Frank YangI’m sure that the timing was just coincidence, but if Friday night’s Wavelength show at the Buddhist temple at 918 Bathurst featuring Bry Webb and Del Bel was meant as a last-minute bit of lobbying for my Polaris Prize ballot – long-list voting had opened that day – then I salute them. Well played. Though I’ve had a year to mull it over, there was very little actually locked down on my list of the top five Canadian “albums of the highest artistic integrity, without regard to musical genre, professional affiliation, or sales history”, and both Webb’s Provider and Del Bel’s Oneric were very much in the running.

I’d seen Del Bel at another Wavelength in January and Webb’s record release show in February, and while the live show is not supposed to have any bearing on the nomination process, this wasn’t going to hurt with keeping them front of mind. But this show was intended to mark Del Bel’s return from a couple weeks of Canadian touring and celebrate the release of their new single – a collaboration with Webb – and not to squeeze their way onto any Polaris ballots at the 11th hour. I think.

Del Bel’s set was structurally quite similar to the one in January – Webb’s guesting on the new single “No Cure For Loneliness” was obviously different – but better from the band’s point of view for having been road-tested the past weeks and better from mine for having had many more months to spend with Oneric. Some combination of the two points – probably more the latter – made it much easier to extract and appreciate the songs from their atmospheric cinematic-noir style, and as far as the performance went, the shifts in mood felt more natural and dextrous than before and while singer Lisa Conway still preferred to stand behind her bandmates while she sang, she had less of a wallflower air about her this time out, coming across more mysterious than just shy. Touring: it does a band good.

I don’t think Bry Webb has taken his band out on the road for any extended jaunts since Provider came out, but with over a decade of fronting Constantines before they went on hiatus to his name, he hardly needs the practice of getting in front of an audience. If there was an immediate difference between this night’s show and the one at the Music Gallery in the Winter, it was that Webb had found his guitar strap and was playing standing up although it still wouldn’t mean forays into the audience – electrical noise on stage kept him fairly rooted to one spot to avoid interference. It also featured a few new songs to augment the Provider material but the enlistment of Del Bel’s horns and drummer for a good portion of the set really gave things an extra kick to augment the more solemn, low-key tone of the material. And while Webb’s solo material exists a good distance from what the Constantines were about, there was a taste of the old band’s fire when Webb stepped up for a righteous lead break on “Low Life” which he dedicated to former bandmate Will Kidman. On the other hand, it was impossible to imagine the Cons covering Seals & Croft’s “Summer Breeze” as Webb and seven-ninths of Del Bel (two of whom, it should be noted, are also full-time Providers) did to end their main set.

There’s little question that Oneric and Provider are two of the finest releases to come out of Toronto/southern Ontario in the past year; this evening was strong proof of that. But would that be enough to get them on the Polaris long-list, short-lists, or my ballot for either? To the first two, I’ve no idea and to the last, well we’ll just have to wait and see.

NOW had both a preview piece on Del Bel for the show and a review of the show; Singing Lamb and BlogTO were also in attendance.

Photos: Bry Webb, Del Bel @ 918 Bathurst – June 1, 2012
MP3: Bry Webb – “Rivers Of Gold”
MP3: Del Bel with Bry Webb – “No Cure For Loneliness”
Stream: Del Bel / Oneric

NPR is streaming a short film that Neil Young has made to coincide with the release of his new album with Crazy Horse Americana, out this week.

The June 12 release date of Synthetica not far off, Metric is ramping up the media cycle with a complete stream of the new record, a cover story in this month’s Exclaim, and a fans-only show on the day of release at The Opera House; details on how to win tickets will be available by hanging out on the band’s various social media sites.

Stream: Metric / Synthetica

Spinner and The Winnipeg Free Press talk to Japandroids about not breaking up. They’re at Lee’s Palace on June 23.

Willamette Weekly and San Francisco Bay Guardian chat briefly with Dan Bejar of Destroyer, whose previously Record Store Day-only vinyl edition of Destroyer’s Rubies is now available for anyone/everyone to own and spin.

