Idée FixeWhen you’ve spent much of your life doing one thing, and that one thing draws to a close, it’s not unreasonable to decide to do something completely the opposite next. So for Bry Webb to make his first post-Constantines record Provider a quiet, mainly acoustic affair only stands to reason – particularly for anyone who heard him operating as Harbourcoats before the Cons went on hiatus.

But to suggest that Provider is just the Cons frontman gone unplugged is a grave injustice – this is not a slapdash set of songs recorded on a single mic in his back room. Yes, Provider is quiet, slow, and spare but what elements are there – a persistent, ghostly steel guitar, a low and mournful chorus of horns, a foreboding tremoloed electric guitar- are meticulously arranged around Webb’s rough, resonant vocals to help carry the weight of the songs.

And weight, Provider has plenty of. Weight, meaning and purpose, all of which make the record feel so much bigger than it sounds on the surface. Webb writes from the perspective of one who has had experience in the world and the time to stop and consider it; there is wisdom in his words, rough-hewn and hard-won yet warm and comforting. Though Provider feels intensely personal, it’s not insular and is for its spareness, is welcoming in its own fashion. It may not fill the Constantines-shaped hole in their fanbase’s hearts, but does offer a glimpse directly into Webb’s own.

The Edmonton Journal has two feature pieces on Webb while Exclaim and The National Post talk to him about collaborating with Feist on her new record. He opens up for her at Massey Hall on December 1.

MP3: Bry Webb – “Rivers Of Gold”

In Toronto profiles Katie Stelmanis of Austra, while Quick Before It Melts has premiered the second video in her unplugged Paper Bag Sessions.

The Wooden Sky are making their Holiday Revue shows an annual thing, holding the second one at The Music Gallery on December 10 with special guest Nils Edenloff of The Rural Alberta Advantage; tickets are $20 in advance with proceeds going to support the Daily Bread Food Bank – details at Facebook.

MP3: The Wooden Sky – “Angelina”

And to make official two shows that are already Toronto institutions – New Year’s Eve with Elliott Brood at Lee’s Palace and The Sadies at The Horseshoe. Tickets for the former are $20 in advance, the latter $25.

MP3: Elliot Brood – “Northern Air”
MP3: The Sadies – “Another Year Again”

Canadian Interviews talks to Neil Haverty and Matt Cully of Bruce Peninsula.

Rae Spoon discusses his new album I Can’t Keep All of Our Secrets with Exclaim and has also announced a Canadian tour that brings him to the Gladstone in Toronto on January 27. The record is out January 10 and the first MP3 is now available.

MP3: Rae Spoon – “Crash Landing”

Louise Burns submits to a Q&A from CBC Radio 3; she’s at The Horseshoe on Saturday night opening up for Cuff The Duke.

Exclaim welcomes Kat Burns of Forest City Lovers to their studio for a video session.

The Line Of Best Fit have posted a video session with Kathleen Edwards. Her Voyageur is out January 17 and she plays The Phoenix on February 11.

Pitchfork has details on Leonard Cohen’s new studio album Old Ideas, now officially scheduled for a January 31 release – you can stream the first single from it below.

Stream: Leonard Cohen – “Show Me The Place”

The Line Of Best Fit and Spinner talk to Michael Barclay, co-author of Have Not Been The Same and compiler of the companion Too Cool to Live, Too Smart to Die tribute compilation.

Frank YangIf you have a look over the last couple weeks of posts, you may notice that I’ve been to a number of shows lately; certainly the busiest stretch in some months. So when I say that to get me out of the house for a late Sunday night show on the other side of town would require something pretty dang special, I mean it. Fortunately or unfortunately, I’m not sure which, The Shop at Parts & Labour was hosting just that.

I’d have probably gone if it was just Veronica Falls on the bill. Their debut album, also called Veronica Falls, has been in very heavy rotation hereabouts since its release a couple of weeks ago. Now I knew from seeing them at SXSW that I would like the record – by blending the lyrical and musical darkness of The Velvet Underground with the irresistible melodicism of ’60s girl-group pop and C86 charm, how could I not? – but the sheer addictiveness of the record still took me by surprise. The songwriting is top-notch, the performances scrappy in all the right places but still boast note-perfect harmonies from Roxanne Clifford and James Hoare and runs the exact right length to want to hit repeat on as soon as it ends. If you’re in a certain mood, it’s just about a perfect record. So yeah, when I heard they had added their own show to an off-day whilst on tour in support of The Drums, I pretty much had to be there, school nights be damned.

