Lance NelsonI won’t presume to have any insight into the relationship between Crutchfield sisters Katie and Allison, but it’s hard to imagine there isn’t at least a little competitiveness between the twins since they disbanded P.S. Eliot, the band they were in together, back in 2011 and re-emerged fronting Waxahatchee out of Philadelphia and Swearin’ in Brooklyn, respectively.

And while Katie pulled well ahead in the critical acclaim department earlier this year with the electrified folk sounds of Cerulean Salt, Allison is making a late-year run with Surfing Strange – a heady, hyper, and hooky slice of melodic punk-rock fuzz that recalls the likes of early Superchunk. Two excellent records that are similar enough to be “RIYL” for one another, but different enough to not have to choose sides.

In the battle of who’s coming to play Toronto first, though, Swearin’ wins. Though both acts spent most of the year on the road criss-crossing America and Europe – often together – a local date for Waxahatchee still hasn’t come together. Swearin’, however, have just announced a Winter tour that will bring them and their tunes to the cozy Parkdale basement we like to call The Shop Under Parts & Labour on March 14; ticket info still forthcoming.

Stereogum has an interview with Swearin’ while The San Francisco Examiner and Dots & Dashes profile Waxahatchee, who also play a Tiny Desk Concert for NPR.

And also worth noting is Great Thunder, a new project that brings Waxahatchee and Swearin’ together, but not in the sisterly way – instead, it pairs Katie Crutchfield with Swearin’ bassist Keith Spencer (who also plays in her band and is her boyfriend). They’ll release a double album in Groovy Kinda Love on December 10 and you can stream it below. As for the Crutchfield sisters together, they covered Grimes for Rookie back in May.

Stream: Swearin’ – “Watered Down”
Video: Swearin’ – “Gold In The Dust Sack”
Stream: Great Thunder / Groovy Kinda Love
Stream: Katie & Allison Crutchfield – “Oblivion”

A whole pile of other shows were announced yesterday, starting with Phosphorescent, who are taking advantage of the fact that their latest album Muchacho is popping up on – and topping – no shortage of year-end lists and have announced more Winter dates; they’ll be at The Mod Club on February 1, tickets $17.50. The Guardian also has an interview with Matthew Houck.

MP3: Phosphorescent – “Song For Zula”

It’s a trans-generational dose of Austin psychedelia as The Black Angels, who released Indigo Meadow back in April, team up with 13th Floor Elevator mastermind Roky Erickson, whose last album was the 2010 Okkervil River collab True Love Cast Out All Evil, for a Winter tour that stops in at The Phoenix on February 11. Tickets for that are $27.50.

MP3: The Black Angels – “Telephone”
Stream: Roky Erickson – “I Walked With A Zombie”

New Jersey electro-artist/producer Com Truise has announced the February 18 release of a new mini-album entitled Wave 1 – stream one of the songs below – and a Winter tour that comes to Wrongbar on February 12. Exclaim has full dates and release details.

Stream: Com Truise – “Declination”

Band Of Horses are setting out on an acoustic tour to coincide with the February 11 release of their unplugged Acoustic At The Ryman set, and will be at the Queen Elizabeth Theatre on February 21, tickets $37.50 and $44.50 in advance.

MP3: Band Of Horses – “No One’s Gonna Love You”

With their first new album in three years – Wig Out At Jagbags – ready for release on January 7, Stephen Malkmus & The Jicks are hitting the road with Philadelphia’s Disappears and will be at Lee’s Palace on February 22, tickets $26.50.

MP3: Disappears – “New Fast”
Lyric Video: Stephen Malkmus & The Jicks – “Lariat”

Xiu Xiu released their Nina Simone covers record Nina this week – stream it at USA Today – and have put together some Spring dates to support it. Look for them at The Garrison on March 9, tickets $10.

Video: Xiu Xiu – “You’d Be So Nice”
Stream: Xiu Xiu / Nina

Shearwater – who cover Xiu Xiu on their own new covers record Fellow Travelers – have announced their tourmates for their upcoming tour: On March 27 at The Horseshoe, they’ll be joined by Death Vessel, who are finally releasing a follow-up to 2008’s Nothing Is Precious Enough For Us in Island Intervals on February 25 – and Jesca Hoop, whose The House That Jack Built came out last year. Jonathan Meiburg of Shearwater penned piece about the covers album for The Talkhouse.