Grimes has made another MP3 from her breakout album Visions available to download; she’s at Historic Fort York as part of the Full Flex Express on July 13.

MP3: Grimes – “Circumambient”

And speaking of shows at Fort York, I’ve made some jokes about how Toronto seems to be commemorating the bicentennial of the War Of 1812 with nothing but raves, but there’s now something a little more musically patriotic and family-friendly happening to mark the anniversary. On July 14, The Garrison Commons at Fort York will host a free show featuring performances from Sarah Harmer, Shad, The Rural Alberta Advantage, and Alex Cuba. Specifics are still forthcoming so keeping up with the Facebook page probably isn’t a bad idea.

MP3: Shad – “Rose Garden”
MP3: The Rural Alberta Advantage – “Stamp”
Video: Sarah Harmer – “Almost”
Video: Alex Cuba – “Cabello”

Macleans talks to Don Pyle about the Shadowy Men On A Shadowy Planet reunion, which hits Lee’s Palace on July 14.

Exclaim and The Grid have feature pieces on Cold Specks and Exclaim also ups the ante with a video session. Cold Specks are at The Great Hall on August 8.

Daytrotter has a session and NOW and interview with Great Lake Swimmers, who will be at The Molson Amphitheatre on August 18 opening up for Blue Rodeo.

Leonard Cohen has added a second Toronto show at the Air Canada Centre for December 5, to go along with the December 4 one that is just about sold out now. Tickets range from $72.50 to $250 plus fees. And while you mull that over, check out Clash‘s liste of ten things you didn’t know about Lenny.

Their show at The Music Hall sold out and in the books, Patrick Watson has announced another Toronto date for December 6 at Massey Hall with The Barr Brothers supporting; tickets are $24.50 to $35.00 plus fees, on sale now. NPR also has a Tiny Desk Concert, PostCity and interview, and a second MP3 from Adventures In Your Own Backyard has been made available to download.

MP3: Patrick Watson – “Words In The Fire”

BlogTO has the full lineup of this year’s Open Roof Festival, which pairs bands and movies for a night under the stars at the Amsterdam Brewery all Summer. You’ve got bands like Army Girls, Bruce Peninsula, and The Magic and films like Moonrise Kingdom, Charles Bradley: Soul of America, and Indie Game: The Movie – a bad time can’t be had (okay it can but it shouldn’t). Tickets for each night are $15.

Young Galaxy are releasing a new 7″ single tomorrow and the B-side is available to download courtesy of Stereogum. And if you liked what they accomplished on Shapeshifter working with producer Dan Lissvik electronically across the ocean, imagine what they could do working directly with him in the studio. If you’d like the see that happen, the band would like you to help out.

MP3: Young Galaxy – “Youth Is Wasted On The Young”

77 Square, Pioneer Press, City Pages, Isthmus, and Columbus Alive talk to Feist.

Liam MaloneyThe Canadian music scene got a little/lot less rock last night when word got out that Handsome Furs – the Wolf Parade spin-off that arguably equalled or bettered that project – had hung it up. Word came via a blog post without much in the way of explanation, and considering the previous post was in reference to cancelling European tour dates in March due to an “urgent health issues”, one can only hope that this is a decision that Dan Boeckner and Alexei Perry are choosing to make rather than having it forced upon them.

Boeckner’s fans are surely reeling considering this is two of his bands retired in the past eighteen months, but according to the The Victoria Times-Colonist, he’s already got a new project in the pipe – based out of his new apparent homebase of Los Angeles – so maybe people won’t have to wait to hear his distinctive yelp coming out of their speakers again. Maybe he’s just trying to keep up with former bandmate Spencer Krug in terms of bands on their CV?

In any case, this announcement makes last year’s fist-clenchingly synth-soaked Sound Kapital the final word from the band. Not a bad note to go out on. And, of course, the fact that Canadian journos will go into the long weekend with Handsome Furs on the brain and a little over a week to assemble our Polaris Prize ballots may give the already favoured Sound Kapital a little extra push… not to mention if they make the short list, maybe they could be persuaded to play one, final gig for the gala in September. Hey, I’m just spitballing here.