So yes, the headliners were the draw but the local support was more than gravy. Okay, I didn’t know who Persian Rugs were at first, but when they got up to play and were revealed to be three-fifths of The Airfields – whom I can only assume are either defunct or deeply in mothballs right now – then I figured I knew what I should expect. And yes, the songs led by guitarist Ian Jackson didn’t fall far from the jangly indie-pop sound that made The Airfields a treat, even though he wasn’t the principal songwriter, but it was keyboardist Kaye Hamilton’s songs that really made you take notice. More classically-styled pop and certainly less specific in influence, her songs had sophistication and verve and while the band is clearly still finding its voice, it could well be one worth hearing in the near future.

That’s approximately what I’ve been saying about Carmen Elle over the last few years based on shows in 2006 and last year, and if that sounds like a long time for an artist to develop, note that at that first show she was just 17 and already clearly prodigiously talented. Now, at 22 and fronting the two-piece Army Girls, she’s arrived. On both their debut EP Close To The Bone and live, Army Girls impressed with a lean and incisive guitar-and-drum attack that showcased Elle’s balance of attitude and tunefulness. What I’m most reminded of is the earliest incarnations of Land Of Talk and their urgent, aching rawness and folks, that’s a great thing. Already so assured in what they’re doing, I’m sure the day will come wherein their recipe calls for more – more production, more players, more whatever – and what ensues will probably be wonderful. But for now, just getting started, let us enjoy the moment of being on the cusp of great things and hope they don’t grow up too too fast.

Not that emerging fully-formed on your debut is a bad thing; see my earlier notes on Veronica Falls’ debut album. That degree of polish extended to their live show and even though the basement of Parts & Labour is decidedly less fancy than the stages they’d been playing with The Drums, they still sounded great, taking the opportunity to stretch out beyond their standard opening set and throwing in some new songs and a cover of Roky Erickson’s “Starry Eyes”. It took a few songs to get the mix right but they performed with the perfect balance of cool aloofness and earnest appreciation for the few dozen people who’d come out. It certainly wasn’t enough to fill the place, but was still enough to justify the show and many in attendance had copies of the LP in hand, so there was also that. One hopes that the response on this tour is strong enough to encourage a return, headlining tour because if it doesn’t, well the issue is clearly with us because it’s certainly not with them. They’re simply grand.

DIY has a video session with Veronica Falls and OTM a feature interview with Army Girls.

Photos: Veronica Falls, Army Girls @ The Shop at Parts & Labour – October 2, 2011
MP3: Veronica Falls – “Come On Over”
MP3: Veronica Falls – “Found Love In A Graveyard”
MP3: Persian Rugs – “Always All”
Video: Veronica Falls – “Bad Feeling”
Video: Veronica Falls – “Come On Over”
Video: Veronica Falls – “Beachy Head”
Video: Veronica Falls – “Found Love In A Graveyard”
Stream: Army Girls / Close To The Bone

Esben & The Witch will be releasing a new EP entitled Hexagons come November 7, which you can read about at Matablog and download a track from below.

MP3: Esben & The Witch – “Hexagons II (The Flight)”

Filter and Wales Online interview The Joy Formidable.

The first video from Florence & The Machine’s forthcoming Ceremonials is now out. The album will be released on November 1.

Video: Florence & The Machine – “Shake It Out”

The Line Of Best Fit, The Phoenix, The Vancouver Sun, and The Georgia Straight interview members of Ladytron, in town at The Phoenix tomorrow night.

It’s release day for Feist’s new record Metals! Hence the full slate of features at The Toronto Star, National Post, Vancouver Sun, Winnipeg Free Press, Toronto Sun, and The Wall Street Journal. She’s at Massey Hall on December 1.

aux.tv has an interview with Tasseomancy, who play The Great Hall on October 20 and then The Phoenix on December 1 opening for Austra.

When is a new Fucked Up video not a new Fucked Up video? When it’s for a song from their fake Record Store Day compilation David’s Town. Fucked Up (as Fucked Up) play The Mod Club on October 11.

MP3: Fucked Up (as Animal Man) – “Do You Feed?”
Video: Fucked Up (as Animal Man) – “Do You Feed?”

It looks like the complete, first video from Coeur de Pirate’s forthcoming Blonde is out. The record itself comes out November 8 and she plays The Mod Club on November 11.