Video: Jesca Hoop – “Ode To Banksy”
Stream: Death Vessel – “Ilsa Drown”

The War On Drugs have come clean on their new album, entitled Lost In The Dream and out March 18. You can stream a new song below, read an interview with Adam Granduciel at The Line Of Best Fit, and make plans around their Spring tour dates which include April 14 at The Horseshoe and/or April 15 at Lee’s Palace; probably not both. The band’s own website and PR says 14th at The ‘Shoe, so let’s circle that one. Update: It’s the Horseshoe, April 14, tickets $16.50.

Stream: The War On Drugs – “Red Eyes”

NPR has a video session with Darkside, who’re at Lee’s Palace on January 15.

Details are still vague, but The Line of Best Fit reports that the new St. Vincent album will be out on February 25.

Pitchfork has details on a new record from Brooklyn’s The Men; the optimistically-titled Tomorrow’s Hits comes out March 4.

Rolling Stone gets insight into the new Drive-By Truckers record, entitled English Oceans and coming March 4.

With this Fall’s Emancipated Hearts expressly called a mini-album, it’s technically accurate to call Dean Wareham’s forthcoming self-titled, Jim James-produced full-length his solo debut. It’s out March 11 and Consequence Of Sound has specifics.

Stereogum points out that The Pains Of Being Pure At Heart have quietly rolled out a video for the title track of 2011’s Belong, serving as a pointed reminder that we’re well overdue for new material from them.

Video: The Pains Of Being Pure At Heart – “Belong”

Kurt Vile chats with Tone Deaf, Houston Press, and FasterLouder, and reacts to being named one of GQ‘s “Men Of The Year”.

The 405 and Metro Active have interviews with Sonic Youth’s Lee Ranaldo.

NPR has a Tiny Desk Concert and Daytrotter a “stand behind whatever piece of furniture you like” session with The Dismemberment Plan.

Drowned In Sound meets Local Natives.

The AV Club gets a little more information from The Walkmen about their “extreme hiatus”, which begins after their show in Philadelphia tonight.

James OrlandoOf all the throwback, garage-rock bands that surfaced over the last few years, it’s been Los Angeles’ Dum Dum Girls who’ve been most likely to both break away from the pack and out of the stylistic pigeonhole. Besides having by far the best visual aesthetic, formidable melodic sensibilities, and Dee Dee Penny’s uncanny Chrissie Hynde-alike vocals, they had songs that were more sophisticated than their peers’ by half. Penny made no efforts to hide her fondness for classic British indie rock or prevent their influence from imbuing her own compositions, and by doing so her slow, melancholic numbers are as stirring as the rockers.

As a result, the breadth of the Dum Dum Girls sound has grown immensely over the course of two full-lengths and a handful of EPs without ever abandoning their girl group in a garage roots and so the announcement of their third album, alluded to in a Stereogum interview last week, is exciting news to those curious what they’ll do next. The new full-length will be called Too True and be released on January 28 of the new year. Pitchfork has all the specifics that there are to be had right now, and there’s a first video available to watch.

Video: Dum Dum Girls – “Lost Boys And Girls Club”

Stereogum and NPR talk to Eric Pulido about stepping up to become Midlake’s new frontman. Their new album Antiphon is out this week and they’ve got a new video for the title track.

Video: Midlake – “Antiphon”

Wall Street Journal is streaming The Coincidentalist, the latest album from king of the desert Howe Gelb, which is out as of this week.

Stream: Howe Gelb / The Coincidentalist

NYC Taper is sharing a recording of Sebadoh’s stop in New York last week; the band have also offered an interview to The Village Voice and made a new b-side available to stream via Stereogum. They’re going to be at The Horseshoe on November 8.

Stream: Sebadoh – “No Wound”

Albert Hammond Jr talks to PopMatters ahead of his solo show at The Phoenix on November 10. He’s also released a new video from the AHJ EP via Complex.

Video: Albert Hammond Jr – “Carnal Cruise”

Grizzly Bear are streaming another of the bonus tracks that will appear on the Shields: Expanded edition coming out November 12.

Stream: Grizzly Bear – “Listen and Wait”

Stereogum and Rolling Stone talk to Wayne Coyne of The Flaming Lips about their new Peace Sword EP, out digitally now and physically on November 29. You can hear one of the new songs via Rolling Stone and check out an in-studio Tame Impala cover for good measure.

Stream: The Flaming Lips – “”
Video: The Flaming Lips – “Elephant” (Tame Impala cover)

Detroit duo Dale Earnhardt Jr. Jr. are coming back to town for a headlining show in support of their new record The Speed Of Things on March 14 at The Hoxton; English electronic artist Chad Valley will open up.

