Frank YangThat whole, “Halifax is the new Seattle” thing that went down in the early ’90s is better known these days for simply having happened than for much of the music that came out of it. Sloan precipitated it and continue to endure, and the likes of Thrush Hermit and Eric’s Trip are still remembered fondly by many and their principals continue to make music, but most Maritime acts who were tipped as the next big, fuzzy, plaid-clad thing some 15 to 20 years ago simply called it a day after a release or two, to be remembered only by faded t-shirts and CD store dollar bins and A&R types who could actually tell you what a donair was.

If The Super Friendz had emerged with their 1995 debut Mock Up Scale Down just a couple years earlier, they could well have rode that Atlantic wave to… something, but as it was, they missed that brief, international feeding frenzy and even if they hadn’t, their ultra-melodic, classically-styled, jangle power-pop probably would have been deemed not nearly grungy enough and left on the vine. As it was, they had to settle for becoming domestic college rock darlings, at least for a couple years. Following a more ambitious yet still eminently hummable second album in Slide Show, the band politely hung it up to do other things. Frontman Matt Murphy would pursue a similar if more ’70s-than-’60s vibe with The Flashing Lights and while the Super Friendz did the reunion thing before the reunion thing was hip – releasing the decidedly more rawk Love Energy in 2003 – it was to be short-lived, but not the end. The quartet accepted an invitation to get back together for this year’s Halifax Pop Explosion – their first show in nine years – and since anything worth doing once is worth doing twice, they added another date in Toronto for this past Friday night.

Opening up were local fixtures The Meligrove Band, whom I’m a bit astonished to find I hadn’t seen live since 2005 though not as astonished as I was to confirm that bassist Michael Small was, indeed, wearing the same t-shirt. Completely apropos of nothing, but it does speak to my ability to retain utterly useless information in my brain. In any case, their set of power-pop – emphasis on the power side of things – was a fine warm-up as well as a reminder that their 2010 release Shimmering Lights was quite good. And if there was any doubt that they were huge fans of their Can-indie forebears, they were put to rest with their closing trifecta of murderecords covers of The Inbreds, Thrush Hermit, and Local Rabbits. They were targeting a pretty specific demographic niche with that, to be sure, but it was a niche that was piled into Lee’s Palace right then and there.

The only explanation I have for having never seen The Super Friendz the first time around was that they never quite made it to Waterloo on the university circuit, at least not while I was on a school term; goodness knows I would have been there if they had. I had caught The Flashing Lights a few times but skipped the 2003 reunion show on account of really not liking Love Energy all that much. Song selection wasn’t going to a problem this time out, though – the front half of the show was Mock Up as far as the eye could see and ear could hear. They opened up with the Charles Austin-sung “When They Paid Me”, then tagging in guitarist Drew Yamada for “Undertow” before Matt Murphy took the mic for “One Day”. I have to admit I never appreciated how spread out the singing and songwriting credits on the records were – a real testament to how well their respective styles gelled into one.

Also remarkable was how well they’ve aged, both the band and the songs. The tunes still brim with youthful energy, evoking a simpler, more innocent time where you could write a song called “Karate Man” and it could be awesome, full stop. Songs were played fairly faithfully to their recorded versions with the exception of some extended guitar breaks by Murphy and a Meligrove stage invasion during “The World’s Most Embarrassing Moment” and while the overall song selection could have featured a little (or a lot) more Slide Show and a little (or a lot) less Love Energy – and the omission of “Forever A Day” was almost criminal – it was hard not to spend most of the night bopping up and down whilst wearing a goofy grin, particularly when they wrapped the main set with “10 lbs” – a moment only matched when the wrapped the encore with “Up & Running”. Two of the best Canadian songs of the ’90s; this is not open to debate.

I hope it’s not taken as dismissive to say that this was primarily a nostalgia show; hundreds of people who either never got to see them live or hadn’t had the opportunity to do so in a decade and a half got their chance. Memories were rekindled and some great songs that hadn’t been played live anywhere by anyone in far too long got to ring out again. I don’t think anyone left Lee’s clamoring for a new record – you can’t go back to being 21 and in university again – but if they wanted to put Mock Up and Slide Show back in print, perhaps on vinyl, well that’d be alright.

Mechanical Forest Sound recorded the show and has posted a couple tracks for listening and reminiscing. Panic Manial also has a review.