Video: Coeur de Pirate – “Adieu”

Forest City Lovers have released a new video from last year’s wonderful Carriage.

Video: Forest City Lovers – “Keep The Kids Inside”

Adam & The Amethysts’ new record Flickering Flashlight has a new download and video to mark its official release today. They play a record release show at The Piston tomorrow night.

MP3: Adam & The Amethysts – “Dreaming”
Video: Adam & The Amethysts – “Dreaming”

Their album release show for Metal Meets in the books as a success, Ohbijou have announced they’ll be playing an in-store at Soundscapes on Friday, October 7, starting at 7PM.

MP3: Ohbijou – “Niagara”

Emily Haines gives Spin an update on how progress is coming on the new Metric album.

Kevin Drew tells The Huffington Post that this time the Broken Social Scene breakup/extended hiatus rumours are quite possibly true this time. Really. He means it.

The Line Of Best Fit has posted their eighteenth “Oh! Canada” download compilation for you to download, share and enjoy. So go download, share and enjoy.

And finally, all the whining about the Bon Iver show at The Sound Academy in August – even though it was completely and utterly sold out – appears to have paid off because everyone’s favourite sensitive autotuned falsetto has scheduled a return engagement for December 6 in the infinitely more appropriate environs of Massey Hall. Tickets are $44.50 to $49.50 plus fees and the presale begins on Wednesday at 10AM; hit up collectiveconcerts.com at 10PM tonight for the link and password, and if you strike out on getting seats, the public onsale is Saturday morning.

MP3: Bon Iver – “Calgary”
MP3: Bon Iver – “Holocene”

Anton CorbijnIt only took about six minutes via Twitter to announce the forty albums long-listed for the sixth edition of the Polaris Music Prize, we’ll have the next three weeks to argue over their relative merits and come July 6, when the ten record-strong short list is announced, another couple months to hash those out before the September 19 gala in Toronto when a yet-to-be-determined grand jury declares their pick for the best Canadian album of the past year. And there’s more at stake this year than in the past, literally-speaking – the grand prize purse has been increased from $20000 to $30000 and for the first time, the other short listed artists will go home with more than a poster and an understanding of how Shad feels; they’ll all take home $2000 prizes.

I’ve no doubt that much of the aforementioned debate will center around a certain record from a certain Montreal outfit that’s cleaned up at major awards worldwide. It almost seems like a foregone conclusion that they’ll do the same here, but if there’s one thing that past Polaris winners have shown, it’s that the jury likes the underdog and the more successful you are, the less likely you are to add this particular statuette to your mantle. If there was a statuette, that is. Having served my grand juror duty back in 2008, I’m happy that I won’t have to be part of the decision-making process on this one, but I would love to be a fly on the wall of the creepy jury room in the Masonic Temple that Monday evening in September, you bet your sweet bippy.

As for my part in this process, it’s just about done – four of my five picks made the long list, which means that I have to revisit my ballot and pick a longlisted record to replace the one that failed to garner quite enough journo love country-wide. And without going back over past ballot posts to see if this is redundant or not, I’ll quickly outline my personal criteria for my picks. Beyond the obvious, “do I like it a lot?”, I ask myself if the record is or feels “important”, whether for music, Canadian music or just the artist’s own narrative. If that sounds nebulous, that’s because it is. I know some people agonize over these sorts of lists, but honestly I find them pretty simple – I don’t pick the records I think are worthy, they tell me if they are. And so, without further ado, here was my Polaris long list ballot for 2011 with some explanations.

1. Arcade Fire / The Suburbs
Even though this wasn’t even amongst my favourite albums of 2010, taking into the Polaris mandate of rewarding the album with the greatest artistic merit I accepted that this had to be at the top of my list. It’s an album with thematic and musical ambitions that you simply don’t see much of or often enough. And while its reach does exceed its grasp at a few points, said grasp is still higher than most would even consider aspiring to, and the end result strikes a universal chord you can’t deny.
Video: Arcade Fire – “We Used To Wait”

2. Destroyer / Kaputt
Destroyer has always made excellent records, so that the most un-Destroyer record yet would also be maybe the best one is something not many saw coming. But by going lounge and trading (some) guitars for smooth synths and saxes, Dan Bejar has created an immersive sonic world that’s sleek, sad and sexy.
MP3: Destroyer – “Chinatown”

