sinking – “Okay”
Video: Venice Is Sinking – “Ryan’s Song”
MySpace: Venice Is Sinking

And that’s just a tiny, tiny sample of the stuff I have on my radar this week. Obviously I won’t see nearly all of it but it’s good to have options. If you’re curious, check out my sched at sched.org and if there’s something I simply must see that’s not on there, lemme know. And I just realized that five of the six aforementioned picks are playing tonight. Go Wednesday!

And some related bits from acts showcasing at SxSW this week.

Austin’s Voxtrot are back, just a little. They’ve offered up a new track to download. Work continues on album number two.

MP3: Voxtrot – “Trepanation Party”

Filter talks to Elvis Perkins.

Soundproof interviews Gentleman Reg.

Decider talks to Asobi Seksu.

Decider also chats with The Pains Of Being Pure At Heart.

Exclaim reports that Echo & The Bunnymen will be releasing a live, orchestrally-enhanced version of Ocean Rain recorded last November in Liverpool, on or around May 1. Needless to say, I’m excited to be seeing them – finally – this week, if in somewhat less auspicious settings than the Liverpool Echo Arena. Which isn’t to say a gay Texan cowboy bar won’t have its own unique charm.

Camera Obscura has released a video for the first single from My Maudlin Career, out April 21, and I daresay this is easily the band’s best album yet. They play Hot Freaks at the Mohawk on Saturday afternoon at 5PM.

Video: Camera Obscura – “French Navy”

Wireless Bollinger interviews The Decemberists, MPR has a session. The Hazards Of Love is out next week.

And a non-SxSW note – to everyone who actually bit on that Stone Roses reunion rumour… silly silly silly silly silly. Everyone knows they’re in Austin to play Stubb’s on Friday night with Metallica. And The Beatles.