Photos: The Super Friendz, The Meligrove Band @ Lee’s Palace – November 16, 2012
MP3: The Meligrove Band – “Half Light”
MP3: The Meligrove Band – “Bones Attack!!!”
Video: The Super Friendz – “Up And Running”
Video: The Super Friendz – “Rescue Us From Boredom”
Video: The Super Friendz – “10 lbs”
Video: The Meligrove Band – “Bones Attack”
Video: The Meligrove Band – “Really Want It”
Video: The Meligrove Band – “Racing To Shimmering Lights”
Video: The Meligrove Band – “Everyone’s A Winner”
Video: The Meligrove Band – “Our Love Will Make The World Go Round”
Video: The Meligrove Band – “Before We Arrive”
Stream: The Super Friendz / Mock Up Scale Down
Stream: The Super Friendz / Slide Show
Stream: The Super Friendz / Love Energy

Rheostatics have added a third show to their own reunion stand at The Horseshoe next month. They’ll play an early show on December 6 at 6:30PM, tickets $29.50 on sale this morning at 10AM. The December 5 and late December 6 shows are completely sold out.

Video: Rheostatics – “A Bad Time To Be Poor”

The Western Star, The Aurora, and The Muse talks to Joel Plaskett, camping out in the Horseshoe for four nights in December from the 12th to the 16th.

Daytrotter has a session with Patrick Watson and NPR is streaming the whole of last week’s show in Washington DC. He’s at Massey Hall on December 6.

Panic Manual, Beatroute, The San Francisco Examiner, and The Georgia Straight interview Al Spx of Cold Specks, opening up for Conor Oberst at Massey Hall on December 8.

Moonface have released a new video from With Siinai: Heartbreaking Bravery.

Video: Moonface – “Headed For The Door”

The 405, Philadelphia Inquirer, and Boston Globe have interviews and Daytrotter a session with METZ.

Andréa de KeijzerShaking out the “Made in Canada” box to kick off the week.

L Con is the sort-of but not-really pseudonym for Lisa Conway, perhaps better known as the voice of Toronto’s moody, art-orch ensemble Del Bel, who’ve been wholly endorsed in these parts. Conway just released her solo debut as L Con in The Ballad Project and while it doesn’t necessarily put a lot of sonic distance between itself and Del Bel’s Oneiric, as the name implies it’s less atmospheric and more song-centric, specifically with string- and horn-laden, torchy ballads that are perfectly suited to Conway’s smoky, forlorn, and strategically soaring vocals.

CBC Music talks to Conway about the new record, which is available to stream in whole, and aux.tv premiered the first video from the release a little while ago. A set of tour dates was just announced and includes a November 24 date at Cinecycle in Toronto.

Video: L Con – “Oh How Love”
Stream: L CON / The Ballad Project

BlogTO talks to emergent disco-pop outfit Diana, whose impressive collective resume includes Army Girls, Destroyer, The Hidden Cameras, and Bonjay. They play the first installment of Fucked Up’s Long Winter series at The Great Hall on November 9.

The Magic, who count Evening Hymns’ Sylvie Smith amongst their members, have released a new video from their debut Ragged Gold. OTM has an interview with the bandleading Gordon brothers.

Video: The Magic – “Call Me Up”

Little bit of trivia – once upon a time, Smith played in a band with John O’Regan of The D’Urbervilles called Habitat; I saw them back in in 2007. That project didn’t last too long but O’Regan has found a little more success with a new non-D’Urbs project he calls Diamond Rings. NOW talks to him about being voted “Toronto’s best male vocalist” in this year’s reader’s poll. He shows off those pipes at The Mod Club on November 29. The Horn also has an interview previewing this past weekend’s appearance at Fun Fun Fun Fest in Austin.

The Quietus talks to Dan Snaith about what separates his Daphni project from his Caribou project.

Evening Hymns have a new video from Spectral Dusk, directed by Bruce Peninsula’s Neil Haverty. Evening Hymns play the Church Of The Redeemer on December 15.

Video: Evening Hymns – “Spirit In The Sky”

Consequence Of Sound has premiered the latest video from Shad’s ’90s-saluting Melancholy & The Infinite Shadness mixtape.

Video: Shad – “It Ain’t Over”

CBC Music has premiered the new video from Cold Specks’ I Predict A Graceful Expulsion, and the b-side from the single release of the song is also available to stream. And if that’s not enough, DIY has a video session with Al Spx and The Coast a short interview. Cold Specks support Conor Oberst at Massey Hall on December 8.