3. Miracle Fortress / Was I The Wave?
By the time I heard this record in early March, the Polaris-judging part of my brain was just about full and most of my ballot complete – or so I thought. Graham Van Pelt’s retro-futuristic sophomore effort refused release my attention though, holding it like some irresistibly shiny object dancing hypnotically in front of my eyes/ears. Which it essentially is.
MP3: Miracle Fortress – “Raw Spectacle”

4. Olenka & The Autumn Lovers / And Now We Sing
About as small and local a release as you’re likely to find discussed in Polaris circles, I didn’t really expect this one to make the long list, but certainly not because it’s not as good or better than the albums that did. Time has proven that my last-minute, gut-instinct inclusion of Sing on my 2010 year-end list was justified; it’s a special record, more people simply need to hear it.
MP3: Olenka & The Autumn Lovers – “Odessa”

5. Sloan / The Double Cross
If the Polaris was awarded to the the best first three songs on a record, then everyone else could just go home – Sloan would take it in a cake walk. The pop veterans celebrated their twentieth anniversary by making their strongest record in a decade and reminding anyone who’s taken them for granted – which is to say everyone – just how good they could be.
MP3: Sloan – “The Answer Was You”

I have a little while to rejig my ballot to replace the Olenka record with something else off the long list. I have a few options I’m weighing. Maybe I’ll fill you in when a decision is made. Maybe.

Spin has got a 30-minute Arcade Fire video feature from MuchMusic’s The Wedge, wherein the band are interviewed by Damian Abraham, frontman for 2009 Polaris champs Fucked Up. Fucked Up are also featured in Blare, Spin, NOW and Spinner. Their two NXNE appearances now done, their next local show will be on August 9 at the Air Canada Centre opening up for Foo Fighters.

While on the topic of former Polaris recipients, since they’ll be in town to hand over the title of “reigning Polaris Music Prize winner” on the 19th of September, Karkwa have scheduled a Canadian tour that includes show at Lee’s Palace for September 17, tickets $12.

MP3: Karkwa – “Dors Dans Mon Sang”

Though they’ve got two NXNE showcases this week – tonight at The Garrison, tomorrow at The Great Hall, long-listers Braids have scheduled another as part of a Fall tour – they’ll be at The Horseshoe on October 14. Spinner has an interview.

MP3: Braids – “Lemonade”

The Quietus and Sydney Morning Herald interview Dan Bejar of Destroyer.

NOW talks NXNE with PS I Love You, whose debut Meet Me At The Muster Station made the long list cut.

All three acts playing the free show at Yonge-Dundas Square tonight made the 2011 long list; The National Post talks to Stars, Spinner and The National Post chat with Land Of Talk’s Liz Powell and The Grid profiles John O’Reagan of Diamond Rings. The Diamond Rings remix rainbow project has also just released a reimagining of a NOW Handsome Furs tune. Stars have a new video.

MP3: Diamond Rings – “What About Us” (Diamond Rings remix)
Video: Stars – “We Don’t Want Your Body”

The Grid has an interview with the aforementioned NOW Handsome Furs, who are at The Garrison on Saturday night and The Horseshoe on August 1.

All three acts who played The Music Gallery last night also got some NXNE media attention; NOW profiled Snowblink, Blare got Evening Hymns’ Jonas Bonetta to give Tom Petty’s Wildflowers some love and The National Post and Post-City talked to Forest City Lovers’ Kat Burns.

Spinner talks to No Joy.

Spinner and NOW have interviews with Chad VanGaalen, who is playing The Great Hall on Saturday night.

Friday nights at Yonge-Dundas Square have been declared as “Indie Friday” and will host a weekly series of free shows to earn the title; particularly notable are shows from The Sadies on July 22 and the double-bill of Zeus and Jason Collett on September 9. All shows are free free free.

MP3: The Sadies – “Another Year Again”
MP3: Jason Collett – “Bitter Beauty”
MP3: Zeus – “Marching Through Your Head”

On July 28, The Tranzac will host the pretty terrific double-bill of Gentleman Reg and Rae Spoon; tickets for the show just $10.

MP3: Gentleman Reg – “We’re In A Thunderstorm”
MP3: Rae Spoon – “Death By Elektro”

And just in time for Summer/Polaris/NXNE/whatever June 17 means to you, The Line Of Best Fit have released their seventeenth (!!!) Oh! Canada downloadable mix.