MP3: Dale Earnhardt Jr Jr – “Vocal Chords”
MP3: Chad Valley – “Fast Challenges”

Wye Oak talks to Spin about the directions their third album, coming in 2014, is taking. Apparently that includes less guitars, which makes perfect sense since Jenn Wasner is such a terrible guitarist </sarcasm>.

Neko Case and company got in the seasonal spirit when recording a Hallowe’en Tiny Desk Concert for NPR; she’s also interviewed by The Boston Globe.

Rhett Miller talks to Rolling Stone about keeping it loud and loose on the next Old 97’s record and teaming up with some Decemberists for his next solo record. He also chats with Jambands.

And as for The Decemberists, Colin Meloy tells Rolling Stone he’s been writing new material for the band while attending to his solo pursuits.

Will Sheff of Okkervil River chats with Drowned In Sound.

The Rumpus interviews Dean Wareham.

Merge Records has announced details of their 25th anniversary subscription series, which will run throughout 2014 as the Or Thousands Of Prizes box set. And to mark the occasion (as well as the occasion of Hallowe’en last week), Superchunk have released a new Misfits cover.

Stream: Superchunk – “Children In Heat”

Chris CunninghamConsidering how busy they were leading up to and around the release of their 2010 debut album The Fool – five Toronto shows in the span of 18 months, for example – it was eminently understandable that Los Angeles’ Warpaint would want to take some time off before getting back at it.

But three years is quite long enough, thanks, so news of their second album is welcome indeed. The record will be called Warpaint, but don’t look for any title track as the song “Warpaint” already showed up on The Fool, though I suppose there’s no rule that you can’t write more than one song of the same name. Hell, they could call every song on the album “Warpaint” if they like, so long as they’re as reality-bendingly mesmerizing as everything they’ve done so far, and from the first new song that’s been made available to stream – definitively not called “Warpaint” – they will be.

Pitchfork has details on the album – co-produced by the band and Flood and mixed by Flood and Nigel Godrich – which is out January 21 in the new year, while The Fly talked to drummer Stella Mozgawa about how the sessions went. In addition to the new song stream, there’s a trailer for something of the same name – the song, the album, a video, a documentary, it’s not clear – by director Chris Cunningham, who documented the band at work over the last two years.

Stream: Warpaint – “Love Is To Die”
Trailer: Warpaint – “Love Is To Die”

Clash and The Irish Examiner talk to Midlake v2.0, who are streaming their new album Antiphon at NPR ahead of its official release on November 5.

Stream: Midlake / Antiphon

PopDose talks to Tanya Donelly about her Swan Song Series of EPs, of which there are currently three volumes with a fourth on schedule for release in the next week or so.

Under The Radar interviews Sebadoh, coming to town for a show at The Horseshoe on November 8.

Albert Hammond Jr talks to Rolling Stone and Washington Square News about matters both solo and Strokes; he’s here in the former context at The Phoenix on November 10.

Brooklyn’s Beach Fossils have made a date at The Horseshoe for November 17 in support of their new album Clash The Truth, from which they’ve just released a new vid. Tickets for that are $14.50 in advance.

MP3: Beach Fossils – “Shallow”
Video: Beach Fossils – “Generational Synthetic”

Spin is streaming another song from the Beachwood Sparks issue of their previously unreleased debut album Desert Skies, coming November 20.

Stream: Beachwood Sparks – “Watery Moonlight”

Le Blogotheque has posted a Take-Away Show with Charles Bradley, who returns to town for a show at The Kool Haus on December 12.

Stereogum checks in with Dee Dee of Dum Dum Girls about how their next record is coming along; it should be out early next year.

Rolling Stone talks to Josh Tillman about the next Father John Misty record.

Rolling Stone has premiered the new video from Okkervil River’s The Silver Gymnasium and Spin has a second video for a remix of the same song done by Will Sheff’s Lovestreams alter ego – you can also download said remix. There’s also an interview at The Province and over at Gawker, Sheff has penned a tribute to the late Lou Reed.

MP3: Okkervil River – “Stay Young” (Lovestreams remix)
Video: Okkervil River – “Stay Young”
Video: Okkervil River – “Stay Young” (Lovestreams remix)

Also with a Reed eulogy worth reading is Dean Wareham over at Salon; Wareham opened up for the Velvet Underground reunion in the ’90s while fronting Luna.

Drowned In Sound interviews of Montreal.

Under The Radar has posted an interview with Neko Case as well as an extra piece chock full of bonus material.