Video: Cold Specks – “Hector”
Stream: Cold Specks – “Post-Operative #8”

Feist has squeezed another video out of Metals.

Video: Feist – “Graveyard”

The Wilderness Of Manitoba have put out a second video from their new record Island Of Echoes.

Video: The Wilderness Of Manitoba – “Echoes”

The 1st Thursday monthly series at The Art Gallery of Ontario will have Yamantaka//Sonic Titan as their musical performer at next month’s edition, happening December 6. The Coast also has an interview.

Video: Yamantaka // Sonic Titan – “Hoshi Neko”

Stereogum interviews Damian Abraham of Fucked Up. They’re also playing the aforementioned Long Winter at The Great Hall on Friday night.

Crystal Castles weren’t able to get their new album III ready for release this Tuesday as originally intended, but they have made another song from it available to stream before its officially out next Tuesday, November 13.

Stream: Crystal Castles – “Affection”

Woodpigeon has announced a February 25 release date for his new record Thumbtacks & Glue, and to hold you over until then, this Fall’s Diamonds tour-only album is now available to mail order.

DIY interviews Grimes.

A.C. Newman chats with DIY.

DIY has written up their visit to the Polaris Music Prize gala in September and in a bit of fun, have rated the respective winners of the Polaris and Mercury Prizes over the last seven years head-to-head.

FacebookThe last time that Evening Hymns graced a Toronto stage, it was back in August as part of the Summerworks festival and came a few days before the official release of their gorgeously heavy second album Spectral Dusk. After that show, which featured a band and lightshow specially assembled for that performance, Jonas Bonnetta and Sylvie Smith – the Evening Hymns principals – jetted across the ocean to tour the record across Europe with friends and album collaborators The Wooden Sky, only returning a couple weeks ago only to set out on a coast-to-coast, cross-Canada tour last week which will keep them working the Trans-Canada Highway until the end of November.

And then they’ll come home.

The band have just announced a tour-ending, hometown performance for December 15 at the Church Of The Redeemer in Toronto, a room that doesn’t frequently host live music but sounds marvelous when it does. It’s hard to think of a more appropriate locale to bookend what has surely been a physically and emotionally draining Autumn for Bonnetta. And to coincide with the Canadian tour and show announcement, CBC Music has made a recording of that August show at The Great Hall available to stream. And yep, it’s as beautiful as I remember it.

MP3: Evening Hymns – “Arrows”
Video: Evening Hymns – “Family Tree”

Also just announced and perhaps of interest – Gentleman Reg will release his third Leisure Life EP of the Fall digitally on November 6, with the collected physical edition coming not long after on November 20 and a hometown release show taking place at The Gladstone on December 2. Details at Exclaim, and all three are available to stream

Stream: Gentleman Reg / Leisure Life Part One
Stream: Gentleman Reg / Leisure Life Part Two
Stream: Gentleman Reg / Leisure Life Part Three

Cold Specks has been added as support for Conor Oberst at Massey Hall on December 8. Remaining tickets range from $39.50 to $69.50.

Video: Cold Specks – “Winter Solstice”

Since they’ll be all rehearsed up for their European tour in November as part of Constellation Records’ 15th anniversary, Do Make Say Think have slated a hometown show for The Opera House on December 7, tickets $15 in advance.

MP3: Do Make Say Think – “The Landlord Is Dead”

Beatroute talks quickly to Plants & Animals, in town at The Great Hall on November 15.

Interview, The Ottawa Citizen, The Grid, and Durham Region talk to John O’Regan of Diamond Rings, bringing his Free Dimensional tour through Toronto to The Mod Club on November 29.

The Broken Speaker talks to The Wooden Sky, playing a tour-ending, homecoming show of their own at The Phoenix on December 1.

Drowned In Sound chats with Japandroids, hitting The Phoenix on December 12.

The Balconies have squeezed a new video out of their now-three-year-old-and-counting self-titled debut. Why yes, that is a passive-aggressive nudge for a new record, how good of you to notice. At least the video is seasonally-themed.

Video: The Balconies – “Do It In The Dark”

The Line Of Best Fit interviews Snowblink.

Spin and The Calgary Herald profile METZ.

The AV Club has a Blogotheque-produced video session with A.C. Newman, guest-starring one Neko Case. They sound great together – they should make a record or something.

NOW talked to The Wilderness Of Manitoba before last week’s record release show at Trinity-St. Paul’s.

Beatroute and Queen’s Journal chat with The Rural Alberta Advantage.

