Posts Tagged ‘David Bowie’

Thursday, November 11th, 2010

Here And Now

Ride going Nowhere again

Photo via MyspaceMyspaceThough I suspect they fall just on the wrong side of the bands reuniting vs profitability equation for them to ever get back together – if Radiohead couldn’t convince them to do it a few years back and open for them in their mutual hometown of Oxford, no one can – there’s still just enough going on with shoegaze godheads Ride that I can justify leading a post with this website’s namesake once in a while.

And in this case, it’s that Under The Radar reports their debut album Nowhere will be getting (another) reissue on December 21 via Rhino in commemoration of the record’s 20th anniversary. In addition to the eight tracks that appeared on the original LP, the three tracks from the Fall EP that were appended onto the original CD version and the four tracks from the brilliant Today Forever EP that were added to the 2001 reissue, in order to encourage those who already own one or more of the previous editions, this version will come with a second five-track CD featuring a 1991-vintage live show in Los Angeles. Can’t say as that I’ll be rushing out to pick this up, but it pleases me that there’s still enough interest and respect in the band and their music to justify packages like this. Update: Blurt has more details on the set, including the fact that the live disc will be a full 12 tracks and a heavyweight vinyl edition of the original eight-song Nowhere will also be released. Sweet.

MP3: Ride – “Vapour Trail”
Video: Ride – “Vapour Trail”

Some good, Ride-related news is that Andy Bell is again playing guitar. Bad news is that it’s in Beady Eye, Liam Gallagher’s new band with the bits of Oasis he’s not related to. They just made their first single available for download from their website and… well, it’s not going to make anyone forget that Noel was the songwriting talent of the band. Not even a little. The full-length is due next year Tangentially, Alan McGee tells BBC6 that he expects the Gallagher brothers to make up and re-form Oasis within a few years. I believe him.

Band Of Horses have announced Mojave 3 as support on their upcoming UK tour – this is exciting not because I will be attending any of those shows, but because it confirms Mojave 3 as an ongoing concern for Neil Halstead and hopefully Rachel Goswell. The band’s status post-Puzzles Of You has not been very clear, what with Goswell’s health concerns and Halstead’s solo career, but they’re still here! Huzzah.

MP3: Mojave 3 – “Some Kinda Angel” (live @ KCRW)

The Guardian and Vanity Fair look at the just-announced Pulp reunion and why it feels a little different/better than most other reunions despite it almost certainly just being done for the money. Elsewhere, 33revolutionsperminute dissects “Common People”.

Clash sends Kele to interview Gary Numan

Under The Radar reports that the recordings Laura Marling and Mumford & Sons made with The Dharohar Project while on tour in India earlier this year will be getting digitally released as an EP on December 7 entitled Laura Marling & Mumford & Sons & The Dharohar Project. Pitchfork is also streaming both sides of Marling’s just-released 7″ featuring Jackson C Frank and Neil Young covers. Mumford & Sons play a sold-out show at the Sound Academy on Saturday.

English post-punk godfathers Gang Of Four have slated a North American tour in support of their new album Content, due January 25. The tour begins on February 4 at the Phoenix in Toronto; tickets $30 in advance.

MP3: Gang Of Four – “Never Pay For The Farm”

Both Spin and Rolling Stone wonder, “where have you gone, David Bowie?” and come up with no answers that imply a return to music anytime soon, if ever. Coincidentally, The AV Club has assembled a primer on the works and phases of the Thin White Duke.

Sunday, October 24th, 2010

"Scary Monsters (and Super Creeps)"

Superchunk covers David Bowie

Image vis AmazonAmazonI was originally going to save this for next week so that it could go up ON Hallowe’en, but then realized that if I did that, it’d only be timely for a day and then be like the jack o’lantern that sits on the porch from November 1, slowly mouldering and having bits of its face eaten by raccoons. Okay, that’s not quite what I meant to say but it’s going up today so you can add it to Hallowe’en mixes, play it at parties, what have you.

“It” being Superchunk’s cover of the title track from David Bowie’s 1980 album, originally released as a b-side to the “1000 Pounds” single, circa Come Pick Me Up, and again on their 2004 b-sides compilation Cup Of Sand. I don’t know if there was any compelling reason to choose this particular Bowie tune, but they rip it up so why not?