MP3: Handsome Furs – “Repatriated”
MP3: Handsome Furs – “What About Us”
MP3: Handsome Furs – “Radio Kaliningrad”
MP3: Handsome Furs – “I’m Confused”
MP3: Handsome Furs – “Cannot Get, Started”
MP3: Handsome Furs – “What We Had”
Video: Handsome Furs – “Serve The People”
Video: Handsome Furs – “What About Us”
Video: Handsome Furs – “I’m Confused”
Video: Handsome Furs – “Cannot Get Started”
Video: Handsome Furs – “Dumb Animals”

Blurt gets to know Patrick Watson. He’s at the Music Hall on May 29.

Denver Westword and The San Francisco Chronicle profile Plants & Animals; they play Yonge-Dundas Square the evening of June 15 for NXNE.

The AV Club interviews Paul Saulnier of PS I Love You.

Feist hits the street for the latest video from Metals.

Video: Feist – “Cicadas & Gulls”

Yeah that’s all for today. I need to slink into the long weekend and get away for a bit.

Jim AndersonMy first encounter with Cold Specks wasn’t a terrific one. Though opening up a sold-out show for St. Vincent in one’s hometown as Al Spx did last December would seem as ideal a scenario as one could hope for, the reality was decidedly less so. Despite having already accumulated some overseas buzz with a couple singles, Cold Specks as a seated, two-guitar duo had trouble holding the attention of the audience with her low-key, self-described “doom soul” though those of use close enough to the stage to feel the heaviness of her songs could attest to feeling their gravity. It would have been nice to have been blown away but getting filed under, “keep an ear out for” isn’t bad.

Making a note to pay attention turns out to have not been necessary, as it turnes out, as Cold Specks’ debut album I Predict A Graceful Expulsion – out next Tuesday – does a fine job of demanding attention all on its own. It’s a fully-produced affair – not what I would have expected based on those early impressions – with Spx’s raw yet delicate vocals augmented by a full band, tasteful horns and strings, and even backing choir when necessary. While some may have wished for a more skeletal sound to reinforce the desolate bluesiness inherent in Spx’s voice, the musical dressings never become ostentatious and create a necessary amount of sonic variety and dynamicism across the run of the album.

And most importantly, Spx’s remarkable voice is given a goodly amount of space at all times and remains firmly in the fore, delivering songwriting filled with stark imagery. It’s well-suited to Spx and draws the most direct line to her most obvious musical roots, the gospel spirituals and field hollers of early 20th century. Cold Specks probably would have impressed if it were devoted simply to reviving that sound, goodness knows Spx has the gifts to do so and could easily have gotten away with it, but Expulsion instead channels it through more modern musical filters and it comes out timeless.

Cold Specks is at The Music Hall on June 2 supporting Great Lake Swimmers. DIY and Exclaim have feature while The Guardian is streaming the album in its entirety ahead of its release. And to round things out, Rolling Stone have premiered a new video from the record.

Video: Cold Specks – “Winter Solstice”
Video: Cold Specks – “Holland”
Video: Cold Specks – “Blank Maps”
Stream: Cold Specks / I Predict A Graceful Expulsion

Feist has finally relented to reissue her long-out of print debut album Monarch – but only on vinyl. Which is fine because you all have turntables, right? Of course you do.

Video: Feist – “It’s Cool To Love Your Family”

Neil Young & Crazy Horse have put out another video from Americana, out June 5. Using stock film footage is letting them just churn these things out.

Video: Neil Young & Crazy Horse – “Jesus’ Chariot (She’ll Be Coming ‘Round The Mountain)”

Stereogum talks to Emily Haines of Metric about their new record Synthetica, out June 12.

Uzine chats with Dan Mangan. He plays a free show at Pecault Square the afternoon of June 16 for LuminaTO.