Frank YangOne thing I’ve never understood about the festive season: all the pop cultural gestures we use to celebrate the Winter – the songs, the movies, what have you – are invariably pegged to Christmas or thereabouts, and that’s basically all over a week after the season formally begins. Which means we spend the next three months mired in dark, snowy, slushy despair with no sort of mental respite whatsoever.

Fucked Up apparently understand, and are trying to do something about it with what they’ve dubbed Long Winter. Not, as the name might imply, a John Roderick collaboration – though come on how awesome would that be – but a concert series that vaguely follows in the footsteps of last year’s holiday season charity two–night stand at The Great Hall.

It’s being described as, “a monthly night of immersive and interactive music, installations, visual art, readings, food, and dance to help Toronto get through our long and cold Winter” and the first edition goes November 9 at The Great Hall – circle December 14, January 11, and February 8 for subsequent editions – and will feature live performances from Fucked Up – natch – as well as Diana, the disco-pop intersection of Army Girls’ Carmen Elle and Destroyer’s Joseph Shabason, and pre-teen rockers Unfinished Business. Admission is pay what you can.

BlogTO talked to Fucked Up’s Mike Haliechuk about what they hope to do with the series. He also talked about it with Exclaim back in September when the broad strokes of the series was first announced.

MP3: Fucked Up – “I Hate Summer”
MP3: DIANA – “Born Again”

The release of Diamond Rings’ second album Free Dimensional is almost upon us, and Hype Machine has the record streaming in its entirety before it’s out next Tuesday. The hometown release show for the record goes November 29 at The Mod Club and there’s interviews at The Columbia Tribune, Idolator, Exclaim, and Death & Taxes.

MP3: Diamond Rings – “I’m Just Me”
Stream: Diamond Rings / Free Dimensional

Toronto’s blues-punk outfit July Talk are have just released their self-titled debut and are streaming the whole thing over at Exclaim. They’re at The Horseshoe tomorrow night, October 19.

Stream: July Talk / July Talk

Vancouver’s Pink Mountaintops are heading out on a Fall tour that hits The Garrison on December 11, tickets $15.

MP3: Pink Mountaintops – “Rock’N’Roll Fantasy”
MP3: Pink Mountaintops – “New Drug Queens”

NPR has a World Cafe session with Patrick Watson.

Clash has a feature piece on Cold Specks, who has been added as support for Adam Cohen at Trinity-St. Paul’s on October 25.

The Halifax Chronicle Herald talks to Purity Ring, whose song featuring Danny Brown which was made available to stream a little while ago is now available to download, if carrying it around is your speed. Also, their February 1 show at The Phoenix has just been mad an all-ages affair – celebrate/despair as you see fit.

MP3: Purity Ring w Danny Brown – “Belispeak II”

Neil Young has popped another video out of Psychedelic Pill, which is October 30. He rides Crazy Horse into The Air Canada Centre on November 19.

Video: Neil Young & Crazy Horse – “Twisted Road”

Frank YangA day later than I would have liked – but some things like after parties, gin and tonics, and going to bed way too late can’t be helped – here’s my official writeup of Monday night’s Polaris Music Prize gala, in convenient short and long versions.

The short: Feist won the $30,000 prize for Metals. This pleased some people, displeased others. Eventually, everyone got on with their lives. Some got drunk first. Not naming names.

The long: Despite telling anyone who asked – or who’d listen – that I could see perfectly reasonable scenarios wherein six or seven of this year’s shortlist could walk off with the prize, I was more than a little surprised that in the end, it was Feist. This despite the fact that I become more convinced as time goes by that history will hold her as one of the most creative Canadian artists of this decade. I just thought that for all its artfulness, subtle merits, and general grower-ness, it hadn’t seemed to generate the sort of passion amongst listeners that would allow it to come out on top of such a strong pack of albums through what was surely a rough-and-tumble critical throw-down. Shows what I know.

That announcement came at the end of another largely entertaining Polaris gala, dedicated this year to the memory of Canadian music icon Sam ‘The Record Man’ Sniderman who’d passed away the day before.. Now that it’s in its seventh year, folks pretty much know what to expect: CBC’s Grant Lawrence hosting – this year with MuchMusic’s Lauren Toyota as co-host – cracking a few jokes but mainly passing things off to the journalists/jurors who would introduce each of the nominees and, if they were present, said artist would make an appearance or perform. This year’s live slate included seven of the ten shortlisters, with Japandroids bowing out on account of touring in Europe, Handsome Furs not performing on account of no longer existing, and Drake not showing up on account of being Drake.