Superchunk returned to active duty this year after nine years away with the excellent Majesty Shredding and will make a long-awaited return to Toronto on December 9 in a supporting slot for Broken Social Scene at the Sound Academy. David Bowie has been unofficially retired since 2003’s Reality, not touring since heart surgery cut short the promo jaunt for said record in 2004. In the interim, his legend has only grown as a new generation of indie kids discover his work and if/when he ever makes a new record or tours, the news would break Twitter in half. In the meantime, he is happily being David Bowie and probably ignoring calls from Coachella to come play their festival daily, if not hourly.

MP3: Superchunk – “Scary Monsters (and Super Creeps)”
Video: David Bowie – “Scary Monsters (and Super Creeps)” (live)

Thursday, March 11th, 2010

Do Wah Doo

Kate Nash jets across Atlantic for North American tour

Photo By Clare NashClare NashUpdates from the recording sessions for Kate Nash’s follow-up to 2007’s Made Of Bricks were few and far-between, but what did come out – that she was working with Bernard Butler, as famed for his stint as guitarist in Suede as his production work and that boyfriend Ryan Jarman from Brit-rockers The Cribs was hanging around – seemed to imply that her bubbly piano anthems might be taking on a harder edge on the sophomore effort. A theory borne out by the first released MP3 from the album, initially entitled Crayon Full Of Color but since changed to My Best Friend Is You and out on April 20 either way – “I Just Love You More” sounded like a not especially successful attempt at punk rock and certainly not playing to Nash’s strengths – clever wordplay and keen, observational songwriting that’s as humorous as it is pointed.

The first proper single, however, does sound like vintage Kate Nash. “Do Wah Doo”, for which a fun dancing stewardess-themed video has just been released, is very much in line with the best of Bricks, just gussied up with Butler’s signature retro-slick production. In fact it might be a little too similar to those who’d like to see some more growth from album one to two, but if “Do Wah Doo” represents one end of the stylistic spectrum covered on the new record and “I Just Love You More” the other, then My Best Friend Is You should be a fun and interesting listen.

Nash was already announced as one of the artists taking part in this year’s Lilith Fair revival, but this piece in Rolling Stone shows she’s not waiting for Sarah McLachlan’s say-so to bring her new record to North America. Less than a week after the record’s release, Nash is embarking on a small club tour across the continent, starting on April 26 in Toronto at the Mod Club – tickets $22.50. I missed both of Nash’s previous local shows back in 2008, so I’m pretty excited about the opportunity to finally see her live, and in cozy environs no less. And hopefully it will go better than her recent Glasgow show.

The Daily Record and Contact Music have interviews with Nash.

MP3: Kate Nash – “I Just Love You More”
Video: Kate Nash – “Do Wah Doo”

Spin finds out why Victoria Hesketh calls herself Little Boots while NYLON and Metro also have interviews. It seems that it’s not just the Toronto date of her North American tour that’s been scotched – none of her east coast, post-Coachella dates are listed on her website anymore.

Pitchfork has details on the forthcoming album from the all-new. all-different PipettesEarth vs. the Pipettes will be out on June 28 in the UK and if the band believes that it’s the planet Earth that is conspiring to have all their members quit… they may be on to something.

Magnet has an interview with former Delgados frontwoman Emma Pollock, who has been playing guest editor on their site all week. Her second solo record The Law Of Large Numbers came out last week.

MP3: Emma Pollock – “Hug The Harbour”

If the questions posed in these following Spinner quickie SxSW preview interviews look familiar… well, they are. Thankfully the answers are different.

Spinner talks to Frightened Rabbit, whose Winter Of Mixed Drinks finally began this week. They are at the Opera House on May 4.

Fanfarlo chats with Spinner and The Daily Texan. They’re in town with a show at Lee’s Palace on April 9, and Clash reports the band are planning to give away a free live EP in conjunction with this (or some other upcoming) tour.

This Spinner interview with The xx strays from the script a little bit. They’re at the Phoenix on April 4 and the Kool Haus on April 20.

Let’s Wrestle grapples with some questions from Spinner. They’re at the Horseshoe on April 18.