Warner Bros.Or at least we are the first batch of acts officially announced on Tuesday for this year’s NXNE festival, running June 16 through 19 around Toronto. It’s certainly not all of them, but there’s some moderate to big names in there and perhaps most key, the headliners for the free shows at Yonge-Dundas Square that have become the centrepiece of the fest have been revealed.

While there’s no one quite of the stature of last year’s Saturday night marquee of Iggy & The Stooges, New Wave legends Devo have certainly got the pedigree to act as a worthy centrepiece for this year’s event. They and their energy domes and jumpsuits will be headlining the YDS Stage on the Saturday night, closing off what will likely be a full day’s slate of acts. They were here in Fall 2009 offering full-album performances of Q: Are We Not Men and Freedom Of Choice, but have since released their first new album in forever with last year’s Something For Everybody. Which, I’m sure, the masses will want to hear lots of material from at this show. Mm hmm.

And while there’s enough tapped for the free stage that you could have a fine weekend just camped out in front of the Eaton Centre, NXNE is still a club-level fest and there’ll be hundreds more artists from near and far vying for your attention. The schedule won’t be out for a while yet but I’ve managed to cobble together a very early list of who will be playing where and when – obviously all subject to change – and while some of this was previously announced, a lot of it is new:

Thursday, June 16, 2011
The Descendents, OFF!, Rusty, Metz @ Yonge-Dundas Square
Evan Dando & Juliana Hatfield, The Luyas @ Lee’s Palace
Snowblink, Forest City Lovers, Evening Hymns @ The Music Gallery
The Dodos, Deerhoof, Gauntlet Hair @ The Phoenix
Ty Segall, The Dig @ The Garrison
Woodsman @ The El Mocambo

Friday, June 17, 2011
Stars, Land Of Talk, Diamond Rings @ Yonge-Dundas Square
Suuns, No Joy, PS I Love You @ The Horseshoe
Bouncing Souls, Anti-Flag, The Flatliners @ The Phoenix
Art Brut @ The Mod Club
Braids @ The Garrison
Dum Dum Girls, Cults, Superhumanoids, Writer @ Lee’s Palace
Ty Segall, Julianna Barwick, Daniel Pujol, Secret Cities @ Wrongbar

Saturday, June 18, 2011
Devo, Men Without Hats, Cults, Writer @ Yonge-Dundas Square
Twin Shadow, Wild Nothing @ Lee’s Palace
Foster The People @ The Mod Club
Hot Water Music, A Wilhelm Scream, Mockingbird Wish Me Luck, Sharks @ The Opera House
Talk Normal, Prince Rama, AIDS Wolf, Grimes, Doldrums @ 918 Bathurst
Chad Van Gaalen, Braids, Jennifer Castle, Duzheknew, Grimes @ The Great Hall
The Balconies @ Sneaky Dee’s

Sunday, June 19, 2011
Wild Nothing @ The Garrison
The Pharcyde, Digable Planets @ Yonge-Dundas Square

And some of the acts who don’t have any more specific information available besides “they’ll be there” are Crocodiles and Lower Dens. Yeah, I think I can find enough to occupy myself for four evenings or so.

MP3: Art Brut – “Lost Weekend”
MP3: Julianna Barwick – “The Magic Place”
MP3: Braids – “Lemonade”
MP3: Jennifer Castle – “Neverride”
MP3: Cults – “Go Outside”
MP3: Deerhoof – “The Merry Barracks”
MP3: Diamond Rings – “Something Else”
MP3: The Dodos – “Don’t Stop”
MP3: Evening Hymns – “Broken Rifle”
MP3: Forest City Lovers – “Light You Up”
MP3: Foster The People – “Pumped Up Kicks”
MP3: Grimes – “Vanessa”
MP3: Land Of Talk – “Quarry Hymns”
MP3: The Luyas – “Tiny Head”
MP3: No Joy – “Hawaii”
MP3: OFF! – “I Don’t Belong”
MP3: Prince Rama – “Lightening Fossil”
MP3: PS I Love You (featuring Diamond Rings) – “Leftovers”
MP3: Ty Segall – “Girlfriend”
MP3: Snowblink – “Ambergris”
MP3: Stars – “We Don’t Want Your Body”
MP3: Suuns – “Up Past The Nursery”
MP3: Talk Normal – “In A Strangeland”
MP3: Chad Van Gaalen – “Sara”
MP3: Twin Shadow – “Castles In The Snow”
MP3: Woodsman – “Insects”
Video: Devo – “What We Do”
Video: The Descendents – “I’m The One”
Video: Digable Planets – “Rebirth Of Slick”
Video: Men Without Hats – “Safety Dance”
Video: The Pharcyde – “Drop”