Frank YangFriday nights usually find Torontonians spoilt for entertainment options and tonight will be no exception, but if you’re at all unsure of what to do with your evening then consider heading down to Lee’s Palace. It’s hosting a benefit concert for three young Oakville boys whom, following a tragic series of events, were orphaned in January of this year and in addition to all the emotional devastation, were left in a dire financial situation.

Their uncle, however, was a founding member of The Hidden Cameras and has deep connections to the Guelph and Toronto music communities and has organized a benefit show at Lee’s that will feature performances from some of the best this city has to offer, including Owen Pallett, Basia Bulat, Sandro Perri, Bry Webb, Jim Guthrie, Nathan Lawr, Andre Ethier, Ohbijou’s Casey Mecija and Light Fires.

Tickets for the show are $15 in advance and at the door, and proceeds will go to both a trust fund for the boys and Halton Women’s Place. Specifics can be found at the Facebook event and there are feature pieces on the benefit at The Grid and CBC Music. And if you can’t make it and still want to help out, donations can be made at Newman Boys Trust Fund. There’s not really any more worthy cause than this.

MP3: Owen Pallett – “A Man With No Ankles”
MP3: Basia Bulat – “Gold Rush”
MP3: Bry Webb – “Rivers Of Gold”

Saturday is Record Store Day and, while you’ve already been briefed on the day-long in-store festival at the Annex location of Sonic Boom, but that’s not the only place you can enjoy some live music on whilst getting your shopping on – Soundscapes will be hosting Toronto’s next great power-pop hopes The Elwins at 7PM. They’ll surely have copies of their debut And I Thank You for sale – they just debuted a new video from it – but in the spirit of the occasion they’ll also have a limited-edition handmade CD containing a new remix and their cover of Beyonce’s “Countdown”, which will also be available to download free via their Bandcamp.

Video: The Elwins – “Are You Flying With A Different Bird?”

While on the topic of Record Store Day, one of the more sought-after releases is sure to be the Feistadon release – that’s Feist/Mastadon covering each other on either side of a split-7″ – and if you’re not lucky enough to get your hands on one you can at least hear it via stream.

Stream: Feist – “Black Tongue” (Mastadon cover)
Stream: Mastadon – “A Commotion”

The split-7″ between Toronto’s METZ and Fresh Snow is probably one of the more limited releases out there tomorrow – it’s only available at Sonic Boom. METZ contribute a cover of Sparklehorse’s “Pig” and Fresh Snow’s new track continues to establish them as one of the city’s new bands to watch, building on a rock-steady Krautrock foundation with horns and pretty, interesting things. They’re playing a Sonic Boom in-store tomorrow at 6 and are at The Boat on May 9. Both sides of the release are up for stream.

Stream: METZ – “Pig” (Sparklehorse cover)
Stream: Fresh Snow – “BMX-Based Tactics”

And oh, if you’re planning on spending oodles of money on vinyl and are going to listen to them on a turntable you bought at Urban Outfitters… read this New York Times piece on turntables and set a little money aside to save up for a Rega. You’re welcome. There’s also chats with some of Toronto’s record stores about RSD at Plaid and across the pond, The Stool Pigeon has an interview with Martin Mills, head of the Beggars group of independent labels (Matador/4AD/XL) about the annual event.

NOW and Post City talk to Plants & Animals, who are at Sonic Boom tomorrow afternoon before their show at Lee’s Palace that night, and then will be at NXNE in June and are allegedly going to on the bill with Sam Roberts at Echo Beach on July 26. All of which is to say that if you are a Plants & Animals fan, you have no excuse whatsoever for not seeing them play. Unless you’re just lazy. Can’t argue with that.

The Chronicle-Herald talks to Rose Cousins, in town at The Rivoli on May 3.

Exclaim and Spinner chat with Patrick Watson while aux.tv points to a mini-documentary on the making of his latest album Adventures In Your Own Backyard. He plays The Music Hall on May 29.

Spinner collects some more details on the new Metric album Synthetica, due June 12.

Dan Mangan is the subject of a just-released short documentary film. He plays a free show at Pecault Square on the afternoon of June 16 for LuminaTO.