NYC Taper is sharing a recording of a recent show from We Were Promised Jetpacks and oh yeah, there’s one of those Spinner interviews too.

The Line Of Best Fit chats with Field Music. They’re at the Horseshoe next Friday night with The Clientele, with whom 77 Square and City Pages have chats.

The Tripwire has a feature piece on The Big Pink. They play The Mod Club on March 24.

JAM and The Montreal Gazette interview Muse.

The High Wire, heartily endorsed late last year, have made the title track of their new album The Sleep Tape available to download. It starts out small, but quickly becomes a pretty compelling argument for this as one of the best dream-pop records of the year. Which, as of this moment, it is.

MP3: The High Wire – “The Sleep Tape”

Exclaim reports that Belle & Sebastian are off hiatus and headed back into the studio to record album number eight. EIGHT. Goodness.

Daytrotter has a session with Ian McCulloch of Echo & The Bunnymen. They are at The Phoenix on April 23.

Rumoured a little while ago but now official – first-wave shoegazers Chapterhouse have slated a North American tour for this Spring and will kick it off on May 1 at the Horseshoe in Toronto.

Video: Chapterhouse – “Pearl”

Billboard wonders what David Bowie is up to – apparently, not much.

Wednesday, January 6th, 2010

Living This Life

An introduction to The Dutchess & The Duke

Photo By Andrew WaitsAndrew WaitsIt doesn’t seem quite accurate to call this an “introduction” to Seattle’s The Dutchess & The Duke since I technically already wrote up the duo of Jesse Lortz and Kimberly Morrison when I saw them during CMJ 2008, but whatever. My blog, and I can do what I like, and rather than do a review of either their 2008 debut She’s The Dutchess, He’s The Duke or last year’s follow-up Sunset/Sunrise, I’ll mash observations on both together since, thankfully, they’re not too far apart from one another.

The where of it is the fertile juncture where folk, blues and pop intersect and the when is the late ’60s, when the aforementioned stylistic crossroads was occupied by the likes of Dylan and The Rolling Stones and they were arguably making their greatest records. This isn’t to put The Dutchess & The Duke in that same rarefied air, but sonically, those are really the best reference points. Both records are filled with dark, sometimes black, lyricism mitigated by tight harmonies and sweet melodies overtop spare, occasionally sweeping, primarily acoustic arrangements filtered through pleasingly grainy production. It’s a timeless recipe that’s either not used nearly enough or not done nearly well enough but which The Dutchess & The Duke are doing a fine job of keeping alive and vital.

The Dutchess & The Duke are currently on tour and will be at Sneaky Dee’s on January 12. The Arkansas Times has an interview with Jesse Lortz. Update: Luxury Wafers just posted a live session – video and audio – with the band.

MP3: The Dutchess & The Duke – “Living This Life”
MP3: The Dutchess & The Duke – “Hands”
MP3: The Dutchess & The Duke – “Reservoir Park”
Video: The Dutchess & The Duke – “Mary”
MySpace: The Dutchess & The Duke

10,000 Birds has an ornithology-oriented interview with Jonathan Meiburg of Shearwater. Their new record The Golden Archipelago is out February 23.

Stereogum has got a first MP3 from the new Rogue Wave album Permalight, due out March 2. They have a gig at the Mod Club on February 26.

Daytrotter serves up a session with Headlights.

Matador has announced that the forthcoming Pavement reunion will be accompanied by reissues of all their albums on LP and a new compilation album allowing all the youngn’s who don’t understand why all the oldsters are getting all worked up a crash course in Stockton, California’s finest. Quarantine The Past will be out March 9 and rather than announce the complete 23-song tracklist, they’re making a game of it and asking fans to submit their guesses of what the almost-two dozen selections will be and offering some pretty swank prizes in return. To get you started, these two are pretty much shoo-ins – the other 21 are up to you.

MP3: Pavement – “Gold Soundz”
MP3: Pavement – “Rattled By The Rush”

Paste talks to Flaming Lips frontman Wayne Coyne about their Dark Side Of The Moon cover album.