If you prefer your festivals a little more rustically-set, Exclaim has the lineup announcement for this year’s Hillside Festival, happening in Guelph from July 22 to 24. The roster reads like a who’s who of up-and-coming Canadian talent, including The Rural Alberta Advantage, Dan Mangan, Karkwa, Little Scream and really too many more to list. Tickets go on sale May 7 at 10AM at $110 for a weekend pass and these sell out quickly every year so don’t dither too long if at all.

And while talking Canadian fests, it’s worth noting that Montreal’s Osheaga added a bunch more acts including Janelle Monae and Broken Social Scene among them, and broken things down day by day.

In other live music news, Steve Earle will be at the HMV at 333 Yonge for a signing and in-store on April 28 at 6PM – you’ll just have to buy a copy of I’ll Never Get Out Of This World Alive when it comes out next Tuesday for tickets. Or wait for his show opening up for Blue Rodeo at the Amphitheatre on August 20.

San Diego’s The Donkeys are in town at a venue to be determined Sneaky Dee’s on May 21 in support of their new record Born With Stripes, out on Tuesday.

MP3: The Donkeys – “Don’t Know Who We Are”

The Baseball Project – aka Scott McCaughey, Steve Wynn, Peter Buck and Linda Pitmon celebrating America’s pastime in song – will bring their second album Volume 2: High & Inside to Lee’s Palace on June 1. And yeah, the Jays are at home that evening against Cleveland. Oregon Live has a feature on the band.

MP3: The Baseball Project – “1976”

Louisiana’s Givers, just here supporting Wye Oak a couple weeks ago, will return for their own show at The Garrison on June 21. Their album In Light is out June 7.

MP3: Givers – “Up Up Up”

With their new record D due out May 24, White Denim have announced a date at The El Mocambo for June 28.

MP3: White Denim – “Anvil Everything”

Antony & The Johnsons have released a new video from last year’s Swanlights

Video: Antony & The Johnsons – “Swanlights”

Spinner reports that one of The National’s next projects will be curating a Grateful Dead tribute album for charity. I can only hope that everyone involved covers “Touch Of Grey” because that’s about the only Dead song I know.

Exclaim talks to Explosions In The Sky guitarist Munaf Rayani about their new record Take Care, Take Care, Take Care, out on Tuesday.

My Morning Jacket frontman Jim James goes over some of his influences for Spin. Their new record Circuital comes out May 31 and they play The Kool Haus on July 11.

Titus Andronicus discusses his love of Fucked Up and plans for following up The Monitor with Spinner.

NPR has a World Cafe session with Iron & Wine while The Washington Post and Boston Herald have interviews with Sam Beam.

Spectrum Culture and Spin interview Michael Benjamin Lerner of Telekinesis. They’re at Lee’s Palace on May 27.

Bon Iver has declared their intention to make the Summer solstice a little more wintry by releasing their new self-titled album on June 21. Details at Pitchfork.

And finally, sympathies to family, friends and fans of TV On The Radio bassist Gerard Smith, who lost his battle with lung cancer yesterday morning. Fuck you, cancer. Just fuck you.

FacebookBeirut and Owen Pallett have a pretty long and storied history together, with the former enlisting the latter to arrange and add strings and things to their last full-length, 2007’s The Flying Club Cup, as well as take lead vocals on the song “Cliquot” while the latter while still operating as Final Fantasy enlisted members of Beirut to play on his Spectrum, 14th Century EP. So yes, hardly strangers.

But even so it still counts as an occasion and a half that the two are teaming up for a show at The Phoenix on August 2. For starters, Beirut has been awfully quiet since The Flying Club Cup, only releasing a pair of EPs in the 2009 March Of The Zapotec/Realpeople Holland set but not dropping much in the way of hints as to when album number three might be coming. There’s been a bone in the way of a cover contribution to a Red Hot Tropicália-themed benefit album – Pitchfork has details and the Beirut cover available to stream – but other than the fact that the band are scheduling live dates and were beagle hunting (in a good way) back in January, no one’s sure what’s coming or when. But something is coming.