Peter Ellenby2013 marks the tenth anniversary of all kinds of things – the US invasion of Iraq, Lost In Translation, the passing of both Johnny and June Carter Cash – but also the debut of a television show called The O.C. which hand to god I have never watched but know of because it catapulted one of my then-favourite bands in Death Cab For Cutie from bubbling-under buzz band into bona fide (indie-scale) stars. Well their endorsement, plus the momentum of Ben Gibbard’s other project The Postal Service, and also the release of the band’s most beloved album in Transatlanticism. I personally preferred its predecessor The Photo Album, but a generation of indie kids came of age to this record and so its decade anniversary is almost certainly making a lot of people feel really old right now; my world and welcome to it.

In any case, it’s a milestone that merits commemoration and the band’s former and spiritual home of Barsuk Records is doing so with the re-release of the album on double vinyl, after several years out of print, and as a bonus have released the original demos for the record alongside it. The set of song sketches comes as a download with the LP or can be purchased on its own. Both versions of the record are available to stream right now at NPR before being officially released next week on October 29.

Entertainment Weekly and Consequence of Sound have pieces on why the album endures, and if you’re more about living in the now than the past, Billboard reports that they’re back in the studio working on their next record.

MP3: Death Cab For Cutie – “Title and Registration”
Stream: Death Cab For Cutie / Transatlanticism 10th Anniversary Edition

Another tenth anniversary of a much sadder note came to pass this week; the passing of Elliott Smith a decade ago this week. Tributes abound online, but Pitchfork has assembled an impressive oral history of the songwriter’s career.

Spin has an advance stream of Widowspeak’s new EP The Swamps, which sees official release on October 29. They’re in town at The Silver Dollar on November 2.

Stream: Widowspeak / The Swamps

Paste talks to The Head & The Heart, in town for a show at the Danforth Music Hall on October 31.

Matablog has posted a new track from the forthcoming and inevitable deluxe edition of Kurt Vile’s last album Wakin’ On A Pretty Haze: Deluxe Edition (Post Haze), out November 19.

MP3: Kurt Vile – “Feel My Pain”

Tone Deaf chats with James McNew of Yo La Tengo. The deluxe edition of their latest album Fade comes out November 19.

Sub Pop is really emphasizing the “Pop” with the release of a Low/Shearwater split 7″ for Black Friday Record Store Day on November 29; the a-side will feature Low’s already-released Rihanna cover, while the b-side unveils Shearwater’s take on Frank Ocean. Proceeds go to charity, vinyl is limited to 3500 copies, and both tracks will be made available digitally.

Stream: Low – “Stay”

Pixies have released another video from their recent EP-1, which they’re using to justify their show at Massey Hall on January 15.

Video: Pixies – “Andro Queen”

Electronic duo Darkside have released a new video from Psychic; they’re at Lee’s Palace on January 15.

Video: Darkside – “Metatron”

Brooklyn’s Hospitality have announced a January 27 release date for their second album Trouble; check out a trailer for it and check out their 2012 self-titled debut if you don’t know why they’re a good band.

Trailer: Hospitality / Trouble

The reunited Dismemberment Plan continue to be a topic of discussion with MTV Hive, Stereogum, Paste, and The 405, and NYC Taper has posted a recording of their recent Terminal 5 show in New York.

Dean Wareham has released a video from his solo mini-album Emancipated Hearts.

Video: Dean Wareham – “Love Is Colder Than Death”

Jim James has put out another video from his solo record Regions Of Light and Sound Of God.

Video: Jim James – “State of the Art (A.E.I.O.U.)”

DIY talks to Kevin Barnes of Of Montreal.

Will Sheff of Okkervil River talks to The Guardian.

The Big Takeover and examiner.com interview Charlie Hilton of Blouse.

To celebrate their 20,000th Twitter follower, Superchunk have posted an acoustic version of “Breaking Down”, which appears fully electrified on their latest I Hate Music.

Stream: Superchunk – “Breaking Down” (acoustic)

Aquarium Drunkard interviews the Kadane/Johnson/Bazan-powered beast that is Overseas.

Shervin LainezI will admit, first impressions of Uncanney Valley – the first album from Washington, DC’s Dismemberment Plan since 2001’s Change – was disappointment. And it’s not that I came to it with excessive expectations. I counted myself a fan of the band at the end run of their existence, but mostly of their tremendously entertaining live performances with 2002’s Death & Dismemberment tour with a then-unknown Death Cab For Cutie and their 2003 farewell show being very fond memories. But in the years of their absence, I came to appreciate how singular their blend of post-pop-hardcore-math-punk-art-rock was, and how no one ever really stepped into their oddly-shaped void in indie rock, or even tried. So comeback album? Yes, please.