The perennial question of, “who plays when?” had an extra angle this year in, “who plays after Fucked Up?” And since it would be unfair to make any one act follow their maniacal live show, the organizers probably did the smart thing in making everyone follow them while also kicking the show off with a bang. With the band laying down David Comes To Life, frontman Damian Abraham wandered onstage in a sweatshirt and backpack, looking like he just ducked out of class at Ryerson to attend to this, and got down to it. Having seen Fucked Up many times, this performance seemed a little more perfunctory than usual – not surprising given the setting, and unlike in 2009, they were here as former champions, not outsiders with something to prove. Still, they sounded good, Abraham still stripped down to his shorts and it was nice hearing Jennifer Castle on hand to reprise her vocals on “The Other Shoe”.

Handsome Furs had their moment next, with Alexei Perry offering an emotional and heartfelt thank you to all – Polaris and public – for their support over the band’s career. CBC has the full text of her acceptance speech, which no matter what came next would be the most moving part of the evening.

While some artists in the past have used the Polaris gala as an opportunity to do something different or fancy, Cold Specks opted to eschew performance frills and played to her strengths, letting her huge, emotive voice carry the songs from I Predict A Graceful Expulsion to the roof of the concert hall while her band played it spare and tasteful. Sticking with the “let the music do the talking” modus, Al Spx offered few words after performance, offering just, “cool” and “thanks”.

Cadence Weapon had the stage next, and playing with just his DJ as he always did, there was a lot of stage for him to work with. Taking advantage of the spotlight and working with efficiency, he got through three songs in his allotted time, rapping, dancing, and as on the nominated Hope In Dirt City, even trying a little actual singing. The beats were turned up loud but still sounded pretty tinny, though that’s less a flaw than a deliberate fidelity choice as on the record. One would hope.

Conversely, Kathleen Edwards only offered up one song, but decked it out with youth choir in addition to her full band. But rather than flirt with excess, “Soft Place To Land” from Voyageur was as vulnerable and bare a performance as the evening would offer. Edwards’ detractors – myself sometimes amongst them – often take issue with the traditionalness of her songwriting, but moments like this were a potent reminder that sometimes words, a voice, and a guitar are all you need. And a youth choir, if you’ve got access to one. Her acceptance speech was also solid and worth transcribing, or at least CBC Music thought so.

It’s possible that Grimes was conscious of how visually static her performance might seem, given that she wouldn’t have the time to deck the stage out in the way she would for her usual shows, so she did the only logical thing to spice it up: she hired a male pole dancer. And so as she went to work assembling the selections from the heavily-favoured Visions live, layering keyboards, triggering samples, and providing vocals, dancer Gary – whom she said she’d only met 10 minutes earlier – wowed the crowd with his moves up and down the stripper pole. It was all very tasteful and artistic, but not entirely PG – after messing up at one point an effected and very amplified, “fuck” rang out. Yup.

While acknowledging that Yamantaka//Sonic Titan might have a tough time recreating the dense and dynamic visual atmosphere of their typical live shows, I had still hoped that they’d be as much of a wild card on the evening’s performances as they were on the shortlist itself. That wasn’t to be, as they played without full costumes or stage props – the kabuki make-up was there, though – and chose the most prog and pop ends of YT//ST – “Reverse Crystal” and “Hoshi Neko” – to introduce themselves. It wasn’t as out there as some might have hoped for, but compared to Cold Specks, it still may as well have been from the furthest reaches of outer space.

Finally, there was Feist. She’d already begun slowly disassembling her Metals touring band when I saw her at FME earlier this month, so it wasn’t surprising that she had assembled a new band for the occasion. And while I didn’t recognize them at first, they were actually all familiar faces – Dan and Daniela from Snowblink on one side of her, AroarA (aka Andrew Whiteman from Broken Social Scene and Ariel Engle) on the other, forming a pretty formidable guitarmy with the added firepower of four-part harmonies. And this goes to what I’d said earlier about her creativity. No one would have said boo if Feist had just performed a couple songs from Metals solo – Feist solo is far from a simple, strummy affair – she instead went out and enlisted a new batch of players and rearranged the songs yet again for maybe a one-off performance. And while the other Metals shows were hardly polite, polished affairs, this was a raw, forceful performance that had the record had this kind of energy, even fewer people would be taking issue with its Polaris win.