On Monday I linked to an interview with Love Is All about their at-the-time still largely ambiguous third record, then yesterday there was the concert announcement that puts the Swedes at the Horsesehoe on April 3 with Japandroids, implying that the record might be out sooner rather than later and now today – via Pitchfork – are the official details and first sample of Two Thousand And Ten Injuries, out March 23 on Polyvinyl. I feel reasonably confident that there will be no Love Is All content tomorrow. Unless there is.

MP3: Love Is All – “Kungen”

A Place To Bury Strangers have released a new video from Exploding Head while 4AD has got a couple of studio performances from The Big Pink to watch. Both acts are at the Mod Club on March 24.

Video: A Place To Bury Strangers – “Keep Slipping Away”

UK dancey-rocky outfit Hadouken! have a date at the El Mocambo on February 9 in support of their new album For The Masses, due out February 2.

MP3: Hadouken! – “M.A.D.”

Prefix interviews Owen Clarke of Hot Chip. Their new one One Life Stand is out February 9 and they play the Kool Haus on April 20.

TwentyFourBit has details on a Davide Bowie tribute/War Child benefit album due out later this year, and featuring contributions from the likes of Chairlift, Vivian Girls and Keren Ann.

BBC has revealed their long list of candidates for the title of “The Sound of 2010”. I ended up paying quite a bit of attention to much of the class of 2009 so I should probably start getting acquainted with their picks for this year.

Thursday, June 18th, 2009

The Resistance

New release news from Muse, Dodos, Quasi, Lips

Photo via MySpaceMySpaceWhat do you get when you have a pile of random news and links, not a lot of time and definitely not enough caffeine in your system? A post like this.

NME reports that British prog-rock space cadets Muse have announced the release of their fifth studio album, The Resistance, for September 14 with massive world touring to follow. I had thought they might feasible V Fest Toronto headliners, following their shiny red-jumpsuited performance at the first edition in 2006 but they seem to have all their record promotion ducks in a row with the US U2 support dates and the European headlining dates – any visits to Canada will probably come much later.

But there is some V Ontario news – the dates and one of the acts performing have basically been confirmed thanks to Mute Math’s MySpace – they’re listed as performing at V Fest Toronto on August 29 and 30.

The Dodos will release their third album Time To Die on September 15. Expect to hear some of the new material when they open up for Beirut at the Phoenix on July 6 9.

The duo of Sam Coomes and Janet Weiss have reconvened as Quasi have a new, still-untitled record in the can. Look for it to have a name by the time it comes out on October 27.

Wayne Coyne of The Flaming Lips confirms to the BBC that their new record will be a double-disc affair entitled Embryonic and is targeted for a September, though more likely later in the Fall release. He also gives a video interview to Clash. Hey, maybe they can headline V Fest. They still technically owe us a show.

Drowned In Sound has a two-three-part interview with Manic Street Preacher Nicky Wire. NME quotes bandmate James Dean Bradfield as saying that their next album will be a more upbeat affair than their current release, Journal For Plague Lovers.

The New Yorker salutes Sonic Youth, who have released a video from The Eternal. They are at Massey Hall on June 30.

Video: Sonic Youth – “Sacred Trickster”

NPR interviews Elvis Costello, who will be at Massey Hall on August 28.

Bowerbirds are showing off a second MP3 from their new record Upper Air, due out July 7. They will be at Sneaky Dee’s on July 14

MP3: Bowerbirds – “Beneath Your Tree”

Her Acid Tongue album was released last Fall, but Jenny Lewis has only just released a first video from it.

Video: Jenny Lewis – “Black Sand”

Decider interviews The Decemberists, playing a date at the Kool Haus on August 4.

Dinosaur Jr’s J Mascis talks about American Hardcore to The Quietus. Their new record Farm is out next Tuesday.

Magnet has a Q&A with Bob Mould, who is playing guest editor at their website this week. He and his band have a date at the Mod Club on October 5.

Interview interviews An Horse.

Mille-Feuille talks to Anna-Lynne Williams of Trespassers William about her various musical projects.

JAM has an interview with Great Lake Swimmers’ Tony Dekker.

Decider has a talk with Natasha Khan of Bat For Lashes.

Charleston City Paper has an extensive feature on Band Of Horses.

Washington City Paper talks to John Stirratt of Wilco. Wilco (The Album) is out June 30.

The Quietus examines the thespian endeavours of David Bowie.