As for Pallett, he’s still riding last year’s Heartland but even he’s got some surprises up his sleeve. Specifically, the format change he hinted at before SXSW appears to be in effect as a press release received yesterday referred to him as, Owen Pallet et Les Mouches, Les Mouches being the name of the three-piece band with whom he played before dedicating himself to Final Fantasy. In other words, he appears to have done gone and gotten a band. Update: This was actually confirmed last week and it is indeed Pallett’s former collaborators in Les Mouches circa 2005 who will be backing him.

Beirut’s first show in Toronto in some four years would have been plenty of reason to get mobilized for when the $32.50 tickets go on sale Thursday, but factor in the addition of a probably all-new, all-different Owen Pallett experience to the bill, all in a venue a touch smaller than the one Beirut played last time (the dearly departed Danforth)? Well, dawdle at your own risk.

And if you needed a reminder of how great the Beirut live experience can be, re-watch the Flying Club Cup videos.

MP3: Beirut – “Postcards From Italy”
MP3: Owen Pallett – “Lewis Takes Off His Shirt”
MP3: Final Fantasy (with Beirut) – “The Butcher”

In other show announcements, The Horseshoe will host a fundraiser for the Toronto chapter of Girls Rock Camp on May 5 and have assembled a lineup – fittingly – of girls who rock, led by Julie Doiron and also featuring Forest City Lovers and Gramercy Riffs. Tickets are $12.00

MP3: Julie Doiron – “Consolation Prize”
MP3: Forest City Lovers – “Light You Up”
MP3: Gramercy Riffs – “Call Me”

Salient points: Neil Young. Bert Jansch. Massey Hall. May 10 and 11, 2011. Tickets $89.50, $139.50 & $189.50 plus fees. On sale Friday at 10AM. Solo, electric and acoustic. Neil’s first time back at Massey since Fall 2007. Expensive as hell but quite possibly/probably worth it. And that second show is on my birthday, yo.

Video: Neil Young – “Walk With Me”

Way on the other side of the musical spectrum but still pretty significant – Odd Future Wolf Gang Kill Them All, aka Odd Future, aka OFWGKTA, aka the future of hip hop, aka the craziest thing anyone saw at SXSW, is coming to Toronto. They’ll be at The Mod Club on May 15, tickets $29.25 on sale Friday at 10AM via Ticketmaster. If you’re going, prepare yourself. For what? No one knows. That’s the point.

Video: Odd Future – “Sandwiches” (live on Jimmy Fallon)

With the July 8 date now sold out, a second Girl Talk show has been added for the following night, July 9. Still at the Sound Academy, tickets $30.

With the May 3 release of Helplessness Blues imminent, Fleet Foxes have added a new leg to their North American tour and it includes a July 14 stop at Massey Hall, site of their ridiculously triumphant show in August 2009. Tickets range from $35.50 to $45.50 and go on sale April 21 at 10AM.

MP3: Fleet Foxes – “Helplessness Blues”

Brooklyn’s Twin Sister have made a date at The El Mocambo for July 19, tickets $10.

MP3: Twin Sister – “Ginger”

It’s worth noting that Montreal’s Osheaga festival announced their lineup on Monday night and as with past years, it’s a solid lineup led by one Eminem and also touting Elvis Costello, The Flaming Lips doing a Soft Bulletin recital, Death Cab For Cutie and more. The fest goes three days from July 29 to July 31 at Parc Jean-Drapeau and three-day passes go on sale Friday.

And while not in the same class as Osheaga, Kingston’s Wolfe Island Music Festival has always punched above its weight class as far as talent goes and excelled at creating a nice and intimate vibe. This year’s edition takes place on August 5 and 6 and the lineup features Stars, Great Lake Swimmers, Plants & Animals, The Wooden Sky, Paul Langlois (of The Tragically Hip) and Jenn Grant with more to be announced. Two-day passes go on sale May 20 for $60.

MP3: Stars – “We Don’t Want Your Body”
MP3: Great Lake Swimmers – “Pulling On A Line”
MP3: Plants & Animals – “Tom Cruz”
MP3: The Wooden Sky – “Something Hiding For Us In The Night”
Video: Jenn Grant – “Getcha Good”

I had thought I might get to some non-show related news but you know what? I’m beat. But if you’re still, I dunno, bored at work and looking for something to read – and in particular if you’re a band or label or PR person – this piece at Culture Bully about dealing with blogger types is worth a look. There is truth and wisdom in those words, though I would add to NOT send blogs 8×10 glossy photos. And if you have to ask why…