And the win. Feist may genuinely not have expected to win – she’d later say she, like so many others, expected Grimes to take it – she reacted pretty quickly to the announcement of her name by Tim Kingsbury and Jeremy Gara of Arcade Fire, repping last year’s winners, and immediately ducked under her table.

Recovering gracefully, she accepted the giant novelty cheque and opened her acceptance speech with the pullquote-ready soundbite, “This was my worst fear”. It’s unclear if she meant public speaking – you’d think she’d be used to having an audience by now – or actually winning the Polaris. The latter would be understandable for as much as Feist is generally universally respected in Canadian music, she’s committed the cardinal-to-some sin of being successful and as soon as her name was announced, you know the “she doesn’t need the money” comments began to swirl. Which, of course, is absolutely no one’s business but hers, but in the post-gala press conference she mentioned that at least some of the winnings would go to support the fight against the Melanchthon mega-quarry north of Toronto. See, there’s an upside when someone who doesn’t necessarily need to pay off van repair bills and bar tabs comes into the prize money.

In any case, the Polaris win is a very nice punctuation point on Feist’s year of Metals, and I’ve no doubt she’ll wear the title of reigning Polaris champ well. And if you don’t like it, just wait twelve months – there’ll be a new musical injustice for you to rage about.

Canada.com, Exclaim, Torontoist, Rolling Stone, Spinner, and The Globe & Mail were all on hand to cover the proceedings, and The Grid has documented the evening in animated .gif form.

Photos from the evening are below, and if you needed a refresher as to the what of the shortlist, I’ve got that too.

Photos: The Polaris Music Prize 2012 Gala @ The Masonic Temple – September 24, 2012

Cadence Weapon / Hope In Dirt City (Upper Class Recordings)
MP3: Cadence Weapon – “Conditioning

Cold Specks / I Predict A Graceful Expulsion (Arts & Crafts)
Video: Cold Specks – “Blank Maps”

Drake / Take Care (Universal Republic)
Video: Drake – “Marvin’s Room”

Kathleen Edwards / Voyageur (Maple Music)
MP3: Kathleen Edwards – “Change The Sheets”

Feist / Metals (Arts & Crafts)
Video: Feist – “The Bad In Each Other”

Fucked Up / David Comes To Life (Matador)
MP3: Fucked Up – “The Other Shoe”

Grimes / Visions (Artbus)
MP3: Grimes – “Oblivion”

Handsome Furs / Sound Kapital (Sub Pop)
MP3: Handsome Furs – “Repatriated”

Japandroids / Celebration Rock (Polyvinyl)
MP3: Japandroids – “Younger Us”

Yamantaka//Sonic Titan / YT//ST (Psychic Handshake)
Video: Yamantaka // Sonic Titan – “Hoshi Neko”

BlogTO grabbed a pre-gala interview with Fucked Up.

DIY has a chat with Grimes.

Spinner talked to Yamantaka//Sonic Titan about the whirlwind of acclaim that brought them from obscurity to the Polaris shortlist, and Pitchfork points to a stream of the band covering David Bowie as a bonus track attached to a new compilation from Paper Bag Records. As part of their 10th anniversary celebrations (which kick off Thursday night at The Great Hall for three evenings and at which new signees Yamantaka//Sonic Titan play Friday), they’ve assembled a tribute album to David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders of Mars – itself turning 40 this year – and it’s available for free download. And while this comp would be noteworthy fun simply for existing, it’s actually really good. Like REALLY good. Listen to it while you read this piece at The National Post about the decade of Paper Bag.

Stream: Yamantaka//Sonic Titan – “John, I’m Only Dancing”

Crystal Castles have released a new video from their still-untitled third album, due out sometime in November. And speaking of November, their November 3 4 show at The Kool Haus is now happening on November 4 3; all tickets are still valid for the new date. And I’ve probably not helped the confusion at all. Sorries. Update 2: Pitchfork reports the album will be called (III) and will be out November 5.

Video: Crystal Castles – “Plague”

Spin has premiered a new video from Caribou extra-electronic side-project Daphni whose debut album Jialong arrives October 16.

Video: Daphni – “Pairs”

Rolling Stone has premiered the first video from Neil Young & Crazy Horse’s new album Psychedelic Pill, and no – they’re still clearly not allotting much budget to their videos in Neil’s camp. We won’t be seeing anything of the calibre of “Wonderin'” anytime soon. The album is out October 30 and they’re at the Air Canada Centre on 19.

Video: Neil Young & Crazy Horse – “Walk Like A Giant”