Video: In The Car With Dan Mangan

Hidden Cameras fans wondering why the band’s recently-announced itinerary of eastern Canada dates didn’t include a hometown show in Toronto now have their answer – the band will be playing a free show at Harbourfront Centre on Canada Day, July 1. I remember seeing them on that same stage for the Indie Unlimited festival back in August 2006. And now I feel terribly old.

MP3: The Hidden Cameras = “In The NA”
MP3: The Hidden Cameras – “Walk On”

The big fest announcement hereabouts this week was NXNE, but Guelph’s Hillside Festival also let the world know who would be gathering on the shores of Guelph Lake from July 27 to 29 – Bry Webb, Cold Specks, Kathleen Edwards, Great Lake Swimmers, Memoryhouse, Chad VanGaalen and more.

NPR is streaming a World Cafe session with Grimes and The List has an interview.

KillbeatIf we were to spool up the Wayback Machine to November 2006, you’d find a post where I confessed that sending me a lovely slab of vinyl was a pretty good way to get to the top of my “to listen to” pile… something that apparently still holds true over a half decade later. But as I pointed out even way back then, a listen is not the same as a writeup so I find it comforting to know that Camp Radio still has the goods to impress in whatever format they’re auditioned on.

The three-piece comprised of Ottawa scene veterans released Campista Socialista last Fall but the five-year gap between it and their 2006 self-titled debut shouldn’t be attributed to overthinking or obsessive tweaking – Campista sounds like it was tossed off in an afternoon, and that’s meant in the very best way. It’s a short and spirited collection of guitar-driven power pop that’s high on energy and melody and low on frills, more than a little reminiscent of the sounds of American college rock circa the mid-’90s that are back in vogue. Sure, some of the harmonies might be imperfect but they’re well-intentioned and endearing in their wobbles and most importantly, they sound great while you, they, everyone, is pogoing around.

Camp Radio play The Horseshoe tomorrow night as part of Nu Music Nite. As always, it’s free and worth your while – they’re on at 9PM sharp.

MP3: Camp Radio – “The Girl Who Stole My Motorbike”
MP3: Camp Radio – “Turn Up The Radio”

Exclaim, Beatroute and CBC Radio 3 talk to The Darcys, performing at The Phoenix on March 1 in support of Bombay Bicycle Club and July 12 at Downsview Park for Edgefest.

The AV Club, Yahoo, and JAM talk to John K. Samson. He’s premiered the first video from Provincial over at IFC and will be at The Great Hall on March 22.

Video: John K. Samson – “Longitudinal Centre”

Le Blogotheque stages a Take-Away Show with Woodpigeon.

Exclaim reports that Patrick Watson will be releasing their new album Adventures In Your Own Backyard on April 30, and the first MP3 from it is already available to download.

MP3: Patrick Watson – “Into Giants”

Under The Radar talks to Graham Van Pelt about what 2011 meant for Miracle Fortress.

A second and much more in-character taste of Memoryhouse’s debut The Slideshow Effect is now up for grabs. The album is out February 28.

MP3: Memoryhouse – “Walk With Me”

Hooded Fang have released a new video from Tosta Mista, just in time – well almost – for their show at The Great Hall on February 24.

Video: Hooded Fang – “Vacationation”

DIY has a video session with Kathleen Edwards, while hour.ca and The Courier-Journal have interviews. She plays The Phoenix on February 11.

The New Zealand Herald has an interview with Feist. And oh, new video.

Video: Feist – “The Bad In Each Other”

The L has a video session with Little Scream, who’s just announced a date at The Great Hall on March 1 opening up for The Barr Brothers.

MP3: Little Scream – “Cannons”

Jenn Grant has rolled out a sweet, split-screened new video from last year’s Honeymoon Punch.

Video: Jenn Grant – “Baby’s Been Away”

NOW talks to Rae Spoon.

And if you’ve ever wondered what it sounds like when Neil Young and Crazy Horse get together – that is, outside of the countless albums they’ve recorded together – head to Neil’s website to hear a 37-minute jam that’s presumably taken from their ongoing recording sessions.