So why disappointment? I’m not sure. Valley seemed to lack the manic energy, unpredictable creativity, and general weirdness that made the other records unique. It sounded like the Plan, but not the Plan I remembered. But it also still didn’t sound like anything else out there, so it stayed in rotation and before long, its own merits – and not those of its predecessors – became what I focused on, and those merits were many. Yeah the tempos were a little slower and the energy probably measured at a few less joules, but top to bottom Valley was the work of a more mature and tuneful Dismemberment Plan.

Everything that makes the Plan the Plan – Travis Morrison’s mile-a-minute delivery and off-kilter lyrical imagery, Eric Axelson’s oddly funky basslines, Jason Caddell’s creatively jagged guitarwork, and Joe Easley’s heavily nimble drumming – are in place and show no signs of rust, though if I were in charge of the mix said drums would be higher in the mix. While the likes of “Mexico City Christmas” and “White Collar White Trash” tap into their darker sides, it’s the more chipper “Waiting” and “Let’s Just Go To The Dogs Tonight” that set the tone for the record. There’s a relaxedness to the proceedings that might seem contrary to the nervous energy that infused their earlier work, but they wear it well. I as much as anyone should be able to appreciate that you in your 40s is not, cannot be, and should not be you in your 20s and Uncanney Valley is the sound of a band that knows that and is fine with it. The Dismemberment Plan circa 2013 might not be the same Dismemberment Plan circa 2001, but there’s still no one like either of them.

NPR has posted an advance stream of the record, which is out officially next week on October 15. Wired, Filter, and What’s On Tap have interviews with the band, and for the bonus round, the Plan stops in at The AV Club to cover Heart’s “Barracuda”, done straight but great because you do not fuck with “Barracuda”.

Stream: The Dismemberment Plan / Uncanney Valley

Under The Radar and Yahoo! Canada talk to Kevin Barnes of Of Montreal about their new album lousy with sylvianbriar, out this week.

Elle has premiered the new video from Lissie’s just-released new album Back To Forever, which is still streaming at Rolling Stone; she’s at the Adelaide Music Hall on November 21.

Video: Lissie – “Sleepwalking”
Stream: Lissie / Back To Forever

Interview talks to Lee Ranaldo about his just-released new record Last Night On Earth; he and The Dust are at The Horseshoe on October 11.

With a week to go before the October 15 release of Emancipated Hearts, Dean Wareham has made the mini-album available to stream via Spin.

Stream: Dean Wareham / Emancipated Hearts

Refinery 29 talks to Cameron Mesirow of Glasser, whose new album Interiors came out this week. She plays The Drake Underground on October 13.

Pitchfork has an advance stream of Campfire Songs, the new acoustic EP from The Men, out October 15. They play The Horseshoe on October 20.

Stream: The Men / Campfire Songs

The Head & The Heart have given Rolling Stone the nod to stream their new album Let’s Be Still, before it comes out October 15. Mother Jones has an interview with the band, who’re at The Danforth Music Hall on October 31.

Stream: The Head & The Heart / Let’s Be Still

Also out next week and streaming at NPR is Static, the second album from Cults. It brings them to Lee’s Palace on November 25.

Stream: Cults / Static

Pitchfork checks in with Fiona Apple, whose tour with Blake Mills brings her to The Queen Elizabeth Theatre on October 17.

Consequence Of Sound has got a stream of a new Yo La Tengo song which will be released as a 7″ single on November 5 and also appear as one of the bonus tracks on Fade Deluxe when it comes out on November 19.

Stream: Yo La Tengo – “Super Kiwi”

Rolling Stone talks to Frank Black of Pixies about their plans to stay relevant ten years into their reunion. They’ve already had cast changes with the Roseanne-esque swapping of Kims on bass, are finally releasing new if underwhelming new material via a series of EPs complete with new video, and now another North American tour that kicks off in Toronto at Massey Hall on January 15, tickets ranging from $44.50 to $79.50, FIDLAR supporting.

MP3: Pixies – “Bagboy”
MP3: FIDLAR – “Got No Money”
Video: Pixies – “Andro Queen”

Those who like a little more Danger Mouse in their Shins will be happy to know a second Broken Bells album is on the way; they just released a trailer for After The Disco, which is due out in January.

Trailer: Broken Bells / After The Disco

After releasing her debut Neptune City on a major and the follow-up Mondo Amore on an indie, it just makes sense that for her third album Slow Phaser, Nicole Atkins would start her own label and release it via PledgeMusic. She’s soliciting donations now and with the two-month window, it stands to reason that the new album will be out sometime in early 2014.

NPR puts Superchunk behind a Tiny Desk and demands a concert.

NPR has a KCRW session with Jim James available to stream.